Maiawolins Thesis, 1.5 Space
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Galbraith.Pdf
NY Review of Books | http://www.nybooks.com/articles/17103 15 April 2004 Feature How to Get Out of Iraq Peter W. Galbraith . In the year since the United States Marines pulled down Saddam Hussein’s statue in Baghdad’s Firdos Square, things have gone very badly for the United States in Iraq and for its ambition of creating a model democracy that might transform the Middle East. As of today the United States military appears committed to an open-ended stay in a country where, with the exception of the Kurdish north, patience with the foreign oc- cupation is running out, and violent opposition is spreading. Civil war and the breakup of Iraq are more likely outcomes than a successful transition to a pluralistic Western-style democracy. Much of what went wrong was avoidable. Focused on winning the political battle to start a war, the Bush administration failed to anticipate the postwar chaos in Iraq. Admin- istration strategy seems to have been based on a hope that Iraq’s bureaucrats and police would simply transfer their loyalty to the new authorities, and the country’s administra- tion would continue to function. All experience in Iraq suggested that the collapse of civil authority was the most likely outcome, but there was no credible planning for this contingency. In fact, the effort to remake Iraq never recovered from its confused start when it failed to prevent the looting of Baghdad in the early days of the occupation. mericans like to think that every problem has a solution, but that may no longer Abe true in Iraq. -
What Are the Effects of US Involvement in Iraq and Afghanistan Since The
C3 TEACHERS World History and Geography II Inquiry (240-270 Minutes) What are the effects of US involvement in Iraq and Afghanistan since the Gulf War? This inquiry was designed by a group of high school students in Fairfax County Public Schools, Virginia. US Marines toppling a statue of Saddam Hussein in Firdos Square, Baghdad, on April 9, 2003 https://www.newyorker.com/news/news-desk/the-fate-of-a-leg-of-a-statue-of-saddam-hussein Supporting Questions 1. What are the economic effects of US involvement in Iraq and Afghanistan since the Gulf War? 2. What are the political effects of US involvement in Iraq and Afghanistan since the Gulf War? 3. What are the social effects of US involvement in Iraq and Afghanistan since the Gulf War? THIS WORK IS LICENSE D UNDER A CREATIVE C OMMONS ATTRIBUTION - N ONCOMMERCIAL - SHAREAL I K E 4 . 0 INTERNATIONAL LICENS E. 1 C3 TEACHERS Overview - What are the effects of US involvement in Iraq and Afghanistan since the Gulf War? What are the effects of US involvement in Iraq and Afghanistan since the Gulf War? VUS.14 The student will apply social science skills to understand political and social conditions in the United States during the early twenty-first century. Standards and Content WHII.14 The student will apply social science skills to understand the global changes during the early twenty-first century. HOOK: Option A: Students will go through a see-think-wonder thinking routine based off the primary source Introducing the depicting the toppling of a statue of Saddam Hussein, as seen on the previous page. -
Hello Everybody!
HELLO EVERYBODY! Joris Luyendijk was born in 1971. He studied Arabic and social sciences at the University of Amsterdam and Cairo University. In 2006, he was awarded the Journalist of the Year prize by De Journalist, selected from the top forty most influential international journalists by the NVJ (the Dutch Association of Journalists). Michele Hutchison was born in Birmingham in 1972. She studied languages, literature, and philosophy at the universities of UEA, Cambridge, and Lyon, and has worked in publishing for the past twelve years. She lives in Amsterdam and is also the translator of Dutch writers Simone van der Vlugt and Ilja Leonard Pfeijffer. Hello Everybody.indd 1 16/04/2010 15:12 Hello Everybody.indd 2 16/04/2010 15:12 Hello everybody! one Journalist’s Search for the Truth in the Middle east JoriS luyendiJk Translated by Michele Hutchison Hello Everybody.indd 3 16/04/2010 15:12 First published in Great Britain in 2010 by PROFILE BOOKS LTD 3A Exmouth House Pine Street London EC1R 0JH www.profilebooks.com First published in English in Australia and New Zealand by Scribe Publications First published as Het zijn net mensen in 2006 by Uitgeverij Podium, The Netherlands Copyright © Joris Luyendijk, 2006 English translation copyright © Michele Hutchison, 2009 10 9 8 7 6 5 4 3 2 1 Printed and bound in Great Britain by Clays, Bungay, Suffolk The moral right of the author has been asserted. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. -
© Osprey Publishing • IRAQ FULL CIRCLE from Shock and Awe to the Last Combat Patrol
© Osprey Publishing • www.ospreypublishing.com IRAQ FULL CIRCLE From Shock and Awe to the Last Combat Patrol COL. DARRON L. WRIGHT © Osprey Publishing • www.ospreypublishing.com NOT FOR FAME OR REWARD, NOT FOR PLACE OR FOR RANK, NOT LURED BY AMBITION OR GOADED BY NECESSITY, BUT IN SIMPLE OBEDIENCE TO DUTY AS THEY UNDERSTOOD IT, THESE MEN SUFFERED ALL, SACRIFICED ALL, DARED ALL, AND DIED. —Confederate Memorial at Arlington National Cemetery I dedicate this book first and foremost to my loving wife Wendy and my amazing children Dillon, Chloe, and Kyle, for enduring all the months and years that I was forward deployed doing what I love to do. To my mom, stepfather, brother, sister, and their families, thanks for all your love and support over the years. To all the men and women who wear the uniform both past and present defending democracy abroad and serving as the beacon of freedom for America, you represent less than 1 percent of our nation’s population who have stepped forward to serve a cause greater than yourselves. You all are heroes and deserve the highest regard and praise that our nation can bestow upon you. You are America’s finest. To the brave and courageous soldiers of 1st Battalion –8th Infantry Regiment, 3rd Brigade Combat Team–4th Infantry Division, 4th Brigade Combat Team–4th Infantry Division, 1st Battalion Airborne–509th Infantry, and the 4th Stryker Brigade Combat Team–2nd Infantry Division, thanks for your service and most of all your sacrifice. You made your mark on this war at different stages and times over the past years, but, most noteworthy, you brought freedom and hope to a country that only knew tyranny and oppression. -
Saddam Hussein : a Biography Pdf, Epub, Ebook
SADDAM HUSSEIN : A BIOGRAPHY PDF, EPUB, EBOOK Shiva Balaghi | 204 pages | 30 Dec 2005 | ABC-CLIO | 9780313361883 | English | Westport, United States Saddam Hussein : A Biography PDF Book He is founding editor of the scholarly journal Israel Affairs, now in its sixteenth year, and founding general editor of a Routledge book series on Israeli History, Politics and Society. In his State of the Union address in January of , the U. Hussein was raised in the farming village of Tikrit by his widowed mother. Web Sites McCallester, Matthew. Inari Rautsi. Goodreads helps you keep track of books you want to read. The days of glory were short lived and soon, owing to never ending conflicts and battles with the neighboring countries, and later with the West, the country was reduced to a barren land. Mills rated it liked it Sep 06, Such reports were denied by doctors. Saddam Hussein following his capture by U. Such large-scale social programs were unheard of in any other Middle Eastern country. A few years later, in , he ordered the execution of Tiled portrait of Saddam Hussein in Tikrit, Iraq. Reports of Saddam sightings popped up occasionally, but proved to be false. In the war ended in a stalemate, with no side claiming a real victory. In an open letter to the American people, Hussein said that the attacks on the Pentagon and the World Trade Center were retribution for the death and destruction America has unleashed against foreigners, including the bombing of Hiroshima and Nagasaki, the Gulf War and economic sanctions against Iraq. Bush named Iraq as part of his so-called "Axis of Evil," along with Iran and North Korea, and claimed that the country was developing weapons of mass destruction and supporting terrorism. -
Almost Human. Images from the Middle East (Het Zijn Net Mensen) by Joris Luyendijk
Sample Translation Almost Human. Images from the Middle East (Het zijn net mensen) by Joris Luyendijk (Amsterdam: Podium, 2006) Translated by Brian Doyle JORIS LUYENDIJK – ALMOST HUMAN. IMAGES FROM THE MIDDLE EAST Prologue Hello everybody! ‘One more?’ The Médecins sans Frontières coordinator emerged from the field tent and studied his boots. I nodded, realising I’d have to come up with something fast or the tears would be trickling down my white cheeks in the next tent which wasn’t exactly what I wanted. It was a rainy September day and I was walking around the village of Wau in Southern Sudan, a territory that the newspapers had paired with such phrases as ‘famine-afflicted’ and ‘war-torn’ for the past twenty years. The rebels were ensconced somewhere on the other side of the river. On our side, Médecins sans Frontières (MSF) had set up a camp for ‘starving refugees’. A cease-fire was in operation for as long as it lasted. ‘Are you sure you want to see it?’ one of my more experienced colleagues had asked in the capital Khartoum, ‘refugee camps can mess with your hard disk.’ Another advised: ‘It’s a question of automatic pilot. Think: can I use this for my piece? and nothing else.’ Well, it was pretty clear that what the MSF coordinator had shown me in the first two tents would be perfect for my piece. It was just like the News or an Oxfam Novib film. Round, swollen infant bellies – I’ve known since primary school that lack of food causes swelling and distension. -
Triumph (Re-)Imagined: Saddam's Monument to Victory
International Journal of the Classical Tradition https://doi.org/10.1007/s12138-018-0495-5 ARTICLE Triumph (re-)Imagined: Saddam’s Monument to Victory Annelies Van de Ven1 © Springer Nature B.V. 2018 Introduction National narratives are not rootless; they are located in time as well as space.1 They are also not neutral, and each one carries within it a specific interpretation of the past, its literary and material remains, that is often focused on a particular territorial entity or cultural group. These interpretations form the basis for a national myth and they are incorporated into state ideologies to create a common national identity. The governing bodies of national and cultural groups can reform these historical sites, figures and events as tools to support a desired sense of identity. Through assessing how official interpretations of history are displayed in the public sphere through speeches, monuments or museum displays, we can begin to recreate these narratives and their processes of formation and revision. In this paper, I focus on the narrative of Saddam Hussein’s Victory Arch in Baghdad (Figure 1). The colossal structure was one of the many monuments erected by Saddam’s government in order to immortalize a new vision for the Iraqi nation. This vision did not only address Iraqi expectations for the nation’s future, but it reformulated their narratives of the past, creating a world in which the nation’s well- being depended on the continued supremacy of the Ba’th party and its leader. The Victory Arch was a particularly poignant symbol of this narrative and had pride of place within the government’s architectural repertoire. -
Understanding ISIS: from Conception to Operations
AUGUST 2017 Understanding ISIS: From Conception to Operations KABIR TANEJA Understanding ISIS: From Conception to Operations KABIR TANEJA ABOUT THE AUTHOR Kabir Taneja is an Associate Fellow with ORF's Strategic Studies programme. His primary research interest is India's relations with West Asia. He studies domestic political dynamics, terrorism, non-state militant actors, and the general security paradigm of the region. Kabir has previously held positions as a Researcher and Fellow with the Robert Bosch Stiftung (Germany), Fridtjof Nansen Institute (Norway), and Takshashila Institution (India). He holds a Bachelor's degree from La Trobe University, Melbourne, and a Master's degree from Cardiff University, United Kingdom. Kabir has written for various publications, including The New York Times, The Hindu, Suddeutsche Zeitung, The Huffington Post, Politico, Quartz, and The Wire. ISBN : 978-81-935340-2-1 © 2017 Observer Research Foundation. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without permission in writing from ORF. Understanding ISIS: From Conception to Operations ABSTRACT This paper bridges the gap in Indian public discourse on the aims of ISIS (Islamic State of Iraq and Syria or Islamic State) and where it stands today as the most formidable terrorist organisation of the 21st century. It explores ISIS from the perspective of the Middle East, rather than coming from an Indian foreign policy and security point of view, of which there is no dearth in literature. Such an approach is crucial in understanding the terrorist organisation and dissecting its hierarchical structures, operational mettle, and territorial conquest, as well as in examining its different approaches in Iraq and Syria and its unprecedented use of online media propaganda to further its cause beyond geographical borders. -
Seeing Is Believing How the U.S
Seeing is Believing How the U.S. government and American news networks spun the Iraq War By Sarah Schenter 23 April 2009 (Spring 2009) SIT Study Abroad, Switzerland: International Studies, Organizations, and Social Justice Advisor: Professor Goran Jovanovic Academic Directors: Professor Gyula Csurgai Professor Alexandre Lambert Brandeis University Politics, International and Global Studies 1 ABSTRACT The American public was doubly deceived into compliance with the Iraq War – first by the government, then by the news media, which disseminated and amplified the Bush administration’s misleading rhetoric and accepted as fact the “evidence” of Weapons of Mass Destruction in Iraq that was used as the main justification for going to war. This paper first provides a background history of the role of American news media in armed conflict up until the Iraq War, starting with the Revolutionary War. The media was a powerful political actor ever since the beginning of United States history. With the evolution of technology, the news media has blossomed, and has subsequently become more difficult for the government to monitor. The relationship between journalists and the military has become increasingly strained, as Pentagon officials feared that the media would leak secrets to the enemy, or that it would undermine the war effort by portraying U.S. military actions in a negative light. The freedom of the press is a fundamental element to a democracy. This right ensures that the press is free to criticize the government, allowing the people to more easily hold their government accountable for its actions. However, during the 2003 invasion of Iraq, American news media failed to fulfill its duty. -
International Journal of Architectural Research
ISSN - United States (Online) 1938-7806 OCLC & World Cat # 145980807 Library of Congress Catalogue # 2007212183 International Journal of Architectural Research An international fully refereed journal published three times a year- http://www.archnet-ijar.net | https://archnet.org/collections/34 Archived and Architecture Indexed by Planning Courtesy M. G. Abdelmonem Archnet Built Environment Studies Avery Index to Architectural Periodicals Chief Editor CNKI: China Ashraf M. Salama National Knowledge Collaborating Editor Infrastructure Farzad Pour Rahimian DOAJ-Directory of Open Access Journals EBSCO Current Abstracts-Art and Special Issue Volume (11) - Issue (3) November 2017 Volume Architecture Architectural and Urban ProQuest Heritage in the Digital Era SCOPUS Web of Science Guest Editor Core Collection Mohamed Gamal Abdelmonem Copyright © 2017 Archnet-IJAR, Archnet, MIT- Massachusetts Institute of Technology 2016 Metrics Archnet-IJAR is published and archived by ARCHNET, the most comprehen- Archnet-IJAR is a Q1Journal in sive online community for architects, planners, urban designers, interior de- Architecture and Q2 in Urban Studies signers, landscape architects, and scholars working in these fields, developed at the MIT Libraries-Aga Khan Documentation Center, MIT School of Archi- tecture and Planning in close cooperation with, and with the full support of SCOPUS RANKING The Aga Khan Trust for Culture, an agency of the Aga Khan Development Architecture (Q1) 23 out of 87 Network. Urban Studies (Q2) 60 out of 134 SCIMAGO Architecture (Q1) 18 out of 117 Urban Studies (Q2) 57 out of 138 Rankings are based on last metrics of Copyright Permission Attribution Non-Commercial No Derivatives (CC-BY-NC-ND) May 2017 for Scopus and July 2017 for Users are free to copy, distribute, or display the work for non-commercial purposes only, but must Scimago credit the copyright holder (author, photographer, etc.). -
Performativity and the Camera. Parliament Square Recast Through Social Media Photography
Restaging Place: Performativity and the camera. Parliament Square recast through social media photography Judith Brocklehurst Supervisors: Pam Meecham and Paul Standish Word count not including appendices: 76131 I, Judith Brocklehurst confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 1 Abstract This practice-related study of a politically charged public place, Parliament Square, London is led by an examination of social media photographs that have been taken there and posted online. The photographs have been removed from the fast flow of social media, transposed to analogue film, slowed and analyzed. During this physical process four social activities emerge: tourism, protest, state occasion and the everyday. An investigation into each of these areas is instigated by a close examination of one related photograph. This investigation occurs theoretically and in the realm of performative sculptural, photographic and film practice. As well as being a study of the actual place, the Square offers a public location from which to reflexively examine its virtual equivalents online. Through performative practice, my study highlights commonalities between the role of photographs, monuments and public places as methods of representing historical understandings and their democratic potential: the ‘everyday’ of the Square and photography. The study investigates the role of photography in the construction of place – deconstructing how tourists pose and gaze into the camera to return to the singularity of the individual experience. The enquiry continues to look at Parliament Square as a place of political protest counter to the dominant state narrative of the past and the present. -
Carrie Lambert-Beatty
CARRIE LAMBERT-BEATTY Say “political art” and the first images that come to mind are protest pieces: posters, logos, and other weapons of symbolic warfare. Such expression has been important here in the U.S. in the context of the current war, even when the forms are not necessarily those of the past. We’ve had Richard Serra’s Abu Ghraib image haunting the festivities at the last Whitney Biennial, but also new types of attempts to stimulate political will through identification and empathy—like those in which superimposed maps of here and there provide GPS-era updates of the “bring the war home” strategies of protest art past. For instance, the “dislocative tourism agency” You Are Not Here (Thomas Duc, Kati London, Dan Phiffer, Charles Pratt, Ran Tao, and Mushon Zer-Aviv) posted a series of signs in New York with phone numbers; dialing them on your cell phone gave you a tour guide’s chipper description of a site in Baghdad physically corresponding to your location in New York, audio “visits” whose tour-guide pabulum was subtly punctuated with ideology- deflating factoids (as by the guide to Firdos Square, who mentions as if in passing that when the square’s statue of Saddam Hussein was famously toppled in April 2003, the crowds in attendance were predominantly U.S. troops and international journalists) (http://www.youarenothere.org/tours/). Pushing more aggressively on the idea, Alyssa Wright has a project in progress in which she walks the streets of Boston/Cambridge wearing a backpack rigged so that whenever she crosses into an area corresponding to one on an overlaid map of Baghdad where a bomb- ing has recently been reported, the pack “explodes,” sending up a cloud of smoke and a sheaf of confetti bearing names of dead Iraqi civilians (http://web.media.