PFC2015-0460 ATTACHMENT 4 4 Other Letters of Support
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Converge 2017 Bright Minds
Converge 2017 Bright Minds. Bright Future. #Converge2017 February 6-7, 2017 Shaw Convention Centre Ottawa, Ontario 5:30 – 6:00 p.m. Blue Cactus, 2 Byward Market Square, Ottawa Youth Advisory Committee meeting 6:00 – 9:00 p.m. Blue Cactus, 2 Byward Market Square, Ottawa Sunday, Youth delegates’ dinner 6:00 – 9:00 p.m. Courtyard Restaurant, 21 George Street, Ottawa February 5 University presidents’ dinner Monday, February 6 Shaw Convention Centre 7:30 – 8:30 a.m. Rideau Canal atrium (2nd floor) 2:00 – 2:30 p.m. Rideau Canal atrium (2nd floor) Registration Health break 7:30 – 8:30 a.m. Room 213 2:30 – 4:00 p.m. Networking breakfast Concurrent sessions Room 209 8:30 – 8:45 a.m. Room 214 Resetting the relationship: Advancing Opening remarks reconciliation within the university and beyond 8:45 – 9:45 a.m. Room 214 Small country, big impact Room 210 Keynote address Open doors, open Canada: Canada in an age of global migration Dominic Barton, global managing partner, McKinsey & Company and chair, Advisory Council Room 211 on Economic Growth The power of art: Strengthening and celebrating pluralism through the arts 9:45 – 11:00 a.m. Room 214 Room 212 Panel discussion: The Road to 2067 Breaking down barriers: Fostering a more inclusive Canada 11:00 – 11:30 a.m. Rideau Canal atrium (2nd floor) Health break 6:00 – 7:00 p.m. Trillium ballroom (4th floor) 11:30 a.m. – 12:30 p.m. Room 214 A kickoff for Canada 150 The next 50 years: Reception A Q&A with special guest 7:00 – 10:00 p.m. -
Calgary's Dynamic Dance Scene P. 15
Enough $$ for YYC music? The Calgary PAGE 19 JOURNALReporting on the people, issues and events that shape our city APRIL 2015 FREE Calgary’s Dynamic Dance Scene P. 15 Trespassing in Medicinal Flying paint elder care homes marijuana A night at Calgary’s only Law being questioned by Calgary’s first medicinal indoor paintball field loved ones of seniors marijuana clinic to open PAGE 4-5 PAGE 6-7 PAGE 28 THIS ISSUE APRIL 2015 FEATURES EDITORS-IN-CHIEF CAITLIN CLOW OLIVIA CONDON CITY EDITORS JOCELYN DOLL JALINE PANKRATZ ARTS EDITORS ALI HARDSTAFF ANUP DHALIWAL CITY FEATURES EDITOR PAUL BROOKS Spring into the SPORTS EDITOR A.J. MIKE SMITH April Journal and come with us to SPORTS PHOTO & PRODUCTION EDITORS some of our MASHA SCHEELE favourite “places.” GABRIELA CASTRO FACULTY EDITORS TERRY FIELD FEATURES PH: (403) 440-6189 [email protected] THE LENS SALLY HANEY PH: (403) 462-9086 [email protected] PRODUCTION SUPERVISOR ADVERTISING BRAD SIMM PH: (403) 440-6946 [email protected] The Calgary Journal reports on the people, issues and events that shape our city. It is produced by journalism students at Mount Royal University. CITY THE LENS PAGE 4 | Trespassing on seniors’ facilities PAGE 16 | Growing dance scene FOLLOW US ONLINE: PAGE 6 | Calgary’s first marijuana clinic @calgaryjournal PAGE 8 | Babyboomers facing homelessness facebook.com/CalgaryJournal ARTS calgaryjournal.ca PAGE 9 | April is poetry month PAGE 20 | Vinyl pressing PAGE 21 | Local bands leaving town for success CONTACT THE JOURNAL: FEATURES PAGE 22 | Funding for artists across Canada -
Contributors
Contributors Anything that might be said about the ALBERTA RESEARCH GROUP (ARG) up to now can be found in the ARG's "Manifesto to Contest the Manifesto Contest." Otherwise, their mission is simple: raise four billion dollars. Exactly how they will achieve this is being explored right now at <albertaresearchgroup.wordpress.com>. ARG ! GREG BACHAR lives in Seattle. DEREK BEAULIEU is the author of five books of poetry (most recently the visual poem suite silence), two volumes of conceptual fiction (most recently the short fiction collection How to Write) and over 150 chapbooks. He is the publisher of small presses housepress (1997-2004) and no press (2005- present), and the editor of several small magazines in Canada. See n of the Crime, forthcoming from Snare, is a collection of criticism on contemporary poetry and poetics. beaulieu has performed his work at festivals and universities across Canada, the US, and Europe. GREGORY BETTS is the author of four books of poetry, and the editor of four books of early Canadian experimental writing. His "plunderverse" epic, The Others Raisd in Me (Pedlar Press 2009), was a finalist for the ReLit Award 2010, and he is the 2010 recipient of the International Journal of Canadian Studies's Jean-Michel Lacroix Award for the best article on a Canadian subject. Betts recently completed a literary history of early Canadian avant-gardism. He teaches literature at Brock University in St. Catharines, Ontario. SABINE BITTER and HELMUT WEBER, Vienna and Vancouver-based artists, work on projects addressing cities, architecture, and the politics of representation and of space. -
Welcome to the 48Th Annual CSSHE Conference
Welcome to the 48th Annual CSSHE Canadian Society for the Study of @CSSHESCEES ConferenceHigher Education (CSSHE) #CSSHE2019 University of British Columbia, B.C. June 2-4, 2019 0 President’s Welcome Welcome to the 48th Annual Conference of the Canadian Society for the Study of Higher Education (CSSHE), held within the Congress of the Humanities and Social Sciences and hosted this year at the University of British Columbia. The University of British Columbia is situated on the traditional, ancestral and unceded territory of the Musqueam people. We are pleased to come together on this beautiful campus, to speak about higher Land acknowledgement education with those within Canada and beyond. We give thanks to the Musqueam people for welcoming us on The CSSHE conference provides an annual opportunity to gather, their territory. We will be working diligently to live up to our share findings and talk about higher education research, practice, collective responsibility to honour and respect their protocols and and ideas. We hope that you find it a thought- provoking time, homeland, to build relationships, and to engage meaningfully with where you can grow your network, build teams and professional their knowledge in this Congress and beyond. Our gratitude friendships. In keeping with this year’s theme for the Congress, extends to the Sḵwxw̱ ú7mesh (Squamish) and sə̓lílwətaʔɬ (Tsleil- “Circles of Conversation” we have put together a program Waututh) First Nations, for hosting Congress attendees on their comprised of a variety of sessions and topics presented by higher unceded territories that we now know to be the city of Vancouver. -
Derek Beaulieu Fonds (Msc-125)
Simon Fraser University Special Collections and Rare Books Finding Aid - Derek Beaulieu fonds (MsC-125) Generated by Access to Memory (AtoM) 2.3.0 Printed: October 12, 2017 Language of description: English Rules for Archival Description Simon Fraser University Special Collections and Rare Books W.A.C. Bennett Library - Room 7100 Simon Fraser University 8888 University Drive Burnaby BC Canada V5A 1S6 Telephone: 778.782.8842 Email: [email protected] http://atom.archives.sfu.ca/index.php/msc-125 Derek Beaulieu fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 4 Arrangement .................................................................................................................................................... 4 Notes ................................................................................................................................................................ 4 Access points ................................................................................................................................................... 5 Series descriptions .......................................................................................................................................... -
Final Text 9/5/07 12:57 PM Page 1
final text 9/5/07 12:57 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Summer Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (‒), W.H. New, Editor emeritus (‒), Eva-Marie Kröller (‒) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae McGill University Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laurie Ricou When it Rains it Winks Articles Danielle Fuller Listening to the Readers of “Canada Reads” Andrea Stone Internalized Racism: Physiology and Abjection in Kerri Sakamoto’s The Electrical Field Robin Jarvis Curious Fame: The Literary Relevance of Alexander Mackenzie Reconsidered Maia Joseph Wondering into Country: Dionne Brand’s A Map to the Door of No Return final text 9/5/07 12:57 PM Page 2 Poems Michael Bullock A.F. Moritz Theresa Muñoz Michael Lista Bill Howell Susan Andrews Grace Books in Review Forthcoming book reviews are available at the Canadian Literature website: http://www.canlit.ca Authors Reviewed Terrence Heath Sylvia Adams Nairne Holtz Mark Abley , Walter W. -
Intro + Bios + TOC.Pdf
AUTEURS AUTHORS 472 Pierre Alferi was born in 1963 in Paris where he later studied at the ENS, rue d’Ulm. Having completed his doctoral thesis on Guillaume d’Ockham, he spent a period of time at the Villa Médi- cis before concentrating on translation, living between Paris and the Ile de Groix (his French translation of Giorgio Agamben’s Remnants of Auschwitz appeared in 2003 [Ed. Rivages]). In 2001 he was invited to teach at the ENSBA in Lyon, and has taught at the École des Arts Décoratifs and the École des Beaux-Arts in Par- is since 2007. The following books are available in English trans- lation: Natural Gaits, translated by Cole Swensen (Sun & Moon Classics, 1995) Oxo, translated by Cole Swensen, with seven pho- tographs by Suzanne Doppelt (Burning Deck, 2004) and Night and Day, translated by Kate Campbell (La Presse, 2012). For more in- formation, go to alferi.fr. Pierre Bayard est professeur de littérature française à l’Université Paris 8 et psychanalyste. Il est l’auteur de nombreux essais, dont Qui a tué Roger Ackroyd ? (Minuit, 1998), Comment parler des livres que l’on n’a pas lus ? (Minuit, 2007) et Le Plagiat par anticipa- tion (Minuit, 2009). Ses livres sont traduits en plus de vingt-cinq langues. Dernier ouvrage publié : Comment parler des lieux où l’on n’a pas été ? (Minuit, 2012). derek beaulieu is the author of five books of poetry (most recently the visual poem suite silence), three volumes of conceptual fic- tion (most recently the short fiction collection How to Write) and over 150 chapbooks. -
2019/2020 Annual Report (Financial Statements on Page
2 Annual Report 2019-2020 3 Table of Contents Accountability Statement ................................................................................................................................................................. 6 Management’s Responsibility for Reporting .................................................................................................................................. 6 Message from the President and CEO and the Chair of the Board of Governors ..................... 7 Operational Overview .......................................................................................................... 9 Goals, Expected Outcomes and Performance Measures .................................................... 12 Accessibility ..................................................................................................................................................................................... 12 Affordability ...................................................................................................................................................................................... 18 Quality ............................................................................................................................................................................................... 20 Coordination .................................................................................................................................................................................... 25 Government Priorities -
Gary Barwin CV March 2018
CURRICULUM VITAE Gary Barwin 180 Dufferin St. Hamilton ON L8S 3N7 • [email protected] EDUCATION PhD: State University of New York at Buffalo. Music Composition. (1995) Bachelor of Education: York University (2001) Bachelor of Arts: York University, English and Creative Writing (1987) Bachelor of Fine Arts (Spec. Hons.), York University, Music (1986) EMPLOYMENT HISTORY (RELATED EXPERIENCE) 2017-2018 Writer in Residence McMaster University and Hamilton Public Library, Hamilton, Ontario. 2012-2017 Creative Writing Instructor, Continuing Education, Mohawk College, Hamilton. Instructor, “Poetry,” writing course. (Spring/Summer 2017) Instructor, “Poetry,” writing course. (Winter 2017) Instructor of “Novel Writing 1” (Winter 2015) and “Novel Writing 2” (Spring 2016) Instructor of “Poetry,” writing course. (Spring 2013) Instructor of “Writing for Children,” writing course. (Winter 2013) Creative Writer Instructor, ArtForms/Urban Arts Initiative and Re:Create. Hamilton. Designing and leading creative writing and publishing programs for street-involved youth in the downtown core. Writing classes include a range of approaches to the writing of poetry and fiction. Publications include chapbooks, videopoems, postcards, and art gallery presentations of broadsides. 1985-present Freelance Writer Writer of fiction, poetry, children’s writing, essays, interviews and reviews. Freelance Editor Manuscript Evaluation, Writing Coaching & Mentoring. Advising and mentoring writers and editing their manuscripts of fiction, poetry and children’s writing. Freelance Creative Writing Workshop Leader Leading workshops in the writing of poetry and fiction for beginning and advanced adults, youth, and children in universities, colleges, !1 libraries, community centres, schools, shelters, and in other contexts. 2015-present Writer in Residence, Writers in the House, ArtForms. Writer in residence and writing instructor at several youth shelters and residences and educational institutions in Hamilton. -
Thursday 25 April Session a 13:00-14:00Pm
Thursday 25 April Session A 13:00-14:00pm a way—Living Performance, Location: Theatre 2 Panel Chair Chinedum Muotto (University College Dublin) Adeena Karasick, “Scenes Screams Screens and Semes: The Salomaic Elasticity of the Page and the Stage” Abstract: Situated between the expanding boundaries of text and textuality, sound experiments, sonic spaces, and performance, Scenes Screams Screens and Semes: The Salomaic Elasticity of the Page and the Stage will be part talk / part performance (with screen projections), contextualizing Salomé: Woman of Valor, my 2018 Spoken Word Opera which revisits the apocryphal figure of Salomé through a Jewish feminist perspective. As a book (published in an English/Italian bi-lingual edition by University of Padua Press and an English-only libretto by Gap Riot Press in Toronto) and a performance piece, it negotiates a range of revolutionary intersections – not only in the integration of styles and traditions, between poetry, midrash, Kabbalah and pop culture, highlighting polyphonic textures and rhythmic wordplay; but how this manifests differently on the page, stage and screen. Further published in multiple languages (Italian, Bengali, Arabic), what happens in the space of translation? Using Salomé: Woman of Valor as a focus, this presentation will unpack some of the nuanced play between visual and acoustic space, and with attention to both form and content, expose how narrative is always mutiperspectival and slippery; ex-statically palimpsested – celebrating the porous aporia between the vois, vuel, voile, veux, voila; hearing and seeing, seeing and saying, essaying as Walter Ong says, “I see what you say. But what we are seeing is not what we are saying”. -
Canadianliterature / Littérature Canadienne
Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 238, 2019, Rescaling CanLit: Global Readings Published by The University of British Columbia, Vancouver Editor: Laura Moss Associate Editors: Nicholas Bradley (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Reviews) Assistant Editors: Phinder Dulai (Poetry), Sarah Henzi (Francophone Writing), Brendan McCormack Past Editors: George Woodcock (1959-1977), W. H. New (1977-1995), Eva-Marie Kröller (1995-2003), Laurie Ricou (2003-2007), Margery Fee (2007-2015) Editorial Board Alison Calder University of Manitoba Lily Cho York University Carrie Dawson Dalhousie University Cecily Devereux University of Alberta Kit Dobson Mount Royal University Janice Fiamengo University of Ottawa Helen Gilbert University of London Faye Hammill University of Glasgow Lucie Hotte University of Ottawa Smaro Kamboureli University of Toronto Ric Knowles University of Guelph Christopher Lee University of British Columbia Linda Morra Bishop’s University Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Vanja Polic´ University of Zagreb Ian Rae King’s University College Julie Rak University of Alberta Deanna Reder Simon Fraser University Roxanne Rimstead Université de Sherbrooke Gillian Roberts University of Nottingham Sherry Simon Concordia University Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Karina Vernon University of Toronto Lorraine York McMaster University Editorial Eva Darias-Beautell Rescaling CanLit: Global -
Please, No More Poetry Poetry Is the First Selected Works of Derek Beaulieu
P P Since the beginning of his poetic career in the 1990s, derek beaulieu has le A le created works that have challenged readers to understand in new ways the possibil- se ities of poetry. With nine books currently to his credit, and many works appearing , NO MOR in chapbooks, broadsides, and magazines, beaulieu continues to push experimental A poetry, both in Canada and internationally, in new directions. Please, No More se Please, No More Poetry E Poetry is the first selected works of derek beaulieu. PO The Poetry of derek beaulieu E , NO MOR As the publisher of first housepress and, more recently, No Press, beaulieu has con- TRY selected with an introduction by tinually highlighted the possibilities for experimental work in a variety of writing The Poetry of derek beaulieu derek Poetry of The Kit Dobson communities. His own work can be classified as visual poetry, as concrete poetry, as conceptual work, and beyond. His work is not to be read in any traditional sense, as it challenges the very idea of reading; rather, it may be understood as a practice that forces readers to reconsider what they think they know. As beaulieu continues to push himself in new directions, readers will appreciate the work that he has created to date, much of which has become unavailable in Canada. With an introduction by Kit Dobson and an interview with derek beaulieu by Lori E • PO Emerson as an afterword, Please, No More Poetry offers readers an opportunity to selected with an introduction by gain access to a complex experimental poetic practice through thirty-five selected representative works.