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The History of Rock Music - the Nineties
The History of Rock Music - The Nineties The History of Rock Music: 1995-2001 Drum'n'bass, trip-hop, glitch music History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Post-post-rock (These are excerpts from my book "A History of Rock and Dance Music") The Louisville alumni 1995-97 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The Squirrel Bait and Rodan genealogies continued to dominate Kentucky's and Chicago's post-rock scene during the 1990s. Half of Rodan, i.e. Tara Jane O'Neil (now on vocals and guitar) and Kevin Coultas, formed Sonora Pine with keyboardist and guitarist Sean Meadows, violinist Samara Lubelski and pianist Rachel Grimes. Their debut album, Sonora Pine (1996), basically applied Rodan's aesthetics to the format of the folk lullaby. Another member of Rodan, guitarist Jeff Mueller, formed June Of 44 (11), a sort of supergroup comprising Sonora Pine's guitarist Sean Meadows, Codeine's drummer and keyboardist Doug Scharin, and bassist and trumpet player Fred Erskine. Engine Takes To The Water (1995) signaled the evolution of "slo-core" towards a coldly neurotic form, which achieved a hypnotic and catatonic tone, besides a classic austerity, on the mini-album Tropics And Meridians (1996). Sustained by abrasive and inconclusive guitar doodling, mutant rhythm and off-key counterpoint of violin and trumpet, Four Great Points (1998) metabolized dub, raga, jazz, pop in a theater of calculated gestures. -
Slints Spiderland Free
FREE SLINTS SPIDERLAND PDF Scott Tennent | 144 pages | 30 Dec 2010 | Continuum Publishing Corporation | 9781441170262 | English | New York, United States Slint - Spiderland (, Vinyl) | Discogs Slint's landmark second album has been reissued in a box set that includes outtakes, live cuts, and a feature-length documentary by Lance Bangs. The record's greatest Slints Spiderland might be the boundless inspiration it perpetually provides for all the bands that have yet to emerge from the basement. And just what did Slint think their audience—who, judging from the faint smattering of applause, barely cracked the double digits— needed to hear at that moment? In many respects, the story Slints Spiderland Slint is an exceedingly familiar one of influence accruing in absentia, of mavericks who were ignored in their time and had to wait years to get their due. Through their initial existence, Slint were obscure Slints Spiderland even within the subterranean confines of the American indie-rock underground. Compared to the get-in-the-van, play-anywhere ethic practised by fellow s-hardcore students, Slint rarely performed live, and when they did, it was rarely as a headliner. Slints Spiderland were scarce; band photos all the more so. And with the similarly atmospheric, equally explosive likes of Mogwai and Godspeed You! Black Emperor dominating the lates indie-rock conversation, Slint ceased to be just some band that had broken up too soon and became an entire subgenre of Slints Spiderland unto itself. I mean, just look at the cover of the Slints Spiderland set—notice something missing? The demos practically break down Spiderland on a riff-by-riff basis, as we hear the songs devolve from pre-production dress rehearsals to rudimentary acoustic sketches recorded on cassette. -
Geföhnter Hardcore
# 2008/43 dschungel https://jungle.world/artikel/2008/43/gefoehnter-hardcore Die neue Platte von David Grubbs Geföhnter Hardcore Von Martin Büsser Squirrel Bait, diese Vereinigung 16jähriger Teenager, die Stücke über Vergil machten, kamen in den Achtzigern zu früh. Jetzt kann man sich die Pionierarbeit von Postrock retrospektiv anhören und auch, wie David Grubbs heute klingt. Für einige Menschen war die erste Hälfte der achtziger Jahre ein musikalisches Paradies. So zumindest sieht es Paul Rachman, Regisseur des viel beachteten Dokumentarfilms »American Hardcore« (2006). Von MTV und dessen Hörern völlig ignoriert, entstand zu dieser Zeit in den USA eine vitale Szene, die völlig auf sich selbst gestellt war, eigene Labels und Netzwerke hervorbrachte und innerhalb kürzester Zeit zu Hunderten von Bandgründungen führte. Doch selbst ein Fan wie Rachman kann nicht ignorieren, dass die Szene fast ausschließlich von Männern dominiert wurde, weißen Männern. Und ausgerechnet die einzige schwarze Hardcore-Band, The Bad Brains, war für ihre Schwulenfeindlichkeit berüchtigt. Von solchen gender politics einmal abgesehen, hatte die Szene allerdings noch einen ganz anderen gravierenden Schönheitsfehler: Nahezu alle Bands hörten sich gleich an. Hardcore war Ausdruck ungefilterter jugendlicher Wut, musikalische Feinheiten wurden da nicht so genau genommen. Unter rein musikalischen Gesichtspunkten ist »American Hardcore« daher auch ein sterbenslangweiliger Film, aus dessen Einheitsgeknüppel gerade einmal Black Flag, die notorisch unterschätzten Flipper und Minutemen hervorstechen. Letztgenannte seien »zu erwachsen für die Hardcore- Szene« gewesen, hatte Thurston Moore von Sonic Youth einmal gesagt. Das könnte man auch von Squirrel Bait behaupten. Liest sich aber komisch, wenn man bedenkt, dass die Musiker zur Zeit der Bandgründung gerade einmal 16 Jahre alt waren. -
That Saucy Magazine from Citr Ioi.9Fm Mvs&Xs €^ INFAMOUS #Um& Lse J
that saucy magazine from citr ioi.9fm mvs&xs €^ INFAMOUS #uM& lse J FUNK • 1 v&V Wl DNESDAI tV# , i . Hedspin and FUpoM THURSEMfSr M$QS, HQUSErAND^ ^•ELECTRX)iWITH lmATMSMWANI_yB WF* M.'X$ d^&te2i^5^«£25-r: Republic Open til 3AM 7 nights a week I 958 Granville St dhmbars.ca ULY •200 7 the (gentle j/Xrt of Suiting Editor Well, this is my third issue of As a result, I have been experiment MIKE "SPIKE" CHILTON Art Director Regulars Discorder, and I must say, it's been an ing with some much-needed updates to COLE JOHNSTON interesting experience so far. As if taking the content of Discorder. Last month, Production Manager I began with bringing back an old COLE JOHNSTON The Gentle Art of Editing ? 3 over editorial duties on a magazine is not challenging enough as it is, the column with a new twist. Vancouver Copy Editors Textually Active 4 MIKE CHILTON • GregMcMuUen added challenge of knowing many new Special had long been featured in our BROCK THIESSEN pairs of eyes from across the country pages, and brought local scene news CHEYANNE TURIONS Inkstuds 5 Ad Manager Robin McConnell will be looking at your words with great and mini CD reviews from such writers CATHERINE RANA interest adds that much more pressure. (and on-air talent) as Janis MacKenzie, Under Review Editor Cinema Aspirant 6 CHEYANNE TURIONS Emma Myers CiTR hosted the 26th annual Val Cormier and Ben Lai. The June issue Datebook Editor Techs & The City National Campus-Community Radio featured the debut of Vancouver Special MIKE CHILTON Emma Myers i3®t Duplex, a section which, courtesy two RLA Editor Conference last month; for the final MIKE CHILTON Vancouver Special Duplex 13 word on it, see Conference Coordinator mini-features, throws the' spotlight on (FOR DANNY MCCASH) The Pad: 1 Amy Honey Alison Benjamin's final take on the local bands, scene news and previews Layout & Design of local cultural events. -
The Bard Observer
OBSERVER: ISSUE 5, VOLUME 19. APRIL 19, 2005 IN THIS ISSUE: - A Look Into Bard Counseling Services. Page2. - C~lumbia Controversy: Key Participants · Speak Out. Page 4. - Free Speech, The SJB and Bard College. Page 14. THE BARD OBSERVER April 19th, 2005 11i4't'ti CONCERNS OVER COUNSELING SERVICES: Bard's Emergency Psychiatric Evaluation Policy BY MICHAEL BE HABIB Rumors abound about the procedures in place had just woken up, that was one of my more patient, it's out-patient, can't you just bill as if it pot, I hate drugs, and they refused to answer ro help and protect Bard students with mental sarcastic days." Repeated questions from the were a consultation,' and no, they can't," she when I asked 'What are you testing me for?' • illnesses or instabilities. According ro the counselor about hearing voices resulted in says. Ms. Stawinski also says that Bard would The four other students also report that the received wisdom regarding treatment of mental Jordan caustically responding, "I hear you so I like its provider to cover in-patient mental hospital was not forthc ming in revealing the health issues at Bard, rhe college's procedures guess I'm not deaf." In response to the stock health care bur that would increase their premi nature of their blood rests. are necessary, benevolent, and up-to-date. questions about eating and sleeping Jordan says ums and higher premiums for the college would According to Jordan and her mother However, several students have shared griev she factually explained that she has a pituitary mean higher tuition for students. -
The History of Rock Music - the Nineties
The History of Rock Music - The Nineties The History of Rock Music: 1989-1994 Raves, grunge, post-rock, trip-hop History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Post-rock (These are excerpts from my book "A History of Rock and Dance Music") Louisville's post-rock 1989-92 The single most important regional school at the turn of the decade may well have been the one that came from one of the most unlikely of musical scenes and the one that sold the least records: Kentucky's "post- rock". Louisville's musicians introduced a convoluted, angular, cerebral style, that had little in common with rock'n'roll's hedonistic foundations. Basically, theirs was progressive-rock for an age that did not appreciate emphatic emotions anymore. The origins of this school go back to Squirrel Bait. From their ashes a number of bands were born: guitarist Brian McMahan formed Slint and For Carnation; guitarist David Grubbs formed Bastro, Bitch Magnet, and Gastr Del Sol; vocalist Peter Searcy formed Big Wheel. Slint (101), who also featured drummer Britt Walford, bassist Ethan Buckler and guitarist David Pajo, represented a major shift in musical purpose: they were more intimidating than exciting. The mostly- instrumental music of Tweez (fall 1987 - ? 1989) kept the tension and the neurosis of hardcore but lost the passion and the narrative logic. -
Gallina Gallina Bloody023/Ecto04, CD-R 2011
www.bloodysoundfucktory.com Gallina Gallina bloody023/ecto04, CD-R 2011 KOMAKINO Paolo Miceli Un altro lodevole sforzo della Bloody Sound Fucktory rec di rispolverare quelle avventure soniche invisibili nonchè nascoste nell'oblio locale. E questo dovrebbe dirvi qualcosa, e se non lo fa, ve lo dico io: cioè alcune cose meritano attenzione, anche se morte e sepolte. Questa è la volta dei Gallina, tre polli da Senigallia, attivi sino il 2007, dove figuravano Marco Bernacchia (già Above the Tree), Michele Grossi (dei Dadamatto) e Francesco Zocca (Lleroy), - regolati da una chiave strumentale di elettricità distorta su basso e chitarra e percussioni dallo squisito gusto anni 90, destrutturato noise rock. C'è ironia dal nome del gruppo sino i titoli dei pezzi, ma immagino sia una parodia della propria folle attitudine fatta di schegge sonore; probabilmente manca un pezzo significante che lo si possa dire memorabile, ma resta il fatto che il disco è fluente, piacevolmente azionato da energia frenetica (Cinzia tra i polli, Nerina), caricato con dissonanze distorte e tutto miscelato con suoni blues sporco, spingendo su melodie irregolari. Nota per collezionisti: si tratta di un'edizione limitata di 70 copies, confezione e artwork a mano by il Bernacchia. KATHODIK Marco Paolucci Nuova uscita per della collana Ectoplasmi, e meritato recupero da parte della sempre benemerita etichetta marchigiana, la ristampa in edizione limitata del disco dei Gallina, formazione attiva tra il 2006 e il 2007, che ha prodotto un unico album per poi scomparire nel nulla. Il supergruppo, formato da elementi dei M. A. Z. C. A. (Marco Bernacchia), Dadamatto (Michele Grossi), Lleroy, Guinea Pig (Francesco Zocca), ha espresso in questo progetto la loro filosofia musicale declinata in un fare musica improntato alla pura sopravvivenza, come l’animale da cortile da cui prendono il nome. -
Slints Spiderland Free Download
SLINTS SPIDERLAND FREE DOWNLOAD Scott Tennent | 144 pages | 30 Dec 2010 | Continuum Publishing Corporation | 9781441170262 | English | New York, United States LP - Slint : Spiderland Share on Facebook Share Slints Spiderland Twitter Open share drawer. Download as PDF Printable version. The music of Spiderland is noted for its angular guitar rhythms, dramatically alternating dynamic shifts and irregular time signatures. Melody Maker. NME Writers Lists Martin's Griffin. If Slint 's debut, 's Tweezwas one of the earliest salvos in what came to be known as post-rock, their second album, 's Spiderland was where the band pushed their most radical ideas forward and created a touchstone, working with Slints Spiderland that made the silences every bit as much presence as the guitars and Slints Spiderland, manipulating space and time Slints Spiderland they stretched out and juggled time signatures, and conjuring Slints Spiderland that were as sparse and fragmented as they Slints Spiderland beautiful. All Music GuideSlints Spiderland ed. Sarig, Roni Jazz Latin New Age. Problems playing these files? At least Slints Spiderland words must be entered. The record's greatest legacy might be the boundless inspiration it perpetually provides for all the bands that have yet to emerge from the Slints Spiderland. Pitchfork is the most Slints Spiderland voice in music. Please enable Javascript to take full advantage of our site features. Two Slints Spiderland early reviews appeared in the UK press, both positive—though not as unreservedly enthusiastic as Albini. Recording Date August, - October, The recording sessions for Spiderland are reputed to have been difficult for the members of the band and Slints Spiderland, according to AllMusic"intense, traumatic and one more piece of evidence supporting the theory that Slints Spiderland members had Slints Spiderland be periodically institutionalized during the completion of the album. -
MICHAEL GIRA the God of This Fuckin’Land
SENTIREASCOLTARE online music magazine SETTEMBRE N. 35 Murcof Iron & Wine Vic Chesnutt Pinback M.I.A. Cristina Donà Space Rock For Carnation Yello Olga Neuwirth One Plus One MICHAEL GIRA The God Of This Fuckin’Land sentirea scoltare 1 sommario 4 News 8The Lights On Seabear, St. Vincent, M.I.A, My Morning Jacket 1 2 Speciali Cristina Donà, Pinback, Iron & Wine, Murcof, Vic Chesnutt, Space Rock, Mi- 10 chael Gira 46 Recensioni Akron/Family, Angels Of Light, Animal Collective, Dirty Projectors, Liars... 115 Rubriche (Gi)Ant Steps Joe Henderson We Are Demo: Sig.Solo, Lapingra, Enrico Berto... Classic Laurie Anderson, Robert Wyatt, For Carnation, Trees, Yello Cinema Cult: Un sogno lungo un giorno Speciale: One Plus One I cosiddetti contemporanei Olga Neuwirth 16 Direttore Edoardo Bridda Coordinamento Teresa Greco Consulenti alla redazione Daniele Follero Stefano Solventi 28 Staff Valentina Cassano Antonello Comunale Antonio Puglia Hanno collaborato Gianni Avella, Davide Brace, Filippo Bordignon, Marco Braggion, Gaspare Caliri, Nicolas Campagnari, Roberto Canella, Alessandro Grassi, Paolo Grava, Manfredi Lamartina, Alarico Mantovani, Giulio Pasquali, Stefano Pifferi, Andrea Provinciali, Stefano Renzi, Italo Rizzo, Costanza Salvi, Vincenzo Santarcangelo, Giancarlo Turra, Fabrizio Zampighi, Guida spirituale Adriano Trauber (1966-2004) Grafica Edoardo Bridda, Valentina Cassano in copertina Michael Gira 130 SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore Edoardo Bridda Direttore responsabile Antonello Comunale -
Slints Spiderland Ebook, Epub
SLINTS SPIDERLAND PDF, EPUB, EBOOK Scott Tennent | 144 pages | 30 Dec 2010 | Continuum Publishing Corporation | 9781441170262 | English | New York, United States Slints Spiderland PDF Book Please enter 5 or 9 numbers for the ZIP Code. Stopping, at the top and, starting down. He was writing about the second album by a little known band from Louisville, Kentucky, whose first record he had recorded. Please ensure you provide us with your order number and images of the damaged item:. Any other item must be returned in the same condition as we sent them. Slint - Spiderland [New CD]. A ll those myths about car wrecks and hospitals turn out to be not entirely untrue. Pajo — who first played with the pair in yet another hardcore band, Maurice — remembers a typical incident when McMahan laced brownies with laxatives and took them into school. Back to home page Return to top. All listeners had was the music, and a few rumours: that the strain of making the album pushed the band to breaking point, and that some members ended up in psychiatric hospitals. There were rumors the band had been killed in a car accident, or that the members had all been institutionalized after making the record. The morning after recording finished, he checked himself into a hospital and was diagnosed with depression. Earn up to 5x points when you use your eBay Mastercard. No Age Everything In Between. Such deep, repressed emotions would explode within the music. Complete with all the included original artwork. Please enter a number less than or equal to 1.