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Digital Cultural Heritage: FUTURE VISIONS digital cultural heritage: FUTURE VISIONS Edited by Kelly Greenop and Chris Landorf Papers presented at the digital cultural heritage: FUTURE VISIONS Conference 19–20 April 2017 in Brisbane, Australia http://digitalculturalheritageconference.com/ Architecture Theory Criticism History Research Centre, School of Architecture, The University of Queensland ISBN 978-0-646-98233-5 COLOPHON COLOPHON © 2017 digital cultural heritage: FUTURE VISIONS The Conference Convenors received a total of 44 Conference, Brisbane, Australia abstracts. Abstracts underwent a double-blind peer Copyright for the proceedings belongs to the review by two members of the Conference Organising Architecture Theory Criticism and History Research Committee. Authors of accepted abstracts (32) were Centre at The University of Queensland. Copyright invited to submit a full paper. All submitted full for the abstracts and papers contained in these papers (18) were again double-blind peer reviewed proceedings remains the property of the authors. by two reviewers. Papers were matched as closely as Copyright of images in these proceedings belongs to possible to referees in a related field and with similar the authors, or the images appear with permissions interests to the authors. Sixteen full papers were granted to those authors. Individual authors were accepted for presentation at the conference and a responsible for obtaining the appropriate permission further 6 papers were invited to present based on to reproduce any or all image published in the submitted abstracts and work-in-progress. Revised proceedings. The editors and the publisher accept papers underwent a final post-conference review no responsibility if any author has not obtained the before notification of acceptance for publication in appropriate permissions. these conference proceedings. Other than fair dealing for the purpose of private Please note that papers displayed as abstracts only study, research or review, as permitted under the in the proceedings are currently being developed for Copyright Act, no part of these proceedings may be submission to a digital cultural heritage special edition reproduced by any process without prior permission of an academic journal. from the publishers and authors. The convenors of the digital cultural heritage: FUTURE VISIONS Conference acknowledge the generous support and sponsorship of the Architecture Theory Criticism and History Research Centre at The University of Queensland and the Ian Potter Foundation. Thank you also to the peer reviewers who gave their time and expertise to the refereering of papers, the State Library of Queensland who hosted the event, and Carmen Armstrong who provided invaluable project management support. The papers published in these proceedings are a record of the conference mentioned on the title page. They reflect the authors’ opinions and, in the interests of timely dissemination, are published as submitted in their final form without change. Their inclusion in this publication does not necessarily constitute endorsement by the editors. Editors: Kelly Greenop and Chris Landorf Design and Production: Mark Fletcher Publisher: Architecture Theory Criticism and History, The University of Queensland i ii CONFERENCE SCHEDULE SCHEDULE DAY 1 Afternoon digital cultural heritage : FUTURE VISIONS Wednesday, 19 April 2017 19-20 April 2017 in Brisbane, Australia 14:30 – 15:30 KEYNOTE 2 Auditorium 2 Conference convenors Dr Kelly Greenop and Dr Chris Landorf Elizabeth Vines OAM Digital Cultural Heritage – Progress or Hindrance? DAY 1 Morning Wednesday, 19 April 2017 15:00 – 15:30 Afternoon tea River Decks 15:30 – 17:30 SESSION 3 – Practice case studies SESSION 4 – Theory case studies 08:00 – 08:30 State Library of Queensland Level 2 Conference registration Auditorium 2 Heritage Gallery 08:30 – 09.00 Conference opening Auditorium 2 Session Chair: David Mitchell Session Chair: Maartin Liefooghe Justin Barton Cheng Chun Patrick Hwang 09:00 – 10:00 KEYNOTE 1 Auditorium 2 Ancient Merv: Digital cultural heritage Re-Evaluating the Rationality of Etienne- Professor Mike Robinson over an extended period of time Louis Boullée Through Digitising and Re-assembled Pasts: Emotional engagements and empty Ann Hardy, Gionnia di Gravio, Analysing the geometry of the Cenotaph encounters with digital heritage Charles Martin, Russell Rigby and of Turenne Tim Davidson Natsuko Akagawa 10:00 – 10:30 Morning tea River Decks Newcastle Time Machine – The Question of Authenticity, Feeling and A multi-disciplinary approach to digital Emotion and Digital Medium in Heritage 10:30 – 13:00 SESSION 2 – Practice case studies SESSION 1 – Theory case studies cultural heritage Auditorium 2 Heritage Gallery Cristina Garduño Freeman, Richard Tuffin, Peter Rigozzi, Marco Antonio Chavez Aguayo and Session Chair: Tom Brigden Session Chair: Joann Russell David Roe and Jody Steele Sonia Sonia González Velázquez Vince Dziekan Julie Nichols, Darren Fong and Old v New? Comparing the use of Google Images: a site for understanding (Adventures in) Culturescraping Sue Avery traditional recording methodologies the social and symbolic connection between World Heritage and their cities Hannah Lewi and Steven Cooke Multi-Modal Archiving: Re-envisioning with photogrammetry in Teaching Memory: Digital Acehnese built cultural heritage archaeological practice at the interpretation at the Shrine of M. Brinker Ferguson Port Arthur Historic Site Remembrance, Melbourne Museum Preservation and Contract Chen Yang and Feng Han Jane-Heloise Nancarrow Zones: The politics of stewardships and Capturing Spatial Patterns of Countering the Uncanny and the physical/digital repatriation of Te Hau Traditional Rural Landscapes with Replicating “Real-ness”: Establishing Ki Turanga 3D Point Cloud – A case study of parameters for post-processing Marc Aurel Schnabel and Yi He Tunpu Villages in Guizhou in 3D digital cultural heritage Digital Fabrication of Parametrically Province, China Generated Māori Carvings 17:30 – 18:30 Taxis from State Library of Queensland to Fort Lytton David Beynon, Sambit Datta and Joshua Hollick 18:30 – 20:15 ‘Fort Lytton at Night’ Fort Lytton Historic Military Precinct Digitised Connections: Reflections on the A unique promenade theatre performance, using sound image analysis and spatial modelling of and light to bring Fort Lytton’s colonial fortifications to life. Southeast Asian temples A light meal will be provided and numbers are limited to 30. 13:00 – 14:00 Lunch River Decks 20-30 – 21:00 Taxis from Fort Lytton to State Library of Queensland iii iv DAY 2 Morning Thursday, 20 April 2017 08:30 – 09:00 Conference registration Auditorium 2 09:00 – 10:00 KEYNOTE 3 Auditorium 2 Professor David Mitchell Digital Technologies and Cultural Heritage - Cultural diplomacy, education and conservation management 10:00 – 10:30 Morning tea River Decks 10:30 – 13:00 SESSION 5 – Theory case studies SESSION 6 – Practice case studies Auditorium 2 Heritage Gallery Session Chair: Mike Robinson Session Chair: Elizabeth Vines Guido Cimadomo Lisa-Marie Daunt and David Gole Heritage as an Asset: how to involve Revitalising Ethiopia’s Africa Hall: Using local communities in the protection new digital technologies to conserve of cultural heritage Africa’s heritage Amy Clarke and Ashley Paine John Stephenson, Jody Steele, Built Heritage in the Age of David Roe Digital Reproduction Simple Models for Complex Ideas: Susan Hood, David Roe and Understanding nineteenth century Jody Steele landscapes of juvenile convict detention Reading the Past, Visualising the and reform Future: The practicalities of moving Joanne Tompkins and Julie Hollege from an analogue to a digital world The Queen’s Theatre: Using virtual reality to reconstruct performance and social cohesion in the 1840s-1850s Joann Russell and David Mitchell Practical Applications of Digital Technologies in the Conservation, Management and Education Fields by Scotland’s National Heritage Body 13:00 – 14:00 Conference closure, virtual reality exhibition and lunch River Decks Virtual Perspective presents: “A Portal To The Past” Our Heritage in Virtual Reality 14:00 – 16:00 Historic Brisbane walking tour from State Library of Queensland v vi INTRODUCTION TO THE CONFERENCE INTRODUCTION TO THE CONFERENCE digital cultural heritage: FUTURE VISIONS The conference was designed to encourage critical Conference, Brisbane, Australia debate across a wide range of heritage-related Innovative new data collection and digital disciplines. The conference convenors welcomed visualisations capture historic artefacts, places and papers from cultural heritage and tourism practices faster, in greater detail and shared amongst practitioners and academics, as well as architecture, a wider community than ever before. Creative virtual anthropology, archaeology, geography, media studies, environments that provide interactive interpretations museum studies and other cultural heritage-related of place, archives enriched with digital film and audio fields. Particularly encouraged were papers that recordings, histories augmented by crowdsourced explored the technical challenges of digitising tangible data all have the potential to engage new audiences, and intangible cultural heritage, those that identified engender alternative meanings and enhance current issues with digitisation and digital interaction, and heritage management practice. At a less tangible those that addressed the philosophical or theoretical level, new technologies can contribute to debates challenges posed by digital cultural
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