Atari Teenage Riot (De) Till Debaser Slussen 26/11

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2011-09-30 15:49 CEST ATARI TEENAGE RIOT (DE) TILL DEBASER SLUSSEN 26/11 De är nästan lika omtalade som Röda armé-fraktionen Baader Meinhof som i början av av 70-talet och 20 år framåt bedrev hård och våldsam vänsterterrorism i det gamla forna Västtyskland. ATR eller Atari Teenage Riot bildades 1992 i Berlin och var nästan lika desperata i sin jakt på att spåra upp den tyska historien och kräva rättvisa genom sina låtar. De använde dock inte sina pengar till bomber och vapen som Ulrike och Andreas utan tog det stora skivbolagets förskottspengar och startade sitt egna skivbolag som de döpte till Digital Hardcore Recordings. En slags terrorism det också. Debutplattan "1995" innehöll vansinniga samplingar och arga avgundsvrål mot en vägg av brinnande elgitarrer och fick en hel publik att tjuta "Ein, zwei, drei, vier!". Alec Empire och Carl Crack kunde med lätthet ha passat i vilken terroristorganisation som helst om de inte velat blotta sig så mycket som de gjorde 1999 då de på hemmaplan under en utomhuskonsert blev så vildsinta tillsammans men en galen uppretad publik att de arresterades. Atari har alltid gått till attack mot polis, skinheads, politiker, trender och bovar inom diverse organisationer. Nu driver dock Alec kampen vidare, efter ett uppehåll på tio år, utan sin gamle kumpan Carl Crack som dog av en överdos 2001. Budskapet kvarstår dock. "We don’t want a party. We want a riot" Bandet är just nu aktuella med nya plattan "Is This Hyperreal?" som släpptes i somras. Sthlm indie är klubbvärdar denna lördag i november. http://www.debaser.se/kalender/6307/ -------------------------------------------------------------------------------------------- DEBASER är med sina ställen Debaser Strand, Debaser Medis, Debaser Malmö och Debaser Humlegården Sveriges största klubbscen för i första hand pop och rock med en sammanlagd kapacitet på 1850 gäster under veckans flesta dagar. På Debaser Strand finns även vår restaurang Calexico's och Bar Brooklyn. För mer info besök:www.debaser.se Presskontakt: [email protected].

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Atari Teenage Riot Sick to Death EP Mp3, Flac
Atari Teenage Riot Sick To Death E.P. mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Sick To Death E.P. Country: UK & Europe Released: 1997 Style: Hardcore, Downtempo, Breakcore MP3 version RAR size: 1753 mb FLAC version RAR size: 1889 mb WMA version RAR size: 1290 mb Rating: 4.9 Votes: 431 Other Formats: MOD ASF VOC MP2 AC3 AU VQF Tracklist 1 Sick To Death 3:44 2 We've Got The Fucking Power 4:44 3 Sick To Death (Remix) 6:00 4 Waves Of Disaster 5:11 Companies, etc. Marketed By – Intercord Record Service Distributed By – Intercord Record Service Licensed To – Intercord Record Service Phonographic Copyright (p) – Digital Hardcore Recordings Ltd. Copyright (c) – Digital Hardcore Recordings Ltd. Published By – Digital Hardcore Music Credits Artwork [Video Pix] – Phillip Virus* Cover [From] – Hell* Engineer [Assistant] – Janek S.* (tracks: 1, 2) MC – Carl Crack Producer, Programmed By, Vocals [Shouts] – Alec Empire Vocals – Hanin Elias Written-By – Alec Empire, Carl Crack (tracks: 2) Notes All tracks produced at Empire Studios, Berlin 1996. Vocal recordings on track 1 and 2 at MK Audio, Berlin. ©+℗ 1997 DHR Ltd. All tracks published by Digital Hardcore Music. Marketed and distributed by Intercord Record Service, Licensee. Barcode and Other Identifiers Barcode (Scanned): 724388359320 Barcode (Printed): 7 24388 35932 0 Label Code: LC 4396 Rights Society: bel BIEM Other versions Category Artist Title (Format) Label Category Country Year Atari Sick To Death Digital Hardcore DHR 12 DHR 12 Germany 1997 Teenage Riot E.P. (12", EP) Recordings (DHR) Atari Sick To Death Digital Hardcore none none 1997 Teenage Riot E.P.
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From No Future to Delete Yourself (You Have No Chance to Win)
Journal of Popular Music Studies, Volume 25, Issue 4, Pages 504–536 From “No Future” to “Delete Yourself (You Have No Chance to Win)”: Death, Queerness, and the Sound of Neoliberalism Robin James University of North Carolina, Charlotte Introduction Death is one of the West’s oldest philosophical problems, and it has recently been the focus of heated debates in queer theory. These debates consider the political and aesthetic function of a specific concept of death— death as negation, failure, an-arche, or creative destruction. However, as Michel Foucault (1990) argues, death is an important component of the discourse of sexuality precisely because it isn’t a type of negation. The discourse of sexuality emerges when “the ancient right to take life or let live was,” he argues, “replaced by a power to foster life or disallow it to the point of death” (Foucault 138).1 “Sexuality is the heart and lifeblood of biopolitics” (Winnubst 2012: 79) because it—or rather, as other scholars like Laura Ann Stoler (1995), LaDelle McWhorter (2009), and Jasbir Puar (2013) have demonstrated, racialized sexuality—is one of the main instruments through which liberalism “fosters” or “disallows” life. So, insofar as it pertains to sexuality, death isn’t a negation or a subtraction of life, but a side effect of a particular style of life management. In late capitalist neoliberalism, “death” only appears indirectly, not as a challenge to or interruption of life, but as its unthinkable, imperceptible limit.2 What are the theoretical, political, and aesthetic implications of neoliberalism’sreconceptualization of death as divested, or “bare,” life?3 What if we reframe ongoing debates about queer death, futurity, and antisociality by replacing the punk metaphorics of “No Future” with the cyberpunk/digital hardcore mantra “Delete Yourself (You Have No Chance To Win)”? Asking the question in this way, I use some methods, concepts, and problems from queer theory to think about a few pieces of music; I then use my analyses of these musical works to reflect back on that theory.
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Suggested Serving: 1. WOODEN STARS 2. COLDCUT 3. HANIN ELIAS 4. WINDY & CARL 5. SOUTHERN CULTURE on the SKIDS 6. CORNERSHOP
December, 1997 That Etiquette Magazine from CiTR 101.9 fM FREE! 1. Soupspoon 2. Dinner knife 3. Plate 4. Dessert fork 5. Salad fork 6. Dinner fork 7. Napkin 8. Bread and butter plate 9. Butter spreader 10. Tumbler u Suggested Serving: 1. WOODEN STARS 2. COLDCUT 3. HANIN ELIAS 4. WINDY & CARL 5. SOUTHERN CULTURE on the SKIDS 6. CORNERSHOP 7. CiTR ON-AIR PROGRAMMING GUIDE Dimm 1997 I//W 179 f€fltUf€J HANIN ELIAS 9 WOODEN STARS 11 WINDY & CARL 12 CORNERSHOP 14 SOUTHERN CULTURE ON THE SKIDS 16 COLDCUT 19 GARAGESHOCK 20 COUUAM COWSHEAD CHRONICLES VANCOUVER SPECIAL 4 INTERVIEW HELL 6 SUBCULT. 8 THE KINETOSCOPE 21 BASSLINES 22 SEVEN INCH 22 PRINTED MATTERS 23 UNDER REVIEW 24 REAL LIVE ACTION 26 ON THE DIAL 28 e d i t r i x : miko hoffman CHARTS 30 art director: kenny DECEMBER DATEBOOK 31 paul ad rep: kevin pendergraft production manager: tristan winch Comic* graphic design/ Layout: kenny, atomos, BOTCHED AMPALLANG 4 michael gaudet, tanya GOOD TASTY COMIC 25 Schneider production: Julie colero, kelly donahue, bryce dunn, andrea gin, ann Coucr goncalves, patrick gross, jenny herndier, erin hoage, christa 'Tis THE SEASON FOR EATIN', LEAVING min, katrina mcgee, sara minogue, erin nicholson, stefan YER ELBOWS OFF THE TABLE AND udell, malcolm van deist, shane MINDING YER MANNERS! PROPER van der meer photogra- ETIQUETTE COVER BY ARTIST phy/i L Lustrations: jason da silva, ted dave, TANYA SCHNEIDER. richard folgar, sydney hermant, mary hosick, kris rothstein, corin sworn contribu © "DiSCORDER* 1997 by the Student Radio Society of the University of British Columbia.
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Free Mp3 Download
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Voir Au Format
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