Alan Sheilds
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
William Gropper's
US $25 The Global Journal of Prints and Ideas March – April 2014 Volume 3, Number 6 Artists Against Racism and the War, 1968 • Blacklisted: William Gropper • AIDS Activism and the Geldzahler Portfolio Zarina: Paper and Partition • Social Paper • Hieronymus Cock • Prix de Print • Directory 2014 • ≤100 • News New lithographs by Charles Arnoldi Jesse (2013). Five-color lithograph, 13 ¾ x 12 inches, edition of 20. see more new lithographs by Arnoldi at tamarind.unm.edu March – April 2014 In This Issue Volume 3, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Fierce Barbarians Associate Publisher Miguel de Baca 4 Julie Bernatz The Geldzahler Portfoio as AIDS Activism Managing Editor John Murphy 10 Dana Johnson Blacklisted: William Gropper’s Capriccios Makeda Best 15 News Editor Twenty-Five Artists Against Racism Isabella Kendrick and the War, 1968 Manuscript Editor Prudence Crowther Shaurya Kumar 20 Zarina: Paper and Partition Online Columnist Jessica Cochran & Melissa Potter 25 Sarah Kirk Hanley Papermaking and Social Action Design Director Prix de Print, No. 4 26 Skip Langer Richard H. Axsom Annu Vertanen: Breathing Touch Editorial Associate Michael Ferut Treasures from the Vault 28 Rowan Bain Ester Hernandez, Sun Mad Reviews Britany Salsbury 30 Programs for the Théâtre de l’Oeuvre Kate McCrickard 33 Hieronymus Cock Aux Quatre Vents Alexandra Onuf 36 Hieronymus Cock: The Renaissance Reconceived Jill Bugajski 40 The Art of Influence: Asian Propaganda Sarah Andress 42 Nicola López: Big Eye Susan Tallman 43 Jane Hammond: Snapshot Odyssey On the Cover: Annu Vertanen, detail of Breathing Touch (2012–13), woodcut on Maru Rojas 44 multiple sheets of machine-made Kozo papers, Peter Blake: Found Art: Eggs Unique image. -
Rochelle Feinstein: Fredonia! November 20Th - January 9Th, 2021 6315 NW 2Nd Ave Miami, Florida 33157 +1 305 571 2288 Ninajohnson.Com CONTENTS
Rochelle Feinstein: Fredonia! November 20th - January 9th, 2021 6315 NW 2nd Ave Miami, Florida 33157 +1 305 571 2288 ninajohnson.com CONTENTS Fredonia! 5 About Rochelle Feinstein 7 About Nina Johnson 9 Works 10 CV 36 Press 42 ` FREDONIA! Nina Johnson is proud to present Fredonia!, an exhibition of new and recent paintings by Rochelle Feinstein, opening on November 20th, 2020 and remaining on view through January 9th, 2021. Feinstein is a legendary painter, whose work and ideas about abstraction have influenced gen- erations of artists. Over the past four decades, she has deflated the dogmas of modernism with humor and verve, liberally borrowing from different schools of painting, as well as other mediums, including drawing, photography, printmaking, sculpture, video, and installation. Though it takes myriad forms, her singular project always centers painting within culture at large. Fredonia! refers to a fictional utopia, a 19th-century name for the United States that never took off, and a failed country in the 1933 Marx Brothers film Duck Soup. The exhibition features sev- eral recent bodies of work which reflect upon this time of turmoil, anxiety, and gallows humor. Feinstein uses the motif of the rainbow—a visual trope and cultural artifact first explored while in residence at the American Academy in Rome—to present works rich in color and connotation. She moves freely through the history of late 20th-century painting, rejoicing in materiality while poking holes in the notion of pure painting. In one, thick pools of paint are stitched together with a zigzagging horizontal length of acrylic yarn. It first appears as a harshly linear intrusion fracturing the painting. -
IFLA Art Libraries Section Newsletter
IFLA Art Libraries Section Newsletter international federation of library associations and institutions № 60, 2007 Contents Editorial Editorial 1 This issue of the Newsletter contains information about Greetings from the Chair 2 the World Library and Information Congress, 2007. wlic in Durban 3 In Durban there will be several meetings of the Art Art Libraries Open Session 4 Libraries Section including two Standing Committee Art Libraries Special Event 7 New Corresponding Member 7 meetings – on Saturday 8 August 8.30–.20 and on New Publications 8 Friday 24th August .00–3.50 – and Open Session Forthcoming Conferences 10 on Monday 20th at 0.45–2.45, with the theme “Devel- General Announcements 11 oping and documenting contemporary indigenous ALS Standing Committee 12 and minority culture”. The abstractsof the papers to be presented at our Open Session are published in this Newsletter. On Tuesday 2st Art Libraries Section will have a special study tour to Durban Art Gallery. You will find a brief presentation of the Gallery in this Newsletter. In this issue we can also read about the multimedia database Bn-Opale of Bibliothéque nationale de France and about the conversion projects at the library of the Zentralinstitut für Kunstgeschichte in Munich, Germany. Many thanks to all who contributed to the News- letter, your news are always welcome. Please share your innovations and activities with us. Eila Rämö Editor 2 ifla art libraries section newsletter • 60/2007 Greeting from the Chair Dear new members of the Standing Committee of the Art Libraries Section: Susan Allen, Jan Simane, Kate Sloss, Edward Teague, Lucile Trunel, Joye Volker, and Martha McPhail, who has been re-elected for the 2nd term, and dear new Corresponding Member Ryoji Murata. -
NEWS RELEASE Press Contact: Alexa
CONTEMPORARY ART MUSEUM INSTITUTE FOR RESEARCH ART 4202 East Fowler Avenue CAM 101 Tampa, Florida 33620 Info Line: (813) 974-2849 / fax: (813) 974-5130 http://ira.usf.edu NEWS RELEASE Press Contact: Alexa Favata, Deputy Director [email protected] Tel: (813) 974-4324 Press Images Contact: Don Fuller, New Media Curator [email protected] Tel: (813) 974-4329 Tampa, September 5, 2014 – The USF Contemporary Art Museum is pleased to present the exhibition Making Sense: Rochelle Feinstein, Deborah Grant, Iva Gueorguieva, Dona Nelson open September 27 through December 12, 2014. Deborah Grant, Crowning The Lion and The Lamb, 2013 oil, acrylic, enamel and paper on birch panel, 72 x 192 x 4 inches Courtesy of the artist and Steve Turner Contemporary, Los Angeles, CA photo: Will Lytch/Graphicstudio Making Sense brings together four artists who make distinctive contributions to contemporary painting. Through a range of approaches, they explore painting as a medium, a set of techniques, an historical institution and a framework for making sense. Inspired by WWII-era Enigma decoding machines, Rochelle Feinstein takes on puzzling figures of speech, inscrutable ideas and encrypted social codes as challenges for painterly representation. Using a method she calls “Random Select,” Deborah Grant creates imagined, non-linear narrative encounters between historical artists, interwoven with her own varied humanistic interests from literature to religion. Iva Gueorguieva adapts the visual language of modern abstraction to create tumultuous, energetic spaces on canvas; her process of building up paintings by layering torn cloth with pigment and color washes produces spontaneous, dynamic compositions rooted in personal stories. -
Widening Circles | Photographs by Reginald Eldridge, Jr
JOAN MITCHELL FOUNDATION MITCHELL JOAN WIDENING CIRCLES CIRCLES WIDENING | PHOTOGRAPHS REGINALD BY ELDRIDGE, JR. Widening Circles Portraits from the Joan Mitchell Foundation Artist Community at 25 Years PHOTOGRAPHS BY REGINALD ELDRIDGE, JR. Sonya Kelliher-Combs Shervone Neckles Widening Circles Portraits from the Joan Mitchell Foundation Artist Community at 25 Years PHOTOGRAPHS BY REGINALD ELDRIDGE, JR. Widening Circles: Portraits from the Joan Mitchell Foundation Artist Community at 25 Years © 2018 Joan Mitchell Foundation Cover image: Joan Mitchell, Faded Air II, 1985 Oil on canvas, 102 x 102 in. (259.08 x 259.08 cm) Private collection, © Estate of Joan Mitchell Published on the occasion of the exhibition of the same name at the Joan Mitchell Foundation in New York, December 6, 2018–May 31, 2019 Catalog designed by Melissa Dean, edited by Jenny Gill, with production support by Janice Teran All photos © 2018 Reginald Eldridge, Jr., excluding pages 5 and 7 All artwork pictured is © of the artist Andrea Chung I live my life in widening circles that reach out across the world. I may not complete this last one but I give myself to it. – RAINER MARIA RILKE Throughout her life, poetry was an important source of inspiration and solace to Joan Mitchell. Her mother was a poet, as were many close friends. We know from well-worn books in Mitchell’s library that Rilke was a favorite. Looking at the artist portraits and stories that follow in this book, we at the Foundation also turned to Rilke, a poet known for his letters of advice to a young artist. -
Michelle Stuart CV
M I C H E L L E S T U A R T Born 1933 Los Angeles, CA; Lives and works in New York, NY, Amagansett, NY, and Carpinteria, CA EDUCATION Chouinard Art Institute, Los Angeles The New School for Social Research, New York Lived for three years in Europe and has traveled and lectured extensively SOLO EXHIBITIONS 2019 Earth as a Map of Time, Marc Selwyn Fine Art, Beverly Hills, CA Michelle Stuart: Flight of Time, Galeria Lelong & Co., New York, NY 2018 Michelle Stuart: The Nature of Time, Alison Jacques Gallery, London, UK 2017 Michelle Stuart: Sayreville Strata Quartet, on long-term view at Dia:Beacon, New York, NY Michelle Stuart: Seed Gardens, Marc Selwyn Fine Art, Beverly Hills, CA Michelle Stuart: Time/Trace/Site, Works from 1969-1981, Leslie Tonkonow Artworks + Projects, ADAA The Art Show 2017 2016 Michelle Stuart, Theatre of Memory: Photographic Works, The Bronx Museum of the Arts, Bronx, NY 2015 Field Notes, Wave Hill, Bronx, NY Michelle Stuart: Topographies: Drawings and Photographic Works 1968-2015, Marc Selwyn Gallery, Los Angeles Michelle Stuart: Trace Memory: Selected Works 1969–2015, Parafin, London, UK 2014 Michelle Stuart – Silent Movies, Leslie Tonkonow Artworks + Projects, NY Michelle Stuart, Drawn From Nature, Santa Barbara Museum of Art, Santa Barbara, CA Michelle Stuart: Early Drawings, Anthony Slayter-Ralph, Valley Glen, CA 2013 Michelle Stuart, Drawn From Nature, Djanogly Art Gallery, University of Nottingham, UK Michelle Stuart, Drawn From Nature, Parrish Art Museum, Watermill, NY 2012 Michelle Stuart: Palimpsests, Leslie -
Michelle Stuart
MICHELLE STUART Born Los Angeles, California, 1933 Lives and Works in New York, New York Chouinard Art Institute, Los Angeles, California, 1952 The New School for Social Research, New York, 1961 SOLO EXHIBITIONS 2021 Michelle Stuart: An Archaeology of Place, Marc Selwyn Fine Art, Los Angeles, California Michelle Stuart, Lora Reynolds Gallery, Austin, Texas Spotlight Booth: Michelle Stuart, Armory Show 2021, presented by Galerie Lelong & Co. and Marc Selwyn Fine Art 2019 Michelle Stuart: Earth as a Map of Time, Marc Selwyn Fine Art, Los Angeles, California Michelle Stuart: Flight of Time, Galerie Lelong & Co., New York, New York 2018 Michelle Stuart: The Nature of Time, Alison Jacques Gallery, London, England 2017 Michelle Stuart: Sayreville Strata Quartet, Dia:Beacon, Beacon, New York Michelle Stuart: Seed Gardens, Marc Selwyn Fine Art, Los Angeles, California 2016 Michelle Stuart, Theatre of Memory: Photographic Works, The Bronx Museum of the Arts, New York, New York 2015 Michelle Stuart: Topographies: Works from 1969 to 2015, Marc Selwyn Fine Art, Los Angeles, California Michelle Stuart: Tracing Memory: Selected Works 1969-2015, Parafin, London, England 2014 Michelle Stuart: Silent Movies, Leslie Tonkonow Artworks + Projects, New York, New York 2013 Michelle Stuart: Drawn from Nature, Djanogly Art Gallery, Lakeside Arts Centre, University of Nottingham, England; Parrish Art Museum, Watermill, New York; Santa Barbara Museum of Art, Santa Barbara, California 2012 Michelle Stuart: Palimpsests, Leslie Tonkonow Artworks + Projects, New York, -
ROCHELLE FEINSTEIN Lives and Works in New York, NY. SOLO
ROCHELLE FEINSTEIN Lives and works in New York, NY. SOLO EXHIBITIONS 2018 Image of an Image, Bronx Museum of the Arts, Bronx, NY (November – March 2019) Rainbow Room/The Year in Hate, Campoli Presti, London, UK Research Park, The Gallery at Michaels, Santa Monica, CA Rochelle Feinstein, Kunsthaus Baselland, Basel, CH 2017 Who Cares, On Stellar Rays, New York, NY 2016 Rochelle Feinstein, Galerie Francesca Pia, Zurich, Switzerland Rochelle Feinstein (Retrospectives): In Anticipation of Women’s History Month, Centre d’Art Contemporain, Geneva, Switzerland; I Made a Terrible Mistake, Lenbachhaus, Munich, Germany; Make it Behave, Kestnergesellschaft, Hannover, Germany 2014 Love Vibe, On Stellar Rays, New York, NY I’m With Her, Gallery Diet, Miami, FL 2013 Rochelle Feinstein, On Stellar Rays, New York, NY Rochelle Feinstein, Higher Pictures, New York, NY 2012 Rochelle Feinstein: The (Abridged) Estate of Rochelle F., 2010–2012, Radcliffe Institute for Advanced Study, Harvard University, Cambridge, MA 2011 The Estate of Rochelle F., On Stellar Rays, New York, NY 2009 I Made A Terrible Mistake, LAB Space/Art Production Fund, New York, NY 2008 The Studio Show, David Reed Studio, New York, NY New Work, Momenta Art, Brooklyn, NY Rochelle Feinstein, The Suburban, Chicago, IL 2002 Pictures, Ten in One Gallery, New York, NY 1996 Men, Women, and Children, Max Protetch Gallery, New York, NY The Wonderfuls, Jersey City Museum, New Jersey, NJ Copycats, Bill Maynes Gallery, New York, NY 1995 Paintings, Halsey Gallery, Charleston, South Carolina, SC 1994 Paintings, -
School of Art 2010–2011
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Art 2010–2011 School of Art 2010–2011 BULLETIN OF YALE UNIVERSITY Series 106 Number 1 May 10, 2010 BULLETIN OF YALE UNIVERSITY Series 106 Number 1 May 10, 2010 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a special disabled veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation Managing Editor: Linda Koch Lorimer or gender identity or expression. Editor: Lesley K. Baier University policy is committed to a∞rmative action under law in employment of PO Box 208230, New Haven CT 06520-8230 women, minority group members, individuals with disabilities, special disabled veterans, veterans of the Vietnam era, and other covered veterans. -
School of Art 2007–2008
May 10, 2007 May ALE UNIVERSITY umber 1 N BULLETIN OF Y Series 103 School of Art 2007–2008 BULLETIN OF YALE UNIVERSITY May 10, 2007 School of Art Periodicals postage paid Periodicals Connecticut Haven, New 06520 -8227 CT BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE New Haven Bulletin of Yale University The University is committed to basing judgments concerning the admission, education, and employment of individuals upon their qualifications and abilities and a∞rmatively seeks to Postmaster: Send address changes to Bulletin of Yale University, attract to its faculty, sta≠, and student body qualified persons of diverse backgrounds. In PO Box 208227, New Haven CT 06520-8227 accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against any individual PO Box 208230, New Haven CT 06520-8230 on account of that individual’s sex, race, color, religion, age, disability, status as a special Periodicals postage paid at New Haven, Connecticut disabled veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or Issued seventeen times a year: one time a year in May, November, and December; two times expression. a year in June; three times a year in July and September; six times a year in August University policy is committed to a∞rmative action under law in employment of women, minority group members, individuals with disabilities, special disabled veterans, Managing Editor: Linda Koch Lorimer veterans of the Vietnam era, and other covered veterans. -
Sharman Tabloid
The lay of the land fitzrovia.org.uk/news Fitzrovia News Fitzrovia News is produced by residents and volunteers and distributed free to all businesses and residential addresses in Fitzrovia Issue 121 Summer 2011 Mail delays threatened Workers have voted to strike against the closure of the Royal Selling of delivery office Mail delivery and distribution office in Rathbone Place, which they fear would worsen local provokes furious response deliveries and hit jobs. pulsory redundancies and have assurance that this was not the The Royal Mail has voted by 79 per cent in a ballot case they were refused. announced it intends to sell the to resist the closures. And there “The new regime seems office for millions of pounds and was an overwhelming vote at intent on stripping assets to transfer the work to Mount the union's national conference make a profit. But these are Pleasant, about one and a half last month against taking any assets needed for an efficient miles away. work transferred from closed business, and will amount to a Picking up post from that far offices. short term profit at the expense away will inevitably delay “We are worried about com - of the long term interests of the postal deliveries to Fitzrovia. pulsory redundancies and have service,” he added. And if people are not in to col - tried to negotiate with manage - “There is talk about compul - lect deliveries they will have to ment over this and have got the sory transfers to other offices go further in order to pick them support of independent consult - within a 15 mile radius, but up if the Rathbone Place centre when people have asked for jobs ants,” said Andy Hyatt, the West The last post. -
March-April 1998 CAA News
GO ""C1\ Order Form 'E'" 0. Sam Gilliam, Untitled ~ "il All orders must be prepaid. Until June 30, 1998, Untitled is available for the reduced price of $1,000 for CAA individual and institutional ;;J members only ($1,750 for nonmembers). Please mail completed order form to: College Art Association, Development Dept., 275 7th Ave., 18th :;;; fl., New York, NY 10001. Allow 6-8 weeks for delivery. N Please send -- prints to: ... .c'" is ::< name Z ",' N <Ii address 5 is ::< ~ ~ city I state I zip code telephone Gilliam .~ CAA membership # ~"'" .~'"u Donates ""' D Enclosed is my check payable to CAA ..::"' o I prefer to charge my contribution to: D VISA D MasterCard Mixed ..::t <Ii narne on card __________________________________ amount $ bI) OJ Media ~ card number ______________________________ expo date ____________ -U" OJ signature ______________________________________________ Work ,s """... M ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• J '" -'" -'"s: (jJ rtist Sam Gilliam has collabo z rated with the Rutgers Center 5 A for Innovative Print and Paper (RCIFP) to create an original, mixed media construction for the benefit of the CAA's Professional Development College Art Association Fellowship Program for Artists and Art 275 Seventh Avenue New York, New York 10001 Historians. Gilliam worked closely with Eileen N. Foti, ReIPP's master printer, Sam Gilliam, Untitled, 21.5" x 22", lithograph, handmade paper, and colle {edition 50} and Gail Deery, ReIFP's master paper maker, to create this piece, which will be Board of Directors much recognition for his "suspended Gilliam's entire oeuvre that deserves John R. Clarke, President limited to an edition of 50. Gilliam's work will be available framed and for paintings." These draped works liberated recognition, as both his earliest and most Michl Hami, Secretary the canvas from the frame and chal recent pieces engage and move the John W.