Night’ Concert Project a STAND AGAINST HATE!

Total Page:16

File Type:pdf, Size:1020Kb

Night’ Concert Project a STAND AGAINST HATE! The ‘Night’ Concert Project A STAND AGAINST HATE! “The Holocaust must remind us: We must put a stop to the Hate that is simmering in the world… because it can only lead to further genocides!“ 1 The ‘Night’ Concert A STAND AGAINST HATE! The concept of The ‘Night’ concert is to communicate A STAND AGAINST HATE - hate that is simmering throughout the world in our time. The concert presents the Holocaust experience as an example that Hate eventually leads to genocide! The principle intent is to promote this Stand Against Hate through the use of ‘Night’ - the historic memoir of the late Nobel Peace Prize Laureate Elie Wiesel (1928-2016), who survived the Auschwitz death camp at age 15, and integrating it with the amazing music of Leib Glantz (1898-1964), which was transformed from the Liturgic genre to the Classical music genre by the renowned American composer Joseph Ness. The concert event is planned to be performed in concert halls, theatrical venues and places of worship throughout the world by prestigious orchestras, choirs, soloists and actors. The audiences at these concerts are offered a truly moving experience – the performance of excerpts from the memoir ‘Night’, accompanied by a rear-screen projection of historical genocide photos, a symphony orchestra, a massive choir, performances by professional international singers and teenage vocalists. The ‘Night’ acting/narrating is performed by nationally prominent actors in the language of each country in which the event is performed. Composer Leib Glantz’s music is sung in the Hebrew language with translated subtitles appearing on the giant stage screen. 2 The World Premiere of the ‘Night’ Concert in Kaliningrad, Russia 2January 27, 2019 The World Premiere took place in the Baltic Sea city of Kaliningrad, Russia on January 27, 2019. The concert was performed at the amazing Kaliningrad Dome – formerly the Prussian Cathed- ral of Königsberg. Twenty compositions of the great composer Leib Glantz were performed by three vocal soloists – Cantor Daniel Mutlu (New York), Tamara Gverdt- siteli (Moscow), and Helena Goldt (Berlin), as well as three instrumental soloists – Violinist Rita Schteinfer (Israel), Cellist Grigory Yanovsky (Isra- el), and Oboist Ekaterina Bergstedt (Sweden). The artistic director, Maestro Arkadi Feldman, conducted the Kaliningrad Symphony Orchestra and four international choir ensembles – The Moscow Jewish Male Capella, The Vilnius State Choir, The Cyrillic Chamber Choir, and The Kaliningrad Musical Theatre Choir – totalling more than 100 singers. The world-famous Russian actress and singer Tamara Gverdtsiteli presented excerpts from Nobel Peace Prize Laureate Elie Wiesel’s shocking memoir ‘Night’ – the recounting of his experience as a 15-year-old survivor of the Auschwitz death camps during World War Two. Cantor and leading opera tenor Daniel Mutlu sang the musical liturgic compositions of Leib Glantz (1898- 1964), as recomposed and orchestrated by American Maestro Joseph Ness. This ‘Night’ concert was accompanied by a video PowerPoint presentation on a giant screen, depicting historical Holocaust and other genocide images. 3 The ‘Night’ Concert in Vilnius, Lithuania January 29, 2019 The identical ‘Night’ concert was performed on January 29, 2019 at the St. Johns Church in the capital of Lithuania, Vilnius, formerly known as “The Jerusalem of the North.” This concert again included The Kaliningrad Symphony Orchestra, The Vilnius State Choir, and The Moscow Jewish Male Capella, with soloists Daniel Mutlu and Helena Goldt. The renowned Lithuanian actress Elze Guda- viciute presented excerpts from Nobel Peace Prize Laureate Elie Wiesel’s shocking memoir ‘Night’, with Holocaust images presented on a giant screen. Lithuanian National TV projected the concert to the entire nation. The importance of presenting the ‘Night’ Holocaust Concert in the city of Vilnius, Lithuania, was the fact that 95% of the Jewish population of 210,000 were murdered in the Holocaust. More than 205,000 of Lithuania‘s Jewish population were massacred over the three-year German occupation – a more complete destruction than befell any other country affected by the Holocaust. Historians attribute this to the massive collaboration in the genocide by the local Lithuanian paramilitaries, and not by the German Nazi forces that occupied Lithuania as of June 1941. Jews had lived in the area now known as Lithuania since the fourteenth century. Lithuania had been a center of Jewish learning and religious study during the eighteenth century and into the nineteenth. Vilna in particular was called “The Jerusalem of the North.” Rabbi Eliyahu ben Shlomo Zalman (also known as the Vilna Gaon, or the Genius of Vilna), who lived from 1720 to 1797, had established a famous school that attracted some of the brightest minds and scholars in the Jewish world. Throughout the late nineteenth and early twentieth century, Jewish culture in Lithuania thrived. There were over 100 synagogues in Vilnius (Vilna) before the Holocaust. 4 The German Premiere of the ‘Night’ Holocaust Concert in Hanover, Germany January 27, 2020 The date of January 27, 1945 is inextricably linked to German history. Since 2005, the Inter- national Remembrance Day for the Victims of the Holocaust has commemorated the liberation of the Auschwitz concentration camp. The year 2020 marks the 75th anniversary of that day. On this occasion, several organizations collaborated to present an international concert event to Hanover, at the 3,600-seat “Kuppelsaal” Hanover Congress Centrum: the Region of Hanover; the Ahlem Memorial; the City of Hannover; the Villa Selig- mann for Jewish Music; the Hanover Association for International Understanding and Tolerance; and the USA ‘Night’ Holocaust Project. The ‘Night’ concert combines the liturgical music of Leib Glantz, recom- posed and orchestrated by American Maestro Joseph Ness, with excerpts from the memoir ’Night’ by Holocaust survivor Elie Wiesel. This concert was dedicated to Nobel Peace Prize Laureate Elie Wiesel, who passed away in 2016 at age 87. The symphonic music of Leib Glantz was performed under the musical direction of Russian Maestro Arkadi Feldman by the Russian Kaliningrad Symphony Orchestra, the Lithuanian State Choir Vilnius, the Moscow Male Jewish Cappella, the North German Synagogue Choir and the Synagogue Choir of Hanover. Three internationally famous soloists performed the music: tenor Daniel Mutlu (New York), soprano Helena Goldt (Berlin) and baritone Benjamin Maissner (Toronto). “The ‘Night’ Holocaust Project” aims to keep alive the memories of Elie Wiesel (1928-2016) and connect them with the moving music of Leib Glantz (1898-1964), one of the most important cantors and composers of Jewish music. Elie Wiesel’s memoir was exceptionally performed in German by the internationally acclaimed movie and stage actor Sebastian Koch. 5 The Holocaust The Holocaust was the systematic, bureaucratic, state-sponsored persecution and murder of six million Jews by the Nazi regime and its collaborators. In 1933, the Jewish population in Europe stood at over nine million. Most European Jews lived in countries that Nazi Germany would occupy or influence during World War II. By 1945, the Germans and their collaborators killed nearly two out of every three European Jews as part of the “Final Solution” – the Nazi policy to murder the Jews of Europe. As Nazi tyranny spread across Europe, the Germans and their collaborators persecuted and murdered millions of other people. The Nazi regime established concentration camps to detain real and imagined political and ideological opponents (including Communists, Socialists, and trade unionists) and religious dissidents (such as Jehovah’s Witnesses). Many of these individuals died as a result of incarceration and maltreatment. To concentrate and monitor the Jewish population as well as to facilitate later deportation of the Jews, the Germans and their collaborators created ghettos, transit camps, and forced-labor camps for Jews during the war years. 6 Genocides The United Nations Genocide Convention defines genocide as “acts committed with intent to destroy, in whole or in part, a national, ethnical, racial or religious group.” Notable Genocides in History: victims 1. The Holocaust Nazi-Germany controlled Europe 1942-1945 11,000,000 2. Holodomor Genocide Ukranian Soviet Socialist Republic 1932-1933 7,500,000 3. Cambodian Genocide Democratic Kampuchea 1975-1979 3,000,000 4. Armenian Genocide Ottoman Empire 1915-1922 1,500,000 5. Rwandan Genocide Rwanda 1994-1994 1,000,000 6. Greek Genocide Ottoman Empire 1914-1922 750,000 7. Assyrian Genocide Ottoman Empire 1915-1923 750,000 8. Zunghar Genocide Western Mongolia 1755-1758 600,000 9. Porajmos/Romani Genocide Nazi controlled Europe 1935-1945 500,000 10. Genocide by the Ustase Croatia 1941-1945 385,000 11. Bangladesh Genocide Bangladesh 1971-1971 3,000,000 12. Burundi Genocides Burundi 1972-1972 & 1993-1993 260,000 13. Kurdish Genocide Ba’atist Iraq 1986-1989 200,000 14. Guatemalan Genocide Guatemala 1962-1996 170,000 15. Hereo & Namaqua Genocide German SW Africa 1904-1908 110,000 16. Bosnian Genocide Bosnia & Herzegovina 1992-1995 39,000 17. Selk’nam Genocide Chile, Tierra del Fuego 1999-2001 4,000 18. Genocide of Yazidis (by ISIS) Iraq & Syria 2014-present. Thousands 19. Syrian Genocide Syria 2011-present. est. 500,000 7 The ‘Night’ Concerts Kaliningrad | Vilnius | Hanover 8 Biography Elie Wiesel Born September 30, 1928, Eliezer Wiesel led a life representative of many Jewish children. Growing up in Sighet, a small village in Romania, his world revolved around family, religious study, community and God. Yet his family, community, and his innocent faith were destroyed upon the deportation of his village in 1944. Arguably the most powerful and renowned passage in Holocaust literature, his first book, ‘Night’ , a memoir of a 15-year-old death- camp survivor, records the inclusive experience of the Jews: – Never shall I forget that night, the first night in camp, which has turned my life into one long night, seven times cursed and seven times sealed. Never shall I forget that smoke. – Never shall I forget the little faces of the children, whose bodies I saw turned into wreaths of smoke beneath a silent blue sky.
Recommended publications
  • Me Israel Aestra JULU 3-QUGUSU 8 1979 Me Israel Assam Founoed Bu A.Z
    me Israel Aestra JULU 3-QUGUSU 8 1979 me Israel Assam FOunoeD bu a.z. ppopes JULU 3-aUGUSB 8 1979 Member of the European Association of Music Festivals Executive Committee: Asher Ben-Natan, Chairman Honorary Presidium: ZEVULUN HAMMER - Minister of Education and Culture Menahem Avidom GIDEON PATT - Minister of Industry, Trade and Tourism Gary Bertini TEDDY KOLLEK - Mayor of Jerusalem Jacob Bistritzky Gideon Paz SHLOMO LAHAT - Mayor of Tel Aviv-Yafo Leah Porath Ya'acov Mishori Jacob Steinberger J. Bistritzky Director, the Israel Festival. Director, The Arthur Rubinstein International Piano Master Competition. Thirty years of professional activity in Artistic Advisor — Prof. Gary Bertini the field of culture and arts, as Director of the Department of International The Public Committee and Council: Cultural Relations in the Ministry of Gershon Achituv Culture and Arts, Warsaw; Director of the Menahem Avidom Polish Cultural Institute, Budapest: Yitzhak Avni Director of the Frédéric Chopin Institute, Warsaw. Mr. Bistritzky's work has Mordechai Bar On encompassed all aspects of the Asher Ben-Natan Finance Committee: development of culture, the arts and mass Gary Bertini Menahem Avidom, Chairman media: promotion, organization and Jacob Bistritzky Yigal Shaham management of international festivals and Abe Cohen Micha Tal competitions. Organizer of Chopin Sacha Daphna competitions in Warsaw and International Meir de-Shalit Chopin year 1960 under auspices of Walter Eytan Festival Staff: U.N.E.S.C.O. Shmuel Federmann Assistant Director: Ilana Parnes Yehuda Fickler Director of Finance: Isaac Levinbuk Daniel Gelmond Secretariat: Rivka Bar-Nahor, Paula Gluck Dr. Reuven Hecht Public Relations: Irit Mitelpunkt Dr. Paul J.
    [Show full text]
  • Download File
    A War of Proper Names: The Politics of Naming, Indigenous Insurrection, and Genocidal Violence During Guatemala’s Civil War. Juan Carlos Mazariegos Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2019 Juan Carlos Mazariegos All Rights Reserved Abstract A War of Proper Names: The Politics of Naming, Indigenous Insurrection, and Genocidal Violence During Guatemala’s Civil War During the Guatemalan civil war (1962-1996), different forms of anonymity enabled members of the organizations of the social movement, revolutionary militants, and guerrilla combatants to address the popular classes and rural majorities, against the backdrop of generalized militarization and state repression. Pseudonyms and anonymous collective action, likewise, acquired political centrality for revolutionary politics against a state that sustained and was symbolically co-constituted by forms of proper naming that signify class and racial position, patriarchy, and ethnic difference. Between 1979 and 1981, at the highest peak of mass mobilizations and insurgent military actions, the symbolic constitution of the Guatemalan state was radically challenged and contested. From the perspective of the state’s elites and military high command, that situation was perceived as one of crisis; and between 1981 and 1983, it led to a relatively brief period of massacres against indigenous communities of the central and western highlands, where the guerrillas had been operating since 1973. Despite its long duration, by 1983 the fate of the civil war was sealed with massive violence. Although others have recognized, albeit marginally, the relevance of the politics of naming during Guatemala’s civil war, few have paid attention to the relationship between the state’s symbolic structure of signification and desire, its historical formation, and the dynamics of anonymous collective action and revolutionary pseudonymity during the war.
    [Show full text]
  • Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
    http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections.
    [Show full text]
  • Armen Sarkissian • Adama Dieng • Henry Theriault • Fernand De Varennes • Mô Bleeker • Kyriakos Kyriakou-Hadjiyianni •
    GENOCIDE PREVENTION THROUGH EDUCATION 9-11 DECEMBER 2018 YEREVAN • ARMENIA ORGANIZERS Ministry of Foreign Affairs of the Republic of Armenia WITH SUPPORT OF IN COOPERATION WITH UNITED NATIONS OFFICE ON GENOCIDE PREVENTION AND THE RESPONSIBILITY TO PROTECT TABLE of CONTENTS 9 Message from the Organizers 12 PROGRAM 9-11 December 2018 16 HIGH LEVEL SEGMENT • Zohrab Mnatsakanyan • Armen Sarkissian • Adama Dieng • Henry Theriault • Fernand de Varennes • Mô Bleeker • Kyriakos Kyriakou-Hadjiyianni • 47 PLENARY Dunja SESSION: Mijatović 70th Anniversaries of the Convention on the Prevention and Punishment of the Crime of Genocide and the Uni- versal Declaration of Human Rights. 69 PANEL ONE: Supporting Genocide Prevention through Perpetua- tion of Remembrance Days of Genocide Victims. 101 PANEL TWO: New Approaches to Education and Art about Geno- cide and its Prevention. 123 PANEL THREE: Combating Genocide Denial and Propaganda of Xenophobia. 161 PANEL FOUR: The Role of Education and Awareness Raising in the Prevention of the Crime of Genocide. 190 PREVENTION 194 SIDE EVENTS 200 AFTERWORD 10 MESSAGE FROM THE ORGANIZERS he 3rd Global Forum against the Crime of Genocide was held in 2018 and was dedicated to the issues of genocide preven- T tion through education, culture and museums. It examined the challenges and opportunities, experiences and perspectives of the genocide education. This book encompasses presentations that address among other things the role of genocide museums, memorial sites and institutes for perpetuation of remembrance, as well as such complex issues as - tings in which reconciliation, memory, and empathy help to restore aworking modicum with of groups-in-conflicttrust and open communication; in non-traditional combatting educational genocide set denial and propaganda of xenophobia.
    [Show full text]
  • Tape ID Title Language Type System
    Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year
    [Show full text]
  • The Truth of the Capture of Adolf Eichmann (Pdf)
    6/28/2020 The Truth of the Capture of Adolf Eichmann » Mosaic THE TRUTH OF THE CAPTURE OF ADOLF EICHMANN https://mosaicmagazine.com/essay/history-ideas/2020/06/the-truth-of-the-capture-of-adolf-eichmann/ Sixty years ago, the infamous Nazi official was abducted in Argentina and brought to Israel. What really happened, what did Hollywood make up, and why? June 1, 2020 | Martin Kramer About the author: Martin Kramer teaches Middle Eastern history and served as founding president at Shalem College in Jerusalem, and is the Koret distinguished fellow at the Washington Institute for Near East Policy. Listen to this essay: Adolf Eichmann’s Argentinian ID, under the alias Ricardo Klement, found on him the night of his abduction. Yad Vashem. THE MOSAIC MONTHLY ESSAY • EPISODE 2 June: The Truth of the Capture of Adolf Eichmann 1x 00:00|60:58 Sixty years ago last month, on the evening of May 23, 1960, the Israeli prime minister David Ben-Gurion made a brief but dramatic announcement to a hastily-summoned session of the Knesset in Jerusalem: A short time ago, Israeli security services found one of the greatest of the Nazi war criminals, Adolf Eichmann, who was responsible, together with the Nazi leaders, for what they called “the final solution” of the Jewish question, that is, the extermination of six million of the Jews of Europe. Eichmann is already under arrest in Israel and will shortly be placed on trial in Israel under the terms of the law for the trial of Nazis and their collaborators. In the cabinet meeting immediately preceding this announcement, Ben-Gurion’s ministers had expressed their astonishment and curiosity.
    [Show full text]
  • The Guatemala Genocide Cases: Universal Jurisdiction and Its Limits
    © The Guatemala Genocide Cases: Universal Jurisdiction and Its Limits by Paul “Woody” Scott* INTRODUCTION Systematic murder, genocide, torture, terror and cruelty – all are words used to describe the campaigns of Guatemalan leaders, including President Jose Efrain Rios Montt, directed toward the indigenous Mayans in the Guatemalan campo. The United Nations-backed Truth Commission concludes that the state carried out deliberate acts of genocide against the Mayan indigenous populations.1 Since Julio Cesar Mendez Montenegro took Guatemalan presidential office in 1966, Guatemala was involved in a bloody civil war between the army and guerrilla groups located in the Guatemalan countryside. The bloodshed escalated as Montt, a fundamentalist Christian minister, rose to power in 1982 after taking part in a coup d’état and becoming the de facto president of Guatemala. He was in power for just sixteen months, considered by many to be the bloodiest period of Guatemala’s history.2 Under his sixteen-month rule, more than 200,000 people were victims of homicide or forced kidnappings, 83% of whom were of indigenous Mayan origin. Indigenous Mayans were targeted, killed, tortured, raped, and * Paul “Woody” Scott is an associate attorney with Jeri Flynn & Associates in Baton Rouge, Louisiana. His practice is primarily immigration law and criminal defense, specializing in defending immigrants charged with criminal offenses, and deportation defense. He was born in San Pedro Sula, Honduras and moved to the United States at a very early age. He is fluent in both English and Spanish. 1 United Nations Office for Project Services [UNOPS], Commission for Historical Clarification [CEH], Conclusions and Recommendations, GUATEMALA, MEMORIA DEL SILENCIO [hereinafter, GUATEMALA, MEMORY OF SILENCE], Volume V, ¶ 26 (1999).
    [Show full text]
  • Criminals with Doctorates: an SS Officer in the Killing Fields of Russia
    1 Criminals with Doctorates An SS Officer in the Killing Fields of Russia, as Told by the Novelist Jonathan Littell Henry A. Lea University of Massachusetts-Amherst Lecture Delivered at the University of Vermont November 18, 2009 This is a report about the Holocaust novel The Kindly Ones which deals with events that were the subject of a war crimes trial in Nuremberg. By coincidence I was one of the courtroom interpreters at that trial; several defendants whose testimony I translated appear as major characters in Mr. Littell's novel. This is as much a personal report as an historical one. The purpose of this paper is to call attention to the murders committed by Nazi units in Russia in World War II. These crimes remain largely unknown to the general public. My reasons for combining a discussion of the actual trial with a critique of the novel are twofold: to highlight a work that, as far as I know, is the first extensive literary treatment of these events published in the West and to compare the author's account with what I witnessed at the trial. In the spring of 1947, an article in a Philadelphia newspaper reported that translators were needed at the Nuremberg Trials. I applied successfully and soon found myself in Nuremberg translating documents that were needed for the ongoing cases. After 2 passing a test for courtroom interpreters I was assigned to the so-called Einsatzgruppen Case. Einsatzgruppen is a jargon word denoting special task forces that were sent to Russia to kill Jews, Gypsies, so-called Asiatics, Communist officials and some mental patients.
    [Show full text]
  • Film Front Weimar’ 30-10-2002 14:10 Pagina 1
    * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. These films shed light on the way Ger- many chose to remember its recent past. A body of twenty-five films is analysed. For insight into the understanding and reception of these films at the time, hundreds of film reviews, censorship re- ports and some popular history books are discussed. This is the first rigorous study of these hitherto unacknowledged war films. The chapters are ordered themati- cally: war documentaries, films on the causes of the war, the front life, the war at sea and the home front. Bernadette Kester is a researcher at the Institute of Military History (RNLA) in the Netherlands and teaches at the International School for Humanities and Social Sciences at the University of Am- sterdam. She received her PhD in History FilmFilm FrontFront of Society at the Erasmus University of Rotterdam. She has regular publications on subjects concerning historical representation. WeimarWeimar Representations of the First World War ISBN 90-5356-597-3
    [Show full text]
  • Kristallnacht- the Night of Broken Glass
    Kristallnacht- The Night of Broken Glass From “America and the Holocaust”a film by American Experience On the night of November 9, 1938, the sounds of breaking glass shattered the air in cities throughout Germany while fires across the country devoured synagogues and Jewish institutions. By the end of the rampage, gangs of Nazi storm troopers had destroyed 7,000 Jewish businesses, set fire to more than 900 synagogues, killed 91 Jews and deported some 30,000 Jewish men to concentration camps. In a report back to the State Department a few days later, a U.S official in Leipzig described what he saw of the atrocities. "Having demolished dwellings and hurled most of the moveable effects to the streets," he wrote, "the insatiably sadistic perpetrators threw many of the trembling inmates into a small stream that flows through the zoological park, commanding horrified spectators to spit at them, defile them with mud and jeer at their plight." An incident several days earlier had given the Nazi authorities an excuse to instigate the violence. On November 7th, a 17-year-old Polish Jewish student named Hershel Grynszpan had shot Ernst vom Rath, the Third Secretary of the German Embassy in Paris. Grynszpan, enraged by the deportation of his parents to Poland from Hanover, Germany, where they had lived since 1914, hoped that his dramatic action would alert the world to the ominous plight of Europe's Jews. When the French police arrested Grynszpan, he sobbed: "Being a Jew is not a crime. I am not a dog. I have a right to live and the Jewish people have a right to exist on earth.
    [Show full text]
  • Mala Emde Luisa-Céline Gaffron Andreas Lust Noah Saavedra Tonio Schneider
    MALA EMDE LUISA-CÉLINE GAFFRON ANDREAS LUST NOAH SAAVEDRA TONIO SCHNEIDER www.undmorgendieganzewelt-film.de undmorgendieganzewelt UndMorgenDieGanzeWelt.film a film by Julia von Heinz with Mala Emde, Noah Saavedra, Tonio Schneider, Luisa-Céline Gaffron and Andreas Lust 2020 - Germany/France - Drama - 2.39 - 110 min International sales International PR German PR Films Boutique claudiatomassini+associates Just Publicity tel: +49 30 6953 7850 Claudia Tomassini Kerstin Böck & Annalena Brandelik [email protected] cell: +49 1732055794 tel: +49 89 20 20 82 60 www.filmsboutique.com [email protected] [email protected] www.claudiatomassini.com AND TOMORROW THE ENTIRE WORLD Cast Luisa MALA EMDE Alfa NOAH SAAVEDRA Lenor TONIO SCHNEIDER Batte LUISA-CÉLINE GAFFRON Dietmar ANDREAS LUST CREW Director JULIA VON HEINZ Screenwriters JULIA VON HEINZ & JOHN QUESTER Producers FABIAN GASMIA, JULIA VON HEINZ Coproducers JOHN QUESTER, THOMAS JAEGER, ANTOINE DELAHOUSSE DoP DANIELA KNAPP Editor GEORG SÖRING Set design CHRISTIAN KETTLER Costumes MAXI MUNZERT Music NEONSCHWARZ Composer MATTHIAS PETSCHE Sound BETTINA BERTÓK Mix VALENTIN FINKE Make-up SILKE DOTZAUER Casting MAI SECK Production companies SEVEN ELEPHANTS GmbH KINGS & QUEENS FILMPRODUKTION GmbH HAIKU FILMS SARL Co-produced by SWR, WDR, BR & ARTE Supported by FFF Bayern, MFG Baden-Württemberg, FFA Filmförderungsanstalt, Medienboard Berlin-Brandenburg, French-German Minitraité, CNC Centre national du cinema et de l’image animée, DFFF Deutscher Filmförderfonds Germany, France 2020 TRT: 111 Min The Federal Republic of Germany is a democratic and social federal state. All Germans have the right to resistance against anybody trying to abolish this order if other remedies are not possible. Art. 20, Par. 4 German Constitution AND TOMORROW THE ENTIRE WORLD SYNOPSIS When Luisa leaves her wealthy parents to study law, her best friend introduces her to a rag-tag collective of Antifa activists drawn together by their will to fight for the cause and a disdain of conventions.
    [Show full text]
  • Forensic Anthropologist's Role in Developing Evidence To
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 Proving Genocide: The Role of Forensic Anthropology in Developing Evidence to Convict Those Responsible for Genocide Jean M. Morgan Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES PROVING GENOCIDE: THE ROLE OF FORENSIC ANTHROPOLOGY IN DEVELOPING EVIDENCE TO CONVICT THOSE RESPONSIBLE FOR GENOCIDE By Jean M. Morgan A Thesis submitted to the Department of Anthropology in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Fall Semester, 2011 Copyright © 2011 Jean M. Morgan All Rights Reserved Jean M. Morgan defended this thesis on October 17, 2011. The members of the supervisory committee were: Glen H. Doran Professor Directing the Thesis Rochelle Marrinan Committee Member Lynne Schepartz Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii I would like to dedicate this work to Bishop Juan Gerardi Conedera, of the Archdiocese of Guatemala, who was murdered two days after issuing a report on the Guatemalan genocide. Additionally, this work is dedicated to all of the courageous forensic scientists and prosecutors who investigate atrocities and prosecute cases of genocide at the risk of their own personal safety. Without their dedication and hard work, justice would not be served for the victims of genocide and their loved ones. iii ACKNOWLEDGEMENTS The thesis presented here would not have been possible without the support of colleagues, family, friends, and medical professionals.
    [Show full text]