Ravi Shankar Centennial Concerts Featuring Special Guests
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High Court for the State of Telangana
COURT NO. 13 THE HONOURABLE SRI JUSTICE CHALLA KODANDA RAM To be Heard on Tuesday The 20th day of July 2021( AT 10:30 AM - VIRTUAL MODE ) (MOTION LIST) SNO CASE PETITIONER ADV. RESPONDENT ADV. DISTRICT FOR ADMISSION 1 CRP/1064/2021 U SHANTHI BHUSHAN RAO KARIMNAGAR IA 1/2021 2 CRP/1068/2021 M JANARDHAN RAO RANGA REDDY IA 1/2021 3 CRP/1069/2021 M JANARDHAN RAO KARIMNAGAR IA 1/2021 4 CRP/1070/2021 M JANARDHAN RAO KARIMNAGAR IA 1/2021 5 SA/130/2021 N ASHOK KUMAR NALGONDA IA 1/2021 6 TRCMP/124/2021 J SRI RAMA KRISHNA MAHABUBNAGAR INTERLOCUTORY 7 AS/161/2021 SHAIK MADAR KHAMMAM IA 1/2021 8 CCCA/63/2021 VEDULA CHITRALEKHA HYDERABAD IA 1/2021 D MADHAVA RAO R-1-DIED VIDE C.T.(PER LRS OF RR-2 TO 5) CAVEAT FILED BY M/S D.MADHAVA RAO(2620)FOR R-3 9 CCCA/64/2021 VEDULA CHITRALEKHA HYDERABAD IA 1/2021 D MADHAVA RAO R-1-DIED VIDE C.T.(PER LRS OF RR-2 TO 5) CAVEAT FILED BY M/S D.MADHAVA RAO(2620)FOR R-3 1 COURT NO. 13 THE HONOURABLE SRI JUSTICE CHALLA KODANDA RAM To be Heard on Tuesday The 20th day of July 2021( AFTER MOTION LIST - VIRTUAL MODE ) (DAILY LIST) SNO CASE PETITIONER ADV. RESPONDENT ADV. DISTRICT PART-HEARD 10 SA/173/2015 J V S H SASTRY SRINIVAS BOBBILI RANGA REDDY IA 3/2015(SAMP 2200/2015) C SUBBA RAO RAVI SHANKAR JANDHYALA IA 1/2016(SAMP 216/2016) S V RAMANA (P) Proof of payment Memo filed By Appellants Vide Usr No.4864 Dt 30/01/2021 ( HEARD-IN-PART ) INFRUCTUOUS MATTERS 11 CMA/971/2013 M SRIKANTH REDDY A TULSI RAJ GOKUL HYDERABAD IA 1/2015(CMAMP 541/2015) RR 1TO3 APP CRP/4686/2013 RR 4&7 UNSERVED RR 5,6&8 SERVED 12 CRP/4686/2013 A TULSI RAJ GOKUL M SRIKANTH REDDY HYDERABAD IA 1/2013(CRPMP 6376/2013) FOR JUDGMENT 13 CCCA/106/2006 THE ADVOCATE GENERAL (TG) A RAVINDER REDDY HYDERABAD IA 5/2006(CCCAMP S DWARAKANATH 6360/2006) ::Sri Raj Kumar Rudra,SC for TSHWCS for IA 1/2018 Appellant IA 1/2019 FOR APPEARANCE 14 CC/187/2021 KONDAPARTHY KIRAN KUMAR A P SURESH RAM NALGONDA RR 1TO 20 NOTICE SERVED. -
Saregama India Limited Music | Films | Web Series | Tv Serials
SAREGAMA INDIA LIMITED MUSIC | FILMS | WEB SERIES | TV SERIALS ANNUAL REPORT 2020-21 B O A R D O F D I R E C T O R S Dr. Sanjiv Goenka Mr. Santanu Bhattacharya (DIN: 00074796) (DIN: 01794958) Chairman (Non-Executive) Non-Executive Independent Director Mrs. Preeti Goenka Mr. Arindam Sarkar (DIN: 05199069) (DIN: 06938957) Non-Executive Director Non-Executive Independent Director Mrs. Avarna Jain Mr. Noshir Naval Framjee (DIN: 02106305) (DIN: 01646640) Non-Executive Director Non-Executive Independent Director Mr. Vikram Mehra Mr. Umang Kanoria (DIN: 03556680) (DIN: 00081108) Managing Director Non-Executive Independent Director Ms. Suhana Murshed Ms. Kusum Dadoo (DIN: 08572394) (DIN: 06967827) Non-Executive Independent Director Non-Executive Independent Director (w.e.f March 23, 2021) (period June 5, 2020 - Feb 4, 2021) Registered Office - Kolkata Chief Financial Officer - Mr. Vineet Garg 33, Jessore Road, Dum Dum, Kolkata - 700028, West Bengal. Company Secretary - Ms. Kamana Goenka Phone: (033) 2551 2984, 2551 4773 e-mail: [email protected] Bankers CIN : L22213WB1946PLC014346 Punjab National Bank (erstwhile United Bank of India) Website : www.saregama.com State Bank of India ICICI Bank Limited Head Office - Mumbai 2nd Floor, Spencer Building, 30, Forjett Street, Statutory Auditor Grant Road (W), Mumbai – 400 036 BSR and Co. LLP, Chartered Accountants Phone: (022) 6688 6200 (ICAI Firm Registration Number - 101248W/W-100022) Regional Offices Internal Auditor Ernst and Young LLP Delhi Secretarial Auditor A-62, 1st Floor, FIEE Complex, Okhla Industrial Area, MR & Associates Phase – II, New Delhi – 110 020 Phone: (011) 4051 9759 Cost Auditor Shome and Banerjee Chennai rd Door No. -
Music Initiative Jka Peer - Reviewed Journal of Music
VOL. 01 NO. 01 APRIL 2018 MUSIC INITIATIVE JKA PEER - REVIEWED JOURNAL OF MUSIC PUBLISHED,PRINTED & OWNED BY HIGHER EDUCATION DEPARTMENT, J&K CIVIL SECRETARIAT, JAMMU/SRINAGAR,J&K CONTACT NO.S: 01912542880,01942506062 www.jkhighereducation.nic.in EDITOR DR. ASGAR HASSAN SAMOON (IAS) PRINCIPAL SECRETARY HIGHER EDUCATION GOVT. OF JAMMU & KASHMIR YOOR HIGHER EDUCATION,J&K NOT FOR SALE COVER DESIGN: NAUSHAD H GA JK MUSIC INITIATIVE A PEER - REVIEWED JOURNAL OF MUSIC INSTRUCTION TO CONTRIBUTORS A soft copy of the manuscript should be submitted to the Editor of the journal in Microsoft Word le format. All the manuscripts will be blindly reviewed and published after referee's comments and nally after Editor's acceptance. To avoid delay in publication process, the papers will not be sent back to the corresponding author for proof reading. It is therefore the responsibility of the authors to send good quality papers in strict compliance with the journal guidelines. JK Music Initiative is a quarterly publication of MANUSCRIPT GUIDELINES Higher Education Department, Authors preparing submissions are asked to read and follow these guidelines strictly: Govt. of Jammu and Kashmir (JKHED). Length All manuscripts published herein represent Research papers should be between 3000- 6000 words long including notes, bibliography and captions to the opinion of the authors and do not reect the ofcial policy illustrations. Manuscripts must be typed in double space throughout including abstract, text, references, tables, and gures. of JKHED or institution with which the authors are afliated unless this is clearly specied. Individual authors Format are responsible for the originality and genuineness of the work Documents should be produced in MS Word, using a single font for text and headings, left hand justication only and no embedded formatting of capitals, spacing etc. -
1 Syllabus for MA (Previous) Hindustani Music Vocal/Instrumental
Syllabus for M.A. (Previous) Hindustani Music Vocal/Instrumental (Sitar, Sarod, Guitar, Violin, Santoor) SEMESTER-I Core Course – 1 Theory Credit - 4 Theory : 70 Internal Assessment : 30 Maximum Marks : 100 Historical and Theoretical Study of Ragas 70 Marks A. Historical Study of the following Ragas from the period of Sangeet Ratnakar onwards to modern times i) Gaul/Gaud iv) Kanhada ii) Bhairav v) Malhar iii) Bilawal vi) Todi B. Development of Raga Classification system in Ancient, Medieval and Modern times. C. Study of the following Ragangas in the modern context:- Sarang, Malhar, Kanhada, Bhairav, Bilawal, Kalyan, Todi. D. Detailed and comparative study of the Ragas prescribed in Appendix – I Internal Assessment 30 marks Core Course – 2 Theory Credit - 4 Theory : 70 Internal Assessment : 30 Maximum Marks : 100 Music of the Asian Continent 70 Marks A. Study of the Music of the following - China, Arabia, Persia, South East Asia, with special reference to: i) Origin, development and historical background of Music ii) Musical scales iii) Important Musical Instruments B. A comparative study of the music systems mentioned above with Indian Music. Internal Assessment 30 marks Core Course – 3 Practical Credit - 8 Practical : 70 Internal Assessment : 30 Maximum Marks : 100 Stage Performance 70 marks Performance of half an hour’s duration before an audience in Ragas selected from the list of Ragas prescribed in Appendix – I Candidate may plan his/her performance in the following manner:- Classical Vocal Music i) Khyal - Bada & chota Khyal with elaborations for Vocal Music. Tarana is optional. Classical Instrumental Music ii) Alap, Jor, Jhala, Masitkhani and Razakhani Gat with eleaborations Semi Classical Music iii) A short piece of classical music /Thumri / Bhajan/ Dhun /a gat in a tala other than teentaal may also be presented. -
Anoushka Shankar Thursday, May 2, 2019 at 8:00Pm This Is the 939Th Concert in Koerner Hall
Anoushka Shankar Thursday, May 2, 2019 at 8:00pm This is the 939th concert in Koerner Hall Anoushka Shankar, sitar Ojas Adhiya, tabla Pirashanna Thevarajah, mridangam Ravichandra Kulur, flute Danny Keane, cello & piano Kenji Ota, tanpura Anoushka Shankar Sitar player and composer Anoushka Shankar is a singular figure in the Indian classical and progressive world music scenes. Her dynamic and spiritual musicality has garnered several prestigious accolades, including six Grammy Award nominations, recognition as the youngest – and first female – recipient of a British House of Commons Shield, credit as an Asian Hero by TIME magazine, an Eastern Eye Award for Music, and a Songlines Best Artist Award. Most recently, she became one of the first five female composers to have been added to the UK A-level music syllabus. Deeply rooted in the Indian classical music tradition, Shankar studied exclusively from the age of nine under her father and guru, the late Ravi Shankar, and made her professional debut as a classical sitarist at the age of 13. By the age of 20, she had made three classical recordings for EMI/Angel and received her first Grammy nomination, thereby becoming the first Indian female and youngest-ever nominee in the world music category. She is also the first Indian artist to perform at the Grammy Awards. In addition to performing as a solo sitarist, her compositional work has led to cross-cultural collaborations with artists such as Sting, M.I.A., Herbie Hancock, Pepe Habichuela, Karsh Kale, Rodrigo y Gabriela, and Joshua Bell, demonstrating the versatility of the sitar across musical genres. -
Anoushka Shankar: Breathing Under Water – ‘Burn’, ‘Breathing Under Water’ and ‘Easy’ (For Component 3: Appraising)
Anoushka Shankar: Breathing Under Water – ‘Burn’, ‘Breathing Under Water’ and ‘Easy’ (For component 3: Appraising) Background information and performance circumstances The composer Anoushka Shankar was born in 1981, in London, and is the daughter of the famous sitar player Ravi Shankar. She was brought up in London, Delhi and California, where she attended high school. She studied sitar with her father from the age of 7, began playing tampura in his concerts at 10, and gave her first solo sitar performances at 13. She signed her first recording contract at 16 and her first three album releases were of Indian Classical performances. Her first cross-over/fusion album – Rise – was released in 2005 and was nominated for a Grammy, in the Contemporary World Music category. Her albums since Breathing Under Water have continued to explore the connections between Indian music and other styles. She has collaborated with some major artists – Sting, Nithin Sawhney, Joshua Bell and George Harrison, as well as with her father, Ravi Shankar, and her half-sister, Norah Jones. She has also performed around the world as a Classical sitar player – playing her father’s sitar concertos with major orchestras. The piece Breathing Under Water was Anoushka Shankar’s fifth album, and her second of original fusion music. Her main collaborator was Utkarsha (Karsh) Kale, an Indian musician and composer and co-founder of Tabla Beat Science – an Indian band exploring ambient, drum & bass and electronica in a Hindustani music setting. Kale contributes dance music textures and technical expertise, as well as playing tabla, drums and guitar on the album. -
Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
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Indian EXPRESS TRI-STATE Newsline NOVEMBER 16, 2012 L
20 The Indian EXPRESS TRI-STATE Newsline NOVEMBER 16, 2012 L. Subrmaniam, Kavitha to perform in NY on Dec 9 PRAKASH M SWAMY New York Philharmonic Orchestra in London, The Kennedy Center in and Zubin Mehta’s Fantasy of Ve- Washington DC, The Lincoln Center NEW YORK dic Chants, the Swiss Romande Or- in New York, Madison Square Gar- chestra Turbulence, the Kirov Ballet den, Zhongshan Music hall in Bei- nternationally renowned violin Shanti Priya, the Oslo Philharmonic jing, The Esplanade in Singapore, etc. maestro Padma Bhushan Dr. Orchestra the Concerto for Two Vio- Few of her famous songs are IL. Subramaniam and his wife lins, the Berlin Opera Global Sym- from movies 1942: A love Story, Mr Kavita Krishnamurti Subramaniam, phony. His compositions have been India, Bombay, Hum dil de chuke an accomplished Bollywood play- used in various stage presentations sanam, Dil Chahta Hai, Kabhi back and Hindustani classical music including San Jose Ballet Company Khushi Kabhi Gam. singer, will present a grand concert and Alvin Ailey Company. The event will be held at NYU for South Asian Music and Arts As- Kavita Krishnamurti Subrama- Skirball auditorium in Washington sociation on Dec 9 in New York City. niam is a famous playback singer, Square in New York. India’s violin icon is a child trained in Hindustani classical music According to Simmi Bhatia, prodigy and was given the title Vio- and a winner of Padmashri award. executive director SAMAA (South lin Chakravarthy (emperor of the A versatile singer who has sung with Asian Music and Arts Association) is violin), Grammy nominated, win- Indian classical maestros like Pandit a non-profit organization dedicated ner Dr Subramaniam has scored Jasraj and BalaMurali Krishna, while to promoting quality music and arts for films like Salaam Bombay and also worked with music composers from South Asia through live perfor- Mississippi Masala, featured soloist like R. -
Sukanya an Opera by Ravi Shankar
Sukanya an opera by Ravi Shankar Royal Opera House London Philharmonic Orchestra BBC Singers Ravi Shankar was one of the most influential musicians of all time. He inspired people from all walks of life and musicians from all genres of music. These included legendary names such as George Harrison, Yehudi Menuhin, John Coltrane and Philip Glass. Ravi Shankar’s music rapidly spread throughout the world, crossing all cultural and generational boundaries. Ravi Shankar envisaged Sukanya as a truly ground-breaking piece of musical theatre which will explore the common ground between the music, dance and theatrical traditions of India and the West. Ravi Shankar was in a unique position to visualise the common ground between East and West. He was steeped in the ancient musical and dramatic traditions of India through his guru Baba Allaudhin Khan and he also gained a deep knowledge of the music and drama of the west from a very young age. And yet he lived in an age where jet travel, radio, television and recorded music opened up the world and introduced him to musicians from across the globe that he could share and learn music with. As a young man Shankar experienced the reaction of Westerners to hearing Indian music for the first time: although many found it exciting he realised that it needed to be presented very carefully for the untrained Western ear to realise its depths. Thus, Ravi Shankar became the first Indian musician to explain these concepts to his audiences. Shankar had a vision for Sukanya that would break the mould of traditional opera: a truly ground-breaking work which will explore the common ground between the music, dance and theatrical traditions of India and the West. -
A Real-Time Synthesis Oriented Tanpura Model
Proceedings of the 19th International Conference on Digital Audio Effects (DAFx-16), Brno, Czech Republic, September 5–9, 2016 A REAL-TIME SYNTHESIS ORIENTED TANPURA MODEL Maarten van Walstijn, Jamie Bridges, and Sandor Mehes Sonic Arts Research Centre School of Electronics, Electrical Engineering, and Computer Science Queen’s University Belfast, UK {m.vanwalstijn,jbridges05,smehes01}@qub.ac.uk cotton ABSTRACT thread finger Physics-based synthesis of tanpura drones requires accurate sim- tuning bridge nut ulation of stiff, lossy string vibrations while incorporating sus- bead tained contact with the bridge and a cotton thread. Several chal- lenges arise from this when seeking efficient and stable algorithms 0 xc xb → x xe L for real-time sound synthesis. The approach proposed here to address these combines modal expansion of the string dynamics Figure 1: Schematic depiction of the tanpura string geometry (with with strategic simplifications regarding the string-bridge and string- altered proportions for clarity). The string termination points of the thread contact, resulting in an efficient and provably stable time- model are indicated with the vertical dashed lines. stepping scheme with exact modal parameters. Attention is given also to the physical characterisation of the system, including string damping behaviour, body radiation characteristics, and determi- the reliance on iterative solvers and from the high sample rates nation of appropriate contact parameters. Simulation results are needed to alleviate numerical dispersion. presented exemplifying the key features of the model. This paper aims to formulate a leaner discrete-time tanpura string model requiring significantly reduced computational effort, but retaining much of the key sonic features of the instrument. -
David Pontbriand and Brian Shankar Adler
music presents David Pontbriand and Brian Shankar Adler Saturday, March 20, 2021 Live-Streamed from the Olin Concert Hall 7:30 pm About the Concert Sitarist David Pontbriand and percussionist/composer Brian Shankar Adler perform an evening of pieces and songs connected (in one way or another) to India. Unusual settings of sitar with vibraphone, drum set, and bomba legüero, engage in textural dialogue with the more customary duo of sitar and tabla. The program includes improvisations, original compositions, and folk songs, as well as works by Ellington/Strayhorn and Lennon/McCartney. Program Introduction Drone (Adler) is inspired by the subtle, hypnotic hum of the tamboura, a plucked string instrument from India. In this piece, I am seeking to create a similarly meditative effect through the use of weaving rhythms that stretch and contract; a palindrome, with no fixed beginning or ending. –BSA Alaap is the name for the exploratory opening section of a raga performance, where the raga theme is gradually unfolded and developed, in free time. In the Indian classical tradition, ragas are melodic frameworks based on one or more modal scales, each with specific conventions of phrasing that suggest a distinct melodic shape, or flavor. Within this framework, the artist creates a unique spontaneous composition with each performance. My alaap is an original conception, for sitar solo, combining melodic elements from two different raga forms with elements of free improvisation, in a “stream of consciousness” series of episodic variations. The vibes provide an atmospheric envelope, gently framing and supporting the melodic variations. –DP Gat is a composition for sitar and tabla, where the themes developed in the alaap are further explored in a rhythmic framework called tala. -
A Level Music
A level Music Areas of Study – Other Perspectives NB: updates to this document were made in April 2021 and these are highlighted in yellow. © artwork: Mark Bolitho | Origami photography Pearson Education Ltd/Justin Hoffman Introduction This qualification features a Component entitled Appraising. The purpose of this component is for students to develop their listening and appraising skills through the study of music across a variety of styles and genres. The content is grouped into six areas of study, containing either two or three set works. This component gives students the opportunity to reflect on, analyse and evaluate music in aural and/or written form. To achieve this objective, students need to use their knowledge and understanding of musical elements, context and language to make critical judgements about the repertoire and context of music within the areas of study. Students should also study a range of pieces beyond these set works. The suggested other musical pieces for each area of study (see Appendix 4 of the specification) provide students with breadth, enabling them to place their knowledge of musical elements, context and language in a wider context, and apply their knowledge and understanding to more pieces of music. The suggested other music can help students to relate their learning to music in the set works, but their study is not compulsory. Teachers can identify and teach other pieces of music to support their students’ learning. The following music and musicians are examples of how each of the areas of study can be approached from a diverse range of other perspectives. The pieces have been chosen to encourage students to think beyond the mainstream and over-represented composers and styles of music, and instead to consider alternative and less well-known types and origins of music.