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Indicative Bibliography of Our Reference

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Indicative Bibliography of our Reference N. Velmos Fragelio, issue 24, 28 may 1927 N.Velmos, Fragelio, issue 27, 18 June 1927 N.Velmos, Fragelio, issue 3, March 1928 Z. Papantoniou, „20th Century‟, issue 3, April 1934 Str. Doukas, Echo tis Ellados, 21 April 1935 F. Giofylis, Ethniki Simaia, 22 April 1935 P. Prevelakis, Neoellinika Grammata - issue 4, 5 May 1935 D.A. Kokkinos, Nea Estia, issue 202, 15 May 1935 F.Giofylis, Ethniki ,26 May 1936 D.A. Kokkinos, Nea Estia, issue 227, 1 June 1936 F. Konstantinides, Mines, issue 6, 1937 N.G Pentzikis, Newspaper of the Balkans, 26, 27 May 1937 E.Ziogas, Neoellinika Grammata, issue 123, 8 April 1939 I. Kaimis, Neoelliniki Logotechnia, issue 2, February1940 Sp. Melas, Elliniki Dimiourgia, issue 18, 1 November 1948(republication from Estia ,28 October 1948) D.E. Evaggelides, Nea Estia, issue 512, 1 November 1948 D.E. Evaggelides, Nea Estia, issue 597, 15 May 1952 T. Spiteris, Le Messager d’Athénes, 21 October 1953 G. Petris, Epitheorisi tis Technis, issue 22, October 1956 Sotiris Messinis „Venice Biennale’, 1956 I. M. Panagiotopoulos, Eleftheria, 21 September1958 N. Alexiou, Kenourgia Epochi, winter 1958 M. Chatzidakis, To Vima, 10 December 1958 M. Anagnostopoulou, Eleftheria, 25 December 1958 School Buildings album, Ministry of Education and Culture, Athens, 1959 Raoul-Jean oulin, Lettres Françaises, 1959 G.Petris, Epitheorisi Technis, issue 85, January 1962 Al. Drakos, Áthenaiki, 24 March 1962, E. Ferendinou, Nees Morfes, issue 2 , March- April 1962 F. Giofylis, The history of the Neo-Hellenic Art, (painting, sculpture, engraving, architecture and decoration) 1821-1941, issue 2, p. 453,492-493, Athens 1963 George Boudailles, „Biennale’, Lettres Françaises, 1964, T. Spiteris, Architektóniki , issue 46, July –August 1964 Arte Oggi, Rome, 1964 Natopress, Rome, 1964 Gino Spinelli, „Biennale’ Gazzetino Di Giorno‟1964 E. Vakalo, „Biennale‟, 1964 Art International, „Biennale‟, 1964, Charles Spencer, Cultura, 1964 Hans Redeker, „‟Biennale‟‟, Algemeen Handelblad, Holland, 1964 Gerard Cassiot-Talabot, Cimaise, issue. 69-70, 1964 Lettere Nuove, Barletta, 1964 Nouvelles Literaires, 1964 Manolis Chatzidakis, Perspective in Greece, Articles written on the occasion of the Thessaloniki International Fair in 1966 and the entrance sculpture by Andronikos, Fatouros, Karadinos, Christou, Baxevani, Philipou, Lymberakis, Natsis Jean-Albert Cartier,’Venice Biennale’, Georgio Teff. Sarazin, Basel, Switzerland Kaisserlian, „Venice Biennale ‟ Telegrafo Livorno Agg. G. Prokopiou, History of Art, 1750-1950, issue 3, Fauvism- Kubism- Expressionism- Surrealism- Abstract Art- Art Informel, p 456-459, 473, Athens, 1969 Denys Chevalier, Nouveau Dictionnaire de la Sculpture Moderne (Hazan, Paris), p. 324-325, 1970 Kosmas Linardatos, Vradini, 1971&1975 John Papaioannou, Goethe Institute, Athens 1971 Stelios Lidakis, Hellenic American Union, Athens, 1971 & Zoumboulaki Gallery, 1979 Maria Norman, Athens Daily Post, 1971 K.Parlas, ToVima, 18 February 1973 The Council House brochure, Samuel C. Johnson& Son, Racine, Wisconsin, 1975 Campo Pisani, Venice, Gazzetino Venezia, 1976 E. Bnenezit, Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs, issue. 10, p. 917, Paris 1976 Al . Xidis, Propositions on the history of Modern Greek Art issue 1 –Formation- Development, p.112,121,185,211,217-218,223,256, Athens 1976, issue 2 ,Vehicles and Problems p. 80-84, 98, 193, Αthens 1976 K.S. Kechagioglou ,Ta Nea, 21 August 1976 A.K.Kourtikakis, Album of Greek artists, (1800-1977) issue 2 , Painters- Sculptors- Engravers- Hagiographers- Decorators- Wood-engravers- Ceramicists, p.201, Athens 1977 Efi Andreadi, To Vima, 9 February 1979 El. Varopoulou, Proini Eleftherotypia, Athens, 31 January 1979 Jean Starobinsky, Geneva University, 1979 B. Spiliadis, Kathimerini, Athens, 27 January 1979 T. Spiteris, Three Centuries of Neo-Hellenic Art, , 1660-1967,issue. 2, p. 136, 198, 205, 207, 247, 273, issue. 3, p. 97, Athens 1979 Zoumboulaki Gallery, Zongolopoulos , catalogue, Athens 1979 M. Kalligas, Neo- Hellenic Art , Painting –Sculpture- Engraving, p. 138, 139, 141, Αthens 1980 El. Vakalo The cast of features of the Post war art in Greece, vol. 1 Abstraction, p.27, Athens1981 St. Lidakis The Neo –Hellenic Sculpture, History- Typology- Sculpture inventory p. 117-120, 123, 129, 130, 135, 251, 254, 323-326, Αthens 1981 Ch. Christou-M. Kouvakali-Anastasiadi, Neo- Hellenic Sculpture-1800-1940, p. 126- 129, 248-249, Αthens 1982 Claude Avelin, Paris, 1983 Exhibition at the Goethe Institute, 1984 M.S. Stefanidis, „Íntroduction to the Greek Sculpture from ancient times to present day‟ p. 68, 70, 72, 113, Filipotis Publications, 1984 Athens News, 1984 Jean-Luc Epivent, “Vers un Eternel Mouvement Rythmique”, Profil, 1984 Maria Maragkou, Eleftherotypia, 19 May 1984 V. Spiliadis, Eleftherotypia, 29 May 1984 Al.Xidis, Dipli Ikona, issue 2, 1984 D. Philipidis, Neo-Hellenic Architecture. Architectural theory and practice (1830 - 1980) as a reflection of the ideological selections of the Neo-Hellenic culture. p. 151, 205 note 357, 206 note. 359, 216-217, 228 note. 505, Αthens 1984 Dennis Zacharopoulos, Zongolopoulos, exhibition catalogue Ygroichos , Goethe Institute, May- June 1984 S. Lidakis, article on the catalogue of the exhibition at the Goethe Institute, 1984 El. Vakalo, the cast of features of Post War art in Greece, vol.4: After abstraction, p.30, 39-40, Athens 1985 T. Spiteris, Global Biographical Dictionary, vol 4, p.20-21, Athens publications, Athens 1985 M . Papanikolaou Outdoor Sculptures of Thessaloniki p. 18, 19, 118-119, 124-125, Thessaloniki 1985 A. Giacoumatos – E. Godoli, L’ Architettura delle Scuole e il Razionalismo in Grecia, p. 93-98, Florence 1985 The Gorgopotamos Memorial, Avgi, 1985 K. Stavropoulos, Plastic Arts,1985 Lia Kipiotis , Cyprus, 1987 Bristocke, Dictionary of Art (An article by Μαrina Lambraki- Plaka), 1987 M. Kotzamani, The Omonia water jets, Icones, 14 December 1988 Architectonica Themata ed. Orestis Doumanis, Athens Sculpture in Thessaloniki( Bank of Macedonia) Pierre Restany, 1988 Dennis Zacharopoulos, Issue 1989 Edited by Eleni Kipraiou, Zongolopoulos , Athens 1990 Gallery Jean Bernier, Zongolopoulos, Athens 1990 M. Skaltsa , introduction, commentary, substantiation, Collection of Educational Foundation of National Bank, p.72-73, Thessaloniki 1990 Ch. Kabouridis Ta Nea, 15 October 1990 Al. Xidis, Anti magazine, issue 449, 19 October 1990 G. Zongolopoulos Tefchos , issue 4, December 1990, D. Zacharopoulos Tefchos, issue 4, December 1990 A. Pagoulatos, Ta Nea tis Technis , issue 8 , 1992 Ath. Schinia, I Lexi , issue 109, May-June 1992 A. Kafetsi Transformation of the modern, The Greek Experience, catalogue of the exhibition, National Gallery, p. 100, 107, 129, 245, 251, 401, 407, 431 Αthens 1992 Al Xidis, Anti magazine, issue 499, 24 July 1992 A. Kotidis, Modernism and „Tradition‟ in the Greek art of the period between the wars p.167, 270, Thessaloniki 1993 E. Andreadi, Zongolopoulos, catalogue of exhibition in the Venice Biennale, Athens 1993 M. Skaltsa- E. Andreadi, Zongolopoulos, catalogue of exhibition at the Macedonian Museum of Contemporary art, Thessaloniki 1993 „The battle of Krete‟ 1941. Architectural Competitions, Memorial, Museum and Conference Center, Galatas, Chania in Krete, Arhitectonika Themata , issue 27 1993 Chr. Papoulias, Anti magazine, issue 15, 1993 E.Trichon- Milsani, Anti magazine , issue 530, 20 August 1993 D. Konteletzidou, Arti magazine, issue 19, 1994 E. Mikoniatis, Greek Art , Neo -Hellenic Sculpture, p. 166-169, 223-224, Athens 1996 El. Vakalo, Criticism of Plastic Arts , 1950-1974, vol 1 Visits to the atelier- one- man presentations ,–Pan-Hellenic exhibitions , selected and edited by O. Daniilopoulou. p. 203, 204, 290, 348 Αthens 1996 Macmillan, The Dictionary of Art, scientific editing J. Turner, vol.33, p. 698 (Μ. Lambraki- Plaka), London- Ν. Υork 1996 E. D Mathiopoulos, The participation of Greece to the Venice Biennale 1934-1940, unpublished doctoral thesis , vol.3, p. 987-990, University of Krete, Iraklio 1996 B. Papadopoulou, . Art Magazine net, issue. 1, 1996 Μ. Μαragou-Κ. Καfopoulou, Giorgos Zongolopoulos – Μichalis Kantzourakis- Μichalis Michailides, catalogue of exhibition, Centre of Modern Artistic Creation of Rethimno (Gallery L. Καnakakι), Rethimno 1997 Τo Vima, 9 Μαrch 1997 Ν. Μιsirli text, Vοrre Museum, p. 19, 229, Αthens 1997 Ε.. D. Μαthiopoulos scientific editing, Dictionary of Greek Artists. Painters – Sculptors – Engravers, 16th- 20th century, vol. 1, p. 439-441 (Α. Sachini) Αthens 1997 Α. Derou, Art Magazine net issue. 5, 1997 Κ. Vidos, Το Vimα, 3 Αυgust 1997 Edited by G. Ζοngolopoulos , Zongolopoulos Berlin 98, 1998 S.Kazazi,Greek Artists,vol 2 :Ten years of criticism, p. 133, 163, Thessaloniki 1998 Ch. Kabouridis– G. Levounis, Neo-Hellenic Art. Painting- Engraving – Sculpure. The valuable collections of the Rhodes Gallery p. 92, 108, 184, 244 Αthens 1998 D. Pavlopoulos, Subjects of Neo –Hellenic Sculpture p. 31, 76, 148, Αthens 1998 Ε. Μαchairas, The Art of the Resistance, p. 314, 386-387, Αthens 1999 Κ. Gregou-Μ. Pavlides- E. Protonotariou- G. Tzirtzilakis texts P+P+D exhibition catalogue, Deste Foundation , Αthens 1999 Μ. Μ. Papanikolaou,The history of Art in Greece Painting and Sculpture of the 20th century, p. 211-215 Αthens 1999 E. Strouza, Emfietzoglou collection . Contemporary Greek Art p. 226, 255, 256, 257, 293, 301 Αthens 1999 Κ. Κουtsina direction-research, Background: Giorgos Zongolopoulos, documentary Athens 1999 S. Condaratos- W. Wang, 20th –
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  • Artnet.Com October 19, 2011

    Artnet.Com October 19, 2011

    ARTNET.COM OCTOBER 19, 2011 REMAP ATHENS: ATHENIAN RHAPSODY by Kimberly Bradley Nicolas Party in the bathroom Greece is obviously still the word in the Eurozone, for reasons that go way beyond the art world. Rehashed every couple of months, the country’s dire financial situation is looking worse than ever. Yet, in the midst of it all, ReMap 3, Sept. 12-Oct. 30, 2011, launched in Athens last month, is infusing one of inner city Athens’ roughest neighborhoods, Kerameikos-Metaxourgeio, with a buzzing energy. For the third time, the biannual event -- not really a biennale, definitely not a fair, but far more than just an exhibition -- brought more than 50 separate exhibitions to town for six weeks, most of them into the area’s otherwise unoccupied buildings, storefronts, spaces and lots. A temporary art squat, so to speak, that has a bit of a history. A decade ago, ReMap founder Iasson Tsakonas, a 39-year-old Cornell-educated entre- preneur, bought a building on Kerameiko Street (the area was where the city’s ceramic potters lived in the classical era, and part of the district holds Athens’ ancient cemeteries). It’s now a spacious headquarters for his company, Oliaros, in an area that is still 46 percent unoccupied. He would know, since he literally mapped out the neighborhood as he slowly purchased more buildings and founded the nonprofit KM Protypi Geitoni to focus on urban renewal research and projects as well. Tsakonas is also an avid art collector, and in the mid-2000s, dealer Javier Peres asked Tsakonas if he could run his gallery, Peres Projects, out of one of his Athens spaces for the summer while his Los Angeles and Berlin galleries were under renovation.