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9 September 2021
9 September 2021 12:01 AM Uuno Klami (1900-1961) Serenades joyeuses Finnish Radio Symphony Orchestra, Jussi Jalas (conductor) FIYLE 12:07 AM Johann Gottlieb Graun (c.1702-1771) Sinfonia in B flat major, GraunWV A:XII:27 Kore Orchestra, Andrea Buccarella (harpsichord) PLPR 12:17 AM Claude Debussy (1862-1918) Violin Sonata in G minor Janine Jansen (violin), David Kuijken (piano) GBBBC 12:31 AM Peter Ilyich Tchaikovsky (1840-1893) Slavonic March in B flat minor 'March Slave' BBC Philharmonic, Rumon Gamba (conductor) GBBBC 12:41 AM Maria Antonia Walpurgis (1724-1780) Sinfonia from "Talestri, Regina delle Amazzoni" - Dramma per musica Batzdorfer Hofkapelle, Tobias Schade (director) DEWDR 12:48 AM Wolfgang Amadeus Mozart (1756-1791) Sonata for piano (K.281) in B flat major Ingo Dannhorn (piano) AUABC 01:00 AM Luigi Boccherini (1743-1805) Quintet for guitar and strings in D major, G448 Zagreb Guitar Quartet, Varazdin Chamber Orchestra HRHRT 01:19 AM Carl Nielsen (1865-1931) Symphony No.3 (Op.27) "Sinfonia espansiva" Janne Berglund (soprano), Johannes Weisse (baritone), Stavanger Symphony Orchestra, Niklas Willen (conductor) NONRK 02:01 AM Claude Debussy (1862-1918) Estampes, L.100 Kira Frolu (piano) ROROR 02:14 AM Fryderyk Chopin (1810-1849) Etude in C minor Op.10'12 'Revolutionary' Kira Frolu (piano) ROROR 02:17 AM Fryderyk Chopin (1810-1849) Etude in E major, Op.10'3 Kira Frolu (piano) ROROR 02:20 AM Fryderyk Chopin (1810-1849) Etude in C minor Op.25'12 Kira Frolu (piano) ROROR 02:23 AM Constantin Silvestri (1913-1969) Chants nostalgiques, -
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Tue, Jan 26, 2021 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 10:39 Mozart Adagio in B minor, K. 540 Mitsuko Uchida 00264 Philips 412 616 028941261625 00:13:3945:17 Dvorak Cello Concerto in B minor, Op. du Pre/Swedish Radio 07040 Teldec 85340 685738534029 104 Symphony/Celibidache 01:00:2631:11 Beethoven String Quartet No. 9 in C, Op. Tokyo String Quartet 04508 Harmonia 807424 093046742362 59 No. 3 Mundi 01:32:3708:09 Mozart Adagio & Fugue in C minor for Berlin 06660 DG 0005830 028947759546 Strings K. 546 Philharmonic/Karajan 01:42:1618:09 Telemann Paris Quartet No. 11 Kuijken 04867 Sony 63115 074646311523 Bros/Leonhardt 02:01:5529:22 Mozart Sinfonia Concertante in E flat, Frang/Rysanov/Arcang 12341 Warner 08256462 825646276776 K. 364 elo/Cohen Classics 76776 02:32:1726:39 Brahms Clarinet Trio in A minor, Op. Stoltzman/Ax/Ma 02937 Sony 57499 074645749921 114 Classical 03:00:2611:52 Liszt Mephisto Waltz No. 1 Evgeny Kissin 06623 RCA 58420 828765842020 03:13:1834:42 Strauss, R. Symphony in D minor Hong Kong 03667 Marco Polo 8.220323 73009923232 Philharmonic/Scherme rhorn 03:49:0009:52 Schubert Overture to Rosamunde, D. Leipzig Gewandhaus 00217 Philips 412 432 028941243225 797 Orchestra/Masur 04:00:2215:04 Haydn Piano Sonata No. 50 in D Julia Cload 02053 Meridian 84083 N/A 04:16:2628:32 Mozart Symphony No. 29 in A, K. 201 Prague Chamber 05596 Telarc 80300 089408030024 Orch/Mackerras 04:45:58 12:20 Webern In the Summer Wind Philadelphia 10424 Sony 88725417 887254172024 Orchestra/Ormandy 202 04:59:4806:23 Lehar Merry Widow Waltz Richard Hayman 08261 Naxos 8.578041- 747313804177 Symphony 42 05:07:11 21:52 Rachmaninoff Rhapsody on a Theme of Entremont/Philadelphia 04207 Sony 46541 07464465412 Paganini, Op. -
"Aristocrats of High Fidelity"
l'inno and Violin DAME MYRA HESS plays Schumann and 'Request Program' The Great Lady of Music, in her first Angel Record... Schumann Etudes Symphonique and a delightful 'Request Pro- gram' on the 2nd side incl. two Scarlatti sonatas. Granados' Ln lIeja r eel Ruisevuer, Mendelssohn Song without Words, Waltz and Intermezzo of Brahms and her own famous arrangement of Jesu, Joy of Man's Desiring. Angel 35591 Opera Arias. Choral Work. Operetta CALLAS AT LA SCALA: Her Great Revivals MOURA LYMPANY ploys Here Maria Meneghini Callas sings arias from forgotten opera Rachmaninoff Piano Concerto No. 1 in F sharp minor masterpieces which have been revived as vehicles for her great art l'rokofiev Piano Concerto No. 1 in D flat and unique voice: Cherubini. MEDEA; Spontini. LA VES- Conductors: Nicolai Malko I RachmaninoffI ; Walter Su -kind TALE; Bellini. I PURITANI and LA SONNAMBULA. (Prokofiev). Philbannonia Orchestra. Angel 35568 Orchestra and Chorus of La Scala. Conductors: Tullio Serafin and Antonino Vogo. (booklet with texts) Angel 35304 CZIFFRA plays LISZT Hungarian Rhapsodies Nos. 2, 6, 12, 15 brilliant by THE MIKADO (Gilbert and Sullivan) Another Liszt recording the sensational Hungarian pianist. Gyorgy Cziffra. Angel 35429 2nd in the delightful new series of Gilbert and Sullivan operettas conducted by Sir Malcolm Sargent with an all -star east of Note: Cziffra plays Liszt Piano Concerto No. I and Hungarian leading British singers incl. Owen Brannigan I Mikado I. Richard Fantasia (35136) ; Liszt Recital (35528). Lewis (Nanki -Poo). Geraint Evans 1Ko.K.). Elsie Morison (Yum -Yum), Monica Sinclair IKatisha) . Glyndebourne Festival Chorus. Pro Arte Orchestra. -
Gold Medal 2018
Thursday 10 May 7pm, Barbican Hall Gold Medal 2018 Finalists Ljubica Stojanovic Dan-Iulian Drut¸ac Joon Yoon Guildhall Symphony Orchestra James Judd conductor Guildhall School of Music & Drama Barbican Founded in 1880 by the Gold Medal 2018 City of London Corporation Please try to restrain from coughing until the normal breaks in the performance. Chairman of the Board of Governors Thursday 10 May 2018 If you have a mobile phone or digital watch, Deputy John Bennett 7pm, Barbican Hall please ensure that it is turned off during the Principal performance. The Gold Medal, the Guildhall School’s premier Lynne Williams In accordance with requirements of the award for musicians, was founded and endowed Vice–Principal and Director of Music licensing authority, sitting or standing in in 1915 by Sir H. Dixon Kimber Bt MA Jonathan Vaughan any gangway is not permitted. No cameras, tape recorders, other types of Please visit our website at gsmd.ac.uk Finalists recording apparatus may be brought into the auditorium. It is illegal to record any Ljubica Stojanovic piano performance unless prior arrangements Dan-Iulian Drut¸ac violin have been made with the Managing Director Joon Yoon piano and the concert promoter concerned. No eating or drinking is allowed in the The Jury auditorium. Smoking is not permitted Donagh Collins anywhere on the Barbican premises. Kathryn Enticott Paul Hughes Barbican Centre James Judd Silk St, London EC2Y 8DS Jonathan Vaughan (Chair) Administration: 020 7638 4141 Box Office Telephone Bookings: Guildhall Symphony Orchestra 020 7638 8891 (9am-8pm daily: booking fee) James Judd conductor barbican.org.uk The Guildhall School is part of Culture Mile: culturemile.london The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation Gold Medal winners since 1915 Gold Medal 2018 Singers 1979 Patricia Rozario 1947 Mary O White Ljubica Stojanovic piano 1915 Lilian Stiles-Allen 1981 Susan Bickley 1948 Jeremy White Prokofiev Piano Concerto No. -
Boston Symphony Orchestra Concert Programs, Season 90, 1970
IftftXfiSMe BOSTON SYMPHONY ryD r^TJj? QTJ3 A FOUNDED IN 1881 BY HENRY LEE HIGGINSON FRIDAY- SATURDAY 10 TUESDAY A 5 1970-1971 NINETIETH ANNIVERSARY SEASON STRADIVARI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled by anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO., INC. Richard P. Nyquist, President Charles G. Carleton, Vice President 147 Milk Street Boston, Massachusetts 02109 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description mm BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETIETH ANNIVERSARY SEASON 1970-1971 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President FRANCIS W. HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E. MORTON JENNINGS JR JOHN L. THORNDIKE Treasurer EDWARD M. KENNEDY ALLEN G. BARRY HENRY A. LAUGHLIN RICHARD P. CHAPMAN EDWARD G. MURRAY ABRAM T. COLLIER JOHN T. NOONAN MRS HARRIS FAHNESTOCK MRS JAMES H. PERKINS THEODORE P. FERRIS IRVING W. RABB SIDNEY STONEMAN TRUSTEES EMERITUS HENRY B. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
And Progress to St Martin's Chamber Music Competition Final
Competition Final: Tuesday 27 April, 7.30pm Thank you Iceland: Finalists Defy 'Act of God' and progress to St Martin's Chamber Music Competition Final The Piatti String Quartet, Greenwich Trio and Elixir Trio will perform in their bid to become the first ever winners of St Martin's Chamber Music Competition in partnership with Making Music. After making it through the preliminary and semi−final rounds, the three groups will compete for the coveted prize. Piatti String Quartet, stranded in France by the cloud of volcanic ash which wreaked havoc for travellers across Europe last week, drove through the night to a ferry from Dunkirk in order to make their scheduled semi−final last Tuesday 20 April. While those stranded were cursing Iceland's volcanic activity, The Greenwich Trio are newly converted fans of the volcano. As the reserve ensemble for the semi−final of the competition, they were called on Monday 19 April when it became clear that unfortunately, not all semi−finalists would make it back to London to perform, and were offered a place in the semi−final the next day. Their performance of excerpts from Beethoven's Archduke Piano Trio and Ravel Piano Trio in A minor impressed the panel with its vivacity, passion and technical brilliance. Paris based Elixir Trio according to one semi−final panellist, gave the "most extraordinarily moving and engaging" performance of the slow movement from Francaix's Piano Trio to secure their place in Tuesday's final. "We gave them extra points for the violinist's blue hair" joked another panellist, then hastening to add that actually, it was the groups musical performance which saw them succeed. -
The Blake Collection in Memory of Nancy M
The Blake Collection In Memory of Nancy M. Blake BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma. -
Vaughan Williams (1872–1958) Symphony No 4 in F Minor (1934) Symphony No 6 in E Minor (1944–1947)
Sir Antonio Pappano Symphonies Nos 4 & 6 Ralph Vaughan Williams (1872–1958) Symphony No 4 in F Minor (1934) Symphony No 6 in E Minor (1944–1947) Sir Antonio Pappano conductor London Symphony Orchestra Sir Antonio Pappano appears courtesy of Warner Classics – warnerclassics.com Recorded live in DSD 256fs on 12 December 2019 (Symphony No 4) and 15 March 2020 (Symphony No 6) in the Barbican Hall, London Andrew Cornall producer Classic Sound Ltd recording, editing and mastering facilities Jonathan Stokes for Classic Sound Ltd balance engineer, editor, mixing & mastering engineer Neil Hutchinson for Classic Sound Ltd recording engineer French translations / Traductions françaises : © Pascal Bergerault German translations / Übersetzungen: © Ursula Wulfekamp Translation Co-ordinator: Ros Schwartz (Ros Schwartz Translations Ltd) © 2021 London Symphony Orchestra Ltd, London, UK P 2021 London Symphony Orchestra Ltd, London, UK 2 Track list Symphony No 4 in F Minor 1 I. Allegro 8’38” 2 II. Andante moderato 9’56” 3 III. Scherzo. Allegro molto 5’20” 4 IV. Finale con epilogo fugato. Allegro molto 8’45” Symphony No 6 in E Minor 5 I. Allegro 7’39” 6 II. Moderato 9’50” 7 III. Scherzo. Allegro vivace 6’25” 8 IV. Epilogue. Moderato 11’33” Total 68’06” 3 dates in the UK calendar; the first was Election Day, Ralph Vaughan Williams the second the night before the announcement Symphonies Nos 4 & 6 of the closure of all concert venues and theatres due to COVID 19. For years, I’d had my heart set on conducting the Fourth; its bewildering audacity knocked me off It’s often remarked in concert lore that on such my feet when I first heard it. -
RCA LHMV 1 His Master's Voice 10 Inch Series
RCA Discography Part 33 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA LHMV 1 His Master’s Voice 10 Inch Series Another early 1950’s series using the label called “His Master’s Voice” which was the famous Victor trademark of the dog “Nipper” listening to his master’s voice. The label was retired in the mid 50’s. LHMV 1 – Stravinsky The Rite of Spring – Igor Markevitch and the Philharmonia Orchestra [1954] LHMV 2 – Vivaldi Concerto for Oboe and String Orchestra F. VII in F Major/Corelli Concerto grosso Op. 6 No. 4 D Major/Clementi Symphony Op. 18 No. 2 – Renato Zanfini, Renato Fasano and Virtuosi di Roma [195?] LHMV 3 – Violin Concerto for Violin and Orchestra No. 2 (Bartok) – Yehudi Menuhin, Wilhelm Furtwangler and the Philharmonia Orchestra [1954] LHMV 4 – Beethoven Concerto No. 5 in E Flat Op. 73 Emperor – Edwin Fischer, Wilhelm Furtwangler and the Philharmonia Orchestra [1954] LHMV 5 – Brahms Concerto in D Op. 77 – Gioconda de Vito, Rudolf Schwarz and the Philharmonia Orchestra [1954] LHMV 6 - Schone Mullerin Op. 25 The Maid of the Mill (Schubert) – Dietrich Fischer-Dieskau, Gerald Moore [1/55] LHMV 7 – Elgar Enigma Variations Op. 36 Wand of Youth Suite No. 1 Op. 1a – Sir Adrian Boult and the London Philharmonic Orchestra [1955] LHMV 8 – Bach Brandenburg Concerto No. 2 in F/Brandenburg Concerto No. 5 in D – Harold Jackson, Gareth Morris, Herbert Sutcliffe, Manoug Panikan, Raymond Clark, Gerraint Jones, Edwin Fischer and the Philharmonia Orchestra [1955] LHMV 9 – Beethoven Symphony No. 5 in C Minor Op. -
A Listening Guide for the Indispensable Composers by Anthony Tommasini
A Listening Guide for The Indispensable Composers by Anthony Tommasini 1 The Indispensable Composers: A Personal Guide Anthony Tommasini A listening guide INTRODUCTION: The Greatness Complex Bach, Mass in B Minor I: Kyrie I begin the book with my recollection of being about thirteen and putting on a recording of Bach’s Mass in B Minor for the first time. I remember being immediately struck by the austere intensity of the opening choral singing of the word “Kyrie.” But I also remember feeling surprised by a melodic/harmonic shift in the opening moments that didn’t do what I thought it would. I guess I was already a musician wanting to know more, to know why the music was the way it was. Here’s the grave, stirring performance of the Kyrie from the 1952 recording I listened to, with Herbert von Karajan conducting the Vienna Philharmonic. Though, as I grew to realize, it’s a very old-school approach to Bach. Herbert von Karajan, conductor; Vienna Philharmonic (12:17) Today I much prefer more vibrant and transparent accounts, like this great performance from Philippe Herreweghe’s 1996 recording with the chorus and orchestra of the Collegium Vocale, which is almost three minutes shorter. Philippe Herreweghe, conductor; Collegium Vocale Gent (9:29) Grieg, “Shepherd Boy” Arthur Rubinstein, piano Album: “Rubinstein Plays Grieg” (3:26) As a child I loved “Rubinstein Plays Grieg,” an album featuring the great pianist Arthur Rubinstein playing piano works by Grieg, including several selections from the composer’s volumes of short, imaginative “Lyrical Pieces.” My favorite was “The Shepherd Boy,” a wistful piece with an intense middle section. -
Artemis Quartet
ARTEMIS QUARTET An anniversary and a new beginning in one. Far from looking back in satisfaction, the quartet is boldly breaking new ground. Thirty years after it was founded – in 1989, the year when the Berlin Wall came down – a rejuvenated Artemis Quartett welcomes two new members. Over the years the quartet has adjusted to new appointments with ease, and now radical change is on the horizon: from the start of the season 2019/20 violinist Suyoen Kim, born in Münster, Westphalia, and now First Concert Master of the Konzerthaus Orchester Berlin, will alternate first and second violin with Vineta Sareika, following the departure of Anthea Kreston. Meanwhile Dutch cellist Harriet Krijgh, already a high-profile soloist, is taking over from founding member Eckart Runge. This is a changeover that is happening both at high speed and in the full beam of public expectation. In September 2019 the quartet’s touring schedule already includes two dates in Amsterdam at the Concertgebouw. In the upcoming season, 2019/20, the re-formed quartet will continue its celebrated cycles with three programmes each in the Kammermusiksaal of the Berlin Philharmonie and in the Mozartsaal at the Konzerthaus in Vienna. It will also continue to perform in leading concert series in Europe, North America and Asia. In so doing the quartet is taking on a huge challenge. At the same time as forming anew the ensemble has to retain both its character and its identity. The quartet’s farewell to Eckart Runge also marks the departure of the last founding member of the ensemble, whose four original players came together as students at the Musikhochschule Lübeck.