Jazz Fundamentals Chapter 7 Modal Jazz

Total Page:16

File Type:pdf, Size:1020Kb

Jazz Fundamentals Chapter 7 Modal Jazz Jazz Fundamentals Academy for Lifelong Learning Cape Cod Community College Greg Polanik Spring 2015 Chapter 7 Modal Jazz Music Links Predecessors George Russell (composer) - Lydian Chromatic Concept of Tonal Organization 1953 http://en.wikipedia.org/wiki/Lydian_Chromatic_Concept_of_Tonal_Organization http://www.lydianchromaticconcept.com/main.html http://www.lydianchromaticconcept.com/lccoto.html Milestones 1958 Miles Davis Quintet class https://www.youtube.com/watch?v=k94zDsJ-JMU Miles Davis (trumpet, bandleader) So What 1959 class https://www.youtube.com/watch?v=ylXk1LBvIqU AABA form: A = D Dorian Mode; B = Eb Dorian Mode improvised piano / bass intro bass plays melody, piano plays chords in a rhythmic pattern, then horn come in on chords typical Jazz form: intro, head, solos, head first significant modal composition live version: class https://www.youtube.com/watch?v=zqNTltOGh5c notice how different the solos are from the original, how bluesy Miles is, how exploratory Coltrane is Flamenco Sketches 1959 class https://www.youtube.com/watch?v=ez-Kefu4vvU All Blues 1959 record: https://www.youtube.com/watch?v=-488UORrfJ0 Bill Evans (piano) 1 Jazz Fundamentals Academy for Lifelong Learning Cape Cod Community College Greg Polanik Spring 2015 Peace Piece 1958 on Everybody Digs Bill Evans class https://www.youtube.com/watch?v=Nv2GgV34qIg Nardis live 1970: starts 3:36, piano solo 8:07 class https://www.youtube.com/watch?v=kcMWov0_TAE My Man's Gone Now Village Vanguard class https://www.youtube.com/watch?v=R5rF1rAOY2w Waltz For Debby live https://www.youtube.com/watch?v=dH3GSrCmzC8 Milestones live village vanguard 1961 https://www.youtube.com/watch?v=FqAZNprCtjI Gloria's Step Village Vanguard https://www.youtube.com/watch?v=knzFrkdV3ok Some Other Time 1958 on Everybody Digs Bill Evans - not modal https://www.youtube.com/watch?v=WV53dWisQBw Epilogue 1958 on Everybody Digs Bill Evans - short https://www.youtube.com/watch?v=VzMhTCMak5s Time Remembered live1971 https://www.youtube.com/watch?v=2VopGbXJ0tc Herbie Hancock (piano) Maiden Voyage record 1965: class https://www.youtube.com/watch?v=hwmRQ0PBtXU live 1986: https://www.youtube.com/watch?v=FSj4oLRbQhg 2 Jazz Fundamentals Academy for Lifelong Learning Cape Cod Community College Greg Polanik Spring 2015 Cantaloupe Island funky modal record 1965: https://www.youtube.com/watch?v=FPVuLS-HXJo https://www.youtube.com/watch?v=8B1oIXGX0Io live 1985: https://www.youtube.com/watch?v=hwmRQ0PBtXU Wayne Shorter (tenor saxophone, soprano saxophone) Armageddon 1964 class https://www.youtube.com/watch?v=kCepSR4pUMY Witch Hunt 1964 class https://www.youtube.com/watch?v=njo1zvr216s McCoy Tyner (piano) his playing was an integral part of the Coltrane sound John 'Trane' Coltrane (tenor saxophone, soprano saxophone) My Favorite Things 1960 class https://www.youtube.com/watch?v=qWG2dsXV5HI McCoy Tyner Steve Davis Elvin Jones became a hit for him two scales, one major, one minor pedal point bass, droning quaility, sounds Indian from that and soprano sax sound of music: class https://www.youtube.com/watch?v=0IagRZBvLtw&list=RD0IagRZBvLtw live video 1961 w/ Eric Dolphy on flute: https://www.youtube.com/watch?v=zH3JpqhpkXg live 1965: https://www.youtube.com/watch?v=1kPXw6YaCEY Impressions album: live 1961 impressions, india; studio 1962 https://www.youtube.com/watch?v=-mZ54FJ6h-k live (date?): class https://www.youtube.com/watch?v=LkBx9TG-iTc 3 Jazz Fundamentals Academy for Lifelong Learning Cape Cod Community College Greg Polanik Spring 2015 India 1961 class https://www.youtube.com/watch?v=IIgP6-HqKhs later: https://www.youtube.com/watch?v=5yIYo0qgBfU Africa Africa / Brass album 1961 orchestrated to used tyner's voicings https://www.youtube.com/watch?v=NI3WwoBOR_s Blues Minor Africa / Brass album 1961 https://www.youtube.com/watch?v=DRHszQqM31k Classic Quartet McCoy Tyner Jimmy Garrison Elvin Jones Elvin Jones matches intensity of Trane & Tyner polyrhythmic different rhythm than the rest of the band, or two rhythms himself Jimmy Garrison agressiveness lifted the whole band Oliver Nelson (alto, tenor & soprano saxophones, composer, arranger) Stolen Moments 1961 class https://www.youtube.com/watch?v=RbaGDDbpcQ4 Yearnin' 1961 class https://www.youtube.com/watch?v=RpFQT7rR29k Cascades 1961 https://www.youtube.com/watch?v=jOhMMG9_AKI 4 Jazz Fundamentals Academy for Lifelong Learning Cape Cod Community College Greg Polanik Spring 2015 The Blues and the Abstract Truth 1961 https://www.youtube.com/watch?v=I777BcgQL9o&list=PLcJnGPHSdzd9HgCBYpZ7TAHQZg4v2Z9r X Additional Recordings: So What and many other miles recordings https://www.youtube.com/watch?v=zqNTltOGh5c&list=RDzqNTltOGh5c#t=99 Kind of Blue NPR Documentary: http://www.npr.org/player/v2/mediaPlayer.html?action=1&t=1&islist=false&id=10862796&m=116962 59 Kind Of Blue / Made In Heaven Part 1: https://www.youtube.com/watch?v=rGQzNsZAtCo 3 Parts: https://www.youtube.com/watch?v=rGQzNsZAtCo&list=PL-O7Lg- GHqUeW0P9HVyOqxfOp6oUK89AY (only no 1 works) The Making of Kind Of Blue: full recording https://www.youtube.com/watch?v=STKzCurl8RU 5 .
Recommended publications
  • Juilliard Jazz Ensembles
    The Juilliard School Presents Juilliard Jazz Ensembles Monday, January 29, 2018, 7:30pm Paul Hall The Music of Miles Davis Wynton Marsalis, Guest Coach Dizzy Gillespie Ensemble Swing Spring (Miles Davis, arr. Joel Wenhardt) Flamenco Sketches (Miles Davis and Bill Evans, arr.Andrea Domenici) Nardis (Miles Davis, arr. Jeffery Miller) Paraphernalia (Wayne Shorter, arr. Adam Olszewski) Half Nelson (Miles Davis, arr. David Milazzo) David Milazzo, Alto Saxophone Anthony Hervey, Trumpet Jeffery Miller, Trombone Andrea Domenici, Piano Joel Wenhardt, Piano Adam Olszewski, Bass Cameron MacIntosh, Drums Elio Villafranca, Resident Coach Intermission (Program continues) Juilliard gratefully acknowledges the Talented Students in the Arts Initiative, a collaboration for the Doris Duke Charitable Foundation and the Surdna Foundation, for their generous support of Juilliard Jazz. Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by The Bay Foundation and the Josephine Bay Paul and C. Michael Paul Foundation in memory of Josephine Bay Paul. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium. 1 The Dave Brubeck Ensemble Dig (Miles Davis, arr. Dave Brubeck Ensemble) Fall (Wayne Shorter, arr. Dave Brubeck Ensemble) Milestones (Miles Davis, arr. Dave Brubeck Ensemble) Circle (Miles Davis, arr. Dave Brubeck Ensemble) So Near, So Far (Tony Crombie and Bennie Green, arr. Dave Brubeck Ensemble) Zoe Obadia, Alto Saxophone Noah Halpern, Trumpet Jasim Perales, Trombone Joseph Block, Piano Isaiah Thompson, Piano Adam Olszewski, Bass Francesco Ciniglio, Drums Helen Sung, Resident Coach Program order and selections are subject to change.
    [Show full text]
  • Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 Pm
    Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/02/2011 to 11/08/2011 Last Period (TP) = 10/25/2011 to 11/01/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 2 Jeff McLaughlin Quartet Blocks Owl Studios 2011 11 12 -1 2 27 Christian McBride Big The Good Feeling Mack Avenue 2011 9 3 6 Band 3 308 Pat Martino Undeniable: Live At Blues HighNote 2011 8 0 8 Alley 4 4 Dr. Michael White Adventures In New Basin Street 2011 7 9 -2 Orleans Jazz Pt. 1 4 8 Stefon Harris, David Ninety Miles Concord Picante 2011 7 8 -1 Sanchez, Christian Scott 4 14 Warren Wolf Warren Wolf Mack Avenue 2011 7 6 1 4 308 Houston Person So Nice HighNote 2011 7 0 7 8 4 Jay Ashby & Steve Davis Mistaken Identity MCG Jazz 2011 6 9 -3 8 10 Orrin Evans Freedom Posi-Tone 2011 6 7 -1 10 1 Roy Haynes Roy-Alty Dreyfus 2011 5 13 -8 10 3 Cedar Walton The Bouncer High Note 2011 5 10 -5 10 8 Afro Bop Alliance Una Mas OA2 2011 5 8 -3 10 20 Alan Leatherman Detour Ahead AJL 2011 5 4 1 10 20 Dave Valentin Pure Imagination HighNote 2011 5 4 1 10 43 Sir Roland Hanna Colors From A Giant's Kit IPO 2011 5 2 3 10 43 Denise Donatelli What Lies Within Savant 2008 5 2 3 17 4 Bill O'Connell Triple Play Plus Three Zoho 2011 4 9 -5 17 10 John Stein Hi Fly Whaling City Sound 2011 4 7 -3 17 18 Gerald Beckett Standard Flute Summit 2011 4 5 -1 17 20 Denise Donatelli When Lights Are Low Savant 2010 4 4 0 17 27 Sammy Figueroa Urban Nature
    [Show full text]
  • Windward Passenger
    MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums.
    [Show full text]
  • Jazz Quartess Songlist Pop, Motown & Blues
    JAZZ QUARTESS SONGLIST POP, MOTOWN & BLUES One Hundred Years A Thousand Years Overjoyed Ain't No Mountain High Enough Runaround Ain’t That Peculiar Same Old Song Ain’t Too Proud To Beg Sexual Healing B.B. King Medley Signed, Sealed, Delivered Boogie On Reggae Woman Soul Man Build Me Up Buttercup Stop In The Name Of Love Chasing Cars Stormy Monday Clocks Summer In The City Could It Be I’m Fallin’ In Love? Superstition Cruisin’ Sweet Home Chicago Dancing In The Streets Tears Of A Clown Everlasting Love (This Will Be) Time After Time Get Ready Saturday in the Park Gimme One Reason Signed, Sealed, Delivered Green Onions The Scientist Groovin' Up On The Roof Heard It Through The Grapevine Under The Boardwalk Hey, Bartender The Way You Do The Things You Do Hold On, I'm Coming Viva La Vida How Sweet It Is Waste Hungry Like the Wolf What's Going On? Count on Me When Love Comes To Town Dancing in the Moonlight Workin’ My Way Back To You Every Breath You Take You’re All I Need . Every Little Thing She Does Is Magic You’ve Got a Friend Everything Fire and Rain CONTEMPORARY BALLADS Get Lucky A Simple Song Hey, Soul Sister After All How Sweet It Is All I Do Human Nature All My Life I Believe All In Love Is Fair I Can’t Help It All The Man I Need I Can't Help Myself Always & Forever I Feel Good Amazed I Was Made To Love Her And I Love Her I Saw Her Standing There Baby, Come To Me I Wish Back To One If I Ain’t Got You Beautiful In My Eyes If You Really Love Me Beauty And The Beast I’ll Be Around Because You Love Me I’ll Take You There Betcha By Golly
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Flamenco Sketches”
    Fyffe, Jamie Robert (2017) Kind of Blue and the Signifyin(g) Voice of Miles Davis. PhD thesis. http://theses.gla.ac.uk/8066/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] Kind of Blue and the Signifyin(g) Voice of Miles Davis Jamie Robert Fyffe Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow October 2016 Abstract Kind of Blue remains one of the most influential and successful jazz albums ever recorded, yet we know surprisingly few details concerning how it was written and the creative roles played by its participants. Previous studies in the literature emphasise modal and blues content within the album, overlooking the creative principle that underpins Kind of Blue – repetition and variation. Davis composed his album by Signifyin(g), transforming and recombining musical items of interest adopted from recent recordings of the period. This thesis employs an interdisciplinary framework that combines note-based observations with intertextual theory.
    [Show full text]
  • Bill Evans •••••••••••••••••••••• Turn out the Stars the Final Village Vanguard Recordings June 1980
    6 DISC SET Bill Evans •••••••••••••••••••••• Turn Out the Stars The Final Village Vanguard Recordings June 1980 Though these extraordinary 1980 recordings were made only months before pianist Bill Evans’ untimely death on September 15, 1980, at the age of 51, they capture a beginning far more than an end. At the time of their initial release in 1996, jazz critic Gary Giddins hailed them as “an important find – the most lyrical of improvisers was revitalized by a new trio in his favorite jazz club.” Fellow Village Voice writer Will Friedwald concurred: “Evans is as irrepressibly romantic as ever on these live recordings, but at the same time there’s an aggression to his playing that makes these newly discovered documents some of the most exciting music of his career... he proves that he can really tear into the keyboard and still sound like Bill Evans. Continually prodded by [bassist Marc] Johnson and [drummer Joe] LaBarbera even as he's inspiring them, this is tenderness supported by strength and even bite.” Evans had clearly found players to match his first trio from 20 years earlier, which had cut a landmark live recording at the Village Vanguard in 1961. That now-legendary lineup of bassist Scott LaFaro and drummer Paul Motion was shattered by the tragic death of LaFaro in a car crash. A sense of history and a feeling of renewal inform these 1980 sessions, and they illustrates the serious chemistry between Evans and his young accompanists. As pianist and friend Hank Danko recalls in his liner-notes essay, “When the trio lit into its ensemble passages, the impact was not unlike that of a roaring big band.
    [Show full text]
  • 14 Modal Jazz.Pptx
    4/26/12 Miles Davis Tracing the innovations of Miles in his path to Modal Jazz A Miles Overview • 1949 – 1950: The Birth of the Cool and Cool Jazz • 1954: Walkin’ and Hard Bop • 1957 – 1960: Sessions with Gil Evans • 1959: Kind of Blue and Modal Jazz • 1963 – 1967: The 2nd Quintet and Post-bop (Free Bop) • 1969: Bitches Brew and Jazz Fusion • 1980s: Jazz and Pop Fusion leads to Smooth Jazz 1 4/26/12 Early Miles Miles in the afterglow of Bebop Early history • 1945: Moved to New York • To study Classical music at Julliard • Dropped out to work with Parker and Dizzy • Replaced Dizzy in Parker’s band • 1949 to 1950: The Birth of the Cool sessions • Invented / pioneered Cool Jazz • 1951 to 1954: Semi-retirement • Largely over his drug abuse • Jazz press declared his career dead 2 4/26/12 The 1st Quintet • 1954: Triumphant return • Strong Hard Bop influence (despite Miles’ “Cool” style) • Introduced John Coltrane: tenor sax • Introduced the Harmon Mute • Huge critical success • Leapt to a major label • Repertoire • Tin Pan Alley show tunes Reorganization • 1957: disbanded the quintet • Due to drug use of his sidemen • Gil Evans collaborations • Miles Ahead, Porgy & Bess and Sketches of Spain • Miles soloing with an exotic orchestra • Led to film scores, experiments in simplicity 3 4/26/12 Modal Jazz Jazz meets impressionism Modal Jazz • Around 1957: Miles began working with a new sound • Pioneered by George Russell in the early 50’s • Jazz impressionism • Scales and “colors” more than chords • Slow harmonic rhythm: pace of chords • Personal
    [Show full text]
  • The Avant-Garde in Jazz As Representative of Late 20Th Century American Art Music
    THE AVANT-GARDE IN JAZZ AS REPRESENTATIVE OF LATE 20TH CENTURY AMERICAN ART MUSIC By LONGINEU PARSONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2017 © 2017 Longineu Parsons To all of these great musicians who opened artistic doors for us to walk through, enjoy and spread peace to the planet. ACKNOWLEDGMENTS I would like to thank my professors at the University of Florida for their help and encouragement in this endeavor. An extra special thanks to my mentor through this process, Dr. Paul Richards, whose forward-thinking approach to music made this possible. Dr. James P. Sain introduced me to new ways to think about composition; Scott Wilson showed me other ways of understanding jazz pedagogy. I also thank my colleagues at Florida A&M University for their encouragement and support of this endeavor, especially Dr. Kawachi Clemons and Professor Lindsey Sarjeant. I am fortunate to be able to call you friends. I also acknowledge my friends, relatives and business partners who helped convince me that I wasn’t insane for going back to school at my age. Above all, I thank my wife Joanna for her unwavering support throughout this process. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF EXAMPLES ...................................................................................................... 7 ABSTRACT
    [Show full text]
  • Jeff Johnson Photo by Daniel Sheehan NOTES
    A Mirror and Focus for the Jazz Community June 2012 Vol. 28, No. 6 EARSHOT JAZZSeattle, Washington Jeff Johnson Photo by Daniel Sheehan NOTES Eddie Creed Memorial Concert Submissions should include a recorded Roosevelt High Takes Second Join in a memorial get together for sample of a project that can be per- Place at Ellington Competition pianist Eddie Creed at the New Or- formed in a concert setting. Selected Taking place at New York City’s leans Creole Restaurant, Sunday June artists are scheduled for performances famed Avery Fisher Hall on May 6, the 10, 4pm-8pm. A veteran and lifelong on July 12, 19, 26. Artists are paid a final concert at the 17th Annual Essen- jazz pianist, Creed was born in 1935 competitive fee for the performance. tially Ellington High School Jazz Band and died from complications due to Please send questions and submissions Competition & Festival, presented by throat cancer. electronically to [email protected]; or Jazz at Lincoln Center, featured the by mail to Earshot Jazz, 3429 Fremont Call for Artists, Deadline June 4 three top-placing bands performing Place N., #309, Seattle, WA 98103. Call with a member of the Jazz at Lincoln The submissions deadline for the Jazz: (206) 547-6763 with questions. Center Orchestra as a soloist. At an The Second Century series is June 4. awards ceremony after the performanc- es, Wynton Marsalis presented prizes and cash awards to each of the 15 final- ist bands. Christopher Dorsey, Direc- tor of the Dillard Center for the Arts, accepted the 1st place trophy and an THE SECOND CENTURY award of $5,000.
    [Show full text]
  • Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
    1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures.
    [Show full text]
  • WP Jazz Rep List MASTER
    William Paterson University Jazz Studies Program Repertoire List Bold = freshman repertoire; freshman juries include five - Graduate students perform one tune in all keys Popular Standards Lady Be Good Airegin A Foggy Day Let’s Fall in Love All Blues All of Me Like Someone In Love Along Came Betty All the Things You Are Love Walked In Are You Real? Alone Together (The) More I See You Bluesette April in Paris My Favorite Things Cherokee Autumn Leaves My Romance Confirmation Bluesette Never Will I Marry Countdown But Not for Me Night and Day Crescent Bye Bye Blackbird Our Love Is Here To Stay Daahoud Come Rain or Come Shine Out of Nowhere Daydream Days of Wine and Roses Satin Doll Dig Dearly Beloved Secret Love Dolphin Dance Django Softly As in a Morning Sunrise Donna Lee Falling in Love With Love Someday My Prince Will Come Doxy Gone With the Wind Song Is You, The ESP Green Dolphin Street Star Eyes Evidence Have You Met Miss Jones? Stella by Starlight Fall Hello Young Lovers Stompin’ at the Savoy Fee Fi Fo Fum How High the Moon Summertime Four I Could Write A Book Sweet Georgia Brown Freedom Jazz Dance I Didn’t Know What Time It Was Tangerine Giant Steps I Hear A Rhapsody There is No Greater Love Gloria’s Step I’ll Be Around There Will Never Be Another You Groovin’ High I Love You They Can’t Take That Away… Half Nelson I Remember April What is This Thing Called Love Hi-Fly I Remember You Without A Song How My Heart Sings I Should Care You’d Be So Nice To Come HomeTo I Let A Song Go Out of If I Were A Bell You Stepped Out of a Dream Impressions
    [Show full text]