Download Download
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Solar Eclipses in the Outlook of the Slavs
ics & Ae ys ro h sp p a o r c t e s T A e Prokofyev, J Astrophys Aerospace Technol 2014, 2:2 f c h o Journal of Astrophysics & n l o a DOI: 10.4172/2329-6542.1000107 l n o r g u y o J Aerospace Technology ISSN: 2329-6542 Research Article Open Access Solar Eclipses in the Outlook of the Slavs Prokofyev A* KITION Planetarium & Observatory, Kiti, Larnaca, Cyprus *Corresponding author: Alexandr Prokofyev, KITION Planetarium & Observatory, Ammochostou 9, Kiti, 7550, Larnaca, Cyprus. Tel: +357 99037440; E-mail: [email protected] Rec date: Jul 1, 2014, Acc date: Jul 26, 2014, Pub date: Aug 15, 2014 Copyright: © 2014 Prokofyev A. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Abstract The article provides an overview of descriptions of total solar eclipses in different literature forms, rites and toponyms of Slavs. It is shown that the solar eclipse had a prominent role in the worldview of the tribes. Explanations of some terms of Slavic outlook are given with suggestions for the correct terminology. A program for further investigation in Slavic and other people’s culture is proposed. Keywords: Total solar eclipse; Archeoastronomy; Mythology; Slavs; Character 'Akhet' (Figure 2) should be translated as 'eclipse' instead of Akhet; Myth of creation of the world; Myth of end of the world; 'horizon'. Then the next well-known text obtains a simple explanation. Dragon slayer; Tales During the advance of the eclipse (former translation: after sunset at the horizon) Ra joins the fight against the forces of darkness, Introduction crocodiles, snakes and so on. -
MAN in NATURE Pre-Christian Eastern Slavic Reflections on Nature
MAN IN NATURE Pre-Christian Eastern Slavic Reflections on Nature Molly Kaushal What follows is a simple account of how, in earlier times, the Eastern Slavs, particularly the pre-Christian Russians, interacted with nature. Pre-Christian slavic religion was mainly based on nature worship. Fire, Earth and Water figured prominently in its beliefs and ritual practices. The forces of nature were personified, feared, and revered, and the Slavs developed a whole pantheon of gods and goddesses. However, the three main gods of their pantheon were linked together not in a hierarchical way, but in a mutually complementary way, where each was incomplete without the other. A whole cycle of rituals revolved around various forces of nature and their personified images. The arrival of Christianity as the official religion and the establishment of the Russian Orthodox Church culminated in the banning of many folk ritual practices which were pre-Christian in origin, and in the persecution of those who practised them. Yet, a complete annihilation of earlier beliefs and practices could never be accomplished. Pre- Christian beliefs and gods exerted such a strong influence upon the Russian mind that the only way to come to terms with them was through incorporating them in the mainstream of the Christian order. Water, Fire, and the Mother Earth Goddess were, and have remained, the most powerful images of Russian religious beliefs and practices, and folk memory has remained loyal to the personified and non- personified images of these elements. According to some scholars, Rusi, or Russians as we call them, have their origins in the word Roce. -
The Problem of Mysteriousness of Baba Yaga Character in Religious Mythology
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Siberian Federal University Digital Repository Journal of Siberian Federal University. Humanities & Social Sciences 12 (2013 6) 1857-1866 ~ ~ ~ УДК 7.046 The Problem of Mysteriousness of Baba Yaga Character in Religious Mythology Evgenia V. Ivanova* Ural Federal University named after B.N. Yeltsin 51 Lenina, Ekaterinburg, 620083 Russia Received 28.07.2013, received in revised form 30.09.2013, accepted 05.11.2013 This article reveals the ambiguity of interpretation of Baba Yaga character by the representatives of different schools of mythology. Each of the researchers has his own version of the semantic peculiarities of this culture hero. Who is she? A pagan goddess, a priestess of pagan goddesses, a witch, a snake or a nature-deity? The aim of this research is to reveal the ambiguity of the archetypical features of this character and prove that the character of Baba Yaga as a culture hero of the archaic religious mythology has an influence on the contemporary religious mythology of mass media. Keywords: religious mythology, myth, culture hero, paganism, symbol, fairytale, religion, ritual, pagan priestess. Introduction. “Religious mythology” is examined by the author of the article (Ivanova, a new term, which is relevant to contemporary 2012, p.56). The subject of the research presented religious and cultural studies, philosophy in this article is topography or conceptual space of religion and other sciences focusing on of notional understanding of the fairytale pagan correlation between myth and religion. This culture hero – the character of Baba Yaga. -
Folklore and the Construction of National Identity in Nineteenth Century Russian Literature
Folklore and the Construction of National Identity in Nineteenth Century Russian Literature Jessika Aguilar Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy In the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Jessika Aguilar All rights reserved Table of Contents 1. Introduction……………………………………………………………………………..…..1 2. Alexander Pushkin: Folklore without the Folk……………………………….20 3. Nikolai Gogol: Folklore and the Fragmentation of Authorship……….54 4. Vladimir Dahl: The Folk Speak………………………………………………..........84 5. Conclusion……………………………………………………………………………........116 6. Bibliography………………………………………………………………………………122 i Introduction In his “Literary Reveries” of 1834 Vissarion Belinsky proclaimed, “we have no literature” (Belinskii PSS I:22). Belinsky was in good company with his assessment. Such sentiments are rife in the critical essays and articles of the first third of the nineteenth century. A decade earlier, Aleksandr Bestuzhev had declared that, “we have a criticism but no literature” (Leighton, Romantic Criticism 67). Several years before that, Pyotr Vyazemsky voiced a similar opinion in his article on Pushkin’s Captive of the Caucasus : “A Russian language exists, but a literature, the worthy expression of a mighty and virile people, does not yet exist!” (Leighton, Romantic Criticism 48). These histrionic claims are evidence of Russian intellectuals’ growing apprehension that there was nothing Russian about the literature produced in Russia. There was a prevailing belief that -
The Slavic Vampire Myth in Russian Literature
From Upyr’ to Vampir: The Slavic Vampire Myth in Russian Literature Dorian Townsend Thesis submitted for the degree of Doctor of Philosophy School of Languages and Linguistics Faculty of Arts and Social Sciences The University of New South Wales May 2011 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Townsend First name: Dorian Other name/s: Aleksandra PhD, Russian Studies Abbreviation for degree as given in the University calendar: School: Languages and Linguistics Faculty: Arts and Social Sciences Title: From Upyr’ to Vampir: The Slavic Vampire Myth in Russian Literature Abstract 350 words maximum: (PLEASE TYPE) The Slavic vampire myth traces back to pre-Orthodox folk belief, serving both as an explanation of death and as the physical embodiment of the tragedies exacted on the community. The symbol’s broad ability to personify tragic events created a versatile system of imagery that transcended its folkloric derivations into the realm of Russian literature, becoming a constant literary device from eighteenth century to post-Soviet fiction. The vampire’s literary usage arose during and after the reign of Catherine the Great and continued into each politically turbulent time that followed. The authors examined in this thesis, Afanasiev, Gogol, Bulgakov, and Lukyanenko, each depicted the issues and internal turmoil experienced in Russia during their respective times. By employing the common mythos of the vampire, the issues suggested within the literature are presented indirectly to the readers giving literary life to pressing societal dilemmas. The purpose of this thesis is to ascertain the vampire’s function within Russian literary societal criticism by first identifying the shifts in imagery in the selected Russian vampiric works, then examining how the shifts relate to the societal changes of the different time periods. -
Pagan Beliefs in Ancient Russia. by Luceta Di Cosimo, Barony Marche of the Debatable Lands, Aethelmearc
1 Pagan Beliefs in Ancient Russia. By Luceta di Cosimo, Barony Marche of the Debatable Lands, Aethelmearc. [email protected] ©2006-2017 Slavic mythology is a difficult subject. The historical evidence is fragmented, with many conflicting sources and multiple later literary inventions. This is a brief reconstruction of ancient Russian mythology. The first archaeological findings that can be attributed to Slavs date to approximately 6th c. AD. The origins of Slavs are still debated. The pagan Slavic society was an oral society. Christianity, which introduced writing, was more concerned with eradication rather than preservation of pagan beliefs. No one really tried to preserve and record whatever remained, until late period. Then, there is some evidence recorded from the Germans who visited Russia in 18th c., but a lot of it is based on the written 15thc. sources, rather than eyewitness accounts. The 19th c. Europe saw renewed interest in folklore, and combined with rise of nationalism and need for developed mythos, a lot of what was left was recorded, but a lot was altered to make it more palatable, and questionable things (especially with fertility rituals) were edited out as not to besmirch the emerging national character. During the Soviet time, the study of any religion was problematic, due to mandatory atheism. Eventually, the study of the early Slavic traditions was permitted, and even encouraged, but, everything had to pass stringent censorship rules, and could not contradict Marxist-Leninist philosophy. So, people who had the material (in the USSR) could not publish, and people who actually could publish (in the West) did not have access to the materials. -
Slavic Pagan World
Slavic Pagan World 1 Slavic Pagan World Compilation by Garry Green Welcome to Slavic Pagan World: Slavic Pagan Beliefs, Gods, Myths, Recipes, Magic, Spells, Divinations, Remedies, Songs. 2 Table of Content Slavic Pagan Beliefs 5 Slavic neighbors. 5 Dualism & The Origins of Slavic Belief 6 The Elements 6 Totems 7 Creation Myths 8 The World Tree. 10 Origin of Witchcraft - a story 11 Slavic pagan calendar and festivals 11 A small dictionary of slavic pagan gods & goddesses 15 Slavic Ritual Recipes 20 An Ancient Slavic Herbal 23 Slavic Magick & Folk Medicine 29 Divinations 34 Remedies 39 Slavic Pagan Holidays 45 Slavic Gods & Goddesses 58 Slavic Pagan Songs 82 Organised pagan cult in Kievan Rus' 89 Introduction 89 Selected deities and concepts in slavic religion 92 Personification and anthropomorphisation 108 "Core" concepts and gods in slavonic cosmology 110 3 Evolution of the eastern slavic beliefs 111 Foreign influence on slavic religion 112 Conclusion 119 Pagan ages in Poland 120 Polish Supernatural Spirits 120 Polish Folk Magic 125 Polish Pagan Pantheon 131 4 Slavic Pagan Beliefs The Slavic peoples are not a "race". Like the Romance and Germanic peoples, they are related by area and culture, not so much by blood. Today there are thirteen different Slavic groups divided into three blocs, Eastern, Southern and Western. These include the Russians, Poles, Czechs, Ukrainians, Byelorussians, Serbians,Croatians, Macedonians, Slovenians, Bulgarians, Kashubians, Albanians and Slovakians. Although the Lithuanians, Estonians and Latvians are of Baltic tribes, we are including some of their customs as they are similar to those of their Slavic neighbors. Slavic Runes were called "Runitsa", "Cherty y Rezy" ("Strokes and Cuts") and later, "Vlesovitsa". -
ROBERTS-THESIS.Pdf (933.8Kb)
The Thesis Committee for Jason Edward Roberts Certifies that this is the approved version of the following thesis: Evidence of Shamanism in Russian Folklore APPROVED BY SUPERVISING COMMITTEE: Supervisor: Thomas Jesús Garza Bella Bychkova Jordan Evidence of Shamanism in Russian Folklore by Jason Edward Roberts, B. Music; M. Music Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2011 Acknowledgements I would like to gratefully acknowledge both Tom Garza and Bella Jordan for their support and encouragement. Their combined expertise has made this research much more fruitful than it might have been otherwise. I would also like to thank Michael Pesenson to whom I will forever be indebted for giving me the push to “study what I like” and who made time for my magicians and shamans even when he was up to his neck in sibyls. iii Abstract Evidence of Shamanism in Russian Folklore Jason Edward Roberts, MA The University of Texas at Austin, 2011 Supervisor: Thomas Jesús Garza A wealth of East Slavic folklore has been collected throughout Russia, Ukraine, and Belorussia over a period of more than a hundred years. Among the many examinations that have been conducted on the massive corpus of legends, fabulates, memorates, and charms is an attempt to gain some understanding of indigenous East Slavic religion. Unfortunately, such examination of these materials has been overwhelmingly guided by political agenda and cultural bias. As early as 1938, Yuri Sokolov suggested in his book, Russian Folklore, that some of Russia’s folk practices bore a remarkable resemblance to shamanic practices, commenting specifically on a trance like state which some women induced in themselves by means of an whirling dance. -
The Folklore of the Ladybird 8 (PDF July 2017) 1 Chapter 8: East Europe
The Folklore of the Ladybird Cor Hendriks (Second draft 2015-02-08) (Chapter 8: East Europe) Cor Hendriks, The Folklore of the Ladybird 8 (PDF July 2017) 1 Chapter 8: East Europe A. Czechoslovakia The Czech data originate from volume 2 of the Český Jazykový Atlas by Jan Balhar, Pavel Jančak e.a. The ‘scientific name’ is slunéčko sedmitečné (Cocc. sept.), derived of the most common name sluníčko, sluníčko (1), sluňəčko (2), slunéčko (3), slunečko (4), slunečko brneňko (5), slunečko patrnečko (6), pámbíčkovo sluňíčko (7); sluňíčko víčko (8).1 This denomination dominates a big part of West Czechoslovakia and has in the east a border-area with bedrunka, beruška, baruška, berunka and medrunka, which appear in many shapes: berunka (1), barunka (2), beberunka (3); bedruňka (4), bedrúnka (5), bjedrunka (6), b’edrunka (7), bedruňička (8), bedrunečka (9), bedrňička (10), bedruna (11), bedruška (12); medrúnka (13), medruňička (14), medrňčka (15), medrňička (16).2 Along the southern border we see from west to east areas with pinkalinka, bábrlinka, popelinka, mandelinka, maidalenka, helenka, halinka, poulinka, verunka and majdalenka. These denominations also have a great number of variants: verunka (1), veruňka (2), veronka (3), veverunka (4), pámbičková verunka (5); verunka kunka, v. korunka (6), v. runka (7); marunka (8), merunka (9), meruňka (10); menurka, menurečka (11).3 Besides these larger and smaller areas there are also a large number of dispersed appearing denominations: petrunka (1), petrunelka (2); korunka, kokorunka (3), kokorúnka (4), -
Pagan and Christian Dualism in the Culture of Ancient Rus
WORLD SCIENCE ISSN 2413-1032 ART PAGAN AND CHRISTIAN DUALISM IN THE CULTURE OF ANCIENT RUS Oleg Chuyko, Assistant Professor, Vasyl Stefanyk Precarpathian National University, Assistant Professor of Chair of Design and Art Theory, Ukraine, Ivano-Frankivsk DOI: https://doi.org/10.31435/rsglobal_ws/30042020/7026 ARTICLE INFO ABSTRACT Received: 10 February 2020 Based on archaeological artifacts, this paper considers another side of Accepted: 04 April 2020 Christian and pagan dual faith in the West of Ancient Rus. We analyze Published: 30 April 2020 material evidence, namely petroglyphs, amulets and ornaments, proving that people still worshiped the pagan deity, Perun, after KEYWORDS adoption of Christianity. We place an emphasis on the motif of hatchet syncretism, symbol, which, according to archaic beliefs, is the symbol of weapon, thunder, mythology, amulet, lightning, heavenly fire and light. We also explore significance of ritual, ornament, sign. Perun's worship among the princely elite and warriors during the period of forceful unification and defense of the Ruthenian lands. Citation: Oleg Chuyko. (2020) Pagan and Christian Dualism in the Culture of Ancient Rus. World Science. 4(56), Vol.2. doi: 10.31435/rsglobal_ws/30042020/7026 Copyright: © 2020 Oleg Chuyko. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. -
No.23 Karpatska Rus, Yonkers,N.Y., November 26, 1993, Vollxvi
SECOND CLASS POSTAGE PAID AT YONKERS, NEW. YORK AND OT~~R MAILING ADDRESSES NO.23 KARPATSKA RUS, YONKERS,N.Y., NOVEMBER 26, 1993, VOLLXVI Stephen P. Kopeetoneky PART 3 Continuation from Issue #22, November 12, 1993 methods of foretelling. Snatching up a twig with leaves, a handful of grass or petals from a flower - these items served as favorite ways of divining. and playing at "war games," showing off their skill, Plucking each leaf from the twig or each petal from strength and courage. Supposedly because the the flower, or dropping each blade of grass from young ladies laughed at their efforts, thus insulting one's hand, they would recite; "Yes, No!" or "It will them, the young men would purposely but furtively be! It will not be!" i.e., would the wish come true or tak.e ~evenge by bre~king up one of the young not? The last leaf, or petal, or blade of grass would ladles gam~s or dashl~g through their xorovody decide the fate of the wish. [How contemporary!] and then qUickly retreating to their own end of the Y~ung people divined as to whelher they be Orthodox companion 01 American gn:}Ve,fe~ring· punishment from their elders ;f seen bndes and grooms: "Bride -- Widow!" "Groom - dOing their dastardly deed. Widower!" The lowing of cattle, the bleating of Presidents sheep, the singing of the birds, the barking of dogs -- all were talismans of things to come. Young girls . Some of these games have been preserved divined that their grooms would come from the In many localities in the Russian section of direction of the barking of the dogs. -
RUSSIAN MYTHOLOGY Ayse Dietrich, Ph.D
HUMANITIES INSTITUTE RUSSIAN MYTHOLOGY Ayse Dietrich, Ph.D. Introduction Mythology takes as its subject the significance of the objects that exist in the world, natural events, and the private matters and objects of social life from an emotional point of view. Mythology is the identification of humanity with nature, making the powers of nature one’s own in the imagination. In the face of natural events, the first humans were powerless, both before the events within themselves and those that came from outside. Therefore, it is directed at describing events and objects that were considered taboo, or embodying and personalizing events or objects that the mind could not grasp. Identifying itself with all living and non-living thing from the very beginning, the human mind tried to express them through various objects and symbols. The rustle of leaves, thunder, bird calls, and lightning striking – all these natural events were perceived by humans as a sign of good or evil, life or death. Mythological images are indirect expressions of humans’ internal worlds and emotions. Emotions override reason. Mythological images do not consist only of imaginary depictions. They also have the quality of making living in harmony with human desires and emotions, and acting together easier. In this context, The subject of Russian mythology consists of the belief of the Russian people, who planted fields, worked the land, and spent their lives together with animals such as eagles and wolves, that supernatural powers directed the fates of men, and the symbols and gods that before and after the coming of Christianity were passed down from generation to generation.