For Immediate Release November 16, 2011

Total Page:16

File Type:pdf, Size:1020Kb

For Immediate Release November 16, 2011 For Immediate Release November 16, 2011 Contact: Erin McAndrew [email protected] tel +1 212 636 2680 Melissa Abernathy [email protected] tel +1 212 636 2680 EGYPTOMANIA GRIPS CHRISTIE’S NEW YORK RARE EGYPTIAN, GREEK AND ROMAN WORKS OF ART, PLUS NEOLITHIC NORDIC TOOLS AND ANCIENT JEWELRY ON OFFER AT CHRISTIE’S NEW YORK, DECEMBER 7 BLOCKBUSTER ANTIQUITIES SALE INCLUDES FIVE LOTS ESTIMATED AT OVER $1 MILLION EACH EGYPTIAN RED JASPER HEAD OF A PHARAOH New Kingdom, Dynasty XVIII- XIX, circa 1473-1290 B.C. Estimate: $3,000,000-5,000,000 New York – Christie’s is pleased to announce an incredibly important sale of Antiquities on December 7, at 10 am, which will offer over 225 lots, led by several exceptional works of Ancient Egyptian, Greek and Roman art, plus Near Eastern and European antiquities, along with some fine examples of Nordic Neolithic stone tools. The sale is expected to exceed $18 million. It will be followed by a sale of Ancient Jewelry at 2 pm. Both the auctions and their pre-sale viewings will take place in Christie’s Special Exhibition Galleries on the 20th floor. Leading the sale is an Egyptian Head of a Pharaoh in red jasper, one of the rarest and most beautiful Egyptian works of art to appear at auction in decades (pictured page one; estimate: $3,000,000-$5,000,000). Nearly 4 inches high, the superbly sculpted head was originally part of a composite statue in which the face, hands and feet were all carved from a bright red jasper, a material that was used only rarely for larger statuary. The rest of the statue likely was carved from alabaster, limestone, or wood. The original complete statue would have stood about 36 inches high. Since this red jasper head was first presented to the public at the Antikenmuseum Basel, where it was exhibited between 1998 and 2011, there has been intense scholarly debate as to the identity of the Pharaoh depicted. There are close stylistic parallels, in the shape of the head and the aquiline nose, to portraits of the 18th Dynasty female Pharaoh Hatshepsut and her stepson Thutmose III. Others see, in the treatment of the lips and the subtle creases on the neck, a close resemblance to portraits of the 19th Dynasty Pharaoh Seti I and his son Ramesses II. No matter the identity of the Pharaoh portrayed, the glorious qualities of the art of the New Kingdom are perfectly encapsulated in this exquisite red jasper portrait. The sale includes 18 works of art from Property from the Collection of John W. Kluge Sold to Benefit Columbia University, a large and wide-ranging collection of artwork, furniture and decorative arts that are being offered for sale in several major auctions. The highlights of the antiquities are an extremely rare monumental Roman bronze figure of an Emperor, circa late 2nd – early 3rd century A.D., two important Egyptian bronzes and four richly decorated Apulian vases (see separate release). A SELECTION OF HIGHLIGHTS ROMAN BASANITE STATUE OF AN EGYPTIAN QUEEN HADRIANIC, CIRCA 2ND CENTURY A.D. This exquisite and important figure of an Egyptian Queen was discovered in the ruins of Hadrian’s Villa at Tivoli. The statue dates from the 2nd century A.D., a period of fanatical Egyptomania for the Roman aristocracy. An enthusiastic Egyptophile, Emperor Hadrian traveled there twice and outfitted his Villa with numerous sculptures, some appropriated from Egypt, while others, as this Queen, were purely Roman creations in the Egyptian style. This 33¾-in. high statue is a masterpiece, executed in basanite, a hard stone that was quarried in Egypt, where it was considered sacred and, as such, it was favored in Egypt for sculptures of deities. Estimate $3,000,000 – 5,000,000 ROMAN PARCEL GILT SILVER EMBLEMA OF CLEOPATRA SELENE; CIRCA LATE 1ST CENTURY B.C.-EARLY 1ST CENTURY A.D. Superbly sculpted in high relief, this magnificent bust (6⅞ in. high) was originally placed in the center of a silver show vessel. It finds its closest parallel with one found in a villa at Boscoreale, near Pompeii, in 1895, now in the Louvre. Both depict Cleopatra Selene, daughter of Cleopatra VII and Mark Antony. Cleopatra Selene and her twin brother Alexander Helios were born in 40 B.C. After their parents’ deaths by suicide following the defeat by Octavian in 31 B.C., they were taken to Rome and raised in Octavian’s household, as royal hostages. Another hostage was Juba II, who in 25 B.C. was placed by the Emperor as a Roman client-king over his homeland of Numidia. Later, Octavian (Augustus) married them and installed them as king and queen of Mauretania (now Algeria). Estimate $2,000,000 – 3,000,000 GREEK GOLD-FIGURED SILVER STEMLESS KYLIX; CIRCA LATE 5TH CENTURY B.C. Greek gilt silver figural vessels recalling the style of Athenian red-figured pottery are exceedingly rare. Several such vessels were found at the Thracian city of Duvanlii. The Thracians were great consumers of Greek culture, including Athenian pottery. These high- status luxury vessels must have been specific commissions by wealthy Thracians, with the style of the engraving exactly copying the contemporaneous red-figure. The treatment of the drapery on the warrior recalls the intricate detail of the Meidias Painter and his circle, who flourished at the end of the 5th century B.C. Estimate $900,000 – 1,200,000 APULIAN RED-FIGURED VOLUTE-KRATER ATTRIBUTED TO THE VIRGINIA EXHIBITION PAINTER, CIRCA 330-300 B.C. This extraordinary krater (39½ in. high) and three others in the sale were first publicly shown in the ground-breaking exhibition that traveled to Richmond, Tulsa and Detroit in 1982-1983. Arthur Dale Trendall, foremost expert on western Greek pottery, named this unknown painter the Virginia Exhibition Painter. The obverse of all four vases shows one, two or three figures within an Ionic naiskos or aedicula. The figures in white may represent sculptures in stone or figures in the afterlife, while those in reserved red-figure are perhaps still living. Estimate $30,000 - 50,000 ANCIENT JEWELRY HIGHLIGHTS Christie’s New York Ancient Jewelry sale features primarily wearable works of art from Greece, Rome, Byzantium, Egypt and the Near East, dating from the fourth millennium B.C. through 1,000 A.D., with individual pieces estimated at prices ranging from $1,000 up to $120,000. Some highlights include: A pair of Bactrian gold and turquoise bracelets with feline-headed terminals, circa 1st century A.D. (pictured above, right; estimate: $90,000-120,000); a Celtic gold torque with elaborate voluted scrolling inspired by the art of the Greeks and Etruscans but in a uniquely Celtic style, circa late 5th - early 4th century B.C. (pictured above, left; estimate: $70,000-90,000); a Meroitic gold bead necklace, circa 1st century A.D., composed of nineteen ram head pendants (pictured at right; estimate: $15,000-$20,000); a Thracian gold finger ring, circa 5th century B.C., engraved with a horse and rider (estimate: $30,000-50,000); a pair of Greek gold maenad earrings from the Hellenistic period, circa 3rd-2nd century B.C. (pictured at left; estimate: $25,000 - $35,000); a Roman carnelian ringstone, circa late 1st century B.C., engraved with a maenad riding a hippocamp (estimate: $25,000- 35,000); and a Roman black jasper ringstone with a portrait of Mark Antony, circa 40-30 B.C. Auctions: Antiquities December 7, 10 am Ancient Jewelry December 7, 2 pm Viewing: Christie’s New York, 20 Rockefeller Center December 3 - 6 (Note: Both auctions and viewings will take place in Christie’s new 20th floor Special Exhibition Galleries) About Christie’s Christie’s, the world’s leading art business, had global auction and private sales in the first half of 2011 that totaled £2.0 billion/$3.2 billion. In 2010 it achieved global auction and private sales of £3.3 billion/$5.0 billion. Christie’s is a name and place that speaks of extraordinary art, unparalleled service and expertise, as well as international glamour. Founded in 1766 by James Christie, Christie’s conducted the greatest auctions of the 18th, 19th and 20th centuries, and today remains a popular showcase for the unique and the beautiful. Christie’s offers over 450 sales annually in over 80 categories, including all areas of fine and decorative arts, jewellery, photographs, collectibles, wine, and more. Prices range from $200 to over $100 million. Christie’s has 53 offices in 32 countries and 10 salerooms around the world including in London, New York, Paris, Geneva, Milan, Amsterdam, Dubai and Hong Kong. More recently, Christie’s has led the market with expanded initiatives in emerging and new markets such as Russia, China, India and the United Arab Emirates, with successful sales and exhibitions in Beijing, Mumbai and Dubai. *Estimates do not include buyer’s premium # # # Images available upon request E-catalogue available at http://tinyurl.com/christies-Antiquities Visit Christie’s Web site at www.christies.com .
Recommended publications
  • Temples and Tombs Treasures of Egyptian Art from the British Museum
    Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E.
    [Show full text]
  • Cultural Stereotypes: from Dracula's Myth to Contemporary Diasporic Productions
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2006 Cultural Stereotypes: From Dracula's Myth to Contemporary Diasporic Productions Ileana F. Popa Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/1345 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Cultural Stereotypes: From Dracula's Myth to Contemporary Diasporic Productions A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at Virginia Commonwealth University. Ileana Florentina Popa BA, University of Bucharest, February 1991 MA, Virginia Commonwealth University, May 2006 Director: Marcel Cornis-Pope, Chair, Department of English Virginia Commonwealth University Richmond, Virginia May 2006 Table of Contents Page Abstract.. ...............................................................................................vi Chapter I. About Stereotypes and Stereotyping. Definitions, Categories, Examples ..............................................................................1 a. Ethnic stereotypes.. ........................................................................3 b. Racial stereotypes.
    [Show full text]
  • Nordic Race - Wikipedia, the Free Encyclopedia
    Nordic race - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Nordic_race From Wikipedia, the free encyclopedia The Nordic race is one of the putative sub-races into which some late 19th- to mid 20th-century anthropologists divided the Caucasian race. People of the Nordic type were described as having light-colored (typically blond) hair, light-colored (typically blue) eyes, fair skin and tall stature, and they were empirically considered to predominate in the countries of Central and Northern Europe. Nordicism, also "Nordic theory," is an ideology of racial supremacy that claims that a Nordic race, within the greater Caucasian race, constituted a master race.[1][2] This ideology was popular in the late 19th and early 20th centuries in some Central and Northern European countries as well as in North America, and it achieved some further degree of mainstream acceptance throughout Germany via Nazism. Meyers Blitz-Lexikon (Leipzig, 1932) shows famous German war hero (Karl von Müller) as an example of the Nordic type. 1 Background ideas 1.1 Attitudes in ancient Europe 1.2 Renaissance 1.3 Enlightenment 1.4 19th century racial thought 1.5 Aryanism 2 Defining characteristics 2.1 20th century 2.2 Coon (1939) 2.3 Depigmentation theory 3 Nordicism 3.1 In the USA 3.2 Nordicist thought in Germany 3.2.1 Nazi Nordicism 3.3 Nordicist thought in Italy 3.3.1 Fascist Nordicism 3.4 Post-Nazi re-evaluation and decline of Nordicism 3.5 Early criticism: depigmentation theory 3.6 Lundman (1977) 3.7 Forensic anthropology 3.8 21st century 3.9 Genetic reality 4 See also 5 Notes 6 Further reading 7 External links Attitudes in ancient Europe 1 of 18 6/18/2013 7:33 PM Nordic race - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Nordic_race Most ancient writers were from the Southern European civilisations, and generally took the view that people living in the north of their lands were barbarians.
    [Show full text]
  • The Races of Early Egypt Author(S): W
    The Races of Early Egypt Author(s): W. M. Flinders Petrie Reviewed work(s): Source: The Journal of the Anthropological Institute of Great Britain and Ireland, Vol. 31 (Jan. - Jun., 1901), pp. 248-255 Published by: Royal Anthropological Institute of Great Britain and Ireland Stable URL: http://www.jstor.org/stable/2842800 . Accessed: 19/12/2012 14:32 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Royal Anthropological Institute of Great Britain and Ireland is collaborating with JSTOR to digitize, preserve and extend access to The Journal of the Anthropological Institute of Great Britain and Ireland. http://www.jstor.org This content downloaded on Wed, 19 Dec 2012 14:32:14 PM All use subject to JSTOR Terms and Conditions ( 248 ) THE PLACES OF EARLY EGYPT. By W. M. FLINDERSPETRIE, D.C.L:, Edwards 'Professor of Egyptology at University College, London. [WITH PLATESXVIII-XX.] As very various opinions have been expressed lately about the type of the early Egyptians, it is desirable to place together the best data that we yet have 'for observation. In two respects this subject may yet be amplified: (1) it is hoped that mnoremiaterial of the early dyniasties may be forthcoming from the clearance of the early teinple site of Abydos, which it is initended shall be done in the next three years; and (2) the comparisons with the types figured on the Egyptian monuments of later ages, with localities stated, may help in connecting the early races with those known otherwise.
    [Show full text]
  • African Art at the Portuguese Court, C. 1450-1521
    African Art at the Portuguese Court, c. 1450-1521 By Mario Pereira A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History of Art and Architecture at Brown University Providence, Rhode Island May 2010 © Copyright 2010 by Mario Pereira VITA Mario Pereira was born in Boston, Massachusetts in 1973. He received a B.A. in Art History from Oberlin College in 1996 and a M.A. in Art History from the University of Chicago in 1997. His master’s thesis, “The Accademia degli Oziosi: Spanish Power and Neapolitan Culture in Southern Italy, c. 1600-50,” was written under the supervision of Ingrid D. Rowland and Thomas Cummins. Before coming to Brown, Mario worked as a free-lance editor for La Rivista dei Libri and served on the editorial staff of the New York Review of Books. He also worked on the curatorial staff of the Isabella Stewart Gardner Museum where he translated the exhibition catalogue Raphael, Cellini and a Renaissance Banker: The Patronage of Bindo Altoviti (Milan: Electa, 2003) and curated the exhibition Off the Wall: New Perspectives on Early Italian Art in the Gardner Museum (2004). While at Brown, Mario has received financial support from the Graduate School, the Department of History of Art and Architecture, and the Program in Renaissance and Early Modern Studies. From 2005-2006, he worked in the Department of Prints, Drawings and Photographs at the Museum of Art, Rhode Island School of Design. In 2007-2008, he received the J. M. Stuart Fellowship from the John Carter Brown Library and was the recipient of an Andrew W.
    [Show full text]
  • Fran9ois Bernier, "A New Division of the Earth"
    xviii Introduction THE CLASSIFICATION OF RACES and social structures aimed to establish the hegemony of one group over another. Racial formation is the process "by which racial categories are created, inhabited, transformed, and destroyed." This definition implies 1 that politically motivated conservative and liberal racial projects are always multiply determined. These projects occur not only at the macrolevel of social policy and state activity but also at the microlevel of everyday Fran9ois Bernier, experience. "Everybody learns some combination, some version, of the rules of racial classification, and of her own racial identity, often without "A New Division of the Earth" obvious teaching or conscious inculcation." Race functions as a "common sense'~ way of "comprehending, explaining, and acting in the world." The process of racial formation has constantly changed over time. The present ''A new division of the earth accordingto the different speciesor races of racial order is the outcome of this evolution and, for this reason, the men" was published anonymously in 1684. The author has since been iden­ meaning of race remains transient. tified as Franfois Bernier, who was born in Anjou in 1620 and died in Paris in 1688. Bernier traveled extensively. In 16S6 he set out on a twelve­ year journey that took him to Egypt, India, and Persia. The recordof this journey was published in 1670 as Voyages de Fran,ois Bernier and is known in English as Travels in the Mogul Empire. Although many European travelers beforeBernier noted the different physical characteristics of the variouspeoples they encountered,especially their skin color,he was the first to group thosepeoples specifically into "races" on that basis.For this reason, ''A New Division of the Earth" can be describedas the first text in which the term "race" is used in somethinglike its modern senseto refer to discretehuman groups organized on the basis of skin color and other physical attributes.
    [Show full text]
  • The Cosmic Mouth, Ears, and Nose. by Lawrence Parmly Brown
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE 482 THE OPEN COURT. provided by OpenSIUC culture and civilization. In xVpril last, the Mohammedans went to the Hindu temples and the Hindus to the Mohammedan mosques, to pray and plan for the protection of their national rights and inter- ests. Such an event is unparalleled and unprecedented in the history of India. The Sikh Order proves that that bugbear of Indian hopes, caste system and religious antagonism, resides only in the pamphlets and speeches of imperialistic propagandists and mission- aries. The work of Akbar, the statesman, and Nanak, the teacher, cannot but infuse a spirit of harmony in all faiths of the Indian nation. \\'e may patiently watch the events. THE COSMIC MOUTH, EARS, AND NOSE. BY LAWRENCE PARMLY BROWN. IX mythology the underworld is generally conceived as a vast cavity or cave, with its entrance mouth on the western horizon where the sun, moon, and planets set ; while these luminaries are supposed to rise throuo-h an exit orifice in the east, otherwise an entrance to the upper world—most words for mouth also having the broader HERACLES ENTERING THE DRAGON'S MOUTH. (Etruscan vase picture of Perugia.) significance of an orifice or opening, generally as an entrance to a cavity, sometimes as an exit from the same. But all the stars of the visible heaven rise and set (with the exception of those in the arctic circle having the north pole of the ecliptic as its center), whence it was natural that some should recognize the whole horizon circle as the vast mouth of the underworld figure that swallows nearly all the celestial bodies and again vomits them forth.
    [Show full text]
  • Family Court Under One Roof Convenient Modern Setting Reunites FJD Divisions by Jeff Lyons
    Vol. 77, No. 3 Philadelphia Bar Association Quarterly Magazine Fall 2014 Family Court Under One Roof Convenient Modern Setting Reunites FJD Divisions BY JEff LYONS 10 Questions Evidence for Mark A. Aronchick on Ohlbaum BY DANIEL J. SIEGEL BY MARK C. FRANEK THE PHILADELPHIA L AW Y ER CONTENTS Vol. 77, No. 3 Philadelphia Bar Association Quarterly Magazine Fall 2014 FEATURES DEPARTMENTS 12 Annals of Justice – “Keegy” and the 4 From the Editor BY M. KELLY TILLERY Magic Bullet Mysterious figure keeps watch over a young attorney 6 Briefs BY STEVE LACHEEN 7 In Memoriam 16 Poverty a Staple in Appalachian Coal Country 9 Civil Litigation Residents of West Virginia community fighting to survive BY DENNIS R. SUPLEE BY MICHAEL J. CARROLL Playing Poker and Trying Cases: Getting Better? 18 10 Questions for Mark A. Aronchick 42 Technology The past Chancellor of the Philadelphia Bar Association was BY DANIEL J. SIEGEL a leader in the fight to have Pennsylvania’s same-sex marriage Social Media Changes the Way Lawyers Must Practice ban overturned BY DANIEL J. SIEGEL 46 Book Review BY M. KELLY TILLERY 24 Family Court Under One Roof “Hard Choices” by Hillary Rodham Clinton The Juvenile and Domestic Relations division of the Philadelphia Court of Common Pleas are together again in a 48 That Was Then - 1984 brand-new facility 1984 Bench-Bar & Annual Conference BY JEFF LYONS 29 Where Have You Been Stuyvesant Van Veen? Frescoes from the Works Progress Administration era adorn a city courthouse BY RICHARD G. FREEMAN 32 International Defense Center City lawyer represents client charged in Cambodian genocide case BY RICHARD G.
    [Show full text]
  • The Construction of Anglo-Saxonism in Jack London's the Valley of the Moon and Frank Norris's Mcte
    Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-31-2017 Progressive Saxonism: The onsC truction of Anglo- Saxonism in Jack London's The alV ley of the Moon and Frank Norris's McTeague Matthew ohnJ Soderblom Florida International University, [email protected] DOI: 10.25148/etd.FIDC001752 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the American Literature Commons, Cultural History Commons, Ethnic Studies Commons, and the Literature in English, North America Commons Recommended Citation Soderblom, Matthew John, "Progressive Saxonism: The onC struction of Anglo-Saxonism in Jack London's The alV ley of the Moon and Frank Norris's McTeague" (2017). FIU Electronic Theses and Dissertations. 3219. https://digitalcommons.fiu.edu/etd/3219 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida PROGRESSIVE SAXONISM: THE CONSTRUCTION OF ANGLO-SAXONISM IN JACK LONDON’S THE VALLEY OF THE MOON AND FRANK NORRIS’S MCTEAGUE A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in ENGLISH by Matthew John Soderblom 2017 To: Dean Michael R. Heithaus College of Arts, Sciences and Education This thesis, written by Matthew John Soderblom, and entitled Progressive Saxonism: The Construction of Anglo-Saxonism in Jack London’s The Valley of the Moon and Frank Norris’s McTeague, having been approved in respect to style and intellectual content, is referred to you for judgment.
    [Show full text]
  • Hybrid Zones: Representations of Race in Late Nineteenth-Century French Visual Culture
    Hybrid Zones: Representations of Race in Late Nineteenth-Century French Visual Culture By Copyright: 2011 Rozanne McGrew Stringer Submitted to the graduate degree program in the Kress Foundation Department of Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Professor Marni R. Kessler, Chairperson ________________________________ Professor Marilyn R. Brown ________________________________ Professor David Cateforis ________________________________ Professor Amy McNair ________________________________ Professor James Woelfel Date Defended: April 7, 2011 ii The Dissertation Committee for Rozanne McGrew Stringer certifies that this is the approved version of the following dissertation: Hybrid Zones: Representations of Race in Late Nineteenth-Century French Visual Culture ________________________________ Professor Marni R. Kessler, Chairperson Date approved: April 7, 2011 iii Abstract In this study, I examine images of the black female and black male body and the female Spanish Gypsy by four artists – Edgar Degas, Édouard Manet, Frédéric Bazille, and Henri de Toulouse-Lautrec – that articulate the instability of racial categories and stereotypes assigned to racialized populations by French artists, natural scientists, anthropologists, and writers between 1862 and 1900. Notably, whiteness – made visible and raced – is also implicated in some of the images I analyze. I look closely at the visual stereotype of the seductive, dark-skinned female Spanish Gypsy and the primitive and debased black male, as well as at representations of the abject black female body. I also consider the construction of “whiteness” as an unfixed and complex notion of French identity, particularly as it applies to the bourgeois white female body. I analyze images in which representations of racial identity seem unproblematic, but I show that these images articulate a host of uncertainties.
    [Show full text]
  • 'Invaders Who Have Stolen the Country
    Social Identities Vol. 12, No. 4, July 2006, pp. 425Á446 ‘Invaders who have stolen the country’: The Hamitic Hypothesis, Race and the Rwandan Genocide Nigel Eltringham The use in genocidal propaganda of a modified ‘Hamitic Hypothesis’ (the assertion that African ‘civilisation’ was due to racially distinct Caucasoid invaders from the north/ north-east of Africa) has become a key feature of commentary on the 1994 Rwandan genocide. In order to historicise the Hypothesis, the article first traces the transformation by European anthropology of the ‘Hamite’ in to a racial object and how the extraneous provenance of ‘the Tutsi’ was articulated in colonial Rwanda. The article then critically assesses the centrality of the Hypothesis in constructing the Tutsi population as a target of genocide. Finally, the article explores both the inadvertent and explicit ways in which contemporary commentary reiterates aspects of the ‘Hamitic assemblage’. Man is before he acts; nothing he does may change what he is. This is, roughly, the philosophical essence of racism. (Bauman, 1991, p. 60) Apart from relatively late Semitic influence ...the civilizations of Africa are the civilizations of the Hamites ...who are Caucasians, i.e. belong to the same great branch of mankind as almost all Europeans. (Seligman, 1939, p. 96) [T]he incoming Hamites were pastoral ‘Europeans’*arriving wave after wave* better armed as well as quicker witted than the dark agricultural Negroes. (Seligman, 1966, p. 100) The ‘Hamitic Hypothesis’ is pervasive in commentaries on the 1994 Rwandan genocide (see Berkeley, 2001, p. 2581; Uvin, 1998, pp. 30Á31; Gourevitch, 2000, pp. 50Á53; Peterson, 2000, pp.
    [Show full text]
  • Ethnic Composition of Indian Population
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ZENODO Ethnic Composition of Indian Population Mr. Ershad Ali Department of Geography, Ananda Chandra College, Jalpaiguri- 735101, West Bengal, India Email: [email protected], Mobile: +91 8967252423 Introduction: Ethnic diversity is one of the social complexities found in most contemporary societies. Historically it is the legacy of conquests that brought diverse peoples under the rule of a dominant group. Ethnicity refers to the differentiation of groups of people who have shared cultural meanings, memories, and descent produced through social interaction. Ethnicity is considered to be shared characteristics such as culture, language, religion, and traditions, which contribute to a person or group’s identity. Definition of Ethnicity: ❖ An ethnic group, or an ethnicity, is a category of people who identify with each other based on similarities such as common ancestry, language, society, culture or nation. ❖ Ethnicity is usually an inherited status based on the society in which one lives. ❖ Membership of an ethnic group tends to be defined by a shared cultural heritage, ancestry, origin myth, history, homeland, language or dialect, symbolic systems such as religion, mythology and ritual, cuisine, dressing style, art, and physical appearance. ❖ An ‘ethnic group’ has been defined as a group that regards itself or is regarded by others as a distinct community by virtue of certain characteristics that will help to distinguish the group from the surrounding community. Terminology: ❑ The term ethnic is derived from the Greek word ethnos which was loaned into Latin as ethnicus. ❑ The inherited English language term for this concept is folk, used alongside the latinate people since the late Middle English period.
    [Show full text]