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Lingus’ Snarky Puppy Hit Tunes | Keys Arrangements ‘Lingus’ Snarky Puppy Lingus SONG TITLE: ‘LINGUS’ ALBUM: WE LIKE IT HERE RELEASED: 2013 LABEL: ROPEADOPE RECORDS Patch 1 Patch 2 (Keys Solo) Upper: Elec. Piano Upper: Synth Lead GENRE: JAZZ FUSION Lower: Synth Bass Lower: Elec. Piano or Synth Pad WRITTEN BY: MICHAEL LEAGUE PRODUCED BY: MICHAEL LEAGUE 130 Jazz Fusion UK CHART PEAK: N/A q = E7sus 4 # 5 ⇥ ⇥ ∑ ⇥ ⇥ ∑ & 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ F œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œLowest. œ. noteœ. in RHœ. voicingœ. mayœ. be omittedœ. œ. if requiredœ. toœ. achieveœ. keyboardœ. splitsœ. œ. œ. œ. œ. œ. œ. œ. œ. œ. A ‘Lingus’ is a jazz fusion piece by Brooklyn based jazz # majority. of their original music and has produced all ensemble, Snarky Puppy. Featuring as the last track& . ⇥ ⇥ ⇥ ⇥ on their ninth studio album, We Like It Here, ‘Lingus’ of theirœ studio albumœ œ releases toœ date.œ League œis an œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ was composed by band leader Michael League and incrediblyœ talentedœ individual,œ œnot onlyœ is he aœ multi- œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ features and exquisite keyboard solo from American instrumentalist,œ œ producerœ and œcomposerœ but heœ also œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ organist and pianist Cory Henry. Snarky Puppy founded. GroundUP. .Music – a .record. label born. to . recorded the jazz piece in their usual manor, live and assist the artistic license of the ever-changing world of ? # independent music. immersed by fans, giving their music a unique sense . j ‰ ‰ ‰ ∑ of reality and closeness. [3] œ œ œ œ œ Havingœ won their second œGrammy inœ 2015 for Best œ Cory Henry is an American jazz pianist, organist, Contemporary Instrumental Album, Snarky Puppy gospel musician and music producer. His music were approached by major label Universal and 13 7 4 career started in 2006 with him touring with both Csubsequentlymaj signed to their Universal Music Classics E sus Label. Their most recent album release Culcha Vulcha Play 4 times mainstream and gospel artists, before moving on to record his debut solo album in 2012. Since then (their second since signing with Universal), won #them their third Grammy at the 2016 ceremony, again he has released two further albums and has worked . alongside the likes of Snarky Puppy, his solo in & taking Best Contemporary⇥ Instrumental⇥ Album. ⇥ ⇥ . ‘Lingus’ is particularly prominent and has been met Snarkyœ Puppyœ haveœ now beenœ touringœ worldwideœ forœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ by critical acclaim. He now tours and records with his over œa decadeœ and œhave releasedœ twelveœ studioœ albums.œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ band Cory Henry & The Funk Apostles. Theyœ continueœ to workœ togetherœ withœ ever changingœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ line-ups,. as well. as .working on. other. successful. Snarky Puppy combines jazz, rock and funk to collaborations amidst the world of jazz fusion. j j deliver an exclusive musical experience to their fans. ? # œ j . [5] œ ‰ ‰ j ‰ Œ Œ Ó . They are highly regarded in the jazz community œ œ œ œ œ œ and are a great influence to young jazz musicians. œ Their leader, Michael League, formed the ensemble B in his first year of college at the University of North 7 Texas with the original line-up including himself Cmaj and nine of his musical peers. He composes the # ‰ ‰ ‰ Keys Grade 8 ‰ œ ‰ ‰ ‰ ‰ ‰ œ ‰ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 7 œ œ ? # ‰ Œ ‰ ‰ j ‰ j ‰ Œ ‰ ‰ ‰ [7] j j œ j j j j œ œ œ œ œ œ œ Em7 D # ‰ & ‰ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ ‰ œ œ ‰ œ œ ‰ œ œ œ œ œ œ œ œ œ œ ? # Œ ‰ j ‰ j ‰ j ‰ Œ ‰ j ‰ j ‰ œ œ [9] œ j œ œ œ œ œ œ C # & ‰ ‰ œ ‰ œ œ ‰ œ œ ‰ ‰ ‰ œ ‰ œ œ ‰ œ œ ‰ œ œ œ œ œ œ œ œ œ œ ? # ⇥ œ ‰ ‰ ‰ ‰ j ‰ Œ ‰ ‰ ‰ [11] œ j j j j j j œ j œ œ œ œ œ œ œ œ Lingus Keys Arrangement Patch 1 Patch 2 (Keys Solo) Upper: Elec. Piano Upper: Synth Lead Snarky Puppy Lower: Synth Bass Lower: Elec. Piano or Synth Pad 130 Jazz Fusion q = E7sus 4 # 5 ⇥ ⇥ ∑ ⇥ ⇥ ∑ & 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ F œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œLowest. œ. noteœ. in RHœ. voicingœ. mayœ. be omittedœ. œ. if requiredœ. toœ. achieveœ. keyboardœ. splitsœ. œ. œ. œ. œ. œ. œ. œ. œ. œ. A # & . ⇥ ⇥ ⇥ ⇥ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. ? # . j ‰ ‰ ‰ ∑ [3] œ œ œ œ œ œ œ œ œ 13 7 4 Cmaj E sus Play 4 times # & ⇥ ⇥ ⇥ ⇥ . œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. ? # j j œ œ ‰ j ‰ j ‰ Œ Œ Ó . [5] œ œ œ œ œ œ œ B Cmaj7 # ‰ ‰ ‰ œ ‰ œ œ ‰ ‰ ‰ ‰ œ ‰ œ œ ‰ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? # ‰ Œ ‰ ‰ j ‰ j ‰ Œ ‰ ‰ ‰ [7] j j œ j j j j œ œ œ œ œ œ œ Em7 D # & ‰ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ ‰ œ ‰ œ œ ‰ œ œ ‰ œ œ œ œ œ œ œ œ œ œ ? # Œ ‰ j ‰ j ‰ j ‰ Œ ‰ j ‰ j ‰ œ œ [9] œ j œ œ œ œ œ œ C # ‰ ‰ ‰ œ ‰ œ œ ‰ ‰ ‰ ‰ œ ‰ œ œ ‰ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? # ⇥ œ œ ‰ ‰ ‰ j ‰ j ‰ Œ ‰ ‰ ‰ [11] œ j j œ j j j j Keys Grade 8 Grade Keys œ œ œ œ œ œ Music by Michael League œ © Copyright 2014 Gumuk Limited. 8 All Rights Reserved. International Copyright Secured. Technical Exercises Scales, Arpeggios, Chord Voicings & Technical Studies Technical Exercises In this section, you will be asked to play a selection of exercises drawn from each of the groups below. The examiner will be looking for the speed of your response and will also give credit for the level of your musicality. ■ Candidates must prepare both natural minor and harmonic minor scales ■ Major scales, minor scales, chromatic scales and arpeggios need to be played: – hands together – ascending and descending – either straight or swung feel (as directed by the examiner) – either legato or staccato articulation (as directed by the examiner) – across four octaves (except half-whole and whole half diminished scales, which must be played over two octaves, and extended arpeggios which are one octave only) ■ Groups A, B and C (scales, arpeggios and chords) need to be played from memory. You may use your book for Group D (technical studies) Note that Groups A and B need to be played to a click and any fingerings shown are suggestions only. Group A: Scales The tempo for this group is q =176 bpm. 1. C half-whole diminished scale 2 3 1 2 1 2 2 3 1 2 3 1 1 2 3 1 #œ œ œ bœ œ bœ œ bœ #œ œ & œ bœ #œ œ #œ œ ? œ #œ œ œ bœ œ bœ #œ 2 1 2 & 3 2 œ1 bœ2 3 3 2 1 #œ œ 4 3 2 1 œ1 bœ #œ œ 3 œ bœ œ œ #œ œ #œ bœ œ bœ œ & œ #œ œ #œ bœ w œ bœ œ bœ ? œ œ #œ œ #œ bœ & 1 œ œ #œ œ #œ bœ w 2. C whole-half diminished scale 1 2 2 3 1 2 3 1 2 1 2 3 1 1 2 3 œ bœ bœ ∫œ nœ bœ ∫œ nœ œ œ bœ & œ œ bœ œ bœ ? bœ œ bœ bœ ∫œ nœ œ œ 3 2 1 2 & 1 3 bœ2 ∫œ1 nœ2 3 2 œ bœ 4 3 2 1 œ1 œ bœ 3 œ œ ∫œ bœ bœ œ bœ œ œ œ ∫œ bœ & bœ œ bœ œ w œ 8 Grade Keys œ ? nœ ∫œ bœ bœ œ bœ & œ ∫œ bœ bœ œ w 59 1 œ bœ œ Improvisation & Interpretation Improvisation & Interpretation In the exam, you have a choice between either a Sight Reading test or an Improvisation & Interpretation test. The examiner will ask you which one you wish to choose before commencing. Once you have decided you cannot change your mind. In the Improvisation & Interpretation test, the examiner will give you a 16–24 bar chord progression in any key.
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