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The AADERE Model of Progression in the Hospitality and Tourism Industry: an Empirical Study of High-Salaried Black Managers
UNLV Theses, Dissertations, Professional Papers, and Capstones 2009 The AADERE model of progression in the hospitality and tourism industry: An empirical study of high-salaried Black managers Ivan Benjamin Turnipseed University of Nevada Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the African American Studies Commons, and the Hospitality Administration and Management Commons Repository Citation Turnipseed, Ivan Benjamin, "The AADERE model of progression in the hospitality and tourism industry: An empirical study of high-salaried Black managers" (2009). UNLV Theses, Dissertations, Professional Papers, and Capstones. 175. http://dx.doi.org/10.34917/1385186 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE AADERE MODEL OF PROGRESSION IN THE HOSPITALITY AND TOURISM INDUSTRY: AN EMPIRICAL STUDY OF HIGH-SALARIED BLACK MANAGERS by Ivan Benjamin Turnipseed Bachelor of Arts Brandeis University 1994 Master of Science New York University 2000 Certificate of Advanced Study New York University 2008 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Philosophy Degree in Hospitality Administration William F. -
Happy Mondays ...Yes Please! Mp3, Flac, Wma
Happy Mondays ...Yes Please! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: ...Yes Please! Country: US Released: 1992 Style: House, Breaks, Synth-pop, Alternative Rock, Indie Rock MP3 version RAR size: 1187 mb FLAC version RAR size: 1601 mb WMA version RAR size: 1153 mb Rating: 4.6 Votes: 856 Other Formats: MOD DXD AHX MIDI AC3 WMA MPC Tracklist Hide Credits 1 Stinkin' Thinkin' 4:18 2 Monkey In The Family 4:41 3 Sunshine And Love 4:46 4 Dustman 3:44 5 Angel 5:51 Cut 'em Loose Bruce 6 4:26 Vocals – Kermit 7 Theme From Netto 4:13 8 Love Child 5:12 9 Total Ringo 3:38 10 Cowboy Dave 5:06 Companies, etc. Phonographic Copyright (p) – Factory Communications Ltd. Copyright (c) – Factory Communications Ltd. Published By – FFRR Music Ltd. Published By – London Music Ltd. Recorded At – Blue Wave Recording Studios Mixed At – Axis Studios Mixed At – Comforts Place Mastered At – Masterdisk Pressed By – PRS Hannover Credits Artwork – Central Station Design Backing Vocals – Rowetta Bass – Paul Ryder Drums – Gary Whelan Edited By, Arranged By [Assembled] – Scott Hull Guitar – Mark Day Keyboards – Paul Davis Lead Vocals – Shaun Ryder Mastered By – Bob Ludwig Mixed By – Steven Stanley Mixed By [Assistant] – John Parthum Percussion – Bruce Martin Performer [Bez] – Bez Producer – Chris Frantz, Tina Weymouth Programmed By [Additional Programs], Sampler [Additional Samples] – Bruce Martin Programmed By, Sampler – Simon Machan Recorded By – Mark Roule Recorded By [Assistant] – Bryon Europe*, Ray Mascarenas Songwriter – Happy Mondays Notes Recorded at Blue Wave Studio, St. Philip, Barbados. Assisted at Comfort's Place Studio, Lingfield, Surrey, U.K. -
Dave Grohl, John Paul Jones & Joshua Homme Bildar
2009-10-23 13:00 CEST Dave Grohl, John Paul Jones & Joshua Homme bildar supergruppen Them Crooked Vultures Dave Grohl (Foo Fighters), John Paul Jones (Led Zeppelin) och Joshua Homme (Queens of the Stone Age) har tillsammans bildat bandet Them Crookes Vultures. Nu står det äntligen klart att de släpper album den 18 november. Debutalbumet innehåller 13 nyskrivna låtar som de tillsammans spelat in och producerat. Bandet gjorde sitt första liveframträdande i augusti i år och har sedan dess gjort några få spelningar. Nu kommer äntligen albumet med studioversionerna av låtarna de framfört live. Den 6 december är det europapremiär för deras turné, se datum nedan: Dec 6 Munich - Zenith Dec 7 Berlin - Columbiahalle Dec 8 Cologne - Palladium Dec 10 Plymouth, England - Pavilions Dec 11 Portsmouth, England - Guildhall Dec 13 Blackpool, England - Empress Ballroom Dec 14 Birmingham, England - O2 Academy Dec 15 Edinburgh, Scotland - O2 Academy Dec 17 London, England - HMV Hammersmith Apollo Dec 18 London, England - HMV Hammersmith Apollo Them Crooked Vultures självbetitlade album släpps den 18 november, se fullständig låtlista nedan: No One Loves Me & Neither Do I Mind Eraser, No Chaser New Fang Dead End Friends Elephants Scumbag Blues Bandoliers Reptiles Interlude With Ludes Warsaw or The First Breath You Take After You Give Up Caligulove Gunman Spinning In Daffodils www.themcrookedvultures.com/ Kontaktpersoner Mikaela Lundberg Presskontakt Senior PR Manager [email protected] Isabel Rodriguez Presskontakt Senior PR Manager [email protected] +46 76 117 21 93 Nellie Sörman Presskontakt PR Manager [email protected] +46704713992 Janina Sibbel-Becker Presskontakt PR Manager - utländska artister [email protected] 073-643 45 55 08-412 17 00 Nina Thorsell Presskontakt Senior PR Manager [email protected] 0736-827180 08-412 1700. -
Smells Like Teen Spirit Appears in Rock & Pop 2018
ACCESS ALL AREAS... SMELLS LIKE TEEN SPIRIT APPEARS IN ROCK & POP 2018 Released: 1991 Album: Nevermind Label: DGC Records ABOUT THE SONG Nirvana’s Kurt Cobain was attempting to write the ‘ultimate pop song’ when he came up with the guitar riff that would become ‘Smells Like Teen Spirit’. He WITH THE LIGHTS OUT, wanted to write a song in the style of The Pixies, telling Rolling Stone in 1994: ‘I was basically trying to rip off The Pixies. I have to admit it.’ The title came IT’S LESS DANGEROUS after Kathleen Hanna, lead singer of Bikini Kill, spray- painted ‘Kurt smells like Teen Spirit’ on his bedroom “ wall. Teen Spirit was actually a brand of deodorant. HERE WE ARE NOW, The first single from Nirvana’s second album Nevermind, ‘Smells Like Teen Spirit’ was a surprise hit. The label had anticipated that ‘Come As You Are’, the follow-up single, would be the song to cross over to a mainstream audience. ‘Smells Like Teen Spirit’ ENTERTAIN US was first played on college radio before rock stations and MTV picked it up. It is widely praised as one of I FEEL STUPID AND CONTAGIOUS the greatest songs in the history of rock music. RECORDING AND PRODUCTION Cobain began writing ‘Smells Like Teen Spirit’ a few weeks before Nirvana were due in the studio to record Nevermind. After presenting the main riff and melody of the chorus to the rest of the band, they jammed around the riff for an hour and a half. Bassist Krist Novoselic slowed the verse down and drummer Dave Grohl created a drum beat and as a result, ‘Smells Like Teen Spirit’ is the only song on Nevermind to give songwriting credits to all three band members. -
Feature Guitar Songbook Series
feature guitar songbook series 1465 Alfred Easy Guitar Play-Along 1484 Beginning Solo Guitar 1504 The Book Series 1480 Boss E-Band Guitar Play-Along 1494 The Decade Series 1464 Easy Guitar Play-Along® Series 1483 Easy Rhythm Guitar Series 1480 Fender G-Dec 3 Play-Along 1497 Giant Guitar Tab Collections 1510 Gig Guides 1495 Guitar Bible Series 1493 Guitar Cheat Sheets 1485 Guitar Chord Songbooks 1494 Guitar Decade Series 1478 Guitar Play-Along DVDs 1511 Guitar Songbooks By Notation 1498 Guitar Tab White Pages 1499 Legendary Guitar Series 1501 Little Black Books 1466 Hal Leonard Guitar Play-Along® 1502 Multiformat Collection 1481 Play Guitar with… 1484 Popular Guitar Hits 1497 Sheet Music 1503 Solo Guitar Library 1500 Tab+: Tab. Tone. Technique 1506 Transcribed Scores 1482 Ultimate Guitar Play-Along Please see the Mixed Folios section of this catalog for more2015 guitar collections. 1464 EASY GUITAR PLAY-ALONG® SERIES The Easy Guitar Play-Along® Series features 9. ROCK streamlined transcriptions of your favorite SONGS FOR songs. Just follow the tab, listen to the CD or BEGINNERS Beautiful Day • Buddy Holly online audio to hear how the guitar should • Everybody Hurts • In sound, and then play along using the back- Bloom • Otherside • The ing tracks. The CD is playable on any CD Rock Show • Use Somebody. player, and is also enhanced to include the Amazing Slowdowner technology so MAC and PC users can adjust the recording to ______00103255 Book/CD Pack .................$14.99 any tempo without changing the pitch! 10. GREEN DAY Basket Case • Boulevard of Broken Dreams • Good 1. -
Dave Grohl's Growth Mindset
! Handout 2 - Dave Grohl’s Growth Mindset To some, Dave Grohl is the drummer from the groundbreaking Seattle “Grunge” band Nirvana. Other music fans likely know him as the guitarist, vocalist, frontman, and songwriter of the arena- filling band, Foo Fighters. Still others that have seen Grohl on the HBO series Sonic Highways or the documentary Sound City may recognize him as a music historian and film director. The truth is that Dave Grohl is all of the above. Thinking back to his childhood during an episode of the Sonic Highways series, Grohl remembers his artistic “light bulb” turning on during a family vacation to Chicago. Grohl, only twelve at the time, accompanied a cousin to a local Punk concert. It was awesome. He left the show inspired, asking himself, “why can’t I do this?” Then, he realized he could. Once home in Springfield, VA, a Beltway suburb about thirteen miles from the White House, the young Grohl tapped into D.C.’s thriving Punk scene. He befriended members of the local music community such as Ian MacKaye, a go-getter who played bass in Teen Idles, sang in Minor Threat, and later handled guitar and vocals in Fugazi, all while co-founding the Dischord Records label. In the mid and late 1980s, the major record labels, radio, and MTV--basically all the national tastemakers--were mostly focused on Glam Rock, Synth Pop, and Michael Jackson. D.C. Punk wasn’t even on their radar. But, rather than get discouraged or bitter about the lack of outside investment, many in the D.C. -
Eyez on Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad at Cha 2PAC Feat
2 UNLIMITED- No Limit 2PAC - All Eyez On Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad At Cha 2PAC Feat. Dr DRE & ROGER TROUTMAN - California Love 311 - Amber 311 - Beautiful Disaster 311 - Down 3 DOORS DOWN - Away From The Sun 3 DOORS DOWN – Be Like That 3 DOORS DOWN - Behind Those Eyes 3 DOORS DOWN - Dangerous Game 3 DOORS DOWN – Duck An Run 3 DOORS DOWN – Here By Me 3 DOORS DOWN - Here Without You 3 DOORS DOWN - Kryptonite 3 DOORS DOWN - Landing In London 3 DOORS DOWN – Let Me Go 3 DOORS DOWN - Live For Today 3 DOORS DOWN – Loser 3 DOORS DOWN – So I Need You 3 DOORS DOWN – The Better Life 3 DOORS DOWN – The Road I'm On 3 DOORS DOWN - When I'm Gone 4 NON BLONDES - Spaceman 4 NON BLONDES - What's Up 4 NON BLONDES - What's Up ( Acoustative Version ) 4 THE CAUSE - Ain't No Sunshine 4 THE CAUSE - Stand By Me 5 SECONDS OF SUMMER - Amnesia 5 SECONDS OF SUMMER - Don't Stop 5 SECONDS OF SUMMER – Good Girls 5 SECONDS OF SUMMER - Jet Black Heart 5 SECONDS OF SUMMER – Lie To Me 5 SECONDS OF SUMMER - She Looks So Perfect 5 SECONDS OF SUMMER - Teeth 5 SECONDS OF SUMMER - What I Like About You 5 SECONDS OF SUMMER - Youngblood 10CC - Donna 10CC - Dreadlock Holiday 10CC - I'm Mandy ( Fly Me ) 10CC - I'm Mandy Fly Me 10CC - I'm Not In Love 10CC - Life Is A Minestrone 10CC - Rubber Bullets 10CC - The Things We Do For Love 10CC - The Wall Street Shuffle 30 SECONDS TO MARS - Closer To The Edge 30 SECONDS TO MARS - From Yesterday 30 SECONDS TO MARS - Kings and Queens 30 SECONDS TO MARS - Teeth 30 SECONDS TO MARS - The Kill (Bury Me) 30 SECONDS TO MARS - Up In The Air 30 SECONDS TO MARS - Walk On Water 50 CENT - Candy Shop 50 CENT - Disco Inferno 50 CENT - In Da Club 50 CENT - Just A Lil' Bit 50 CENT - Wanksta 50 CENT Feat. -
Though General Election Focused on Economy, Religion-Related Storylines Were a Key Element in the Campaign
How the News Media Covered Religion in the General Election Obama Gets Most Coverage, Much of It on False Rumor He Is a Muslim Nov. 20, 2008 Religion played a much more significant role in the media coverage of President-elect Barack Obama than it did in the press treatment of Republican nominee John McCain during the 2008 presidential campaign, but much of the coverage related to false yet persistent rumors that Obama is a Muslim. Meanwhile, there was little attempt by the news media during the campaign to comprehensively examine the role of faith in the political values and policies of the candidates, save for those of Republican vice presidential nominee Sarah Palin. And when religion-focused campaign stories were covered by the mainstream press, often the context was negative, controversial or focused on a perceived political problem. In all, religion was a significant but not overriding storyline in the media coverage of the 2008 campaign. But in a campaign in which an Obama victory would give the U.S. its first black president, religion received as much coverage in the media as race. These are some of the findings of a new study of the coverage of religion in the campaign conducted by the Pew Research Center’s Project for Excellence in Journalism and Pew Forum on Religion & Public Life. The study examined religion-focused election coverage in 48 different news outlets between June 1 and Oct. 15, 2008. 1 The “culture war” issues that have been prominent in past elections, such as abortion and gay marriage, received minimal attention in 2008. -
Public Discourses About Teenage Pregnancy: Disruption, Restoration, and Ideology
Discourses and Teenage Pregnancy 1 Running head: DISCOURSES AND TEENAGE PREGNANCY Public Discourses about Teenage Pregnancy: Disruption, Restoration, and Ideology Jennifer J. Bute Department of Communication Studies Indiana University-Purdue University Indianapolis Laura D. Russell Department of Communication Denison University [This is an Accepted Manuscript of an article published by Taylor & Francis Group in Health Communication on January 17, 2012, available online: http://dx.doi.org/10.1080/10410236.2011.636479] Author note: Jennifer J. Bute (Ph.D., University of Illinois at Urbana-Champaign) is an assistant professor in Communication Studies at Indiana University-Purdue University Indianapolis. Laura D. Russell (Ph.D., Ohio University) is an assistant professor in Communication at Denison University. A previous version of this paper was presented at the annual meeting of the Central States Communication Association in April 2010. The authors would like to thank Laura Ellingson and two anonymous reviewers for their helpful comments on this manuscript. Address correspondence to Jennifer Bute at [email protected]. This is an Accepted Manuscript of an article published by Taylor & Francis Group in Health Communication on January 17, 2012, available online: http://dx.doi.org/10.1080/10410236.2011.636479 Discourses and Teenage Pregnancy 2 Abstract Two recent incidents in the United States generated a wealth of public discourses about a particular reproductive health issue: adolescent childbearing. As the media, political pundits, and private citizens pondered the meaning of these events, they expressed viewpoints, explanations, and possible solutions in mass-mediated outlets. We examined the discourses communicated in such outlets to understand how public discussion of teenage pregnancy reveals ideological assumptions about reproductive health, ideal family forms, and the expected lifecourse. -
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel B.S. Physics Hobart and William Smith Colleges, 2004 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2008 © 2008 Evan Landon Wendel. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _______________________________________________________ Program in Comparative Media Studies May 9, 2008 Certified By: _____________________________________________________________ William Uricchio Professor of Comparative Media Studies Co-Director, Comparative Media Studies Thesis Supervisor Accepted By: _____________________________________________________________ Henry Jenkins Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel Submitted to the Department of Comparative Media Studies on May 9, 2008 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post- punk era as an offline social network. -
'Just Like Us'?
‘Just like us’? Investigating how LGBTQ Australians read celebrity media Lucy Watson A thesis submitted to fulfil requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences The University of Sydney 2019 Statement of originality This is to certify that to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. A version of Chapter Nine appears in the book Gender and Australian Celebrity Culture (forthcoming), edited by Anthea Taylor and Joanna McIntyre. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. Lucy Watson 25th September 2019 i Abstract In the 21st century, celebrity culture is increasingly pervasive. Existing research on how people (particularly women) read celebrity indicates that celebrity media is consumed for pleasure, as a way to engage in ‘safe’ gossip amongst imagined, as well as real, communities about standards of morality, and as a way to understand and debate social and cultural behavioural standards. The celebrities we read about engage us in a process of cultural identity formation, as we identify and disidentify with those whom we consume. Celebrities are, as the adage goes, ‘just like us’ – only richer, more talented, or perhaps better looking. But what about when celebrities are not ‘just like us’? Despite relatively recent changes in the representation of lesbian, gay, bisexual, transgender and queer (LGBTQ) life in the media, the world of celebrity is an overwhelmingly heterosexual one. -
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt.