Responses to Technical Review Comments for Dewey-Burdock
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FIVE DIAMONDS Barn 2 Hip No. 1
Consigned by Three Chimneys Sales, Agent Barn Hip No. 2 FIVE DIAMONDS 1 Dark Bay or Brown Mare; foaled 2006 Seattle Slew A.P. Indy............................ Weekend Surprise Flatter................................ Mr. Prospector Praise................................ Wild Applause FIVE DIAMONDS Cyane Smarten ............................ Smartaire Smart Jane........................ (1993) *Vaguely Noble Synclinal........................... Hippodamia By FLATTER (1999). Black-type-placed winner of $148,815, 3rd Washington Park H. [G2] (AP, $44,000). Sire of 4 crops of racing age, 243 foals, 178 starters, 11 black-type winners, 130 winners of 382 races and earning $8,482,994, including Tar Heel Mom ($472,192, Distaff H. [G2] (AQU, $90,000), etc.), Apart ($469,878, Super Derby [G2] (LAD, $300,000), etc.), Mad Flatter ($231,488, Spend a Buck H. [G3] (CRC, $59,520), etc.), Single Solution [G3] (4 wins, $185,039), Jack o' Lantern [G3] ($83,240). 1st dam SMART JANE, by Smarten. 3 wins at 3 and 4, $61,656. Dam of 7 registered foals, 7 of racing age, 7 to race, 5 winners, including-- FIVE DIAMONDS (f. by Flatter). Black-type winner, see record. Smart Tori (f. by Tenpins). 5 wins at 2 and 3, 2010, $109,321, 3rd Tri-State Futurity-R (CT, $7,159). 2nd dam SYNCLINAL, by *Vaguely Noble. Unraced. Half-sister to GLOBE, HOYA, Foamflower, Balance. Dam of 6 foals to race, 5 winners, including-- Taroz. Winner at 3 and 4, $26,640. Sent to Argentina. Dam of 2 winners, incl.-- TAP (f. by Mari's Book). 10 wins, 2 to 6, 172,990 pesos, in Argentina, Ocurrencia [G2], Venezuela [G2], Condesa [G3], General Lavalle [G3], Guillermo Paats [G3], Mexico [G3], General Francisco B. -
Hip-Hop and Cultural Interactions: South Korean and Western Interpretations
HIP-HOP AND CULTURAL INTERACTIONS: SOUTH KOREAN AND WESTERN INTERPRETATIONS. by Danni Aileen Lopez-Rogina, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Sociology May 2017 Committee Members: Nathan Pino, Chair Rachel Romero Rafael Travis COPYRIGHT by Danni Aileen Lopez-Rogina 2017 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Danni Aileen Lopez-Rogina, refuse permission to copy in excess of the “Fair Use” exemption without my written permission. DEDICATION To Frankie and Holly for making me feel close to normal. ACKNOWLEDGEMENTS I want to acknowledge my mom, dad, and sister first and foremost. Without their love and support over the years, I would not have made it this far. They are forever my cheerleaders, no matter how sassy I may be. Professor Nathan Pino was my chosen mentor who took me under his wing when I chose him like a stray cat. His humor and dedication to supporting me helped me keep my head up even when I felt like I was drowning. Professor Rachel Romero was the one to inspire me to not only study sociology, but also to explore popular culture as a key component of society. -
Primary & Secondary Sources
Primary & Secondary Sources Brands & Products Agencies & Clients Media & Content Influencers & Licensees Organizations & Associations Government & Education Research & Data Multicultural Media Forecast 2019: Primary & Secondary Sources COPYRIGHT U.S. Multicultural Media Forecast 2019 Exclusive market research & strategic intelligence from PQ Media – Intelligent data for smarter business decisions In partnership with the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers Co-authored at PQM by: Patrick Quinn – President & CEO Leo Kivijarv, PhD – EVP & Research Director Editorial Support at AIMM by: Bill Duggan – Group Executive Vice President, ANA Claudine Waite – Director, Content Marketing, Committees & Conferences, ANA Carlos Santiago – President & Chief Strategist, Santiago Solutions Group Except by express prior written permission from PQ Media LLC or the Association of National Advertisers, no part of this work may be copied or publicly distributed, displayed or disseminated by any means of publication or communication now known or developed hereafter, including in or by any: (i) directory or compilation or other printed publication; (ii) information storage or retrieval system; (iii) electronic device, including any analog or digital visual or audiovisual device or product. PQ Media and the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers will protect and defend their copyright and all their other rights in this publication, including under the laws of copyright, misappropriation, trade secrets and unfair competition. All information and data contained in this report is obtained by PQ Media from sources that PQ Media believes to be accurate and reliable. However, errors and omissions in this report may result from human error and malfunctions in electronic conversion and transmission of textual and numeric data. -
Proposed Rule
This document is scheduled to be published in the Federal Register on 07/13/2020 and available online at federalregister.gov/d/2020-14671, and on govinfo.gov [Billing Code: 4120-01-P] DEPARTMENT OF HEALTH AND HUMAN SERVICES Centers for Medicare & Medicaid Services 42 CFR Part 413 [CMS-1732-P] RIN 0938-AU08 Medicare Program; End-Stage Renal Disease Prospective Payment System, Payment for Renal Dialysis Services Furnished to Individuals with Acute Kidney Injury, and End-Stage Renal Disease Quality Incentive Program AGENCY: Centers for Medicare & Medicaid Services (CMS), HHS. ACTION: Proposed rule. SUMMARY: This proposed rule would update and make revisions to the End-Stage Renal Disease (ESRD) Prospective Payment System (PPS) for calendar year (CY) 2021. This rule also proposes to update the payment rate for renal dialysis services furnished by an ESRD facility to individuals with acute kidney injury (AKI). In addition, this rule proposes to update requirements for the ESRD Quality Incentive Program (QIP). DATES: To be assured consideration, comments must be submitted at one of the addresses provided below, no later than September 4, 2020. ADDRESSES: In commenting, please refer to file code CMS-1732-P. Because of staff and resource limitations, we cannot accept comments by facsimile (FAX) transmission. Comments, including mass comment submissions, must be submitted in one of the following three ways (please choose only one of the ways listed): 1. Electronically. You may submit electronic comments on this regulation to http://www.regulations.gov. Follow the "Submit a comment" instructions. 2. By regular mail. You may mail written comments to the following address ONLY: Centers for Medicare & Medicaid Services, Department of Health and Human Services, Attention: CMS-1732-P, P.O. -
CJ ENM Bloomberg: 035760 KS, Reuters: 035760.KS
Regional Company Focus CJ ENM Bloomberg: 035760 KS, Reuters: 035760.KS Refer to important disclosures at the end of this report DBS Group Research . Equity 9 Nov 2018 BUY, KRW219,000 KOSDAQ: 693.7 Strength in content business (Closing price as of 08/11/18) underpins earnings Price Target 12-mth: KRW300,000 • If not for IPTV commission hike, 3Q18 earnings would Reason for Report: 3Q18 earnings review have been a positive surprise Potential catalyst: Synergies between its digital channels and • To continue outperforming the market in terms of TV ad commerce business revenue growth Where we differ: We are more optimistic than the market for FY18F, but more conservative for FY19/20F • Commerce margins to recover in near term Analyst • Retain BUY, keep our TP of KRW300,000 Regional Research Team [email protected] Media: Stronger than expected TV and digital ad revenue. CJ ENM’s media division posted its highest-ever quarterly OP of KRW37.2bn (+305% y-o-y) in 3Q18. With the airing of premium content such as Price Relative ‘Boyfriend’ and ‘Memories of the Alhambra’ and several other 350,000 130 popular shows in 4Q18, CJ ENM’s TV ad revenue outperformance 300,000 120 250,000 110 and digital ad revenue growth should persist. Sales to Chinese and 100 200,000 global over-the-top (OTT) service providers also seem likely. 90 150,000 80 Commerce: Temporary dent to margins. Gross merchandise sales 100,000 70 50,000 60 were solid at KRW935.9bn (+5% y-o-y) with KRW80.2bn from T 0 50 commerce (+36% y-o-y) and KRW267.5bn from mobile commerce Nov-14 Jun-15 Jan-16 Aug-16 Mar-17 Oct-17 May-18 Stock price(LHS,KRW) Rel. -
Clark Terry Discography
Clark Terry Name Discography Compiled by Tom Lord This Clark Terry name discography is an extract from The Jazz Discography by Tom Lord. The Jazz Discography is the only general jazz discography compiled in a database. It includes almost 39,000 leaders, over 196,000 recording sessions, over 1.1 million musician entries and over 1.2 million tune entries. Details can be seen at www.lordisco.com . This detailed name discography of Clark Terry has been prepared as a companion piece to Clark Terrys autobiography. A summarized version of this name discography is included in the book. The discography includes 902 recording sessions from February 1947 to July 2008. It includes 788 sessions with Clark Terry as a sideman and 114 sessions with him as a leader. Included are 2584 unique musicians (total 12,604 entries) and 3403 unique tunes (total 7735 entries). The discography is organized chronologically by recording session. The leader of the session is listed at the top of each session in large bold print. Each session is organized with a session number (for easy reference) along with the group name, musicians including instruments, the recording location and the recording date. Tunes are listed with matrix numbers in a column to the left and releases to the right. Album titles are shown in underlined bold print after the session number or in the footnote to the session. The following five pages list abbreviations used throughout the discography. Then the 172 pages of the discography are listed. November 5, 2010 Tom Lord [email protected] Instrument -
Bay Filly Barn L Hip No. 1
Consigned by Eduarda Racing Stables LLC Barn Hip No. L Bay Filly 1 Fappiano Unbridled.......................... Gana Facil Broken Vow....................... Nijinsky II Wedding Vow.................... Bay Filly Wedding Picture February 13, 2009 Quiet American Real Quiet ......................... Really Blue Quantuck........................... (2003) Northern Dancer Dance Review ................... Dumfries By BROKEN VOW (1997). Black-type winner of $725,296, Philip H. Iselin H. [G2], etc. Sire of 7 crops of racing age, 693 foals, 441 starters, 32 black- type winners, 330 winners of 974 races and earning $25,655,583, 2 champions, including Broken Wedding, and of Unbridled Belle ($1,909,- 823, Beldame S. [G1] (BEL, $360,000), etc.), Cotton Blossom ($724,987, Acorn S. [G1] (BEL, $150,000), etc.), Private Vow ($491,312, Futurity S. [G2] (BEL, $180,000), etc.), Interactif [G2] ($563,700), Sassy Image [G2]. 1st dam QUANTUCK, by Real Quiet. Unraced. Dam of 2 other registered foals, 1 of racing age, none to race. 2nd dam DANCE REVIEW, by Northern Dancer. 2 wins at 3, $40,125. Dam of 15 foals, 13 to race, all winners, including-- ANOTHER REVIEW (c. by Buckaroo). 8 wins at 3 and 4, $752,370, Californian S. [G1], San Bernardino H. [G2], Mervyn LeRoy H. [G2], etc. NO REVIEW (f. by Nodouble). 9 wins, 2 to 4, $634,545, Santa Barbara H. [G1], etc. Dam of SMASHING REVIEW [L] (f. by Pleasant Tap, $126,- 630), The Bull Hayes (g. by Sadler's Wells, to 5, 2011, Total: $118,430). Granddam of Recipient [L] (f. by Point Given, to 3, 2011, $50,536). DANCE COLONY (f. by Pleasant Colony). -
United Artists Consolidated Series
United Artists Consolidated Series In 1972, United Artists changed their catalog numbering system to one consolidated system that included all the United Artists series and also the labels they owned or distributed. This consolidated series continued until the label was discontinued in 1981. The first two letters in the catalog number indicated the label (UA=United Artists, PP=Poppy, etc.) , followed by “LA”which designated an LP, followed by the catalog sequence number, with a letter suffix that was a pricing code. In 1979, when UA was sold to Capitol, the catalog numbers began reflecting the Capitol coding sequence (LT-, LOO-, etc.). Because the albums all used “LA”in the catalog number (until 1979), this consolidated series is often referred to as the “LA series.” United Artists “LA”Consolidated Series United Artists UA-LA-001-F - Doremi Fasol Latido - Hawkwind [1972] Brainstorm/Space In Deep/One Change//Lord of Light/Down Through The Night/Time We Left This World Today/The Watcher 002 Poppy PP-LA-003-F - Amanda - Amanda Tree [1972] Reissue of PYS 5707? This album is on the Poppy Label. Green Ring/No Rains/Pineapple Dinosaur/Prehistoric Animals/Queen Wilhemena/Rock Salt/Sitting on the Black Stairs/Spirit/Sunny/Winter Country Poppy PP-LA-004-F - The Late, Great Townes Van Zandt - Townes Van Zandt [1972] This album is on the Poppy Label. No Lonesome Tune/Sad Cinderella/German Mustard/Don't Let The Sunshine Fool You/Honky Tonkin'/Snow Don't Fall//Fraulein/Poncho and Lefty/If I Needed You/Silver Ships of Andilar/Heavenly Houseboat Blues United Artists UA-LA-005-F - Little Mama - Monk Higgins [1972] Little Mama/Walking In My Sleep/Trusting You (La, La, La Song)/So Far Away/Can’tStop//Black Fox/If/Heaven Only Knows/God’sin the Blessing Business/Highway Number 101 (Pacific Coast Highway) Blue Note BN-LA-006-F - Extensions - McCoy Tyner [1972] The label on this album is Blue Note. -
The Gigi Gryce Discography
The Gigi Gryce Discography by Noal Cohen and Michael Fitzgerald Page generated on Sep 1, 2021 1950 1953 1954 1955 1956 1957 1958 1959 1960 1961 1990 2010 Note: For conventions and abbreviations used in this discography, please see: Discography Key. Note: As of March 15, 2019, most digital download issues will no longer be displayed. This decision was made because of the ephemeral nature of these issues, sometimes deficient audio quality and legitimacy questions. This is an updated and expanded version of the discography found on pp. 375-418 of Rat Race Blues: The Musical Life of Gigi Gryce (Berkeley Hills Books, Berkeley, CA, 2002). It will be modified as new information is received. A pdf version of this discography is available for download. Date: early June 1950 Location: New York City Label: Columbia Margie Anderson (ldr), Duke Anderson (p), unknown (b), Milton Hayes (d, v), Gigi Gryce (con), Margie Anderson (v) a. CO43859 Hurry, Hurry, Margie (Duke Anderson, Margie Anderson, Lester Harris) - 2:07 Columbia 78: 30213 (1950) b. CO43860 You'll Always Be the One I Love (Gigi Gryce) / arr: Gigi Gryce - 2:33 Columbia 78: 30213 (1950) c. CO43861 It's Time You Cried (Berman, Baron) - 2:41 Columbia 78: 30226 (1950) d. CO43862 Always Love Him (Never Leave Him Blues) (Jerry Bressler, Alan Norman Jackson) - 2:00 Columbia 78: 30226 (1950) Gigi Gryce (con) on b; Milton Hayes (v) on d. At the time of this session, Gigi Gryce was a student at Boston Conservatory. Boston-based vocalist Margie Anderson confirmed in an interview that Gryce was present in the studio to oversee the performance of his composition.