FIRST FOLIO: TEACHER AND STUDENT RESOURCE GUIDE Consistent with the Shakespeare Theatre Company’s central mission to be the leading force in producing and preserving the Table of Contents highest quality classic theatre, the Education Department challenges learners of all ages to explore the ideas, emotions The Critic Synopsis 3 and principles contained in classic texts and to discover the connection between classic theatre and our modern The Real Inspector Hound Synopsis 4 perceptions. We hope that this First Folio: Teacher and Student Resource Guide will prove useful to you while preparing to Who’s Who 5 attend The Critic & The Real Inspector Hound. About the Authors 7 First Folio provides information and activities to help students I, Critic 9 form a personal connection to the play before attending the By Jeffrey Hatcher production. First Folio contains material about the playwrights, their world and their works. Also included are approaches to Tom Stoppard: An Introduction 10 explore the plays and productions in the classroom before and after the performance. Classroom Activities 11 First Folio is designed as a resource both for teachers and Questions for Discussion 16 students. All Folio activities meet the “Vocabulary Acquisition and Use” and “Knowledge of Language” requirements for the Theatre Etiquette 17 grades 8-12 Common Core English Language Arts Standards. We encourage you to photocopy these articles and activities and use them as supplemental material to the text. Enjoy the show! Founding Sponsors The First Folio Teacher and Student Resource Guide for Miles Gilburne and Nina Zolt the 2015-2016 Season was developed by the Shakespeare Theatre Company Education Department: Leadership Support The Beech Street Foundation Director of Education Samantha K. Wyer Mr. Jerry Knoll Associate Director of Education Dat Ngo Paul M. Angell Family Foundation Audience Enrichment Manager Hannah Hessel Ratner Michael and Maureen McMurphy and the Community Engagement Manager Laura Henry Buda Patrick Michael McMurphy Memorial Foundation School Programs Manager Vanessa Hope Solon E. Summerfield Foundation Shakespeare for a New Generation, a national Training Programs Manager Brent Stansell program of the National Endowment for the Arts in Education Coordinator Jared Shortmeier partnership with Arts Midwest Resident Teaching Artist Renea Brown Education Fellow Thanh Nguyen Additional Support D.C. Commission on the Arts & Humanities, an agency supported in part by the National Endowment for the Arts ExxonMobil Marshall B. Coyne Foundation For more information on how you can Lorraine S. Dreyfuss Theatre Education Fund Mark & Carol Hyman Fund participate in other The Jacob and Charlotte Lehrman Foundation Shakespeare Theatre Company programs, The MAXIMUS Foundation please call the Education Hotline at The Morningstar Foundation Nora Roberts Foundation 202.547.5688 or visit ShakespeareTheatre.org. Ms. Toni Ritzenberg Venable Foundation The Critic Synopsis Mr. Dangle, a gentleman and well-known critic in London, is reading the newspaper and talking to his wife. Mrs. Dangle thinks that her husband’s job with the theatre is getting out of hand. There is always a group of terrible actors, mediocre directors and sad sounding singers in their home, vying for Mr. Dangles’ approval and assistance. They argue until two actresses arrive to perform for Mr. Dangle, proving Mrs. Dangle’s point. With them arrives Mr. Sneer, a fellow critic and friend of Mr. Dangle. Mr. Sneer discusses the good and bad elements of theatre and how the public reacts to them. Sir Fretful Plagiary, a horrible playwright who doesn’t take criticism well, also arrives at Mr. Dangle’s house. Fretful tells his friends that he has submitted his play to a theatre but is afraid someone may steal his work – even though he tends to do this himself in his plays. Sneer harshly taunts him for this idea. Mr. Dangle’s servant tells him his friend, Mr. Puff, is waiting to come up. Puff enters and Dangle introduces Sneer and Puff to each other. Sneer asks Puff what he does for a living and Puff talks about how he is a jack of all trades. He is a writer, a playwright and a critic all in one. He practices the “art of puffing,” meaning he attempts to influence people’s actions through writing. Puff explains that he writes reviews about shows before they go up, just to get people to attend. Puff has written a play called The Spanish Armada and is hoping to present it at the famous Drury Lane Theatre. To accomplish this, he needs to convince Richard Sheridan, the theatre manager, to produce it. Sneer tells him Sheridan will be at the theatre to see his rehearsal that afternoon, but Dangle knows Sneer is lying. Sneer then offers to join Puff, along with Dangle, at the rehearsal for the play and give some feedback that is sure to impress Sheridan. At the rehearsal, Puff begins to direct his actors. Sneer and Dangle make outrageous suggestions of changes to make, assuring Puff that it will amaze Mr. Sheridan. Puff goes to great lengths to make sure everything is perfect, changing characters, re-writing the script, even altering set pieces. The show goes from bad to a complete mess. Sneer and Dangle enjoy meddling with the play and mocking Puff, but they are in for a surprise at the play’s finish. The Real Inspector Hound Synopsis Two theatre critics, Moon and Birdboot, are attending a play. On the set for the performance, a dead body is visible. Birdboot approaches Moon and asks why Moon is there instead of Higgs, the first-string critic. Moon answers by complaining that he only exists when Higgs is not available and laments being second-string. They discuss the play that is about to begin, a “whodunit” mystery. Birdboot anticipates seeing one of the lead actresses, with whom he seems to be infatuated. The play begins onstage. Mrs. Drudge, the housekeeper, enters and listens to a radio report about an escaped madman who is on the run nearby. Inspector Hound is leading the search in the marshes around Muldoon Manor. Mrs. Drudge begins to clean and Moon and Birdboot continue their conversation in the audience. Moon references rumors about Birdboot’s affairs with actresses and Birdboot takes offense. Onstage, Mrs. Drudge moves the couch to clean and unknowingly covers the dead body. The phone rings and she responds to the caller, explaining that Lady Muldoon and her guests are cut off from the outside world, including Magnus, “the wheel-chair ridden half-broth of her ladyship’s husband Lord Albert Muldoon who ten years ago went out for a walk on the cliffs and was never seen again.” Mrs. Drudge spots Simon Gascoyne attempting to sneak into the house. He introduces himself as a friend of Lady Muldoon and Felicity Cunningham. He asks for Lady Muldoon and Mrs. Drudge says she is out playing tennis with Ms. Cunningham and goes to fetch them. In the audience, Moon muses that he is waiting for Higgs to die so he can become first-string critic, and wonders if the third-string, Puckeridge, is waiting for him to die too. The Real Inspector Hound Synopsis (cont.) Felicity enters and is shocked to see Simon. They have an ongoing love affair and she thinks he is there to visit her, but he explains that there is someone else. She leaves in a rage, exclaiming “I’ll kill you for this, Simon Gascoyne!” As she exits, Moon realizes that he saw Birdboot out with the actress playing Felicity. Birdboot denies this as slander and is outraged at the implication that his reviews might be tainted. Then Lady Muldoon enters and Birdboot is immediately smitten with her instead. Onstage, Simon professes his love for Cynthia (Lady Muldoon), but Cynthia insists she is still in love with her dead husband and resists his advances. Simon says he will kill anyone who comes between them. Magnus and Felicity arrive to play cards. Magnus also courts Cynthia’s love and vows to kill Simon if he comes between them. They set up to play cards and the couch is moved to reveal the dead body, though still none of the characters notice it. During the game, each becomes suspicious of the other characters’ love affairs and loyalties. Felicity and Magnus each leave with veiled threats to Simon. Cynthia accuses Simon of having an affair with Felicity. He assures her the relationship is over, but Cynthia threatens to kill Simon if he is untrue to her. Mrs. Drudge overhears this threat and the first act ends. Moon and Birdboot talk at cross-purposes, Moon obsessing over Higgs and Birdboot over the actress playing Cynthia. The play begins again with Magnus, Cynthia and Felicity having coffee. The radio alerts them to the fact that the madman is in the immediate vicinity of Muldoon Manor. They realize Simon is missing and then Inspector Hound arrives at their door. He asks a series of confusing questions about the madman until he stumbles on the corpse, finally revealing it to the rest of the characters. They all agree that Simon fits the description of the madman and Hound vows to find him. They also realize that they have no idea of the identity of the dead body. Everyone leaves to search the house and Simon enters. He looks at the face of the body and stands in alarm. There is a shot and he falls dead. The rest of the characters return and Hound shares that Simon could not have been the killer because the body was there before he arrived. End of Act Two. Moon muses that it might actually be quite easy to get away with murder, and speculates how he might kill Higgs.