World Fantasy Convention Progress Report #2
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Book Reviews.6
Page 85 BOOK REVIEWS Tartarus Press Strange Tales, ed. Rosalie Parker (North Yorkshire: Tartarus, 2003) & Wormwood: Literature of the Fantastic, Supernatural & Decadent, 16, 20032006 Dara Downey the horror genre is extremely limber, extremely adaptable, extremely useful; the author or filmmaker can use it as a crowbar to lever open locked doors or a small, slim pick to tease the tumblers into giving. The genre can thus be used to open almost any lock on the fears which lie behind the door […]. (Stephen King, Danse Macabre (1982), 163) When King is at his best, he can be remarkably adept at cutting to the core of the genre of which he is the selfproclaimed “King”. Nevertheless, however astute such isolated observations as the above comment might be, it is always possible to find another, equally astute observation, that both contradicts what he is saying and undermines whatever favourable impression of his analytical skills we may have. Elsewhere in Danse Macabre, for example, King states confidently that Henry James’ “The Turn of the Screw, with its elegant drawingroom prose and its tightly woven psychological logic, has had very little influence on the American masscult” of mainstream horror (Danse Macabre, 66). What this suggests is that the flexibility which he sees as the defining characteristic of horror has (for him at any rate) a breaking point, a suggestion well in line with his nearhysterical insistence that aesthetic values and intellectual rigour are antithetical to the aims and effects of the genre. It is precisely this sort of inverted snobbery that Tartarus Press are striving to overthrow. -
SFRA Newsletter 259/260
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2002 SFRA ewN sletter 259/260 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 259/260 " (2002). Digital Collection - Science Fiction & Fantasy Publications. Paper 76. http://scholarcommons.usf.edu/scifistud_pub/76 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2Sfl60 SepUlec.JOOJ Coeditors: Chrlis.line "alins Shelley Rodrliao Nonfiction Reviews: Ed "eNnliah. fiction Reviews: PhliUp Snyder I .....HIS ISSUE: The SFRAReview (ISSN 1068- 395X) is published six times a year Notes from the Editors by the Science Fiction Research Christine Mains 2 Association (SFRA) and distributed to SFRA members. Individual issues are not for sale. For information about SFRA Business the SFRA and its benefits, see the New Officers 2 description at the back of this issue. President's Message 2 For a membership application, con tact SFRA Treasurer Dave Mead or Business Meeting 4 get one from the SFRA website: Secretary's Report 1 <www.sfraorg>. 2002 Award Speeches 8 SUBMISSIONS The SFRAReview editors encourage Inverviews submissions, including essays, review John Gregory Betancourt 21 essays that cover several related texts, Michael Stanton 24 and interviews. Please send submis 30 sions or queries to both coeditors. -
Progress Report #1
Welcome to the first progress report for the 2021 World Fantasy Convention! We are pressing on, in times of Covid, and continuing to plan a wonderful in person convention in Montréal, Canada. We have a stunning guest list and a superlative team for both planning and the creation of the gathering not to be missed. We will be at the Hôtel Bonaventure, an iconic landmark in the city. The hotel is located in the heart of downtown and just outside the Old Port of Montréal. It is near major roads, right across the street from Gare Centrale, the Montréal train station, and is directly connected to two Metro stations, making it easily accessible for both motorists and public transport users. We will be able to enjoy a lavish 2.5 acres of gardens with streams inhabited by ducks and fish as well as a year-round outdoor heated pool. Our committee is busy excitedly planning a convention that will surpass your every expectation. Our theme will be YA fantasy. The field of young adult fantasy has grown from being popular to becoming a dominant category of 21st century literature, bringing millions of new readers to hundreds of new authors. We are working on a diverse program that will explore this genre that celebrates fantasy fiction in all of its forms: epic, dark, paranormal, urban, and other varieties. We invite members to share what they enjoy, what they have learned, what they have written themselves, and what they hope to see coming in the field of young adult fantasy fiction. We look forward to seeing you all in Montréal! Diane Lacey Chair Diversity Statement The committee for the 2021 World Fantasy Convention is unconditionally devoted to promoting diversity within our convention. -
The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree on April 26, 2009, the James Tiptree, Jr
Spring/Summer 2009 Volume 5 The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree On April 26, 2009, The James Tiptree, Jr. H New Essay Collection from Literary Award Council announced that the Ursula K. Le Guin 2008 Tiptree Award will be going to Patrick Special Features Ness’s young adult novel The Knife of Never Letting Go and Nisi Shawl’s Filter House, an H Hanging out along the Aqueduct…, by Nisi Shawl Aqueduct Press book. page 9 The Tiptree Award, an annual literary prize H L. Timmel Duchamp for science fiction or fantasy “that expands or Interviews Liz Henry about explores our understanding of gender,” will The WisCon Chronicles, Vol. 3 be presented on Memorial Day weekend at page 6 WisCon in Madison, Wisconsin. Each winner H Gwyneth Jones writes about will receive $1000 in prize money, an original The Buonarotti Quartet artwork created specifically for the winning page 2 novel or story, and a confection, usually choco- H Three Observations and a late. The 2008 jurors were Gavin J. Grant Dialogue by Sylvia Kelso page 2 (chair), K. Tempest Bradford, Leslie Howle, Roz Kaveney, and Catherynne M. Valente. In Other News The award is named for Alice B. Sheldon, who wrote under the pseudonym H Aqueduct Celebrates James Tiptree, Jr. By her impulsive choice of a masculine pen name, Sheldon 5th Anniversary cont. on page 5 page 8 H New Spring Releases New from Aqueduct: Ursula K. Le Guin, page 12 Cheek by Jowl Talks and Essays about How and Why Fantasy Matters The monstrous homogenization of our world has now almost destroyed the map, any map, by making every place on it exactly like every other place, and leaving no blanks. -
Readercon 14
readercon 14 program guide The conference on imaginative literature, fourteenth edition readercon 14 The Boston Marriott Burlington Burlington, Massachusetts 12th-14th July 2002 Guests of Honor: Octavia E. Butler Gwyneth Jones Memorial GoH: John Brunner program guide Practical Information......................................................................................... 1 Readercon 14 Committee................................................................................... 2 Hotel Map.......................................................................................................... 4 Bookshop Dealers...............................................................................................5 Readercon 14 Guests..........................................................................................6 Readercon 14: The Program.............................................................................. 7 Friday..................................................................................................... 8 Saturday................................................................................................14 Sunday................................................................................................. 21 Readercon 15 Advertisement.......................................................................... 26 About the Program Participants......................................................................27 Program Grids...........................................Back Cover and Inside Back Cover Cover -
Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre. -
Janny Wurts ______Supporting Membership(S) at US$35 Each = US$______
Address Correction Requested Address CorrectionRequested Convention 2004 2004 Convention World Fantasy Tempe, AZ 85285-6665Tempe, USA C/O LepreconInc. P.O. Box26665 The 30th Annual World Fantasy Convention October 28-31, 2004 Tempe Mission Palms Hotel Tempe, Arizona USA Progress Report #2 P 12 P 1 Leprecon Inc. presents World Fantasy Con 2004 Registration Form NAME(S) _____________________________________________________________ The 30th Annual ADDRESS ____________________________________________________________ World Fantasy Convention CITY _________________________________________________________________ October 28-31, 2004 STATE/PROVINCE _____________________________________________________ Tempe Mission Palms Hotel ZIP/POSTAL CODE _____________________________________________________ Tempe, Arizona USA COUNTRY ____________________________________________________________ EMAIL _______________________________________________________________ Author Guest of Honour PHONE _______________________________________________________________ Gwyneth Jones FAX __________________________________________________________________ Artist Guest of Honor PROFESSION (Writer, Artist, Editor, Fan, etc.) ______________________________________________________________________ Janny Wurts _______ Supporting Membership(s) at US$35 each = US$_________ Editor Guest of Honor _______ Attending Membership(s) at US$_______ each = US$_________ Ellen Datlow _______ Banquet Tickets at US$53 each = US$ _________ Total US$___________ Publisher Guest of Honor _______ Check: -
Issue # 13 January/February, 2003 3
Table of Contents About This Issue Holly's Note Zette's Note Holly's Workshop: Setting Goals Interview: Sharon Lee and Steve Miller Theme: Creating Characters A note on this issue's theme "A Touch of Madness" By Louis E. Catron Characters in Absentia By Rang Lieu Holly Lisle's Vision Issue # 13 January/February, 2003 3 Characters from the Soul By Linda Adams Full Fathom By Peggy Kurilla Characters and Settings By Bonnie Cowgill Characters are People By Feath MacKirin Stepping to Center Stage By Jon Chaisson Using the Plot-Character Interaction By Nick Kiddle Holly Lisle's Vision Issue # 13 January/February, 2003 4 When Characters Develop Minds of Their Own By Laura Brewer What Makes Good Characters By Forward Motion Members The Slush Pile By mistri A Dark and Stormy Night By Kim L. Cole Clad in the Beauty of a Thousand Stars By Lazette Gifford Fantasy: Getting Started in Fantasy Writing By Sandra C. Durham Holly Lisle's Vision Issue # 13 January/February, 2003 5 Mystery: Taking a Clue from the Pros By Russ Gifford Science Fiction: Changing the Valves By Bob Billing Epublishing This Is Not A Test By Lazette Gifford Puzzle By Cassandra Ward Book Review Two Books on Freelance Writing Reviewed By Radika Meganathan Holly Lisle's Vision Issue # 13 January/February, 2003 6 Website Review A Reject is Born By Jenny Mounfield Meet the Moderator JuneDrexler The November Madness Has Passed Good News From Forward Motion Masthead Guidelines Join Forward Motion Holly Lisle's Vision Issue # 13 January/February, 2003 7 Welcome to our third year of publication! Issue # 13 January/February, 2003 Featuring an Interview with Sharon Lee and Steve Miller s you can see, it's time for a few changes. -
April 2010 NASFA Shuttle
Te Shutle April 2010 The Next NASFA Meeting is 17 April 2010 at the Regular Time and Location Con†Stellation XXIX ConCom Meeting 3P, 17 April 2010 at Renasant Bank (right before the club meeting) COOKOUT/PICNIC IN MAY d Oyez, Oyez d The More-or-Less-Annual NASFA Cookout/Picnic will be in May at Peggy Patrick’s house on the regular club meeting day. It’s The next NASFA Meeting is Saturday 17 April 2010 at the expected to start at about 2P, though stay tuned. This will affect regular time (6P) and the regular location. Meetings are at the concom meeting, normally scheduled for 3P that same day. the Renasant Bank’s Community Room, 4245 Balmoral Drive SHUTTLE TRANSITION—REDUX in south Huntsville. Exit the Parkway at Airport Road; head Once again production of the Shuttle is undergoing a transi- east one short block to Balmoral Drive; turn left (north) for less tion—this time forced by the death of one computer and the than a block. The bank is on the right, just past Logan’s Road- acquisition of its replacement. Things may be uneven for a house restaurant. Enter at the front door of the bank; turn right while; please bear with us. to the end of a short hallway. NASFA CALENDAR ONLINE MARCH PROGRAM NASFA has an online calendar on Google. Interested parties The April program will be “Darrell Osborn Talks about Crea- can check the calendar online, but you can also subscribe to the tivity.” calendar and have your Outlook, iCal, BlackBerry, or other ATMMs calendar automatically updated as events (Club Meetings, Con- The April After-The-Meeting Meeting will be at Sue Thorn’s com Meetings, local sf/f events) are added or changed. -