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Alternate History – Alternate Memory: Counterfactual Literature in the Context of German Normalization
ALTERNATE HISTORY – ALTERNATE MEMORY: COUNTERFACTUAL LITERATURE IN THE CONTEXT OF GERMAN NORMALIZATION by GUIDO SCHENKEL M.A., Freie Universität Berlin, 2006 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (German Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2012 © Guido Schenkel, 2012 ABSTRACT This dissertation examines a variety of Alternate Histories of the Third Reich from the perspective of memory theory. The term ‘Alternate History’ describes a genre of literature that presents fictional accounts of historical developments which deviate from the known course of hi story. These allohistorical narratives are inherently presentist, meaning that their central question of “What If?” can harness the repertoire of collective memory in order to act as both a reflection of and a commentary on contemporary social and political conditions. Moreover, Alternate Histories can act as a form of counter-memory insofar as the counterfactual mode can be used to highlight marginalized historical events. This study investigates a specific manifestation of this process. Contrasted with American and British examples, the primary focus is the analysis of the discursive functions of German-language counterfactual literature in the context of German normalization. The category of normalization connects a variety of commemorative trends in postwar Germany aimed at overcoming the legacy of National Socialism and re-formulating a positive German national identity. The central hypothesis is that Alternate Histories can perform a unique task in this particular discursive setting. In the context of German normalization, counterfactual stories of the history of the Third Reich are capable of functioning as alternate memories, meaning that they effectively replace the memory of real events with fantasies that are better suited to serve as exculpatory narratives for the German collective. -
The New Order of Hitler: Virtual History, Fiction and Myth
DEBATER A EUROPA Periódico do CIEDA e do CEIS20 , em parceria com GPE e a RCE. N.13 julho/dezembro 2015 – Semestral ISSN 1647-6336 Disponível em: http://www.europe-direct-aveiro.aeva.eu/debatereuropa/ The New Order of Hitler: Virtual History, Fiction and Myth Sérgio Neto Researcher of CEIS20, University of Coimbra E-mail: [email protected] Abstract At the intersection of counterfactual Historiography and literary fantasy, the triumph of the Axis powers in World War II has been one of the main issues. The resurgence of a hypothetical IV Reich also results extensive. Similarly, cinema has not failed to go over the old question of “if”. This article intent to analyse some virtual literature and historical works of reference about the New European Order in order to discuss possible inspiration that science awoke this genre and concepts revolving around the revisionism and determinism. Keywords: New European Order; Counterfactuals; Dystopia; Historiography; Fantasy When the German army completed the conquest of Poland in September 1939 the New European Order began to take shape. The euphemistic name of that brutal military occupation was in fact more incisive than the name given to the Japanese occupied areas: Greater East Asia Co-Prosperity Sphere 1. But, the main issue was if Hitler’s projects achieved in a few years the degree of dehumanization promised by the propaganda with the so called Reich of a Thousand Years. Based on the assumptions outlined by Mein Kampf , as well as the improvisations made during the course of the war, the dreams and fantasies of world domination were analysed not only by the historiography, but widely widespread by the alternate story genre. -
Hawkeye, Volume 1 by Matt Fraction (Writer) , David Aja (Artist)
Read and Download Ebook Hawkeye, Volume 1... Hawkeye, Volume 1 Matt Fraction (Writer) , David Aja (Artist) , Javier Pulido (Artist) , Francesco Francavilla (Artist) , Steve Lieber (Artist) , Jesse Hamm (Artist) , Annie Wu (Artist) , Alan Davis (Penciler) , more… Mark Farmer (Inker) , Matt Hollingsworth (Colourist) , Paul Mounts (Colourist) , Chris Eliopoulos (Letterer) , Cory Petit (Letterer) …less PDF File: Hawkeye, Volume 1... 1 Read and Download Ebook Hawkeye, Volume 1... Hawkeye, Volume 1 Matt Fraction (Writer) , David Aja (Artist) , Javier Pulido (Artist) , Francesco Francavilla (Artist) , Steve Lieber (Artist) , Jesse Hamm (Artist) , Annie Wu (Artist) , Alan Davis (Penciler) , more… Mark Farmer (Inker) , Matt Hollingsworth (Colourist) , Paul Mounts (Colourist) , Chris Eliopoulos (Letterer) , Cory Petit (Letterer) …less Hawkeye, Volume 1 Matt Fraction (Writer) , David Aja (Artist) , Javier Pulido (Artist) , Francesco Francavilla (Artist) , Steve Lieber (Artist) , Jesse Hamm (Artist) , Annie Wu (Artist) , Alan Davis (Penciler) , more… Mark Farmer (Inker) , Matt Hollingsworth (Colourist) , Paul Mounts (Colourist) , Chris Eliopoulos (Letterer) , Cory Petit (Letterer) …less Clint Barton, Hawkeye: Archer. Avenger. Terrible at relationships. Kate Bishop, Hawkeye: Adventurer. Young Avenger. Great at parties. Matt Fraction, David Aja and an incredible roster of artistic talent hit the bull's eye with your new favorite book, pitting Hawkguy and Katie-Kate - not to mention the crime-solving Pizza Dog - against all the mob bosses, superstorms -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Serial Historiography: Literature, Narrative History, and the Anxiety of Truth
SERIAL HISTORIOGRAPHY: LITERATURE, NARRATIVE HISTORY, AND THE ANXIETY OF TRUTH James Benjamin Bolling A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2016 Approved by: Minrose Gwin Jennifer Ho Megan Matchinske John McGowan Timothy Marr ©2016 James Benjamin Bolling ALL RIGHTS RESERVED ii ABSTRACT Ben Bolling: Serial Historiography: Literature, Narrative History, and the Anxiety of Truth (Under the direction of Megan Matchinske) Dismissing history’s truths, Hayden White provocatively asserts that there is an “inexpugnable relativity” in every representation of the past. In the current dialogue between literary scholars and historical empiricists, postmodern theorists assert that narrative is enclosed, moribund, and impermeable to the fluid demands of history. My critical intervention frames history as a recursive, performative process through historical and critical analysis of the narrative function of seriality. Seriality, through the material distribution of texts in discrete components, gives rise to a constellation of entimed narrative strategies that provide a template for human experience. I argue that serial form is both fundamental to the project of history and intrinsically subjective. Rather than foreclosing the historiographic relevance of storytelling, my reading of serials from comic books to the fiction of William Faulkner foregrounds the possibilities of narrative to remain open, contingent, and responsive to the potential fortuities of historiography. In the post-9/11 literary and historical landscape, conceiving historiography as a serialized, performative enterprise controverts prevailing models of hermeneutic suspicion that dominate both literary and historiographic skepticism of narrative truth claims and revives an ethics responsive to the raucous demands of the past. -
Summer Activities
SUMMER ACTIVITIES Backyard Scrabble: Cut 144 pieces of cardboard that are 12 inch squares. You may paint the letters with any type of paint you have around the house. You will need 2: J,K,Q,X,Z. 3: B,C,F,H,M,P,V,W,Y. 4: G. 5: L. 6: D,S,U. 8: N. 9: T,R. 11: O. 12: I. 13: A. 18: E. This not only makes your brain work, but you are exercising as well! Directions for the game can be found online! https://scrabble.hasbro.com/en-us/rules Bean Bag Ladder Toss: Grab any type of ladder you have laying around your house! Label each ru n of a step ladder on paper with points and let the kids try and get as many points as possible by throwing bean bags between the rungs. (If you don't have bean bags, fill up old socks with rice!) You can make it more fun by giving addition and subtraction questions and having them throw it in the correct answer slot! Lawn Twister: Use a paper plate to make a spinner with a pencil to hold the paper clip in the middle and then use the paper clip to spin to figure out what color you are landing on and what body part must go on that spot! Then cut out a 10 inch circle from an old pizza box to use as a stencil for the spots on the lawn. Then spray paint 4 different colored rows of 6 circles. Feel free to eyeball it! Directions can be found here: https://www.math.uni- bielefeld.de/~sillke/Twister/rules/ Sack Races: Grab an old pillow case and head outside to your lawn! There should be some type of marker for the start line and turning point (stick or cone). -
Books Added in May Fiction
Books Added in May Fiction – May, 2017 Ahlborn, Ania, The devil crept in / Ania Ahlborn. FICTION AHL Alyan, Hala, 1986- Salt houses / Hala Alyan. FICTION ALY Ball, Bethany, What to do about the Solomons / Bethany Ball. FICTION BAL Blauner, Peter, Proving ground / Peter Blauner. FICTION BLA Brown, Dale, 1956- Price of duty / Dale Brown. FICTION BRO Brown, Taylor, 1982- The river of kings / Taylor Brown. FICTION BRO Buntin, Julie, Marlena : a novel / Julie Buntin. FICTION BUN Cameron, Claire, 1973- The last Neanderthal / Claire Cameron. FICTION CAM Cameron, W. Bruce, A dog's way home / W. Bruce Cameron. FICTION CAM Canty, Kevin, The underworld / Kevin Canty. FICTION CAN Chevalier, Tracy, New boy / Tracy Chevalier. FICTION CHE Child, Lee, No middle name : the complete collected Jack Reacher short stories / Lee Child. FICTION CHI Child, Lincoln, Full wolf moon / Lincoln Child. FICTION CHI Cole, Alyssa, An extraordinary union : a novel of the Civil War / Alyssa Cole. FICTION COL Cottrell, Patty Yumi, Sorry to disrupt the peace / Patty Yumi Cottrell. FICTION COT Craig, Charmaine, Miss Burma / Charmaine Craig. FICTION CRA Crichton, Michael, 1942-2008, Dragon teeth / Michael Crichton. FICTION CRI Cussler, Clive, Nighthawk : a novel from the NUMA Files / Clive Cussler and Graham Brown. FICTION CUS Great American short stories : from Hawthorne to Hemingway / edited with an introduction by Corinne Demas. SSA FICTION GRE Drew, Alan, 1970- Shadow man / Alan Drew. FICTION DRE Dymott, Elanor, 1973- Silver and salt / Elanor Dymott. FICTION DYM Elsberg, Marc, 1967- Blackout / Marc Elsberg ; translated by Marshall Yarbrough. FICTION ELS Emmich, Val, The reminders / Val Emmich. FICTION EMM Evans, Richard Paul, The broken road / Richard Paul Evans. -
Application of Turning Point Theory to Communication Following an Acquired Disability
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The Research Repository @ WVU (West Virginia University) Graduate Theses, Dissertations, and Problem Reports 2004 Application of turning point theory to communication following an acquired disability Katie Neary Dunleavy West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Dunleavy, Katie Neary, "Application of turning point theory to communication following an acquired disability" (2004). Graduate Theses, Dissertations, and Problem Reports. 863. https://researchrepository.wvu.edu/etd/863 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Application of Turning Point Theory to Communication Following an Acquired Disability Katie Neary Dunleavy Thesis submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Communication Studies Melanie Booth-Butterfield, Ph.D., Chair Matthew Martin, Ph.D. -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
2News Summer 05 Catalog
TwoMorrows 2015 Catalog SAVE 15 ALL BOOKS, MAGS WHEN YOU% & DVDs ARE 15% OFF ORDER EVERY DAY AT ONLINE! www.twomorrows.com *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. Four Ways To Order: • Save us processing costs by ordering Print or Digital Editions ONLINE at www.twomorrows.com and you get at least 15% OFF cover price, plus exact weight-based postage (the more you order, the more you save on shipping—especially overseas customers)! Plus you’ll get a FREE PDF DIGITAL EDITION of each PRINT item you order, where available. OR: • Order by MAIL, PHONE, FAX, or E-MAIL DIGITALEDITIONS and add $1 per magazine or DVD and $2 per book in the US for Media Mail shipping. AVAILABLE OUTSIDE THE US, PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! OR: • Download our new Apps on the Apple and Android App Stores! OR: • Use the Diamond Order Code to order at your local comic book shop! CONTENTS DIGITAL ONLY BOOKS . 2 AMERICAN COMIC BOOK CHRONICLES . .3 MODERN MASTERS SERIES . 4-5 COMPANION BOOKS . 6-7 ARTIST BIOGRAPHIES . 8-9 COMICS & POP CULTURE BOOKS . 10 ROUGH STUFF & WRITE NOW . 11 DRAW! MAGAZINE . 12 HOW-TO BOOKS . 13 COMIC BOOK CREATOR MAGAZINE . 14 COMIC BOOK ARTIST MAGAZINE . 15 JACK KIRBY COLLECTOR . 16-19 ALTER EGO MAGAZINE . 20-27 BACK ISSUE! MAGAZINE . 28-32 To be notified of exclusive sales, limited editions, and new releases, sign up for our mailing list! All characters TM & ©2015 their respective owners. -
CHAPTER CONSTITUTION Turning Point USA at the University of Alabama
CHAPTER CONSTITUTION Turning Point USA at the University of Alabama Turning Point USA is a student organization that exists to educate students about limited government and :iscal responsibility. ARTICLE I – ORGANIZATION SeCtion I. Name The name of this organization shall be Turning Point USA at the University of Alabama. SeCtion II. Mission Statement Turning Point USA starts conversations among young people, by educating students about :iscal responsibility, free markets, and capitalism. Through non-partisan debate, dialogue, and discussion, Turning Point USA believes that every young person can be enlightened to true free market values. SeCtion III. University Registration The organization shall be independent in its decision-making in accordance with the national Turning Point USA organization. The Executive Board will register the Club or apply for its recognition as a registered student organization. ARTICLE II - MEMBERSHIP Membership in registered student organizations shall be open to all students of The University of Alabama, without regard to race, religion, sex, disability, national origin, color, age disability, gender identity or expression, sexual identity, or veteran status except in cases of designated fraternal organizations exempted by federal law from Title IX regulations concerning discrimination on the basis of sex. SeCtion I Voting Members Membership in the club shall be open to all full-time and part-time University of Alabama students who have attended at least one meeting and remain in good standing with the national organization and university. Dues must be paid and membership must be registered on theSOURCE in order to be a voting member. SeCtion II AssoCiate Members Associate membership in the organization shall be open to any individual who demonstrates an interest and willingness to support the purposes and objectives of the Club but does not attend the University or is a University student but does not pay dues. -
Constitution of TPUSA at Indiana University the Mission of Turning Point USA at Indiana University Is to Promote Fiscal Responsi
Constitution of TPUSA at Indiana University The mission of Turning Point USA at Indiana University is to promote fiscal responsibility, free markets, and limited government in young people today. TPUSA serves to engage students in lively discussions, campus events, and debates. Members will work to spread the word of current issues and represent alternative views. Article I: Membership There will be no payment required of members. Any interested student may request membership by email or showing up to one of the meetings. Membership will be granted to those who appear to possess a sincere interest in the cause. Officers may be removed from their position by a majority vote of the remaining officers. In the event of an officer removal or resignation, the vacancy shall be filled by an appointment made by the remaining officers. Article II: University Compliance This organization shall comply with all Indiana University regulations, and local, state and federal laws. Article III: Executive Officers President: ● Presides over meetings of the organization ● Coordinates all activities within the chapter ● Develops plans and goals for the organization ● Maintains contact with affiliated university ● Maintains contact with organization advisor ● Reports to the national organization ● Re-registers organization every year Vice President: ● Assumes the duties of the President in his/her absence ● Acts as a liaison between the chapter and outside entities ● Develops plans and goals for the organization ● Directs constitutional updating and revisions