China's New Media Dilemma
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Broadcasting Education in the Age of New Media: Building Multimedia Products from the Academy
Research in Higher Education Journal Volume 33 Broadcasting education in the age of new media: Building multimedia products from the academy Michael L. Baltimore Columbus State University ABSTRACT As our society continues to develop new technologies, the use of streaming technologies in higher education has lagged behind. The traditional academic landscape is dependent upon instructors to use commercial media products to deliver adjunct learning materials to the classroom. Faculty are also beginning to explore in the use of social media in classrooms for the first time. Video production may be seen in some communication departments as course requirement, but are not thought of as a means of delivering content for teaching and learning. The purpose of this study is to outline the development and use of a multimedia production facility, and the use of multiple platforms and to demonstrate it as a dynamic environment for creativity and innovation at the university. Additionally, it argues for a shift in thinking for both faculty and administration toward an innovative, creative environment supporting academic media production that can be used in conjunction with the social media movement in education. Universities can use multimedia production facilities for purposes of instruction, recruitment, retention and graduation along with the creation of television style presentations beyond the traditional classroom to build an even larger audience. The development of new technologies, for assisting faculty in the creative process, for improved learning content is discussed. Keywords: university broadcasting, video production, multimedia Copyright statement: Authors retain the copyright to the manuscripts published in AABRI journals. Please see the AABRI Copyright Policy at http://www.aabri.com/copyright.html 172622 - Research in Higher Education Journal INTRODUCTION 21th century universities have witnessed strong economic and technological growth. -
Digital Rhetoric: Toward an Integrated Theory
TECHNICAL COMMUNICATION QUARTERLY, 14(3), 319–325 Copyright © 2005, Lawrence Erlbaum Associates, Inc. Digital Rhetoric: Toward an Integrated Theory James P. Zappen Rensselaer Polytechnic Institute This article surveys the literature on digital rhetoric, which encompasses a wide range of issues, including novel strategies of self-expression and collaboration, the characteristics, affordances, and constraints of the new digital media, and the forma- tion of identities and communities in digital spaces. It notes the current disparate na- ture of the field and calls for an integrated theory of digital rhetoric that charts new di- rections for rhetorical studies in general and the rhetoric of science and technology in particular. Theconceptofadigitalrhetoricisatonceexcitingandtroublesome.Itisexcitingbe- causeitholdspromiseofopeningnewvistasofopportunityforrhetoricalstudiesand troublesome because it reveals the difficulties and the challenges of adapting a rhe- torical tradition more than 2,000 years old to the conditions and constraints of the new digital media. Explorations of this concept show how traditional rhetorical strategies function in digital spaces and suggest how these strategies are being reconceived and reconfiguredDo within Not these Copy spaces (Fogg; Gurak, Persuasion; Warnick; Welch). Studies of the new digital media explore their basic characteris- tics, affordances, and constraints (Fagerjord; Gurak, Cyberliteracy; Manovich), their opportunities for creating individual identities (Johnson-Eilola; Miller; Turkle), and their potential for building social communities (Arnold, Gibbs, and Wright; Blanchard; Matei and Ball-Rokeach; Quan-Haase and Wellman). Collec- tively, these studies suggest how traditional rhetoric might be extended and trans- formed into a comprehensive theory of digital rhetoric and how such a theory might contribute to the larger body of rhetorical theory and criticism and the rhetoric of sci- ence and technology in particular. -
New Media and Communication”, Chapter 16 from the Book a Primer on Communication Studies (Index.Html) (V
This is “New Media and Communication”, chapter 16 from the book A Primer on Communication Studies (index.html) (v. 1.0). This book is licensed under a Creative Commons by-nc-sa 3.0 (http://creativecommons.org/licenses/by-nc-sa/ 3.0/) license. See the license for more details, but that basically means you can share this book as long as you credit the author (but see below), don't make money from it, and do make it available to everyone else under the same terms. This content was accessible as of December 29, 2012, and it was downloaded then by Andy Schmitz (http://lardbucket.org) in an effort to preserve the availability of this book. Normally, the author and publisher would be credited here. However, the publisher has asked for the customary Creative Commons attribution to the original publisher, authors, title, and book URI to be removed. Additionally, per the publisher's request, their name has been removed in some passages. More information is available on this project's attribution page (http://2012books.lardbucket.org/attribution.html?utm_source=header). For more information on the source of this book, or why it is available for free, please see the project's home page (http://2012books.lardbucket.org/). You can browse or download additional books there. i Chapter 16 New Media and Communication As we learned in Chapter 15 "Media, Technology, and Communication", media and communication work together in powerful ways. New technologies develop and diffuse into regular usage by large numbers of people, which in turn shapes how we communicate and how we view our society and ourselves. -
China in 50 Dishes
C H I N A I N 5 0 D I S H E S CHINA IN 50 DISHES Brought to you by CHINA IN 50 DISHES A 5,000 year-old food culture To declare a love of ‘Chinese food’ is a bit like remarking Chinese food Imported spices are generously used in the western areas you enjoy European cuisine. What does the latter mean? It experts have of Xinjiang and Gansu that sit on China’s ancient trade encompasses the pickle and rye diet of Scandinavia, the identified four routes with Europe, while yak fat and iron-rich offal are sauce-driven indulgences of French cuisine, the pastas of main schools of favoured by the nomadic farmers facing harsh climes on Italy, the pork heavy dishes of Bavaria as well as Irish stew Chinese cooking the Tibetan plains. and Spanish paella. Chinese cuisine is every bit as diverse termed the Four For a more handy simplification, Chinese food experts as the list above. “Great” Cuisines have identified four main schools of Chinese cooking of China – China, with its 1.4 billion people, has a topography as termed the Four “Great” Cuisines of China. They are Shandong, varied as the entire European continent and a comparable delineated by geographical location and comprise Sichuan, Jiangsu geographical scale. Its provinces and other administrative and Cantonese Shandong cuisine or lu cai , to represent northern cooking areas (together totalling more than 30) rival the European styles; Sichuan cuisine or chuan cai for the western Union’s membership in numerical terms. regions; Huaiyang cuisine to represent China’s eastern China’s current ‘continental’ scale was slowly pieced coast; and Cantonese cuisine or yue cai to represent the together through more than 5,000 years of feudal culinary traditions of the south. -
New Media & Society
New Media & Society http://nms.sagepub.com Information and communication technology innovations: radical and disruptive? Michael Latzer New Media Society 2009; 11; 599 DOI: 10.1177/1461444809102964 The online version of this article can be found at: http://nms.sagepub.com/cgi/content/abstract/11/4/599 Published by: http://www.sagepublications.com Additional services and information for New Media & Society can be found at: Email Alerts: http://nms.sagepub.com/cgi/alerts Subscriptions: http://nms.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.co.uk/journalsPermissions.nav Citations http://nms.sagepub.com/cgi/content/refs/11/4/599 Downloaded from http://nms.sagepub.com at University of Zurich on November 16, 2009 new media & society Copyright © 2009 SAGE Publications Los Angeles, London, New Delhi, Singapore and Washington DC Vol 11(4): 599–619 [DOI: 10.1177/1461444809102964] ARTICLE Information and communication technology innovations: radical and disruptive? MICHAEL LATZER University of Zurich, Switzerland Abstract Information and communication technology innovations (ICT) are considered to be of central importance to social and economic developments. Various innovation theories offer classifications to predict and assess their impact. This article reviews the usefulness of selected approaches and their application in the convergent communications sector. It focuses on the notion of disruption, the comparatively new distinction between disruptive and sustaining innovations, and examines how it is related to other innovation-theoretical typologies. According to the literature, there is a high frequency of disruptive changes in the field of internet protocol-based innovations in combination with wireless technology. A closer analysis reveals that these classifications and assessments not only differ in detail but are even contradictory. -
Joint Civil Society Report Submitted to the Committee on the Elimination of Racial Discrimination
Joint Civil Society Report Submitted to The Committee on the Elimination of Racial Discrimination for its Review at the 96th Session of the combined fourteenth to seventeenth periodic report of the People’s Republic of China (CERD/C/CHN/14-17) on its Implementation of the Convention on the Elimination of All Forms of Racial Discrimination Submitters: Network of Chinese Human Rights Defenders (CHRD) is a coalition of Chinese and international human rights non-governmental organizations. The network is dedicated to the promotion of human rights through peaceful efforts to push for democratic and rule of law reforms and to strengthen grassroots activism in China. [email protected] https://www.nchrd.org/ Equal Rights Initiative is a China-based NGO monitoring rights development in Western China. For the protection and security of its staff, specific identification information has been withheld. Date of Submission: July 16, 2018 Table of Contents I. Executive Summary Paras. 1-2 II. Recommendations Para. 3 III. Thematic Issues & Findings A. Legislation underpinning discriminatory counter-terrorism policies Paras. 4-7 [Articles 2 (c) and 4; List of Themes para. 8] B. Militarized policing, invasive surveillance, and constant monitoring Paras. 8-21 [Articles 3, 4, and 5 (a-b); LOT para. 22] C. Extrajudicial detention, forced disappearances, torture, and other abuses Paras. 22-28 in “Re-education” camps [Article 5 (a)(b)(d); LOT para. 21] D. Counter-terrorism used to justify arbitrary detention and discriminatory Paras. 29-34 punishment of ethnic minorities [Articles 4 and 5 (a)(b)(d); LOT paras. 6 and 21] E. Discrimination and restrictions on religious freedom Paras. -
From Western TV Sets to Chinese Online Streaming Services: English-Language TV Series in Mainland China
. Volume 16, Issue 2 November 2019 From Western TV sets to Chinese online streaming services: English-language TV series in mainland China Xiaoran Zhang, University of Nottingham, UK Abstract: In the age of multiple screens, online streaming has in the 2010s become the most significant way of consuming overseas television programs in Mainland China. Due to rather strict government policy and censorship, foreign television series are presently only legally distributed and circulated on licensed online streaming services. Focusing on the streaming of US/UK TV series, this paper examines online streaming services’ distribution activities in order to understand both streaming websites’ business practices surrounding transnational TV and the features they employ to cater to online audiences for these series. To grasp how the online distribution of English-language TV series operates in China, I begin by looking at China’s five major video streaming services, analyzing the design of their interfaces, scheduling of programs, and accessibility for different tiers of users. I then examine how streaming services use social media as a major tool to promote their US and UK TV series. Through this analysis, I argue that transnational TV flow has had to be localized to achieve distribution and marketing goals in a Chinese context, resulting in the uniqueness of these streaming practices. This article concludes that, with the development of online streaming technologies, distinctive modes of audience consumption in China have informed the localization of this specific transnational TV content. Keywords: Online streaming, streaming consumption, television distribution, transnational TV, Tencent Video, HBO, Game of Thrones Introduction As one of HBO’s most successful high-end shows, Game of Thrones (2011-) has earned a worldwide reputation that includes the fandom of Chinese viewers. -
The Rural Video Influencers in China: on the New Edge of Urbanization
THE RURAL VIDEO INFLUENCERS IN CHINA: ON THE NEW EDGE OF URBANIZATION A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Xinwen Zhang May 2020 © 2020 Xinwen Zhang ABSTRACT On the new media platforms in China, especially the video platforms, some rural content has become quite influential, which is, to some extent, inconsistent with people's impression of the vulnerable position of rural areas the urban-rural inequality. This thesis studied some of the most popular the rural content producers with the close reading of their videos, explaining how they frame themselves and their artworks and what kind of "rurality" is performed to the audiences. While the audience might assign them as rural figures, these people were on the edge of the urban and the rural as they had a shared history as some people who were from the rural areas, spent a period of their lives as migrant workers, and finally became video influencers performing some kind of rural lifestyle. BIOGRAPHICAL SKETCH Xinwen Zhang was born in Shenyang, China, and spent the first 18 years of her life there. Then, she went to Sun Yat-sen University and entered Boya college, which sets no determined major and emphasizes on text close reading to explore potential for students. She finally chose anthropology as the major and researched the breakfast stalls in New Phoenix Village. She went to the village and had close contact with the migrant workers running breakfast stalls and people at breakfast, mainly focusing on the population identification, identity cognition, and community construction of the migrant population as well as their dilemma. -
Zhang Yiming: the Billionaire Tech Visionary Behind Tiktok 20 May 2021, by Helen Roxburgh
Zhang Yiming: The billionaire tech visionary behind TikTok 20 May 2021, by Helen Roxburgh between them as students at one of China's top universities, in the northern city of Tianjin. He then built a name for himself helping other students install computers—which was how he met his university sweetheart, who he later married. In a departing memo unencumbered by the ritual self-congratulation of top executives, Zhang said he is leaving the role because he says he lacks managerial skills and prefers "daydreaming about what might be possible" to running the tech giant. He also hopes to focus on "social responsibility", and is already ranked as one of China's top At just 38 Zhang Yiming has found that having a seat at charitable givers. the top table of China's rambunctious tech scene carries a heavy political and managerial price. But he steps down at a time of great pressure for many Chinese tech companies, with Beijing cracking down on its digital behemouths who wield huge influence over millions of Chinese consumers. Armed with pioneering AI and a sharp nose for youth trends, Zhang Yiming revolutionized internet With a net worth of $36 billion Zhang is now China's video with popular app TikTok and minted himself fifth richest person, according to Forbes. a fortune. Although he is in the upper echelons of the Beijing But at just 38 he has also found that having a seat billionaires' club, Zhang described himself in his at the top table of China's rambunctious tech frank leaving message as "not very social, scene carries a heavy political and managerial preferring solitary activities like being online, price. -
Analysis of Bytedance with a Close Look on Douyin / Tiktok ——————————————————
—————————————————— Analysis of ByteDance with a close look on Douyin / TikTok —————————————————— Author: Xiaoye SHI Supervisor: Prof. Dr. Didier SORNETTE A thesis submitted to the Department of Management, Technology and Economics (D-MTEC) of the Swiss Federal Institute of Technology Zurich (ETHZ) in partial fulfilment of the requirements for the degree of Master of Science in Management, Technology and Economics June 2019 Acknowledgements I would like to thank my supervisor Prof. Dr. Didier Sornette, who has kindly given me countless guidance and advice throughout the Master thesis. I appreciate the opportunity to work on this interesting topic under the Chair of Entrepreneurial Risks and is deeply grateful for all the help received along the process. I also want to express my deepest gratitude to my parents, who have been supportive and encouraging under all circumstances. Without them, I would not be able to become the person I am today. - 2 - Abstract In 2018, ByteDance, a young Internet company with only 6 years of history, broke out on various news headlines as the highest valued unicorn. With the acquisitions of musical.ly and Flipgram, the company’s flagship product Douyin strikes to develop its global presence under the name TikTok. This thesis analyzed Douyin’s historical growth and revenue model. As a main revenue driver, future user growth is predicted and calibrated by extending the methodology proposed in earlier studies by Cauwels and Sornette. We considered three growth scenarios – base, high and extreme, and estimated Douyin as well as ByteDance’s value based on comparable company analysis. ByteDance’s key performance metrics and multiples were compared with four other firms in the similar industry, Facebook, Weibo, Momo and iQIYI. -
Investing in China: Consumers and Technology Recovering
MAY 2020 Investing in China: Consumers and technology recovering FRANKLIN TEMPLETON THINKSTM EQUITY MARKETS Introduction China has been much in the news recently as it handles the COVID-19 virus, and because of political and trade tensions with the West. We continue to believe China remains a growth opportunity for investors. Indeed, by early-March, the Chinese A-share market hit a 12-month high and was one of the world’s best-performing equity markets. Our emerging markets team was on the cusp of publishing fresh thoughts on China in January when Beijing locked down China’s economy to flatten the COVID-19 infection curve. In scenes that were soon replayed across the globe, factories, offices, restaurants and shops all closed. Although China’s economy is opening again, it’s not back to normal. Companies like Foxconn, which assembles iPhones for Apple, aren’t back to full employment due to sagging global demand. Overall, retail activity is improving, but discretionary spending remains muted, while lingering anxieties over infections are accelerating consumer migration to more online purchases and home deliveries. That said, the macro themes and companies our emerging markets analysts wrote of in January remain relevant to investors looking for growth opportuni- ties today. In the near-term, we believe the business prospects for the companies we highlight have brightened. Whether trade tensions eventually prompt companies like Apple to pull supply chains out of China remains to be seen. This updated discussion offers a window into a post-COVID-19 economic recovery. Stephen Dover, CFA Head of Equities Franklin Templeton 2 Investing in China: Consumers and technology recovering Innovation at work In the wake of the global COVID-19 recession, we believe China’s long-term prospects remain intact. -
Trump's Shakedown of Tiktok, in the Name of National Security
Trump’s shakedown of TikTok, in the name of national security By Larry Edelman Globe Staff, Updated August 3, 2020, 1 hour ago NEW YORK, NEW YORK - AUGUST 03: In this photo illustration, a mobile phone featuring the TikTok app is displayed next to the Microsoft logo on August 03, 2020 in New York City. Under threat of a U.S. ban on the popular social media app, it has been reported that Microsoft is considering taking over from Chinese firm ByteDance. (Photo Illustration by Cindy Ord/Getty Images) CINDY ORD/GETTY Is it possible to see China as a serious threat to the United States while still feeling some unease about the Trump administration’s extortion of Zhang Yiming, the Chinese entrepreneur behind the social media app TikTok? Yes. f ’ ’ b bl h d f ik k l il l h If you’re over 25, you’ve probably never heard of TikTok — at least until recently, when President Trump said he would ban the video-sharing app (think Snapchat or Instagram with more music) in the United States. The stated reason: national security. On Monday, Trump said he would give Zhang and China-based ByteDance, TikTok’s parent company, until Sept. 15 to sell the social media network’s operations here, either to Microsoft, which has stepped forward as the likely buyer, or another bidder. Otherwise he’ll pull the plug on the app. (It’s not clear Trump could prevent American users from accessing TikTok through overseas connections, but that’s a topic for another time.) The administration’s action is predicated on concern that Beijing could force TikTok to turn over personal data on its 100 million American users (out of 800 million worldwide), plant spyware or malware on their mobile phones, or spread pro-Chinese propaganda or disinformation.