Julian Prégardien, Tenor

Total Page：16

File Type：pdf, Size：1020Kb

JULIAN PRÉGARDIEN, TENOR Julien Prégardien was born in Frankfurt in 1984 and received his earliest music training in the choirs of Limburg Cathedral. After studying in Freiburg and joining the academy of the Aix-en-Provence opera festival, he was a member of the Frankfurt Opera ensemble from 2009 to 2013. At the same time, he developed an international career as a concert performer. Today, the tenor is an outstanding representative of the younger generation of singers. As an opera singer, he has appeared at the Festival d’Aix-en-Provence, at the Hamburg and Bavarian State Operas and at the Opéra Comique in Paris. In 2018 he made his debut at the Salzburg Festival as Narraboth in Richard Strauss’ Salome (director: Romeo Castellucci) with the Vienna Philharmonic conducted by Franz Welser-Möst. In 2019 this was followed by his debut as Tamino in a new production of Mozart’s Die Zauberflöte at the Berlin State Opera under the baton of Alondra de la Parra. During the 2020/2021 season, he returns to the Berlin State Opera for a revival of Die Zauberflöte. Highlights of the recent past are concert appearances with the Munich Philharmonic, the Hamburg Philharmonic State Orchestra, the Munich Radio Orchestra, the Orchestre Symphonique de Montréal and the Bavarian Radio Chorus. Julian Prégardien was “Artiste Étoile” at the Mozartfest Würzburg in 2019, where he performed with the Freiburg Baroque Orchestra and the Bamberg Symphony Orchestra, among others. In early March 2020 he made his debut with the Cleveland Orchestra, performing Mendelssohn’s Lobgesang under Franz Welser-Möst. During the 2020/2021 season, he is scheduled to perform with the Balthasar- Neumann-Ensemble under Thomas Hengelbrock, with the Dresden Philharmonic under Cornelius Meister, with the Hamburg Philharmonic State Orchestra under Kent Nagano, with the Gewandhaus Orchestra Nordic Artists Management / Denmark VAT number: DK29514143 http://nordicartistsmanagement.com Leipzig under Gotthold Schwarz, with the Accademia Nazionale di Santa Cecilia under Antonio Pappano, with Ensemble Pygmalion under Raphaël Pichon, with Concentus Musicus under Stephan Gottfried and with Les Talens Lyriques under the baton of Christophe Rousset. Julian Prégardien’s artistic activities focus particularly on song recitals and chamber music projects. During the 2020/2021 season, he will be the focus of a portrait series at Cologne’s Philharmonie, with various song and chamber music projects as well as orchestral songs with the Deutsche Kammerphilharmonie Bremen and Alondra de la Parra. Apart from numerous song recitals, Julian Prégardien will perform Schubert’s Schwanengesang with Martin Helmchen and Schumann’s Dichterliebe with Eric le Sage. Julian Prégardien records exclusively for the label Alpha Classics. He is a professor at the Munich Academy of Music and Theatre’s vocal department, a member of the Schumann Network and artistic director of the Brentano Academy in Aschaffenburg. 2020 | 2021 Nordic Artists Management representation is non-exclusive and for special projects. Nordic Artists Management / Denmark VAT number: DK29514143 http://nordicartistsmanagement.com.

Copy Link

Recommended publications

A Music Documentary with the Deutsches Symphonie
UNITEL and CLASSICA present Kent naganoconducts Classical Masterpieces A Music Documentary bruckner with the mozart Deutsches beethoven Symphonie- strauss Orchester schumann Berlin brahms Kent nagano conducts Classical Masterpieces The main element of each episode is the live recording of a concert from the Berlin Philharmonie. The works presented in this documentary series are: Anton Bruckner ix great composers, six landmark symphonies, a top Symphony No. 8 in C minor WAB 108 (approx. 80') Sorchestra and its star conductor – these are the components of an extraordinary classical-music television event. Shot in Wolfgang Amadeus Mozart High Definition, it takes a bold and innovative approach to the Symphony No. 41 in C major K. 551 “Jupiter“ (approx. 29') recording of classical music. Boom and tracking shots, quick Ludwig van Beethoven cuts, remote-controlled cameras – stylistic means previously Symphony No. 3 in E flat major op. 55 “Eroica“ (approx. 48') used chiefly for pop music recordings give the programs an up-to-the-minute look and feel. A team of more than 30 Richard Strauss specialists makes sure that viewers enjoy a truly cinematic An Alpine Symphony op. 64 (approx. 42') experience. Robert Schumann The programs also go new ways by featuring entertaining, Symphony No. 3 in E flat major op. 97 “Rhenish“ (approx. 31') historically founded animated sequences illustrating episodes Johannes Brahms from the lives of the composers. Backstage interviews with Symphony No. 4 in E minor op. 98 (approx. 40') the musicians and excerpts from their rehearsals let us share in the spirit of their music-making. Conductor Kent Nagano also relates what is of special importance to him in each work, Conductor Kent Nagano and offers fascinating insights on the origin and context of the Orchestra Deutsches Symphonie-Orchester work in question.
[Show full text]
Michael Volle Baritone
Michael Volle Baritone Michael Volle has established himself as Michael Volle dedicates also a great part of one of the leading baritones, receiving the his career to lied recitals and to concert important German Theatre Award "Faust" commitments with the world's finest and awarded "Singer of the Year" by the orchestras and with important conductors opera magazine "Opernwelt". He studied such as Daniel Barenboim, Zubin Mehta, with Josef Metternich and Rudolf Piernay. Maurizio Pollini, Seiji Ozawa, Charles Dutoit, Riccardo Muti, Franz Welser-Möst, Antonio His first permanent engagements were at Pappano, Philippe Jordan, Valerij Gergiev, Mannheim, Bonn, Düsseldorf and Cologne. Kent Nagano, Wolfgang Sawallisch, Mariss From 1999 until 2007 Michael Volle was a Jansons, Thomas Hengelbrock, Philippe member of the ensemble of the Zurich Opera Herreweghe, James Conlon, James Levine. House where he sang various roles in new productions, including Beckmesser Die Alongside TV appearances on ARTE, Michael Meistersinger von Nürnberg, Eugene Volle has recorded CD and DVD releases for Onegin , Golaud Pelléas et Mélisande, the EMI, Harmonia Mundi, Arthaus, Naxos Marcello La Bohème, Count Le Nozze di and Philipps labels, including a film Figaro and Barak Die Frau ohne Schatten production of Der Freischütz in 2009. (2009), Wolfram Tannhäuser (2011) and Michael Volle is recipient of the important Hans Sachs Die Meistersinger von Nürnberg German Theatre Award "Faust" and "Singer (2012). of the Year" by the opera magazine "Opernwelt" (in 2008 and 2014). Since
[Show full text]
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P.
[Show full text]
Download Augustin Dumay Biography
Augustin Dumay International critics have compared Augustin Dumay to the great violinists of the 20th century, describing him as a “great classical stylist”, a reputation underscored by his outstanding recordings for Deutsche Grammophon: Beethoven’s complete sonatas with Maria João Pires, a set that “surely ranks with Grumiaux/Haskil, Menuhin/Kempff, or Perlman/Ashkenazy” (International Piano), Brahms’ trios in which “the Milstein legacy in Dumay’s playing is wonderfully apparent” (Gramophone), and Mozart’s concertos with the Camerata Salzburg, “without exaggeration one of the finest Mozart violin concerto discs ever made” (Classic CD), in which he “confirms that he is an exceptional interpreter of Mozart as were Stern or Grumiaux before him” (Classica). Born into a family of musicians – his mother is a cellist and pianist, his father an amateur violinist – Augustin Dumay started violin lessons at the age of 5, after attending a concert by Nathan Milstein. Aged ten, he entered the Paris Conservatoire, winning the premier prix at the age of thirteen. His first concert at the Théâtre des Champs- Élysée followed a year later and he then appeared at the Montreux Festival, playing for Joseph Szigeti and Henryk Szeryng, who invited him to replace him on a tour of South America. On his return, Augustin Dumay worked in Paris with Nathan Milstein, who said of him: “I believe he will take his place amongt the great violinists of the year 2000”. He then went on to work in Brussels with Arthur Grumiaux for five years. He soon became familiar to concert audiences in France, but his international career took off thanks to his encounter with Herbert von Karajan.
[Show full text]
CURRICULUM VITAE NIKITA STOROJEV, Bass
CURRICULUM VITAE NIKITA STOROJEV, Bass http://www.nikitastorojev.com Education 1970-72 State University at Sverdlovsk; Philosophy Major 1972-75 Mussorgsky Conservatory of Yekaterinburg Mastered bel canto technique under the direction of professor Ian Voutiras 1975-78 Moscow Tchaikovsky Conservatory of Music Diplomas received: Opera Singer ( оперный певец ) Chamber Music Singer ( камерный певец ) Professor of Voice ( педагог оперного пения ) 1977-80 Studied stage directing under professor/stage director Joseph Tumanov Studied and specialized in stage interpretation under Professor Eugene Nesterenko Private lessons with Tonini (coach of Pavarotti), Nicolai Ghiaurov, Jerome Hines and Giulio Fioravanti Professional Qualifications (Opera/Concert Performance) 1976-81 Principal soloist at the Bolshoi Opera 1978 Winner of International Tchaikovsky Competition, Moscow 1976-81 Principal soloist, Philharmonic Society of Moscow, gaining experience from working with the best Russian orchestras and conductors; Eugene Svetlanov, Gennady Rozhdestvenski, Boris Hikin, Yuri Fedosseyev, Valéry Gergiev 1983-85 Principal soloist with the Deutsche Oper am Rhein, Düsseldorf. Italian repertoire prepared and performed with Alberto Erede. German repertoire prepared and performed with Peter Schneider (conductor) and Yuri Kout (conductor). 1983-2007 Principal guest soloist at the opera houses, concert halls and international festivals: Milan, New York, Paris, London, Vienna, Berlin, Madrid, München, Moscow, St. Petersburg, Amsterdam, Rome, Tokyo, San Francisco….. Languages: Russian, English, Spanish, Italian, German, French Academic Employment 2007-2001 Assistant Professor of Voice and Opera, University of Texas at Austin 1997-1996 Professor of Voice and Opera, Schola Cantorum, Paris: 1982-1981 Professor, Escuela Superior de Música, Monterrey 1977-1978: Assistant to Eugene Nesterenko in Moscow Conservatory Teaching Experience 2001-2007 Assistant Professor, Voice/Opera Division, University of Texas at Austin 1978-2007 Master classes in: Moscow Conservatory, St.
[Show full text]
In Wonderland UNITEL and CLASSICA Present
UNITEL and CLASSICA present Unsuk Chin’s Alicein Wonderland UNITEL and CLASSICA present AliceUnsuk Chin’s in Wonderland avel, Handel, Elgar, Stravinsky, a snippet of Puccini‘s “Turandot,“ a bass-clarinet homage to George Gershwin, R glissandi, hints of musicals, film music and Gilbert & Sullivan – Unsuk Chin is a master of stylistic parody, but also much more than that: she is clearly at home on every highway and byway of music history. Yet the musical house she con- structs with the building blocks of the past and the present is definitely her own house, which she has designed and which self-assuredly proclaims her unmistakable individuality and style. It is a thoroughly modern house that welcomes every- one who loves music. “I did not want to write music that needs several pages of explanations to be understood,“ she says about her first opera, “Alice in Wonderland.“ Unsuk Chin, born in Seoul, Korea, in 1961, had always been fascinated by Lewis Carroll‘s fairy tale for children and adults. Director Achim Freyer, whose productions have been Alice setting standards for decades, sees Chin‘s opera as a collection of “dream sequences,“ for which he has created imaginary spaces: with the help of pulleys, acrobats depict the magical characters of Alice‘s world and suggest the action through from the Bayerische Staatsoper pantomime, and with the help of colorful masks and props. “Nightmare visions of the girl. Dream, reality, hyperreality fuse together, everything is theater, transformation,“ says Freyer. Music by Unsuk Chin The characters themselves are sung by vocalists (outstanding: Conductor Kent Nagano Andrew Watts as White Rabbit) sitting in a row at the front of the stage wearing Lewis Carroll masks.
[Show full text]
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence.
[Show full text]
Biography Sine Bundgaard Is One of Scandinavias Leading Lyric-Dramatic Sopranoes
Sine Bundgaard – biography Sine Bundgaard is one of scandinavias leading lyric-dramatic sopranoes. She is based in Copenhagen. She has appeared at leading houses like Oper Zürich, Opera de Paris and Bayerische Staatsoper and collaborated with leading orchestras like CBSO, Danish radio symphony orchestra and Freiburger barokorchester. Since 2009 she has been a principle of the royal danish opera where her repertoire includes Elettra (Idomeneo), Donna Elvira (Don Giovanni), Contessa Almaviva (Figaro), Desdemona (Otello), Liu (Turandot), Nedda (Pagliacci), Fru Ingeborg (Drot&Marsk), Silvia di Avila (The exterminating angel), Lulu (Lulu), Manon Lescaut (Boulevard solitude), Elle in La voix humaine and many others. In 2020 she won the Reumert-award as Singer of the year for her performance of Elettra in Idomeneo at the royal danish opera. Future highlight include her debut at Oper Zürich as Contessa Almaviva in Figaro, Donna Elvira in Don Giovanni, Ellen Orford in Brittens Peter Grimes, Vitellia in Mozarts Titus and Fru Ingeborg in Heise´s Drot&Marsk at the royal danish opera. Dacapo records in 2021 released a liverecording of Heise's Drot&marsk, in which she sings Fru Ingeborg, wife of the Marshall (Johan Reuter). The recording recieved raving international reviews. She dedicates much time to recitals and created a program with the title ”Music and words about gay life” for the gay pride festival to be performed in august 2021 in Copenhagen in collaboration with the pianish Thomas Bagwell. She also recently created a program celebrating the danish poet J.P.Jacobsen set into music by various composers. In 21/22 she will sing Hanna Glawari in a new version of Lehars The merry widow directed by Kasper Holten and Donna Elvira in Don Giovanni directed by John Fulljames and conducted by Julia Jones.
[Show full text]
Year of Recording* Conductor Soloists Orchestra Live Label Date
Year of Conductor Soloists Orchestra Live Label Date of Recording* Recording 1 1936 Bruno Walter Kerstin Thorborg, Wiener Philharmoniker Live EMI May 23 & 24, Charles Kullman 1936 2 1939 Carl Schuricht Kerstin Thorborg, Koninklijk Live MINERVA Oct 5, 1939 Carl-Martin Öhmann Concertgebouworkest, Amsterdam 3 1948 Otto Klemperer Judit Sándor, A Magyar Rádió Live archiphon Nov 2, 1948 Endre Rösler Szimfonikus Zenekarát [CD 2012] 4 1948 Bruno Walter Kathleen Ferrier, New York Philharmonic Live NYP Jan 18, 1948 Set Svanholm Editions 5 1951 Otto Klemperer Elsa Cavelti Wiener Symphoniker Live VOX 28–30 Mar 1951 Anton Dermota 6 1952 Bruno Walter Kathleen Ferrier, Wiener Philharmoniker DECCA May 14, 15 & 16, Julius Patzak 1952 7 1964 Josef Krips Dietrich Fischer-Dieskau, Wiener Symphoniker Live DGG Jun 14, 1964 Fritz Wunderlich 8 1966 Otto Klemperer Christa Ludwig, Philharmonia/New EMI Feb 19–22 & Fritz Wunderlich Philharmonia Orchestra Nov 7–8, 1964, Jul 6–9, 1966 9 1966 Leonard Bernstein Dietrich Fischer-Dieskau, Wiener Philharmoniker DECCA Mar 1966 James King 10 1972 Leonard Bernstein Christa Ludwig, Israel Philharmonic Live SONY May 18, 20 & 23, René Kollo Orchestra 1972 11 1972 Jascha Horenstein Alfreda Hodgson, BBC Northern Symphony Live BBC Apr 28, 1972 John Mitchinson Orchestra Legends 12 1972 Sir Georg Solti Yvonne Minton, Chicago Symphony DECCA May 1972 René Kollo Orchestra 13 1974 Herbert von Christa Ludwig, Berliner Philharmoniker DGG Dec 7–10, 1973, Karajan René Kollo Oct 14, 1974 14 1975 Bernard Haitink Janet Baker, Koninklijk PHILIPS
[Show full text]
Merkelo-And-Fung-Bio
Paul Merkelo, trumpet soloist Renowned as one of the finest trumpet players of his generation, Paul Merkelo is recognized for his “unusual lyrical gifts’’ (Gramophone) as well as his “pure technical prowess’’ (Rochester Democrat & Chronicle). Principal trumpet with the Montreal Symphony Orchestra since 1995, Merkelo is regularly praised by the Montreal press as “a spectacular soloist… a most impressive master of his instrument’’ (Montreal Gazette), and a “great virtuoso” and “dazzling’’ (La Presse). He has been featured frequently with the OSM, including tours to South America and the Lincoln Center in New York, along with several world premiere works. Most recently, he has released a solo recording with Maestro Kent Nagano and the OSM entitled French Trumpet Concertos, which was a 2016 Juno Award nominee for Classical Album of the Year. In 1998, he made his New York debut at Lincoln Center with the New World Symphony Orchestra and Michael Tilson Thomas, performing the U.S. orchestral premiere of Carmen Fantasie by Franz Waxman. Merkelo was appointed Canadian musical ambassador to China in 1999 for the inauguration of the Montreal Park in Shanghai, and he performed as soloist with the Shanghai Broadcast Orchestra in a national telecast. He has been featured with orchestras and in recital throughout the United States, Canada, Russia, China, Australia, Japan, Portugal, Brazil, Venezuela, Peru, France and Thailand. He has worked with conductors such as Leonard Bernstein, Charles Dutoit, Lorin Maazel, Zubin Mehta, Sir Georg Solti and Valery Gergiev. Merkelo’s first solo recording, A Simple Song, was ranked #1 in Quebec’s classical recording chart in 2000 and in 2004, Analekta released a highly praised second CD, Baroque Transcriptions, which was nominated by the ADISQ for “Best Classical Album of the Year”.
[Show full text]
Cabrillo Festival of Contemporarymusic of Contemporarymusic Marin Alsop Music Director |Conductor Marin Alsop Music Director |Conductor 2015
CABRILLO FESTIVAL OFOF CONTEMPORARYCONTEMPORARY MUSICMUSIC 2015 MARINMARIN ALSOPALSOP MUSICMUSIC DIRECTOR DIRECTOR | | CONDUCTOR CONDUCTOR SANTA CRUZ CIVIC AUDITORIUM CRUZ CIVIC AUDITORIUM SANTA BAUTISTA MISSION SAN JUAN PROGRAM GUIDE art for all OPEN<STUDIOS ART TOUR 2015 “when i came i didn’t even feel like i was capable of learning. i have learned so much here at HGP about farming and our food systems and about living a productive life.” First 3 Weekends – Mary Cherry, PrograM graduate in October Chances are you have heard our name, but what exactly is the Homeless Garden Project? on our natural Bridges organic 300 Artists farm, we provide job training, transitional employment and support services to people who are homeless. we invite you to stop by and see our beautiful farm. You can Good Times pick up some tools and garden along with us on volunteer + September 30th Issue days or come pick and buy delicious, organically grown vegetables, fruits, herbs and flowers. = FREE Artist Guide Good for the community. Good for you. share the love. homelessgardenproject.org | 831-426-3609 Visit our Downtown Gift store! artscouncilsc.org unique, Local, organic and Handmade Gifts 831.475.9600 oPen: fridays & saturdays 12-7pm, sundays 12-6 pm Cooper House Breezeway ft 110 Cooper/Pacific Ave, ste 100G AC_CF_2015_FP_ad_4C_v2.indd 1 6/26/15 2:11 PM CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA AUGUST 2-16, 2015 PROGRAM BOOK C ONTENT S For information contact: www.cabrillomusic.org 3 Calendar of Events 831.426.6966 Cabrillo Festival of Contemporary
[Show full text]
Ruth Ziesak Studied at the Academy of Music and Performing Arts in Frankfurt Am Main Under Elsa Cavelti
KünstlerSekretariat am Gasteig Elisabeth Ehlers · Lothar Schacke · Verena Vetter oHG Montgelasstraße 2 · D-81679 München Telefon 0049-89-444 88 79-0 · Fax 0049-89-4 48 95 22 www.ks-gasteig.de · [email protected] Ruth Ziesak Sopran Ruth Ziesak studied at the Academy of Music and Performing Arts in Frankfurt am Main under Elsa Cavelti. Numerous competition successes, including the first prizes at the Deutscher Musikwettbewerb and the renowned International Vocal Competition 's Hertogenbosch, quickly paved the way for an international career. Meanwhile she has also been appointed a Professor of Singing at the Saar Academy of Music. After early appearances at the Theater Heidelberg and the Deutsche Oper am Rhein Düsseldorf/Duisburg, she went on to sing on the international stages in Munich, Milan, Berlin, Florence, Vienna, Paris, London and New York, where she made a name for himself in her signature roles of as Pamina, Ännchen, Marzelline, Ilia and Sophie. She has since broadened her repertoire, and has appeared as the Countess in Le Nozze di Figaro in Glyndebourne and Zürich, and in 2010 at the Stuttgart Opera under Manfred Honeck. The multifaceted artist is also much in demand as a concert singer, and enjoys working with such Baroque orchestras as the Akademie für Alte Musik Berlin or the Freiburger Barockorchester. She makes frequent guest appearances at the Salzburg Festival and the Lucerne Festival. Her work with conductors such as Herbert Blomstedt, Daniele Gatti, Riccardo Muti, Kent Nagano, Lothar Zagrosek, Riccardo Chailly, Jukka Pekka Saraste and Ivor Bolton has taken her to the Gewandhausorchester Leipzig, the Staatskapelle Dresden, the Bavarian Radio Symphony Orchestra, the WDR Symphony Orchestra, the Konzerthausorchester Berlin, the Montreal Symphony Orchestra and the Mozarteum-Orchester in Salzburg.
[Show full text]