DOCSLIB.ORG

Modartist Subject Refno Description 0 DB 5 1224 Database of Paintings by Deceased Artists Associated with Newlyn and Lamorna Who Were Born in 1920 and After

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Modartist Subject Refno Description 0 DB 5 1224 Database of Paintings by Deceased Artists Associated with Newlyn and Lamorna Who Were Born in 1920 and After ModArtist Subject RefNo Description 0 DB 5 1224 Database of paintings by deceased artists associated with Newlyn and Lamorna who were born in 1920 and after. 0 DB 6 1231 Database of paintings by deceased artists associated with West Cornwall (excluding Newlyn and Lamorna) who were born in 1920 and after. 0 DB 7 1228 Database of paintings by living artists associated with Newlyn and Lamorna. 0 DB 8 1428 Database of paintings by living artists (excluding Newlyn and Lamorna) associated with West Cornwall Aggett, Lionel 940 Lionel Aggett died in 2009 and was a member of the St Ives Society of Artists. Albright, Amy 1813 Folder of material about Amy Albright Allen, Rachel Mia 1816 Folder of material about Rachel Mia Allen Ambrose, Ray 1074 Images of paintings by Ray Ambrose (1927-1989). Some digital. See Paintings Database available on request. Ambrose, Ray 1076 Collection of papers about artist Ray Ambrose (1927-1989). Biographical material. List of exhibitions. Press reviews. Obituaries. Donations to Artshare. Anderson, John B 2214 Folder of material about John B Anderson (1945-1997). Anderson, Sophie 1818 Folder of material about Sophie Anderson Armitage, Catherine (Feiler) 1806 Folder of material about Catherine (Fieler) Armitage Arndt, Hermina 1820 Folder of material about Hermina Arndt Ash, Annie C 1821 Folder of material about Annie C Ash Ash, Emily 1822 Folder of material about Emily Ash Atkinson, Amy Beatrice 1815 Folder of material about Amy Beatrice Atkinson Ayres, Gillian 1817 Folder of material about Gillian Ayres Bader, Virginia 1824 Folder of material about Virginia Bader Bailey, Dorothy 1838 Folder of material about Dorothy Bailey Baily, Janet 1825 Folder of material about Janet Baily Baily, Nancy 1826 Folder of material about Nancy Baily Bainbridge, Janeve D 1831 Folder of material about Janeve D Bainbridge Bleakley Susan Ball, Mary 1832 Folder of material about Mary Ball Ballard, Morag 1833 Folder of material about Morag Ballard Banham, Serina 1834 Folder of material about Serina Banham Barber, Harriet 1827 Folder of material about Harriet Barber Baritt, Wendy 1836 Folder of material about Wendy Baritt Barribeall, Anna 1835 Folder of material about Anna Barribeall Batten, Joy 1016 Images of pictures by photographer Joy Batten. Some digital. See Paintings Database available on request. Bealing, Nicola 1828 Folder of material about Nicola Bealing Beecroft, Jane 1839 Folder of material about Jane Beecroft Beedon, Sharon 1840 Folder of material about Sharon Beedon Behrans, Romi 1829 Folder of material about Romi Behrans Bell, Harriet 1841 Folder of material about Harriet Bell 08 September 2016 Page 1 of 16 Subject RefNo Description Bell, Trevor 1346 Folder of material about Trevor Bell who is a leeds born artist born in 1930. Benjamin, Stella 1842 Folder of material about Stella Benjamin Beresford-Williams, Mary 1843 Folder of material about Mary Beresford-Williams Berger, Sybille 1844 Folder of material about Sybille Berger Berks, Paula 1830 Folder of material about Paula Berks Bevan, Jill 1845 Folder of material about Jill Bevan Blasberry, Mavis 1847 Folder of material about Mavis Blasberry Bleakey, Su 1848 Folder of material about Su Bleakey Bounds, Virginia 4938 Collection of material to do with the art of Virginia Bounds Bradley, Jyll 1849 Folder of material about Jyll Bradley Bradon, Norah 1850 Folder of material about Norah Bradon Brant, Maddie 1854 Folder of material about Maddie Brant Bray, Lucie 1855 Folder of material about Lucie Bray 1975-2014 Marazion, St Ives Artist Breck, John Leslie 1856 Folder of material about John Leslie Breck Breitholtz-Nash, Margaret 1857 Folder of material about Margaret Breitholtz-Nash Brennan, Robert 1858 Folder of material about Robert Brennan Brent, Angus 1859 Folder of material about Angus Brent Brett, Tanya 1860 Folder of material about Tanya Brett Bridge, Edna 1861 Folder of material about Edna Bridge Broodthaers, Marcel 1863 Folder of material about Marcel Broodthaers Brook, Tom 1864 Folder of material about Tom Brook Brooks, Alan 1865 Folder of material about Alan Brooks Brooks, Richard 1866 Folder of material about RichardBrooks Brown, Alan 1869 Folder of material about Alan Brown 1924-2013 Brown, Jane 1871 Folder of material about Jane Brown photographer Brown, Lynda Ruth 1872 Folder of material about Lynda Ruth Brown Brown, Peter 1873 Folder of material about Peter Brown Lamorna Pottery Browning, Marilyn 1874 Folder of material about Marilyn Browning Bruce, Ken 1875 Folder of material about Ken Bruce Bryant, Anthony Woodturn 1876 Folder of material about Anthony Bryant Woodturner Buck, Sam & Nathaniel 1877 Folder of material about Samuel and Nathaniel Buck Bucklow, Christopher 1878 Folder of material about Christopher Bucklow Budd, Rachel 1879 Folder of material about Rachel Budd Bureton, Victoria 1884 Folder of material about Victoria Bureton Burke, Claire 1880 Folder of material about Claire Burke Burnard, Robert 1881 Folder of material about Robert Burnard Burns-Jones, Edward 1882 Folder of material about Sir Edward (Ted) Burns-Jones Burston, Trevor 1886 Folder of material about Trevor Burston Photographer Buslie, Chris 1885 Folder of material about Chris Buslie RSW Buthod, Garcon 1887 Folder of material about Garcon Buthod 08 September 2016 Page 2 of 16 Subject RefNo Description Butler, Jane 1888 Folder of material about Jane Butler Buxton Judy 1889 Folder of material about Judy Buxton 2 folders Buxton, Nicola 1823 Folder of material about Nicola Buxton Callon, Damian 1499 Folder of material about Damian Callon Callow, Ray 1500 Folder of material about Ray Callow Campbell, Dona 1891 Folder of material about Dona Campbell Campbell, Irena 1892 Folder of material about Irena Campbell Campin, KM 1894 Folder of material about KM (Miss) Campin Needlework Cann, Lar 1501 Folder of material about Lar Cann Canney, Michael 1895 Folder of material about Michael Canney Canning, Neil 1502 Folder of material about Neil Canning Caplan, Adam 1503 Folder of material about Adam Caplan Capple, Nigel 1504 Folder of material about Nigel Capple Cardew, Michael 1648 Folder of material about Michael Cardew (Leach connection) Carey, Margaret 1896 Folder of material about Margaret Carey Carne, Barbara 1897 Folder of material about Barbara Carne Carr, Emily 1649 Folder of material about Emily Carr Carrick, Ian 1650 Folder of material about Ian Carrick Carrington, Leonora 1899 Folder of material about Leanora Carrington Carter, Beth 1900 Folder of material about Beth Carter Carter, Chris 1901 Folder of material about Chris Carter Carter, Clive 1646 Folder of material about Clive Carter Carter, Richard H 1652 Folder of material about Richard H Carter Carwadine, Penn 1653 Folder of material about Penn Carwadine Castle, Josephine 1902 Folder of material about Josephine Castle Cattran, K 1916 Folder of material about Katie Cattran b1975, Cornwall. File in cabinet. Chalwin, Michael 1654 Folder of material about Michael Chalwin Chambers, John 1655 Folder of material about John Chambers Chandler, Jill 1903 Folder of material about Jill Chandler Chapman, Chrisfield 1656 Folder of material about Chrisfield Chapman Chapman, David 1658 Folder of material about David Chapman Chapman, June 1657 Folder of material about June Chapman Chapman, Max 1798 Images of pictures by Max Chapman 1911-1999. Some digital. See Paintings Database available on request. Chapman, Max 1659 Collection of material about Max Chapman 1911-1999. Correspondence beweet Chapman and M Hardie (6 letters March-October 1995). Short CV. Molton Gallery Exhibition leaflet. Chapman, Simon 1660 Folder of material about Simon Chapman Cheadle, Henry 1661 Folder of material about Henry Cheadle Christophers, Julian 1662 Folder of material about Julian Christophers Christopherson, Anne 1904 Folder of material about Anne Christopherson 08 September 2016 Page 3 of 16 Subject RefNo Description Clark, John 1667 Folder of material about John Clark Clark, Norman S 1668 Folder of material about Norman S Clark Clarke, Carol 1905 Folder of material about Carol Clarke Clegg, Margrit 1906 Folder of material about Margrit Clegg Clough, Gary 1669 Folder of material about Gary Clough Clough, Thomas 1670 Folder of material about Thomas Clough 1903 Illustration of fishing boats in Newlyn Harbour Cobb, David 1589 David Cobb (March 15, 1921 – 18 June 2014) was born in Bromley, and educated at the nautical college, Pangbourne; he also studied under Borlase Smart, and married the painter Jean Main. In the early 1940s, Cobb served as 1st Lieutenant in the Atlantic convoys. From 1943-45, he commanded MTBs, working in the North Sea. A great lover of the sea, Cobb lived on his yacht White Heather, which was normally based at Brockenhurst in Hampshire. After the war David Cobb came to Newlyn's old harbour with his wife Jean. She was pregnant and DW's grandmother Mrs Mary Williams of Fore Street (wife of retired fisherman and boat owner William Henry Williams) was concerned. She offered them the use of a cottage adjoining her home and the couple lived there for a time at the birth of their child. Cobb began his painting career at Newlyn and then worked in the Sussex village of Itchenor (where he lived for some years) until he moved to live near Brockenhurst in the New Forest in the 1950s. He later became President of the Royal Society of Marine Artists and did some magnificent paintings of ships and the sea. Both David and Jean are now dead. He did not return to the village - but there are a few of his works done at this time in the area. Jean died in 2008.Cobb died
Load more

Recommended publications
  • Alan Davie: Jingling Space Richard Slee: Panorama Partou Zia: Entering the Visionary Zone
    Alan Davie: Jingling Space Richard Slee: Panorama Partou Zia: Entering the Visionary Zone 25 October 2003 – 25 January 2004 Tate St Ives Notes for Teachers 1 Contents Page No. Introduction 3 Gallery 1 The Pier Arts Centre Collection 5 Upper Gallery 2 Richard Slee Panorama 7 Lower Gallery 2 Alan Davie Jingling Space 9 Studio Alan Davie 12 The Apse William Blake Collection Works 14 Gallery 3 Partou Zia Entering the 16 Visionary Zone Gallery 4 Alan Davie Artists on Artists 18 Gallery 5 Alan Davie Jingling Space 20 Café /Mall Alan Davie 22 Resources available at Tate St Ives 23 Further Reading 23 Appendix I Artists Biographies 25 Appendix II Pier Arts Centre Collection 27 Extracts from labels & captions Appendix III Glossary of Art Terms 30 Appendix IV Alan Davie The Artist’s Words 31 Appendix V Suggested Activities 33 2 Introduction This winter Tate St Ives presents Jingling Space an exhibition of the work of Scottish artist Alan Davie. The exhibition highlights aspects of his work from the 1930s to the present day and includes oil paintings, gouaches, drawings and prints. The exhibition offers fresh insight particularly in his relationship to European Surrealism. Also on display, Alan Davie Artists on Artists A group of paintings selected from the Tate Collection including Max Ernst, Paul Klee, Pablo Picasso, Henri Matisse, Joan Miró and Jackson Pollock. The Pier Arts Centre Collection An exhibition of works by St Ives artists including Barbara Hepworth, Ben Nicholson, Peter Lanyon, Terry Frost and Alfred Wallis. Partou Zia Entering the Visionary Zone A group of works selected from more than 40 paintings made by Partou Zia during her six- month residency at the Porthmeor Studios.
    [Show full text]
  • E Ileen C Oop Er: P Ersonal S P
    Eileen Cooper: Personal Space 3–5 Swallow Street London W1B 4DE 020 7434 4319 huxleyparlour.com Cover image: Sisters, 2019 Eileen Cooper: Personal Space Introduction I am very pleased to introduce our first catalogue of paintings by Eileen Cooper RA, which contains a completely new body of work produced especially for our first exhibition together. It is a remarkable group of pictures that nods to her earliest years as a painter, while also continuing to develop the themes of identity and womanhood that she has explored throughout her career. The exhibition’s particular theme of reflective, personal space is one that seems entirely appropriate to Cooper, whose studio itself is a domestic one, set in a light filled room above the convivial family kitchen in her Brockley home. Here in this high ceilinged, paint splattered sanctuary Cooper quietly makes her pictures, bathed in the rays that flood through the tall sash windows. For many years Cooper worked alone there with her imagination, but more recently she has re-welcomed models – which has given birth to a more immediate intimacy. As one of the country’s most influential female Royal Academicians, Cooper has been a force in the British art world for many years, most recently as a much-loved Keeper of the Royal Academy Schools. In seeking models for the previous project to ours, Cooper found herself welcoming a long queue of former students and their artistic brethren, which is testimony to the esteem and friendship in which she is held. Like them, I have adored getting to know and being around Cooper, whose warmth, and energetic approach to her life and work makes for an intoxicating environment.
    [Show full text]
  • Poetic Anatomy of the Numinous Creative Passages Into the Self As Beloved
    University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2001 Poetic Anatomy of the Numinous Creative Passages into the Self as Beloved ZIA, PARTOU http://hdl.handle.net/10026.1/2620 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. Poetic Anatomy of the Numinous Creative Passages into the Self as Beloved by PARTOU ZIA A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY Department of Research Falmouth College of Arts 2001 2 ABSTRACT PARTOU ZIA Poetic Anatomy of the Numinous Creative Passages into the Self as Beloved This research is shaped by the actual experience of practice: as painter and writer. My preoccupation is with the nodal moment when conscious awareness is suspended, and both the corporal and psychic involvement in realising the work almost transport one to another zone of effectiveness. This zone, which I name as the poetic zone, is where the numinous enters the ordinary. The investigation for a space/place/moment that lies beyond the logic of acceptable discourse can help initiate and give shape to a new vocabulary - visual or literary. By orchestrating a methodology, which functions on several layers, I have endeavoured to create a synthesis between painting and writing.
    [Show full text]
  • Tate Report 2002–2004
    TATE REPORT 2002–2004 Tate Report 2002–2004 Introduction 1 Collection 6 Galleries & Online 227 Exhibitions 245 Learning 291 Business & Funding 295 Publishing & Research 309 People 359 TATE REPORT 2002–2004 1 Introduction Trustees’ Foreword 2 Director’s Introduction 4 TATE REPORT 2002–2004 2 Trustees’ Foreword • Following the opening of Tate Modern and Tate Britain in 2000, Tate has consolidated and built on this unique achieve- ment, presenting the Collection and exhibitions to large and new audiences. As well as adjusting to unprecedented change, we continue to develop and innovate, as a group of four gal- leries linked together within a single organisation. • One exciting area of growth has been Tate Online – tate.org.uk. Now the UK’s most popular art website, it has won two BAFTAs for online content and for innovation over the last two years. In a move that reflects this development, the full Tate Biennial Report is this year published online at tate.org.uk/tatereport. This printed publication presents a summary of a remarkable two years. • A highlight of the last biennium was the launch of the new Tate Boat in May 2003. Shuttling visitors along the Thames between Tate Britain and Tate Modern, it is a reminder of how important connections have been in defining Tate’s success. • Tate is a British institution with an international outlook, and two appointments from Europe – of Vicente Todolí as Director of Tate Modern in April 2003 and of Jan Debbaut as Director of Collection in September 2003 – are enabling us to develop our links abroad, bringing fresh perspectives to our programme.
    [Show full text]
  • KATE WALTERS Arusha Gallery | [email protected] |
    KATE WALTERS Arusha Gallery | [email protected] | www.katewalters.co.uk BIOGRAPHY Viewing Walters's totemic figures, so delicately rendered in Rorschach-esque watercolour, for the first time, is as though peering into the very cycles of life and death. These paintings show both an abstract interest and material contact between the primordial and the universal -- a suggested communion with that same spirit who first cast images on those low-lit caves in Lascaux. Indeed, like them, it is not so much figure Walters's works seek to represent: her preoccupation is rather with movement, with spirit and sensation, with being itself. Stark patches of canvas invite the viewer to configure the beasts and burdens of Walters's Cornwall in a kind of prehistoric vocabulary. Her paintings oscillate between scenes of the hunt and the weald, but also the mother in the home and the hallowed grounds that provide their context. Theirs is Cornish sand and soil, of that place's magicks and phantasms, in its fables and folksongs, in the very stains of its birth and its struggle. Joy, creation, labour and power, the gods and a truth caught between the seats of the physician and the psychoanalyst are the murky zone of these paintings and all permeate both execution and concept. EDUCATION 1996-2000 AND TRAINING Falmouth University, Part-time post-graduate Diploma of Fine Art 1985-1985 Brighton Polytechnic, PGCE Art and Design 1978-1981 Brighton Polytechnic, BA Hons Fine Art, 2.1 (film, video, tape-slide) 1977-1978 Byam Shaw, London, Foundation course AWARDS,
    [Show full text]
  • The World As Yet Unseen Women Artists in Conversation with Partou Zia
    The World As Yet Unseen Women Artists in Conversation with Partou Zia Falmouth Art Gallery 6 April – 15 June 2019 6 April – 15 June 2019 Gillian Ayres, Wilhelmina Barns-Graham, Sandra Blow, Eileen Cooper, Tacita Dean, Penny Florence, Naomi Frears, Barbara Hepworth, Rose Hilton, Lubaina Himid, Winifred Nicholson, Aimé e Parrott, Bridget Riley, Nina Royle, Veronica Ryan, Devlin Shea, Lucy Stein and Kate Walters, Partou Zia. This exhibition reveals a world both intimate and outward looking seen through the eyes of eminent women artists, based in or connected to, Cornwall. At the centre are the paintings and poetry of the artist and writer Partou Zia (1958-2008) who was born in Iran but came to England in 1970, settling in Newlyn in 1993. Partou sadly passed away at the height of her artistic career. In 2003, she was the first recipient of the Porthmeor Studio residency awarded by Tate St Ives in collaboration with the Borlase Smart and John Wells Trust. Her residency culminated in an exhibition at Tate St Ives entitled Entering the Visionary Zone. The artist herself has been described as a ‘true visionary’ . Falmouth Art Gallery in collaboration with curators Dr Penny Florence, Professor Emerita, The Slade School of Fine Art, UCL and Clare Cooper of Art First, London, have arranged this exhibition to celebrate the gallery’s pleasure in accepting a powerful self portrait by Partou Zia on long term loan. Recalling the 1996 exhibition staged by the then curator, Catherine Wallace, called Women Artists in Cornwall 1880 – 1940, Henrietta Boex the current Director, suggested a sequel to feature women artists in Cornwall post 1940.
    [Show full text]
  • Modern Artists Digita Description 1920-1944 1224 Artist 5
    Modern Artists Digita Description 1920-1944 1224 Artist 5. Database of paintings by artists associated with Newlyn and Lamorna who were born in 1920 and after. 1231 Artist 6. Database of paintings by artists associated with West Cornwall (excluding Newlyn and Lamorna) who were born in 1920 and after. 1945+ 1228 Artist 7. Database of paintings by artists associated with Newlyn and Lamorna. 1428 Artist 8. Database of paintings by artists (excluding Newlyn and Lamorna) associated with West Cornwall Aggett, Lionel 940 Lionel Aggett died in 2009 and was a member of the St Ives Society of Artists. Albright, Amy 1813 Folder of material about Amy Albright who exhibits on Tresco Allbright 2016 Collection of material about Viv Allbright who works from her studio in Lamorna. 2018 Images of paintings by Viv Allbright Allen, Rachel Mia 1816 Folder of material about Rachel Mia Allen b 1979 near Truro. She trained at Falmouth School of Art and then Stafford University. She exhibits regularly West Cornwall and her work is represented by Trelissick Gallery. Ambrose, Ray 1074 Images of paintings by Ray Ambrose (1927-1989). Some digital. See Paintings Database available on request. 1076 Collection of papers about artist Ray Ambrose (1927-1989). Biographical material. List of exhibitions. Press reviews. Obituaries. Donations to Artshare. Anderson, John B 2214 Folder of material about John B Anderson (1945-1997). Andrew, David 2289 Folder of material about David Andrew b1934 in Redruth, Cornwall. Studied at the Falmouth School of Art and the Slade School, London. Visiting Artist at Portsmouth College of Art, Bournemouth College of Art.
    [Show full text]
  • Galleries and Drift: Mapping Undermined Landscapes
    Galleries and Drift: Mapping Undermined Landscapes Galleries & Drift Mapping Undermined Landscapes Submitted by Pauline Liu-Devereux to the University of Exeter as a dissertation for the degree of Doctor of Philosophy in English, January 2011. This dissertation is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement.I certify that all material in this dissertation which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Pauline Liu-Devereux. 2 ACKNOWLEDGMENTS Grateful thanks to Dr. Margaretta Jolly, for being there in the beginning and to my supervisors, Dr. Adeline Johns-Putra and Sam North for their enthusiasm and support. Thanks also to: Joan Johns, for the keys to her house and a room of my own; Jo Esra for her encouragement and trips to the library; Pauline Rowland for years of listening and brilliant IT skills; Andrew Lanyon for the interview. I would also like to thank my husband Bob Devereux for his patience and fortitude. 3 TABLE OF CONTENTS ABSTRACT ............................................................................................................................................ 5 GALLERIES & DRIFT Mapping Undermined Landscapes. ......................................................................................................... 6 MAPPING/NAVIGATING/KNOWING.............................................................................................
    [Show full text]
  • Curriculum Vitae Kate Walters M
    Curriculum Vitae Kate Walters M: 07816 098807 [email protected] k.walters_3 (skype) 6 Tremenheere Road, Penzance, Cornwall, TR18 2AH www.katewalters.co.uk ; https://ionaartresidencies.wordpress.com ; www.katewalters.co.uk/blog ; @katehorse (twitter). https://vimeo.com/73134126 katewaltersartist (Instagram & Facebook) https://www.millenniumgallery.co.uk/withclosedeyes/catalogue.htm Education and Training 1977/8 Foundation course, Byam Shaw, London. 1978/81 B.A. Hons Fine Art, 2.1. (film, video; tape-slide) Brighton Polytechnic. 1984/5 PGCE Art and Design, Brighton Polytechnic. 1996-2000 Part-time post-graduate Diploma of Fine Art Falmouth University. Awards, Research, Performance and Conferences: 2017-18 Creative Investment Grant (Cultivator) to enable further research on Shetland. 2017 ‘Grace, Grace & Grace’ Performance at Ca’ Zanardi , Venice Biennale, September. 2016 -19 Residency /research at Tremenheere Sculpture Gardens in preparation for a solo exhibition at Tremenheere Galleries in 2019 2017 Researching early Renaissance alter paintings in Puglia; drawing in caves (January) 2016 Selected to perform at Femtourtruck in Barcelona, October (subject to funding) 2016 Selected as workshop presenter at Drawing as Bridge conference. “ “ 2016 Selected to be workshop leader at Trans-States conference. 2016 Awarded Travel Bursary from a-n to research the Outer Hebrides and Orkney 2016 Research project to the Tyrol region, Dolomites, (self-funded) 2015 Awarded Alumna Award from Brighton University for career successes 2015 Sibillini National Park, Italy, ‘hollow bone work’ with female Saints 2015 Venice Biennale intervention ‘becoming the hollow bone’ drawing project; writing review for The International Times (May/July) and The Press Room.org. 2015 Presented paper on Dark Sound/Space: Generative Absence at Falmouth University 2015 Presented paper on Fallen Animals/own work, University of Aberdeen, March.
    [Show full text]
  • Partou PR 2013
    PARTOU ZIA Portraits Beyond Self The Late Works 9 January – 23 February 2013 Like a poem, a painting is a festival, a holiday. A painting is a pause that celebrates or makes a place for Remembrance. Memory in itself cannot be transforming or transfiguring. The act of poetic alchemy changes one thing - the real experience - into another thing, a new or unknown thing. It is the imagination that acts as the director of this Ceremony of Remembrance… For me that is how painting proceeds: slow, doubtful, strange to the mind's eye, and ever dictatorial in its demands that I remain alert to the sudden, and the not yet known. – Partou Zia 2005 In the five years following her residency as the first recipient of Tate St Ives’ pioneering programme at the historic Porthmeor Studios in 2003, Partou Zia’s painting flourished into a new, expressive phase of maturity. Entering the Visionary Zone was a prescient title for the exhibition and its accompanying catalogue, which followed, at Tate. Nobody could have guessed however that within two years her exuberant life of writing, painting and reading would have to channel itself into a narrow passage of time, intense in its dedication, where every moment mattered as she fought to survive a life-threatening illness. An innate storyteller, Partou evolved a personal mythology focusing on an astonishingly vivid series of self-portrait paintings. Set in luminous, shimmering landscapes, the predominant presence has an increasingly spiritual quality, suffusing the many guises in which she depicts herself with an otherworldly sensibility. References to Italian Renaissance artists such as Andrea Mantegna, the Bellinis and Titian, enrich the late paintings (My Flag 2008), together with the abiding influence of William Blake, whose archives she studied during her Tate residency.
    [Show full text]
  • Tate St Ives Spring Exhibitions 2007 Teachers' Pack
    Francis Bacon, Bryan Pearce & Art Now Cornwall SpringAutumn 2005 2007 3 February – 13 May 2007 Notes for Teachers - 1 - Contents Introduction 3 Tate Resources & Contacts 4 Ways of Looking – Questions to Ask of Any Artwork 5 Art Now Cornwall 6 St Ives All Round: The Paintings of Bryan Pearce 10 Modernism in St Ives 13 Francis Bacon in St Ives 16 Bernard Leach and his Circle 19 Helen Feiler: Capriccio 21 - 2 - Introduction The Spring 2007 displays present the following; Art Now Cornwall (Gallery 1, Lower 2 and the Studio) This exhibition includes 28 artists living and working in Cornwall today. The display includes paintings, photography, drawing, printmaking, sculpture, performance, film and video and reflects the rich diversity of practice in Cornwall. St Ives All Round: The Paintings of Bryan Pearce (Gallery 3 and the Apse) This exhibition brings together works from public and private collections of the St Ives artist Bryan Pearce. Best know for his paintings of his hometown, this exhibition celebrates Pearce’s unique vision characterised by simple renditions of space, light and colour. Modernism in St Ives (Gallery 4) In Gallery 4 there is a new display of works from the Tate Collection by artists associated with St Ives. This includes Barbara Hepworth, Ben Nicholson, Patrick Heron and Peter Lanyon. Also included is a work by Karl Weschke to complement the Francis Bacon display. Francis Bacon in St Ives (Gallery 5) This small display brings together paintings and drawings by Francis Bacon made during the period 1957-62. Now seen as a key transitional period in the artist’s career, it also coincided with Bacon’s residency at Porthmeor studios in St Ives.
    [Show full text]
  • Modern Artists Refno Digital Artist 5 a Armitage, C 1806 Biographical Material About Catherine Armitage B1944
    Modern Artists RefNo Digital Artist 5 A Armitage, C 1806 Biographical material about Catherine Armitage b1944. Member NSA. Married to Paul Fieler. Postcard of Feiler home dated 1994. Also other non-dated material Armitage, C 2786 Images of paintings by Catherine Armitage b1944 Armitage, C 2787 Catherine Armitage, Reactions 2/4/2011-23/4/2011 Lemon Street Gallery. Catalogue Armitage, C 2788 Catherine Armitage in group exhibition at Bishop Phillpotts Gallery, 2/5/2002- 28/5/2002 Armitage, C 2789 Xmas card from Catherine Armitage to Melissa and Phil dated 16/11/1994 Armitage, C 2790 Catherine Armitage exhibition of paintings and etchings at the Jameson Library, Newmill 10-15/7/1995 Armitage, C 2791 Exhibition at Salt House Gallery 3/6/1999-29/6/1999 Artist 5 B Behrens, Romi 1280 Images of works by Romi Behrens b1939 . Some digital. See Paintings Database available on request. Behrens, Romi 1336 Folder of material about Romi Behrens b1939 in Wiltshire. Moved to Cornwall in 1959. She was commissioned to paint twenty-four members of the Le Grice family. She was a member of the Newlyn Art Gallery. Behrens, Romi 1918 Romi Behrens Exhibition at Tremenheere 25/7/2018-2/9/2018 Bourne, Bob 2449 Folder of material about Bob Bourne, born in Exeter in 1931. Moved to Cornwall in 1960 and lives in Newlyn. Exhibitions. Bourne, Bob 2758 Images of paintings by born in Exeter in 1931. Moved to Cornwall in 1960 and lives in Newlyn. Brown, Jennifer 1518 Folder of material about Jennifer Brown. Member NSA. Artist 5 C Clark, John 1667 Folder of material about John Clark, b1941, Memner NSA.
    [Show full text]