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Suite Hébraïque
Features: Traditional Musical Materials in Ernest Bloch’s Works for Viola The Process of Variation in Volume 33 Number 2 Number 33 Volume Ligeti’s Sonata for Viola Solo Journal of the American ViolaSociety American the of Journal Viola V33 N2.indd 301 11/13/17 6:42 PM Viola V33 N2.indd 302 11/13/17 6:42 PM Journal of the American Viola Society A publication of the American Viola Society Fall 2017: Volume 33, Number 2 p. 3 From the Editor p. 5 From the President News & Notes p. 6 Announcements p. 7 Robert Bridges collection at the Primrose International Viola Archive Feature Articles p. 9 Transformation and Distortion: The Process of Variation in Ligeti’s Sonata for Viola Solo:Kevin Nordstrom makes a compelling case for his variation-based analysis of Loop and Facsar from Ligeti’s monumental sonata. p. 19 Ernest Bloch’s Suite Hébraïque and Meditation and Processional: Historical Overview and Analysis of Traditional Musical Materials: Bloch scholar Alexander Knapp provides a detailed and illuminating analysis of Bloch’s Jewish music for viola, along with an enlivening description of the 1950 Ernest Bloch Festival in Chicago. Departments p. 35 With Viola in Hand: Anne Lanzilotti and John Stulz discuss their approaches to performing modern viola repertoire, based around the repertoire listed for the Lucerne Festival Academy audition. p. 45 Orchestral Matters: Julie Edwards introduces us to the viola section of the Utah Symphony. p. 51 Recording Reviews: Carlos María Solare reviews CD’s from violists Melia Watras, Kim Kashkashian, Sheila Browne, and Roberto Díaz. -
Edition 2 | 2019-2020
WHAT’S INSIDE CONCERTS Masterworks Pops 41 Bach’s Brandenburg 46 From Russians with Love 50 Conrad Tao Plays Brahms 62 Ranky Tanky with the CSO 57 Scheherazade 65 Mendelssohn’s Scottish Symphony 75 Charleston and the New World Chamber Special Events 73 All Roads Lead to Vienna 55 Magnetic South Charleston Symphony Youth Orchestras 70 Side by Side Concert with the Charleston Symphony 4 House Notes 19 From the Orchestra 8 Musicians 20 CSO Chorus 10 Musician Roster 23 Membership Benefits 11 Guest Musician Sponsors 24 Donor Recognition 12 Board of Directors 27 In Honor/In Memory 13 Administration 30 Letter from President 15 Letter from Executive Director 34 Educational Programs 16 Music Director 80 Guest Musician Hosts/ 18 Principal Pops Conductor In-Kind Gifts ADVERTISING: Onstage Publications This playbill program template is published in association with Onstage Publications, 1612 Prosser 937-424-0529 | 866-503-1966 Avenue, Dayton, Ohio 45409. This playbill program template may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business!, e-mail: [email protected] Inc. Contents © 2020. All rights reserved. Printed in the U.S.A. www.onstagepublications.com CharlestonSymphony.org 3 HOUSE NOTES Thank you for attending this performance of the Charleston Symphony. Here are some tips and suggestions to enhance the concert experience for everyone. TICKET INFORMATION STUDENT DISCOUNTS Students ages 6-22 may take advantage of the following discounts. Some concerts are excluded INDIVIDUAL CONCERT TICKETS or have special pricing noted on the Charleston Online: Symphony website. -
Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett: -
Nunsense - a Habit-Forming, Unconventional Musical Comedy!
MAY/JUNE 1987 Vol. II No. 3 ISSN 0314-0598 A publication of the Australian Elizabethan Theatre Trust Nunsense - a habit-forming, unconventional musical comedy! A scene from the Sydney production of NUN SENSE NUNSENSE by Dan Goggin ment of Health is about to descend on NUNSENSE has won four prestigious Directed by Barry Creyton the convent, so in order to raise enough New York awards including Best Off Musical Direction by Michael Tyack money for their burial, the Sisters decide Broadway musical of 1986, Best Music Choreography by Dolores Dunbar to organise a talent show. They aim to and Best Book. Lighting Design by Donn Byrnes bring in further funds by selling Sister The critics have been enthusiastic Cast includes Betty Bobbitt, Maggie Julia 's "Baking with The Blessed Virgin about ,t,lUNSENSE. A sample of the King, Robyn Arthur, Geraldine Morrow Mary" which, incidentally, contains the their comments are: and Georgie Parker recipe for her vichyssoise. "Wickedly funny . the audience Twelfth Night Theatre The variety show is, in fact , the play: laughed all night. " Sunday Telegraph the set , incongruously , is the backdrop "These nuns deserve a halo each .. for GREASE , which the nun's eighth grad God 's sake go and see it." ity the poor Little Sisters of Hoboken, ers are producing (the Sisters promised Andrew Urban, The Australian Pthey have a problem! Twenty-two of not to disturb the set). their members died of botulism when The five Sisters bounce through an Sister Julia Child of God (the convent hilarious , toe-tapping show. Sister Robert Anne does her impersonations chef) cooked up a tureen of contami BOOKING INFORMATION nated vichyssoise. -
Duo Violin Recital Carla Trynchuk [email protected]
Andrews University Digital Commons @ Andrews University Concerts and Events 2015-2016 Concerts and Events Fall 9-19-2015 Duo Violin Recital Carla Trynchuk [email protected] Follow this and additional works at: http://digitalcommons.andrews.edu/events-2015-2016 Part of the Music Commons Recommended Citation Trynchuk, Carla, "Duo Violin Recital" (2015). Concerts and Events 2015-2016. Book 12. http://digitalcommons.andrews.edu/events-2015-2016/12 This Book is brought to you for free and open access by the Concerts and Events at Digital Commons @ Andrews University. It has been accepted for inclusion in Concerts and Events 2015-2016 by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. Department of Music Presents Duo Violin Recital Olga Kaler, Violin Carla Trynchuk, Violin Beilin Han, Piano 8:15 PM Saturday, September 19, 2015 Howard Performing Arts Center PROGRAM and was honored as a Young Artist in 2003. In 2004, Ms. Han became a prize winner of the "Vianna Da Motta International Piano Competition" in Portugal. She was invited to perform Tchaikovsky Piano Concerto with University of Kansas Sonata No. 5 in E minor for Two Violins, Op. 3, No. 5 Jean Marie Leclair Symphony Orchestra, Mozart Piano Concerto with T'ang Quartet Allegro ma poco (1697-1764) in Singapore and Rachmaninoff Piano Concerto No. 2 with Portugal Gulbenkian Orchestra. Gavotte (Andante grazioso) Presto Ms. Han has toured internationally as a concert pianist performing in such countries as China, Portugal, Spain, and throughout the US. She also appeared on the radio show in Sonata for Two Violins, Op. -
20Th-Century Repertory
Mikrokosmos List 641. - 2 - January 2019 ....20TH-CENTURY REPERTORY 1 Antheil: The Wish opera - Risley, Pickett, cond, Bomhard LOUISVILLE LOU 564 A 12 2 Arnold: Tam O'Shanter Ov; Beckus Ov; Sym 2 - Royal PO, cond.comp, Hollingsworth EPIC LC 3422 A 8 (gold US) 3 Babajanian: Heroic Ballad (comp.pno, USSR RSO, Rachlin)/ Tchaikovsky: Concert CLASSIC ED CE 7 A 8 Fant (Nikolayeva, USSR SSO, Kondrashin) 4 Bacharach: Casino Royale - cond.comp (Colgems US pressing) S RCA COSO 5005 A 50 5 Badings: Louisville Sym/B.Weber: Prel & Passacaglia/Sowerby: All on a Summer LOUISVILLE LOU 566 A 8 Day - Louisville Orch, Whitney 6 Barber: Melodies Passageres (Bernac, Poulenc); Dover Beach (S.Barber bar, Curtis NEW WORLD NW 229 A 10 SQ)/ N.Rorem: Songs (Gramm, Curtis, Bressler, Curtin, etc) (p.1978) M\S 7 Barber: Summer Music/Hindemith: Kleine Kammermusik/Jolivet: BIS LP 291 A 10 Serenade/Saeverud: Slatter - Bergen Wind Quintet (gatefold) 1984 S 8 Bax, Arnold: Fantasie Sonata (vla, hp); Vla Sonata - M.Thomas, S.McDonald hrp, KLAVIER KS 570 A++ 10 D.Stevenson pno (p.1982) S 9 Bennett: Guitar Con (cond.Atherton)/ Rawsthorne: Elegy/ Walton: 5 Bagatelles/ RCA ARL1 49 A 8 Berkeley: Theme & Variations - J.Bream guitar (p.1973) S 10 Berger, Arthur: Polyphony/Surinach: Ov Feria Magica/M.Kupferman: Sym 4 - LOUISVILLE LOU 584 A 8 cond.Whitney 11 Berio: Epifanie; Folk Songs - Berberian, Juilliard Ens, cond. comp. S RCA LSC 3189 A 10 12 Bernstein: Candide Ov; Sym Excs from On the Town, On the Waterfront, Fancy Free, DECCA PFS 4211 A 8 EW5 West Side Story - Royal PO, cond.E.Rogers -
Ramifications of Surrealism in the Music of György Ligeti
JUXTAPOSING DISTANT REALITIES: RAMIFICATIONS OF SURREALISM IN THE MUSIC OF GYÖRGY LIGETI Philip Bixby TC 660H Plan II Honors Program The University of Texas at Austin May 9, 2017 ________________________________ Charles Carson, Ph.D. Butler School of Music Supervisor ________________________________ Elliott Antokoletz, Ph.D. Butler School of Music Second Reader Abstract: Author: Philip Bixby Title: Ramifications of Surrealism in the Music of György Ligeti Supervisors: Charles Carson, Ph.D. Elliott Antokoletz, Ph.D. György Ligeti is considered by many scholars and musicians to be one of the late twentieth century’s most ingenious and influential composers. His music has been particularly difficult to classify, given the composer’s willingness to absorb a multitude of musical influences, everything from high modernism and electronic music to west-African music and Hungarian folk-song. One aesthetic influence that Ligeti acknowledged in the 1970s was Surrealism, an early twentieth-century art movement that sought to externalize the absurd juxtapositions of the unconscious mind. Despite the composer’s acknowledgement, no musicological inquiry has studied how the aesthetic goals of Surrealism have manifested in his music. This study attempts to look at Ligeti’s music (specifically the music from his third style period) through a Surrealist lens. In order to do this, I first establish key definitions of Surrealist concepts through a close reading of several foundational texts of the movement. After this, I briefly analyze two pieces of music which were associated with the beginnings of Surrealism, in order to establish the extent to which they are successfully Surreal according to my definitions. Finally, the remainder of my study focuses on specific pieces by Ligeti, analyzing how he is connected to but also expands beyond the “tradition” of musical Surrealism in the early twentieth century. -
Festival Program
sponsors _____________________________________ ______________________________________ contents soundSCAPE wishes to recognize the following organizations for their support of the Welcome 2 2009 festival: Biquadro Cultural Association Daily Schedule 3 Paolo Fosso, President www.biquadro.org Concert Programs 4 Vittadini Music School M° Walter Casali, Director Courses & Workshops 18 Campus Residence Pavia Strada della Cascinazza, 15 Lectures 19 Pacchiarotti, S.p.A. Viale Donna Anna, 10/3 Faculty Biographies 20 27011 Belgioioso (PV) Comune di Pavia Guest Artist Biographies 29 Assessorato al Turismo e Cultura Gian Marco Centinaio Assessorato alle Relazioni Istituzione Vittadini Participant Biographies 31 Marco Galandra Provincia di Pavia About Pavia 43 Vittorio Poma, President EdISU Pavia Donors & Scholarships 47 Graziano Leonardelli, President The University of Kansas Sponsors 48 School of Fine Arts Department of Music & Dance Dr. Larry Mallett, Chair Guitar Plus International Bob Schneider, Marketing Director Rythmes & Sons Hélène HUYGHUES des ETAGES www.r-sons.com 48 soundSCAPE composition and performance exchange soundSCAPE composition and performance exchange 1 welcome _____________________________________ ___________________________ donors & scholarships Since its inception in 2005, soundSCAPE has clearly established a niche as INDIVIDUAL DONORS a champion of new music. Our second year in Pavia will see the return of several Thanks to these individuals who have supported the festival: participants, in addition to a record enrollment at this year’s festival. Over 35 young professionals from around the world will be in residence during the two Rodney and Cathryn Hulse weeks, from areas as far-reaching as the UK to the US, and Canada to Turkey. Ronald and Susan Green Robert and Alberta Schneider 2009 also brings a number of innovations in the performances offered to the public. -
Patricia Hayes Andrews
Patricia Hayes Andrews Young scholars hoping to shape a career with a far-reaching and long-lasting legacy would do well to emulate the academic life of Patricia Hayes Andrews. Her research into gender differences in communication, her many accomplishments as an associate dean in the College of Arts and Sciences, and her leadership as director of the Preparing Future Faculty (PFF) program in the Department of Communication and Culture all have been framed and motivated by her generous spirit and genuine interest in supporting IU, her students, and her colleagues. Pat is a Hoosier through and through, earning all of her degrees from IU and spending her entire academic career here. Her B.A., summa cum laude and Phi Beta Kappa, in speech and theater with a minor in French, was awarded in 1970; her M.A. in communication theory and speech education in 1971; and her Ph.D. in communication theory and research in 1974. In 1975 she joined the Department of Speech Communication (now the Department of Communication and Culture) as an assistant professor. In addition to her many published articles, Pat has authored or co-authored five textbooksseveral of which have been revised and published in multiple editions. Not only the field, but also the Department of Communication and Culture bears her impress, and this is partly through the new courses Pat developed. An undergraduate sequence in organizational communication addressed an area of interest among students that otherwise was not being served. A graduate course in pedagogy, designed to train and support associate instructors teaching undergraduate courses within the department, has provided a forum in which graduate students share their teaching experiences and strategies and an opportunity for them to draw upon Pats extensive research and experience in communication pedagogy. -
Parker String Quartet Shines with Electric Concert Performance by STEVE HICKEN
10/8/13: For Immediate Release Lesley Bannatyne 617-495-2791 [email protected] Internationally Acclaimed Parker Quartet Named Blodgett Quartet-in-Residence at Harvard University Music Department The Harvard University Department of Music is delighted to announce that the Parker Quartet will join the music department teaching faculty at Harvard University beginning in the fall of 2014. “Thanks to the Blodgett Artists-in-Residence Program, we have been fortunate to have had a Quartet-in-Residence for four weeks a year since 1985,” said Music Department chair Alexander Rehding. “However, the role of performance in the music department and the University has changed significantly, and this is the right time to bring professional musicians to campus as full-time residents. We are confident that the extended exposure to the string quartet will be highly beneficial to our students, especially our many talented undergraduate performers, allowing them to engage in the practice of chamber music on an unprecedented scale. We welcome the Parker Quartet to Harvard with immense pleasure.” The renowned Parker Quartet (Daniel Chong, Ying Xue, violin; Jessica Bodner, viola; Kee- Hyun Kim, cello) will, as part of the expanded Blodgett residency, present free concerts each year for the general public and recitals as part of the Dean’s Noontime concert series. They will teach, participate in class demonstrations, read and perform student compositions, and coach Harvard undergraduate chamber ensembles in weekly master classes for Harvard credit. The Parker Quartet’s full time presence in the program will allow for the expansion of the chamber music and performance study opportunities for students in the Harvard University Music Department. -
Fevrier 2019
Nouveautés Février 2019 CHRIS POTTER en concert le 16 Avril au NEW MORNING Labels distribués : Abeat for Jazz, Acousence, Alobar, Ambitus, Ars Produckon, ARTHAUS Musik, ATMA Classique, AVID, Bayer Records, Budapest Music Center (Classique), Champs Hill Records, Chanteloup Musique, Charade, Choc Classica Collecon, Coda, Connuo Classics, Contraempo, Coviello Clas sics, Cyclone Producon, Daphne, Dalit Music, Delphian, Discamera, Doremi, Doron music, EASonus, Edion Records, ESDur, Euphonia, Europ&Art, Farao Classics, FLORA, FOLO, Fra Bernardo, GEGA News, Harp&Co, Hello Stage, Hortus, ICA CLassics, InnerVoice Jazz, JazzTime Records, Jazzwerksta, JeanFrançois Producon, Leman Classics, Lesonzero, Les Edions du Pékinois, Lodia, MA Recordings, Maguelone, Marcal Tél.: 01 42 59 33 28 classics, Maxanter, Melba Recordings, Membran, Meridian, Metronome, NCA, Odradek, OUR Recordings, Phaia music, Premiers Horizons, Printemps des Arts de Monte Carlo, PROFIL, Prova Records, Recart, Relief, Rhyme & Reason Records, Scoville, Signum Classics, Skarbo, Fax : 09 72 47 72 96 Smoke Session Records, STUNT/Sundance, Storyville, Suoni e Colori, Sonar, Toccata Classics, Tradion Vivantes de Bretagne, Triton, Troba Vox, Tudor, Tuxedo, Ubuntu Music, Unit Records, Urtext, VLF Producons, West Wind, Worlds Of Music Network, WW1 Music [email protected] En magasin le : 22 Février 2019 Documentaire / Art 1000 Masterworks : Les Maîtres du Bahaus Découvrez5 peintures de 5 grands maîtres du style Bahaus Josef Albers : Homage To The Square: Against Deep Blue (1955) Lyonel Feininger : Bird Cloud (1926) Johannes Itten : The Meeting (1916) / László Moholy-Nagy : Lis (1922) Oskar Schlemmer : Figures With Balustrades (1931) Le Bauhaus (1919-1933) est considéré comme la plus prestigieuse école d'ar- chitecture, de design et d'art. -
Library Orders - Music Composition/Electronic Music
LIBRARY ORDERS - MUSIC COMPOSITION/ELECTRONIC MUSIC COMPOSER PRIORITY TITLE FORMAT PUBLISHER PRICE In Collection? Babbitt, Milton A Three Compositions for Piano score Boelke-Bomart 9.50 Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 1, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 2, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 3, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 4, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 5, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 6, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Music for strings, percussion, and celesta score Boosey & Hawkes Inc. 0.00 YES Berbarian, Cathy A Stripsody : for solo voice score C.F. Peters Corp. 18.70 Berg, Alban A Violin Concerto score Warner Brothers Music Pub. 0.00 YES Berio, Luciano A Sequenza V, for trombone score Warner Brothers Music Pub. 19.95 Berio, Luciano A Sequenza VII; per oboe solo score Warner Brothers Music Pub. 15.95 Berio, Luciano A Sequenza XII : per bassoon solo score Warner Brothers Music Pub. 35.00 Berio, Luciano A Sinfonia, for eight voices and orchestra score Warner Brothers Music Pub. 125.00 Boulez, Pierre A Marteau sans maître : pour voix d'alto et 6 instruments score Warner Brothers Music Pub.