Garrett Stewart
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Transfigurations: Violence, Death and Masculinity in American Cinema
Repositorium für die Medienwissenschaft Asbjørn Grønstad Transfigurations: Violence, Death and Masculinity in American Cinema 2008 https://doi.org/10.25969/mediarep/4110 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Grønstad, Asbjørn: Transfigurations: Violence, Death and Masculinity in American Cinema. Amsterdam: Amsterdam University Press 2008 (Film Culture in Transition). DOI: https://doi.org/10.25969/mediarep/4110. Erstmalig hier erschienen / Initial publication here: http://library.oapen.org/handle/20.500.12657/35288 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell 3.0/ Lizenz zur Verfügung Attribution - Non Commercial 3.0/ License. For more information gestellt. Nähere Auskünfte zu dieser Lizenz finden Sie hier: see: https://creativecommons.org/licenses/by-nc/3.0/ https://creativecommons.org/licenses/by-nc/3.0/ FILM CULTURE IN TRANSITION VIOLENCE,VIOLENCE, DEATH,DEATH, ANDAND MASCULINITYMASCULINITY ININ AMERICANAMERICAN CINEMACINEMA TRANSTRANS-- FIGURATIONSFIGURATIONS ASBJØRN GRØNSTAD Amsterdam University Press Transfigurations Transfigurations Violence, Death and Masculinity in American Cinema Asbjørn Grønstad Front cover illustration: Still from the movie American Psycho (), starring Christian Bale Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn (paperback) isbn (hardcover) nur © Asbjørn Grønstad / Amsterdam University -
On the Novel
Dædalus Journal of the American Academy of Arts & Sciences Winter 2021 On the Novel Michael Wood, guest editor with Lorrie Moore · Franco Moretti Simon Goldhill · Nancy Armstrong Ruth Bernard Yeazell · Sharon Cameron Daphne A. Brooks · Rey Chow · Austin Sarfan Wai Chee Dimock · Robyn Creswell Garrett Stewart · Eric Hayot & Jonathan Greenberg Dædalus Journal of the American Academy of Arts & Sciences “On the Novel” Volume 150, Number 1; Winter 2021 Michael Wood, Guest Editor Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Mary Wollstonecraft Shelley’s annotated first edition of Frankenstein; or, The Modern Prometheus (London: Lackington, Hughes, Harding, Mavor, & Jones, 1818). This copy, held at the Morgan Library & Museum in New York City, includes extensive hand-written additions and emendations, revealing Shelley’s dissatisfaction with parts of her novel. Contents 5 Introduction: In This World Michael Wood 14 What Is It Like to Write a Novel? Lorrie Moore 16 Two Theories Franco Moretti 26 Finding the Time for Ancient Novels Simon Goldhill 40 Some Endangered Feeling Nancy Armstrong 62 Henry James in–and out of–the Classroom Ruth Bernard Yeazell 78 The Hole in the Carpet: Henry James’s The Bostonians Sharon Cameron 98 “A Woman Is a Sometime Thing”: (Re)Covering Black Womanhood in Porgy Daphne A. -
The Historical Thought of Film: Terrence Malick and Philosophical Cinema
The Historical Thought of Film: Terrence Malick and Philosophical Cinema A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Steven M. Rybin June 2009 © 2009 Steven M. Rybin. All Rights Reserved. 2 This dissertation titled The Historical Thought of Film: Terrence Malick and Philosophical Cinema by STEVEN M. RYBIN has been approved for the School of Interdisciplinary Arts and the College of Fine Arts by Vladimir L. Marchenkov Associate Professor of Interdisciplinary Arts Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT RYBIN, STEVEN M., Ph.D., June 2009, Interdisciplinary Arts The Historical Thought of Film: Terrence Malick and Philosophical Cinema (484 pp.) Director of Dissertation: Vladimir L. Marchenkov Previous scholarly work on the director Terrence Malick has argued that his films – Badlands (1973), Days of Heaven (1978), The Thin Red Line (1998) and The New World (2005) – are, in varying ways, philosophical. This assessment is usually made via an analysis of the films in relation to a single philosophical metatext (frequently the work of Martin Heidegger) that transcends the concrete historical situation of both the given film and the historically existing viewer. This study seeks to intervene in this critical literature by theorizing an approach for understanding Malick’s films as works that do not merely illustrate already articulated philosophical themes but that rather function, in dialogue with the spectator, as an invitation to generate creative and historically situated meaning. The film medium, this study argues, is uniquely philosophical in that it exists in time (via the gradual entropy of the celluloid film print) as does the finite, historically embodied spectator. -
Download File
The Progress of Error: or, the Recursive Eighteenth Century Alice Boone Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 copyright 2015 by Alice Boone all rights reserved Abstract “The Progress of Error: or, the Recursive Eighteenth Century” Alice Boone Digital archives of early modern printed materials—on Early English Books Online, Eighteenth-Century Collections Online, Google Books, and Project Gutenberg, among others—are rife with scanning errors, incomplete metadata, typos, and other odd, frustrating artifacts of mediation. Each technological change in writing brings its own version of problems in preserving and mediating our print history—problems which may, paradoxically, proliferate errors as they seek to correct prior mistakes. “The Progress of Error” traces a history of these fractious, recursive, debates about error correction and mediation in the late seventeenth and early eighteenth centuries, when editors, printers, and critics squabbled over the best means of preserving classical texts, Shakespeare, Milton, and early English ballads. I argue that the literary past is literally made of mistakes and attempts to correct them which go out of control; these errant corrections are not to be fixed in future editions but rather are constitutive of Enlightenment concepts of mediation, criticism, sensory perception, historicity, and agency. Editor and satirist Alexander Pope played both sides of the error correction and creation game, translating and editing texts at the same time as he reveled in satire’s distorting lens and its potential for correcting others’ moral and intellectual failings. Classical editor Richard Bentley, a target of Pope’s scourge in the first edition of the Dunciad, practiced extraordinary editorial hubris in insisting that he could conjecturally correct not just typos in Milton’s epic poem Paradise Lost, but entire lines that he felt were blots on the poem’s design and style. -
February 2013 Curriculum Vitae Garrett Stewart Department Of
Stewart--1 February 2013 Curriculum Vitae Garrett Stewart Department of English, 308 EPB University of Iowa, Iowa City, IA 52242 Education: Ph.D. Yale University, 1971 M.Phil. Yale University, 1970 B.A. University of Southern California (summa cum laude), 1967 Academic Positions: 1971-76 Assistant Professor, Boston University 1976-80 Associate Professor, University of California, Santa Barbara 1980-93 Professor, University of California, Santa Barbara 1986 Visiting Professor, Stanford University (Spring quarter) 1987-88 Visiting Professor, Princeton University 1993-- James O. Freedman Professor of Letters, University of Iowa 1995-96 Visiting Professor, University of Fribourg, Switzerland 2004 Santa Barbara Summer Film Institute (intensive 3-week course in science fiction and fantasy film, June-July 2004) Awards and Honors: Trustee of Dickens Society (1976-1979 term) Guggenheim Fellowship for 1978-1979 NEH Senior Fellowship for 1990-91 Camargo Foundation Fellowship (Winter/Spring 2002) Mellon Dissertation Seminar Grant (4 nationally), July/August 2009, 2011 Elected to American Academy of Arts and Sciences (2010) Winner of the Barbara and George Perkins Prize for the best book on narrative awarded by the International Society for the Study of Narrative (2011), for Novel Violence Presidential Lecture, University of Iowa (February 12, 2012) Visiting Distinguished Professor, Queen Mary, University of London (June 1-June 31, 2012): research assignment, with some public lectures and seminars Stewart--2 Professional Positions: Advisory Editor,