Joe Barresi Issue 41
Joe Barresi: King Of The Rock Age complimented the producer on working for the band, and “not for anyone When it comes to the production of volume-to-11 rock there’s else” – an apparent reference to record company pressures. And so, with no-one better than Joe Barresi – the latest offering from full creative control and a much larger budget to work with than before, Homme and Barresi set out to experiment more than ever and, said the Queens of the Stone Age, Lullabies to Paralyze, is latter, “create something unique.” testament to that. Paul Tingen finds out “The band rehearsed the songs at Rancho de la Luna studios [in Joshua Tree National Park in Southern California]” explained Barresi. how this complex, ear-invading metal “When they came back to LA, I sat in on a couple of rehearsals and it monster was assembled. was mainly a matter of me learning the music and seeing what worked, sonically, guitar- and tempo-wise, and so on. Then we loaded all the gear into Sound City studios and spent the first day sorting through it, plugging things in and deciding what would sound good for what parts. We had a massive array of amplifiers, guitars and drums, including some of my own stuff…” Vintage King When Barresi spoke about “some of [his] own stuff,” he was, perhaps momentarily, under the spell of the British art of understatement, for he’s the proud owner of a rather extravagant collection of assorted boxes, guitars and amplifiers. As he put it, “I have 250 guitar pedals, probably close to 45 guitars, 75 guitar amps (35 combos and 40 heads), and countless pieces of outboard gear.
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