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Creation, Creator and Causality: Perspectives from Purānic Genre of Hindu Literature
IAFOR Journal of Literature & Librarianship Volume 8 – Issue 1 – Winter 2019 Creation, Creator and Causality: Perspectives from Purānic Genre of Hindu Literature Sivaram Sivasubramanian Jain (deemed-to-be-university), India Rajani Jairam Jain (deemed-to-be-university), India 139 IAFOR Journal of Literature & Librarianship Volume 8 – Issue 1 – Winter 2019 Abstract Inspirited by a growing recognition of the need for an interdisciplinary approach in dealing with science and religion, this article aims to decode the nature of the causal relationship between creator and creation as epitomized in a few select scriptures of Purānic genre of Hindu Literature. The present study is part of an overarching effort to understand how ancient Indian knowledge and culture have supported profound metaphysical inquiries amidst flourishing religious practices. The nature of this work requires the utilization of a research protocol that combines the exploratory interpretation of scriptures and an explanation of causality. Notably, there is a consensus among the Purānas on the fundamental tenet that a primal creator is the eternal cause of the cycle of creation, sustenance, dissolution, and re-creation. Working from this premise, Purānas depict the primal creator as imperceptible, enigmatic, and absolute; hence, a thorough understanding is impossible. With this underlying principle, Purānas provide a metaphysical basis for the Hindu Trinity (Brahma, Vishnu, Rudra), the quintessence of Hindu Theology. This research paper concludes that the Purānas chosen for this study (a) point to a relational causality of creation of this universe that manifests from the unmanifest creator, and (b) proffer an intriguing description of how equilibrium-disequilibrium among gunas influence the cycle of cause-effect. -
Elements of Hindu Iconography
6 » 1 m ELEMENTS OF HINDU ICONOGRAPHY. ELEMENTS OF HINDU ICONOGRAPHY BY T. A. GOPINATHA RAO. M.A., SUPERINTENDENT OF ARCHiEOLOGY, TRAVANCORE STATE. Vol. II—Part II. THE LAW PRINTING HOUSE MOUNT ROAD :: :: MADRAS 1916 Ail Rights Reserved. i'. f r / rC'-Co, HiSTor ir.iL medical PRINTED AT THE LAW PRINTING HOUSE MOUNT ROAD, MADRAS. MISCELLANEOUS ASPECTS OF SIVA Sadasivamurti and Mahasada- sivamurti, Panchabrahmas or Isanadayah, Mahesamurti, Eka- dasa Rudras, Vidyesvaras, Mur- tyashtaka and Local Legends and Images based upon Mahat- myas. : MISCELLANEOUS ASPECTS OF SIVA. (i) sadasTvamueti and mahasadasivamueti. he idea implied in the positing of the two T gods, the Sadasivamurti and the Maha- sadasivamurti contains within it the whole philo- sophy of the Suddha-Saiva school of Saivaism, with- out an adequate understanding of which it is not possible to appreciate why Sadasiva is held in the highest estimation by the Saivas. It is therefore unavoidable to give a very short summary of the philosophical aspect of these two deities as gathered from the Vatulasuddhagama. According to the Saiva-siddhantins there are three tatvas (realities) called Siva, Sadasiva and Mahesa and these are said to be respectively the nishJcald, the saJcald-nishJcald and the saJcaW^^ aspects of god the word kald is often used in philosophy to imply the idea of limbs, members or form ; we have to understand, for instance, the term nishkald to mean (1) Also iukshma, sthula-sukshma and sthula, and tatva, prabhdva and murti. 361 46 HINDU ICONOGEAPHY. has foroa that which do or Imbs ; in other words, an undifferentiated formless entity. -
Om: One God Universal a Garland of Holy Offerings * * * * * * * * Viveka Leads to Ānanda
Om: One God Universal A Garland of Holy Offerings * * * * * * * * Viveka Leads To Ānanda VIVEKNANDA KENDRA PATRIKĀ Vol. 22 No. 2: AUGUST 1993 Represented By Murari and Sarla Nagar Truth is One God is Truth . God is One Om Shanti Mandiram Columbia MO 2001 The treasure was lost. We have regained it. This publication is not fully satisfactory. There is a tremendous scope for its improvement. Then why to publish it? The alternative was to let it get recycled. There is a popular saying in American academic circles: Publish or Perish. The only justification we have is to preserve the valuable contents for posterity. Yet it is one hundred times better than its original. We have devoted a great deal of our time, money, and energy to improve it. The entire work was recomposed on computer. Figures [pictures] were scanned and inserted. Diacritical marks were provided as far as possible. References to citations were given in certain cases. But when a vessel is already too dirty it is very difficult to clean it even in a dozen attempts. The original was an assemblage of scattered articles written by specialists in their own field. Some were extracted from publications already published. It was issued as a special number of a journal. It needed a competent editor. Even that too was not adequate unless the editor possessed sufficient knowledge of and full competence in all the subject areas covered. One way to make it correct and complete was to prepare a kind of draft and circulate it among all the writers, or among those who could critically examine a particular paper in their respective field. -
55-P T Dha-July,2012
Path to Dharma (Dharma Neri) 55 Sri Sankar Publications Kshethra Vinayaka Temple, Sri Munneswaram,Chilaw, Sri Lanka. Author - B.S.Sarma hot mail; [email protected]; [email protected] July 2012 Editorial. ‘ Path to Darma’ the monthly magazine, published by Kshethra Vinayaka Temple, Sri Munneswaram, Chilaw, Sri Lanka, is presenting the 55th issue this month. The main intention of this magazine is to converse the perceptions linked to Hinduism and its ceremonial rituals, customs and dharma, to the anxious readers. The elucidation and investigation from the readers are appreciated. B.S.Sarma, Kshethra Vinayaka Temple, Sri Munneswaram, Chilaw, Sri Lanka. July, 2012 2 1. Give a detailed account on the Hindu goddess Saraswathi? The word Saraswathi originates from saras (denotes "flow") and wati (denotes "she who has ..."), which shows that, "she who has flow".Hence, Saraswathi is symbol of knowledge. According to Hindu traditions Saraswathi, is the goddess of knowledge, music, arts and science. She is the consort of Brahma, also revered as his Shakti. Saraswathi is also considered the guardian of Earth. With reference to Hinduism, goddess Saraswathi signifies intelligence, consciousness, cosmic knowledge, creativity, education, enlightenment, music, the arts, persuasiveness and power. Hindus worship her not only for "academic knowledge", but for "divine knowledge" essential to achieve moksha. Furthermore Saraswathi is popular in the Jain religion of west and central India. Saraswathi is recognized as a deity of custodian in Buddhism who upholds the teachings of Gautama Buddha by offering protection and assistance to practitioners. Saraswathi is known in Burmese as Thurathadi. in Chinese as Biàncáitiān in Thai as Surasawadee and in Japanese as Benzaiten. -
ELEMENTS of HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All Books Are Subject to Recall After Two Weeks Olin/Kroch Library DATE DUE Cornell University Library
' ^'•' .'': mMMMMMM^M^-.:^':^' ;'''}',l.;0^l!v."';'.V:'i.\~':;' ' ASIA LIBRARY ANNEX 2 ELEMENTS OF HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All books are subject to recall after two weeks Olin/Kroch Library DATE DUE Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071128841 ELEMENTS OF HINDU ICONOGRAPHY. CORNELL UNIVERSITY LIBRARY 3 1924 071 28 841 ELEMENTS OF HINDU ICONOGRAPHY BY T. A.^GOPINATHA RAO. M.A. SUPERINTENDENT OF ARCHEOLOGY, TRAVANCORE STATE. Vol. II—Part I. THE LAW PRINTING HOUSE MOUNT ROAD :: :: MADRAS 1916 All Rights Reserved. KC- /\t^iS33 PRINTED AT THE LAW PRINTING HOUSE, MOUNT ROAD, MADRAS. DEDICATED WITH KIND PERMISSION To HIS HIGHNESS SIR RAMAVARMA. Sri Padmanabhadasa, Vanchipala, Kulasekhara Kiritapati, Manney Sultan Maharaja Raja Ramaraja Bahadur, Shatnsher Jang, G.C.S.I., G.C.I. E., MAHARAJA OF TRAVANCORE, Member of the Royal Asiatic Society, London, Fellow of the Geographical Society, London, Fellow of the Madras University, Officer de L' Instruction Publique. By HIS HIGHNESSS HUMBLE SERVANT THE AUTHOR. PEEFACE. In bringing out the Second Volume of the Elements of Hindu Iconography, the author earnestly trusts that it will meet with the same favourable reception that was uniformly accorded to the first volume both by savants and the Press, for which he begs to take this opportunity of ten- dering his heart-felt thanks. No pains have of course been spared to make the present publication as informing and interesting as is possible in the case of the abstruse subject of Iconography. -
Sikh Religion and Hinduism
Sikh Religion and Hinduism G.S.Sidhu M.A.FIL(London) Published by:- Guru Nanak Charitable Trust 1 Contents Opinions ................................................................................................ 8 Acknowledgments ............................................................................... 15 Foreword ............................................................................................. 17 Introduction ......................................................................................... 20 Chapter 1 ............................................................................................. 25 Vedant ................................................................................................. 25 1.1 What is Vedant? ................................................................... 25 1.2 Historical developments ............................................................. 27 1.3 Sikh point of View ..................................................................... 31 Chapter 2 ............................................................................................. 36 The Vedas and Sikhism ........................................................................ 36 2.1 The Vedas .................................................................................. 36 2.2 The importance of the Vedas ...................................................... 38 2.3 The Rig Veda ............................................................................. 39 2.4 Contents of the Rig Veda ........................................................... -
Lectures on Some Criminal Tribes of India and Religious Mendicants
' INDEX. PART I. I. DAKAITS AND HOUSE-BREAKERS PAGE. 'Mina (1) Mina i Baori (2) Baori (including counterfeiters of coin).. 4 (3) Badak, Moghia, Delhiwal 16 (4) Pardhi 18 (5) Takenkar 20 (6) Habura 31 Bania (7) Audhiya 23 Unclassed Hindu (8) Pasi 2 7 (9) Kaikari 29 (10) Mang Garodi ... 34 (u) Waddar (including Sanchaloo) 35 Gypsy (12) Banjara (including Muhammadans) ... 52 (13) Kanjar 55 (14) Sansi and Beria 59 Outcaste (15) Mang 66 (16) Dom 67 Muhammadan (17) Harni 68 II. POISONERS Independent Gangs (18) Professional poisoners 73 III. THIEVES AND SWINDLERS Hindu communities ... (19) Barwar, Sanoria, Chandra wedi 76 (20) Bhampta 80 Aboriginal ... (21) Patharrie 83 IV. COUNTERFEITERS OF COIN i Muhammadan ... 22 ( ) Chhapparband 93 V. MISCELLANEOUS INFORMATION (23) Hints on cases under Section 400, Indian 97 Penal Code. (24) Rewards to persons aiding Police 98 VI. TRIBES REGISTERED AS CRIMINAL (25) Tabular statement 99 PART II. VII. RELIGIOUS MENDICANTS (26) Introductory ... ... 104 " (27) Resume of early History of "Hinduism in (28) Accounts of some f the better known 117 sects. fc SOME CRIMINAL TRIBES OF INDIA. INTRODUCTION. These lectures were never meant for publication and have only now been " of published by order." There is no pretence that they are the outcome research all that has been done in the of cases was to collate original ; majority the accounts written by others and from these to bring our knowledge up to date. They were written for the Probationers of the Training School, all of whom " had their Gunthorpes," and were intended to understand that the last word " " on criminal tribes had not by any means been written, and that Gunthorpe though selected as their text-bookwas written more than a generation ago. -
7 Secrets of Shiva
7 SECRETS OF SHIVA Devdutt Pattanaik is a medical doctor by education, a leadership consultant by profession, and a mythologist by passion. He writes and lectures extensively on the relevance of stories, symbols and rituals in modern life. He has written over fifteen books which include 7 Secrets of Hindu Calendar Art (Westland), Myth=Mithya: A Handbook of Hindu Mythology (Penguin), Book of Ram (Penguin), Jaya: An Illustrated Retelling of the Mahabharata (Penguin). To know more visit devdutt.com 7 Secrets of Shiva Devdutt Pattanaik westland ltd Venkat Towers, 165, P.H. Road, Maduravoyal, Chennai 600 095 No. 38/10 (New No.5), Raghava Nagar, New Timber Yard Layout, Bangalore 560 026 Survey No. A - 9, II Floor, Moula Ali Industrial Area, Moula Ali, Hyderabad 500 040 23/181, Anand Nagar, Nehru Road, Santacruz East, Mumbai 400 055 4322/3, Ansari Road, Daryaganj, New Delhi 110 002 First published by westland ltd 2011 Copyright © Devdutt Pattanaik 2011 All Rights Reserved 10 9 8 7 6 5 4 3 2 1 ISBN: 978-93-80658-63-6 Typeset and designed by Special Effects, Mumbai Printed at Thomson Press (India) Ltd. This book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out, circulated, and no reproduction in any form, in whole or in part (except for brief quotations in critical articles or reviews) may be made without written permission of the publishers. I humbly and most respectfully dedicate this book to those hundreds of artists and artisans who made sacred art so easily accessible to the common man Contents Author’s Note: On Context and Structure 1. -
Lesson 54, What Are Our Saiva Forehead Marks?
Lesson 54 Cultural & Spiritual Practice Our forehead marks are distinctive Hindu cultural and spiritual practice. We wear red or black dots, white stripes and designs in sandalwood paste. Most Marks are sectarian Most marks are sectarian. They tell the world which Hindu tradition we follow. Worshipers of Lord Vishnu often wear a U-shaped tilaka made of clay. Marks for Saivites Saivites wear three stripes of white sacred ash, called vibhuti or tiruniru, across their forehead. This mark is called a tripundra. Holy ash can be seen by devas These practices have mystical explanations. Holy ash can be seen by the devas in the inner worlds, especially during puja. This allows them to better help us. Holy ash signifies purity The holy ash signifies purity and the burning away of the soul’s three bonds: anava, karma and maya. Holy ash brings Blessings Wearing it brings the blessings and protection of God Siva. It also reminds us of the temporary nature of the physical body and inspires us to strive without delay for God Siva’s grace. The third eye… A dot is often worn just below the middle of the forehead. It is called bindi in Hindi and pottu in Tamil and is used by Hindus of all sects. Said to represent the “third eye” of spiritual sight, it is a reminder to use our mind’s eye or inner vision and not just see life with our physical eyes. Red and black dots A red bindi can indicate a woman is married. A black one, especially on a child, is intended for protection. -
Chicago Calling
CHICAGO CALLING A Spiritual & Cultural Quarterly eZine of the Vivekananda Vedanta Society of Chicago No. 25, 2020 Table of Contents Page EDITORIAL 3 WHAT IT MEANS TO BE A CATHOLIC 5 FATHER THOMAS. A. BAIMA WHAT IT MEANS TO BE A PROTESTANT 7 REVEREND HERBERT MARTIN WHAT IT MEANS TO BE A JEW 10 RABBI ADIR GLICK SRI RAMAKRISHNA: BRAHMAN PERSONIFIED 8 SWAMI ISHATMANANDA INTRODUCTION TO THE COVER PAGE 13 ADVERTISEMENTS 24 Editor: Swami Ishatmananda Vivekananda Vedanta Society of Chicago 14630 Lemont Road, Homer Glen. 60491 email: [email protected] chicagovedanta.org ©Copyright: Swami-in-Charge Vivekananda Vedanta Society of Chicago NO 25, 2020 Chicago Calling 2 Editorial RELIGION MEANS KEEPING PROMISES Many of us do not know what religion is, filled with irreligious activities. Please remember although all of us very sincerely try to practice it that your ancestors all respected promises and by by visiting holy places, fasting, counting the holy that kept religion alive. If you fail to keep your beads, and giving in charity. But we still feel there promises, it will hurt religion and, following your is something lacking. We don't get the satisfaction example, future generations will be come of religion, and society doesn't get the benefit of irreligious." these practices. Rather, some people try to satisfy From this story we learn that religion is their selfish goals by using one religion against keeping our promises. another. As a result the educated younger The story of King Shibi is another example of generation is losing their faith in religion. keeping our promises at any cost. -
Shiva Meditation
Gita Society of Belgium Branch of Internationl Gita Society (IGS/USA) © 2001-2012 Shiva Devotion and Meditation As It Is By Philippe L. De Coster, B.Th., D.D. Gita Satsang Ghent, Belgium © September 2012 – Philippe L. De Coster, Ghent, Belgium (Non commercial) Shiva Devotion and Meditation As It Is The psyche is the greatest of all cosmic wonders and the “sine qua non” of the world as an object. It is in the highest degree odd that Western man, with but very few – and ever fewer – exceptions, apparently pays so little regard to this fact. Swamped by the knowledge of external objects, the subject of all knowledge has been temporarily eclipsed to the point of seeming nonexistence.” (Carl Gustav Jung, psychologist.) Shiva is the god of the yogis, self-controlled and celibate, responsible for change both in the form of death and destruction and in the positive sense of destroying the ego, the false identification with the form. This also includes the shedding of old habits and attachments. Lord Shiva is the destroyer of the world and restorer, following Brahma the creator and Vishnu the preserver, after which Brahma again creates the world and so on. Shiva is 'shakti' or power, Shiva is the destroyer, the most powerful god of the Hindu pantheon and one of the godheads in the Hindu Trinity. Known by many names - Mahadeva, Mahayogi, Pashupati, Nataraja, Bhairava, Vishwanath, Bhava, Bhole Nath,Lord Shiva is perhaps the most complex of Hindu deities. Hindus recognise this by putting his shrine in the temple separate from those of other deities. -
Love of God Is Vedanta!
EDUCATIONAL INSIGHT The Life & Teachings of Sri Ramanuja, India’s Great Theologian ATI O C N U A D By Lakshmi & Tim Sridharan L E I N S S T Love of I G H God Is Vedanta! painting by s. rajam by painting RRamanujaamanuja sitssits onon thethe guru’sguru’s ttraditionalraditional seatseat iinn wworshipfulorshipful acknowledgementacknowledgement ofof tthehe ppervasiveervasive ppresenceresence ooff VaradarajaVaradaraja ((VViishnu),shnu), whowho rreclineseclines knowinglyknowingly onon thethe ddivineivine sserpenterpent AAdisesha,disesha, a conchconch inin HisHis leftleft handhand aandnd ddiscusiscus iinn HHisis rright.ight. suri keshava somayajulu and his wife kanthimathi, Ramanuja would grow up to became a great scholar, teacher, theo- intimidating teacher’s unbending ways, Ramanuja could not suppress “death which, taking place in the Holy Ganga, would be counted as an a young orthodox Vaishnavite couple living in Sriperum- logian, philosopher and social reformer. Born ten centuries before his profound disagreement with Yadava’s views. affair of merit, which they thought would not involve the actors in budur (30 miles southwest of modern-day Chennai), Mahatma Gandhi, he foreshadowed Gandhi’s vision and ideals. He For instance, he openly challenged the teacher on the meaning of sin! What travesty of spiritual ethics by Yadava!” yearned for a child. As so many young Hindu couples believed that the holy scriptures and Lord Narayana, God, are not the “Satyam, Jnanam, Anantam Brahma” (Taittiriya Upanishad 2.1.1). Ya- Along the way, Ramanuja’s cousin Govinda learned of the murder- A before them, the two regarded birth as a blessing held in the hands sole property of the brahmin community.