The Lyrical Trumpet of Bryan Shaw

Total Page:16

File Type:pdf, Size:1020Kb

The Lyrical Trumpet of Bryan Shaw Newsletter of the Sacramento Traditional Jazz Society STJS is a non-profit organization dedicated to the preservation and promotion of traditional jazz music. 106 K Street, Suite #1 • Sacramento, CA 95814 • (916) 444-2004 • www.sacjazz.org VOLUME 46 • NO. 1 MARCH 2014 2014 SAC. MUSIC FESTIVAL FLYER..................7 March 9: the lyrical 2014 SAC. MUSIC FESTIVAL Order Form ......15 Ad rates ............................................................2 trumpet of Bryan Shaw Dan Barrett’s Thoughts on Bryan Shaw ......6 Dante Club – info/directions ........................2 Dante Club Notes The Cricket .................8,9,14 ardi Gras was on March 3rd Great News from Rio Am. H.S. ......................6 Mthis year, so let’s celebrate at the In Loving Memory ........................................15 March 9th Jazz Sunday. Bring your boas In the Months Ahead .....................................2 and beads, and give a festive welcome Jazz Notes ......................................................12 to Bryan Shaw from Costa Mesa, CA. Membership application .............................16 Musicians / Music Here & There ..................13 While many of you know Bryan for his Not Receiving “AATJ” E-mails? ......................3 trad jazz with High Sierra Jazz Band or the Notes from the Office Vivian Abraham ..........2 Fink Street Five, trumpeter Bryan Shaw is Patrons ............................................................6 also a master of small-band swing. President’s Message Ron Jones ......................3 Raffle Cents Kathy Becker ..............................14 Michael Steinman of JAZZ LIVES TJYBF results, Jazz Ed. Award ...4-5,10-11,14 says of Bryan, “There’s an Irving Berlin tune called I POURED MY HEART “Jazz Sunday” info ➤ pg. 2 INTO A SONG that always makes me think of Bryan, because his playing is Feb. 8 TJYBF photos on pg. 4-5, 10-11 warm and heartfelt no matter what the Feb. 9 Jazz Sunday photos on pg. 8–9 context. He is not only a splendid hot Bryan Shaw’s trumpet career has improviser who can push a band along closely followed the history of jazz. He Bob Draga on a rollicking outchorus, but an imag- started on cornet touring with Harry and Joe Midiri inative player who can raise the hair on Von Zell in a ragtime orchestra. In Trad the back of our collective necks with his Jazz he has performed with: the Fink songful approach to a melody we think Street Five, Back Bay Jazz Band, Mis- we already know by heart.” behavin’ Jazz Band, (cont. on page 6) April 13 Jazz Sunday STJS MEMBERS can buy their LE JAZZ HOT, Django-style quartet of the Hot Club of San Francisco, “All-Events” tickets owes as much to 52nd Street as to Gypsy jazz. Leader Paul Mehling says, at the Office or Jazz Sunday. “We have a swing or die approach to the music that’s distinctly American... 4 days of music = $90 We bring out the visceral element of the music.” ‘til April 13 STJS Office 106 K Street, Suite #1 Sacramento, CA 95814 Notes From the Office (916) 444-2004 FAX: 444-2060 STJS EXEC. DIRECTOR [email protected] www.sacjazz.org by Vivian Abraham <[email protected]> STJS STAFF ebruary! I always bid adieu to charismatic Trombone Shorty will be our STJS Exec. Dir. Vivian Abraham this mysterious and almost myth- Friday night headliner. We also have the Administrative Coordinator Jennifer Colindres F ical month with mixed emotions. It has Texas Tornados signed. If you remember NEW STJS OFFICERS always been the most eventful month in Freddie Fender, you’ll love this Tex-Mex President: Ron Jones Vice President: Dennis Grimes the year for me, and if you have a Febru- band—definitely a band you can dance to! Secretary: Dennis Speciale Treasurer: Lisa Negri-Bartels ary birthday, I know that you know what They are great! There will of course be Ex-officio: Tom Duff I mean. It can even be spooky at times. a tremendous lineup of Trad, Swing, etc. BOARD MEMBERS There is a definite hum or buzz in the bands and entertainers for you to enjoy. MUSICIAN: NON-MUSICIAN: Paula Dula Dave Becker office these days. We seem to be a lot I want to take this opportunity to Paul Edgerton Carol Fusaro Jay Paulus Scott Kaufman busier a lot earlier than usual at this time address a situation that really bothers me. Dominic Ruggieri Crawford Paton Vanna Turner Ron Swehla of year. We were pleased with ourselves Just in the last month several people have The Board of Directors meet at the STJS Office at 6:00 in December when we closed the office mentioned that my absence at the Jazz pm on the Monday one week after the monthly Jazz Sunday; open to the public. (Day subject to change.) for our Holiday break. We just knew Sundays is being noticed. My excuse when we returned from the break that we may seem lame, but it is the only one I STJS FOUNDATION President: Dr. William Au STJSF: P. O. Box 661763 • Sacramento, CA 95866 would be ahead of the game. Well, you have: With my harried work schedule and AATJ STAFF know what is said about best laid plans... the need for me to work from home most Writing/photos/illust./coord./production: January flew by in a whirl, February is weekends, I must selfishly take Sunday Nancy Giffin — [email protected] a short month, so here we are again, up to rest and re-group. I think it’s important Contributors: against deadlines and more deadlines to for me to note here that for the 14 years I Vivian Abraham, Yvonne Au, Leslie Barger, Dan Barrett, Dave & Kathy Becker, Paula Dula, Judy Hendricks, get everything wrapped up for the print- was on our Board as Secretary, Treasurer, Ron & Patti Jones, Jane Reinmuth, Bob Ringwald ing of our official Festival Program. and one year as President, I can count on Advertising (full-color): one hand the months I was not there. I I am happy to say that our Early Bird AD DEADLINE: 15th day of prior month Discount and a special pricing promotion know many of you remember those days. AD SIZE RATE VERTICAL HORIZ. ➔ Full-pg. $ 150. 7.5” x 10” – are generating early sales. People are vis- So, dear members and friends, it’s Half-pg. $ 75. ➔ 3.6” x 10” 7.5” x 4.8” Third-pg. $ 52.50 ➔ 2.5” x 10” 7.5” x 3.6” iting our website and liking what they see not that I do not want to be there, it’s a Qtr.-pg. $ 37.50 ➔ 3.6” x 4.8” 7.5” x 2.5” Bus. card $ 15. ➔ – 3.6” x 2.3” as far as our lineup. I think it’s the most matter of my self-preservation for the STJS holds the right to reject some advertising. diverse lineup we’ve ever had, and we are future. That dynamo, Kathy Becker, as about to announce headliners for Saturday well as “The Cricket” [who is NOT the PUBLISHING And All That Jazz is published monthly, except Jan- and Sunday nights. The very talented and editor] keep me up (cont. on page 3) uary, by the Sacramento Traditional Jazz Society: 106 K Street, Suite #1; Sacramento, CA 95814. SUMMARY The Sac. Trad. Jazz Society is a non-profit orga- nization established under 501(c)(3) of the Inter- nal Revenue Code for the purpose of educating the public and members on matters concerning In the Months Ahead the preservation and promotion of traditional jazz music, and the study and play of musical instru- ments associated with traditional jazz music. Mar. 9 – BRYAN SHAW, trumpet – Costa Mesa, CA 2nd Sunday “JAZZ SUNDAY” Monthly “Jazz Sunday” typically occurs on the 2nd Apr. 13 – LE JAZZ HOT, Django-style quartet – S.F., CA Sunday, at the Dante Club: 2330 Fair Oaks Blvd., OPEN at 11:30 AM Sac., CA. This official meeting is open to all STJS MUSIC from May 11 – MOLLY RYAN, vocals – New York, NY members and to the general public. 12 NOON to 5:00 PM ADMISSION Jun. 8 – BOB LEARY, guitar/voc – Naples, FL Admission to “Jazz Sunday” is by donation of $10 DIRECTIONS for members, $15 for non-members. Persons under to the DANTE CLUB: 12 are admitted free. Youth 12-20 (members) $5, youth 12-20 (non-members) $7. Price increased 2330 Fair Oaks Blvd., in Nov. 2013. Sacramento, 95825 41st ANNUAL! GOLD CARD AUDITIONS Between Howe & Fulton May 23–26, 2014 Auditions are held twice a year: Mar. & Oct., 11 AM Avenues, on south side prior to “Jazz Sunday.” Applications are available Memorial Day Weekend from the Gold Card Coordinator, to be completed of street. Extra parking one month before the audition. For info: 444-2004. at nearby McDonald’s. 2 March 2014 Notes (cont.) President’s Message to date, so I feel like I have been there. Of course, I hope you all by Ron Jones STJS PRESIDENT remember that my office door is always open, and I always like <[email protected]> hearing your voice on the other end of the phone line. s you all know, in a little over two months the jazz festival We all knew Linda LaFranchi had been very ill and we all A..will be here! Planning has been underway for months, knew it was just a matter of time, but when I received the call and the pace is picking up as we get closer and closer. that she had passed, I was overtaken by an overwhelming feeling A few months ago when I took over as President, I was of sadness. Then the strangest thing happened; I could not get a unprepared for some of the inquiries I would be receiving.
Recommended publications
  • The Great American Songbook Through the Lens of Judy Garland
    The Great American Songbook Through the Lens of Judy Garland An Honors Thesis (MUSP 401) By Lindsey Stamper Thesis Advisor Dr. Jon Truitt Ball State University Muncie, Indiana December 2017 Expected Date of Graduation May 2018 0JpCo)} U ndc r.::J r c, a I he c 1 d. i'("; . ._ tJ c ( JP, Abstract r} ,..J... This thesis paper, as well as·the accompanying recital, delves into the topic of The Great American Songbook Through the Lens of Judy Garland. The Great American Songbook is a collection of American standard repertoire from the late nineteenth century to the middle of the twentieth. Judy Garland in particular is an exemplary performer of this period; her life parallels the troubles and careers of many other performers in this era. By exploring and performing songs that Garland performed during her career, this paper relates the history of American music to the life of the acclaimed Judy Garland. Acknowledgments I would like to thank Dr. Jon Truitt for the guidance, insight, advice, and training he has provided me with throughout this project and these past four years. His help with the many performance endeavors of my collegiate career has been invaluable. I would also like to thank my mom and dad for inspiring a curiosity and interest in music at a young age. Lastly, thank you to Julian for always listening with kind and encouraging ears. Process Analysis Statement Recitals, concerts, and cabarets are important events in a music educator's profession. These are the culmination of unseen efforts rehearsing music, planning logistics, and organizing personnel.
    [Show full text]
  • Pdf Liste Totale Des Chansons
    40ú Comórtas Amhrán Eoraifíse 1995 Finale - Le samedi 13 mai 1995 à Dublin - Présenté par : Mary Kennedy Sama (Seule) 1 - Pologne par Justyna Steczkowska 15 points / 18e Auteur : Wojciech Waglewski / Compositeurs : Mateusz Pospiezalski, Wojciech Waglewski Dreamin' (Révant) 2 - Irlande par Eddie Friel 44 points / 14e Auteurs/Compositeurs : Richard Abott, Barry Woods Verliebt in dich (Amoureux de toi) 3 - Allemagne par Stone Und Stone 1 point / 23e Auteur/Compositeur : Cheyenne Stone Dvadeset i prvi vijek (Vingt-et-unième siècle) 4 - Bosnie-Herzégovine par Tavorin Popovic 14 points / 19e Auteurs/Compositeurs : Zlatan Fazlić, Sinan Alimanović Nocturne 5 - Norvège par Secret Garden 148 points / 1er Auteur : Petter Skavlan / Compositeur : Rolf Løvland Колыбельная для вулкана - Kolybelnaya dlya vulkana - (Berceuse pour un volcan) 6 - Russie par Philipp Kirkorov 17 points / 17e Auteur : Igor Bershadsky / Compositeur : Ilya Reznyk Núna (Maintenant) 7 - Islande par Bo Halldarsson 31 points / 15e Auteur : Jón Örn Marinósson / Compositeurs : Ed Welch, Björgvin Halldarsson Die welt dreht sich verkehrt (Le monde tourne sens dessus dessous) 8 - Autriche par Stella Jones 67 points / 13e Auteur/Compositeur : Micha Krausz Vuelve conmigo (Reviens vers moi) 9 - Espagne par Anabel Conde 119 points / 2e Auteur/Compositeur : José Maria Purón Sev ! (Aime !) 10 - Turquie par Arzu Ece 21 points / 16e Auteur : Zenep Talu Kursuncu / Compositeur : Melih Kibar Nostalgija (Nostalgie) 11 - Croatie par Magazin & Lidija Horvat 91 points / 6e Auteur : Vjekoslava Huljić
    [Show full text]
  • The Rita Williams Popular Song Collection a Handlist
    The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy
    [Show full text]
  • Singles 1970 to 1983
    AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD.
    [Show full text]
  • 226 BROJ DRUŠTVA SKLADATELJA HRVATSKOGA ČASOPIS Uro N Ra N a Internat Ov I Onal S I M 2021
    ISSN 1330–4747 2021. OŽUJAK BROJ 226, 1 ČASOPIS HRVATSKOGA DRUŠTVA SKLADATELJA BROJ 226 OŽUJAK 2021. CIJENA 22 kn NATJEčAJ HDS–a INTERNATIONAL 2021. MARKO MATIJEVić SEKUL DORA 2021. BRANIMIR GLAZBENA TRIBINA HDS–a MIHALJEVIć NAKON 56 PONOVNO NA GODINA PRVI EUROSONGU PUT U ZAGREBU! 2021. OŽUJAK BROJ 226, SADRŽAJ 2 4 46 Donacija tantijema za obnovu zgrade Treći koncert u sezoni Cantus Glazbene škole u Sisku Ansambla 5 48. Pjesme potresa i pandemije Papandopulo kvartet u HGZ–u: Koncert s posvetama 8 UVODNIK Intervju s Markom Matijevićem 49 Sekulom kao dobitnikom HDS–ove 57. Glazbena tribina Zagreb Dragi čitatelji, na dosadašnjoj suradnji i potpore Intenational (20. — 23. veljače 2021.) ukazanom povjerenju za obraćam vam se s druge novi mandat u kojem želimo 12 57 stranice prvoga broja novog nastaviti sa stručnim prika- Dora 2021. Tick–tock, vrijeme je za Scenska glazba uživo kazališne četverogodišnjeg manda- zima i procjenama naše sve- šou! predstave Gdje se kupuju nježnosti u ta kao glavna urednica kolike glazbene scene. Iako HNK–u Zagreb časopisa Cantus. Hvala vam 16 smo već dobrano zakoračili na dosadašnjem i budu- Intervju s Branimirom 59 u doba dominacije internet- ćem čitanju; nadam se da Mihaljevićem, autorom pobjedničke Zoran Šćekić i prijatelji za skih portala u medijskom neću iznevjeriti ukazano pjesme na Dori 2021. nastradalu Petrinju prostoru, opstanak časopisa mi povjerenje. Skupština Cantus je HDS–ov zalog za predstavnika HDS–a na 20 61 budućnost, ne samo kao kro- sjednici 20. siječnja 2021. Treća dodjela nagrada Rock&Off Opera Porin kao kruna karijere nika događanja nego i kao odabrala je moju kandi- Pavla Dešpalja referentna građa koja ostaje 22 daturu uz kolege, neke pohranjena u knjižnicama Intervju s Markom Mrakovčićem, 62 stare, neke nove članove i arhivima za buduće muzi- novom zvijezdom Rock&Offa 54.
    [Show full text]
  • Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
    KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex....
    [Show full text]
  • For the Homeland: Transnational Diasporic Nationalism and the Eurovision Song Contest
    FOR THE HOMELAND: TRANSNATIONAL DIASPORIC NATIONALISM AND THE EUROVISION SONG CONTEST SLAVIŠA MIJATOVIĆ A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN GEOGRAPHY YORK UNIVERSITY TORONTO, CANADA December 2014 © Slaviša Mijatović, 2014 Abstract This project examines the extent to which the Eurovision Song Contest can effectively perpetuate discourses of national identity and belonging for diasporic communities. This is done through a detailed performance analysis of former Yugoslav countries’ participations in the contest, along with in-depth interviews with diasporic people from the former Yugoslavia in Malmö, Sweden. The analysis of national symbolism in the performances shows how national representations can be useful for the promotion of the state in a reputational sense, while engaging a short-term sense of national pride and nationalism for the audiences. More importantly, the interviews with the former Yugoslav diaspora affirm Eurovision’s capacity for the long-term promotion of the ‘idea of Europe’ and European diversities as an asset, in spite of the history of conflict within the Yugoslav communities. This makes the contest especially relevant in a time of rising right-wing ideologies based on nationalism, xenophobia and racism. Key words: diaspora, former Yugoslavia, Eurovision Song Contest, music, nationalism, Sweden, transnationalism ii Acknowledgements Any project is fundamentally a piece of team work and my project has been no different. I would like to thank a number of people and organisations for their faith in me and the support they have given me: William Jenkins, my supervisor. For his guidance and support over the past two years, and pushing me to follow my desired research and never settling for less.
    [Show full text]
  • How to Use This Songfinder
    as of 3.14.2016 How To Use This Songfinder: We’ve indexed all the songs from 26 volumes of Real Books. Simply find the song title you’d like to play, then cross-reference the numbers in parentheses with the Key. For instance, the song “Ac-cent-tchu-ate the Positive” can be found in both The Real Book Volume III and The Real Vocal Book Volume II. KEY Unless otherwise marked, books are for C instruments. For more product details, please visit www.halleonard.com/realbook. 01. The Real Book – Volume I 10. The Charlie Parker Real Book (The Bird Book)/00240358 C Instruments/00240221 11. The Duke Ellington Real Book/00240235 B Instruments/00240224 Eb Instruments/00240225 12. The Bud Powell Real Book/00240331 BCb Instruments/00240226 13. The Real Christmas Book – 2nd Edition Mini C Instruments/00240292 C Instruments/00240306 Mini B Instruments/00240339 B Instruments/00240345 CD-ROMb C Instruments/00451087 Eb Instruments/00240346 C Instruments with Play-Along Tracks BCb Instruments/00240347 Flash Drive/00110604 14. The Real Rock Book/00240313 02. The Real Book – Volume II 15. The Real Rock Book – Volume II/00240323 C Instruments/00240222 B Instruments/00240227 16. The Real Tab Book – Volume I/00240359 Eb Instruments/00240228 17. The Real Bluegrass Book/00310910 BCb Instruments/00240229 18. The Real Dixieland Book/00240355 Mini C Instruments/00240293 CD-ROM C Instruments/00451088 19. The Real Latin Book/00240348 03. The Real Book – Volume III 20. The Real Worship Book/00240317 C Instruments/00240233 21. The Real Blues Book/00240264 B Instruments/00240284 22.
    [Show full text]
  • Rhythm & Blues...60 Deutsche
    1 COUNTRY .......................2 BEAT, 60s/70s ..................69 OUTLAWS/SINGER-SONGWRITER .......23 SURF .............................81 WESTERN..........................27 REVIVAL/NEO ROCKABILLY ............84 WESTERN SWING....................29 BRITISH R&R ........................89 TRUCKS & TRAINS ...................31 INSTRUMENTAL R&R/BEAT .............91 C&W SOUNDTRACKS.................31 POP.............................93 COUNTRY AUSTRALIA/NEW ZEALAND....32 POP INSTRUMENTAL .................106 COUNTRY DEUTSCHLAND/EUROPE......33 LATIN ............................109 COUNTRY CHRISTMAS................34 JAZZ .............................110 BLUEGRASS ........................34 SOUNDTRACKS .....................111 NEWGRASS ........................36 INSTRUMENTAL .....................37 DEUTSCHE OLDIES112 OLDTIME ..........................38 KLEINKUNST / KABARETT ..............117 HAWAII ...........................39 CAJUN/ZYDECO ....................39 BOOKS/BÜCHER ................119 FOLK .............................39 KALENDER/CALENDAR................122 WORLD ...........................42 DISCOGRAPHIES/LABEL REFERENCES.....122 POSTER ...........................123 ROCK & ROLL ...................42 METAL SIGNS ......................123 LABEL R&R .........................54 MERCHANDISE .....................124 R&R SOUNDTRACKS .................56 ELVIS .............................57 DVD ARTISTS ...................125 DVD Western .......................139 RHYTHM & BLUES...............60 DVD Special Interest..................140
    [Show full text]
  • Eurovisie Top1000
    Eurovisie 2017 Statistieken 0 x Afrikaans (0%) 4 x Easylistening (0.4%) 0 x Soul (0%) 0 x Aziatisch (0%) 0 x Electronisch (0%) 3 x Rock (0.3%) 0 x Avantgarde (0%) 2 x Folk (0.2%) 0 x Tunes (0%) 0 x Blues (0%) 0 x Hiphop (0%) 0 x Ballroom (0%) 0 x Caribisch (0%) 0 x Jazz (0%) 0 x Religieus (0%) 0 x Comedie (0%) 5 x Latin (0.5%) 0 x Gelegenheid (0%) 1 x Country (0.1%) 985 x Pop (98.5%) 0 x Klassiek (0%) © Edward Pieper - Eurovisie Top 1000 van 2017 - http://www.top10000.nl 1 Waterloo 1974 Pop ABBA Engels Sweden 2 Euphoria 2012 Pop Loreen Engels Sweden 3 Poupee De Cire, Poupee De Son 1965 Pop France Gall Frans Luxembourg 4 Calm After The Storm 2014 Country The Common Linnets Engels The Netherlands 5 J'aime La Vie 1986 Pop Sandra Kim Frans Belgium 6 Birds 2013 Rock Anouk Engels The Netherlands 7 Hold Me Now 1987 Pop Johnny Logan Engels Ireland 8 Making Your Mind Up 1981 Pop Bucks Fizz Engels United Kingdom 9 Fairytale (Norway) 2009 Pop Alexander Rybak Engels Norway 10 Ein Bisschen Frieden 1982 Pop Nicole Duits Germany 11 Save Your Kisses For Me 1976 Pop Brotherhood Of Man Engels United Kingdom 12 Vrede 1993 Pop Ruth Jacott Nederlands The Netherlands 13 Puppet On A String 1967 Pop Sandie Shaw Engels United Kingdom 14 Apres toi 1972 Pop Vicky Leandros Frans Luxembourg 15 Power To All Our Friends 1973 Pop Cliff Richard Engels United Kingdom 16 Als het om de liefde gaat 1972 Pop Sandra & Andres Nederlands The Netherlands 17 Eres Tu 1973 Latin Mocedades Spaans Spain 18 Love Shine A Light 1997 Pop Katrina & The Waves Engels United Kingdom 19 Only
    [Show full text]
  • 214 Ožujak 2019
    ISSN 1330–4747 ČASOPIS HRVATSKOGA DRUŠTVA SKLADATELJA | BROJ 214 OŽUJAK 2019. | CIJENA 22 kn Jacques Houdek, autor pobjedničke pjesme Dore 2019. The Dream i Rokova pobjeda otporni su na metke 2. dodjela nagrade publike Cesarica 2019. Ako te pitaju, Grašo i Huljići imaju hit godine Tamara Obrovac u prvom planu Jedinstvena autorica prepoznatljivog stila Gordan Tudor — Novi koncert za saksofon i orkestar Tiskanje partiture će malo pričekati. Ionako ne skladam zbog tantijema 30. MuzičkI biennale Zagreb (6. — 13. travnja 2019.) Glazba — prostor — grad — zvuk UVODNIK Kako se novom platformom koriste Dragi čitatelji, Ante Pecotić i Branimir Mihaljević evo nas u prvom tromje- sečju godine nove, po- »Fokusom se koristim od sljednje na izmaku prvog njegovih početaka. Postao desetljeća drugog tisuć- je nezaobilazni dio mojega ljeća. Zamislite, kako vri- poslovnog modela u sklo- jeme leti! To je za glazbe- pu izdavačkog brenda Ru- nike inače »doba kiselih bikon Sound Factory koji krastavaca«, ali protekle sam osnovao u suradnji je zimske mjesece ispu- sa svojim prijateljem i ko- nilo nevjerojatno mnogo legom Bojanom Šalamo- događanja. Bogatu berbu nom Shallom. Mislim da je predvodi povratak Dore takva platforma u današ- na našu scenu i na naše nje vrijeme, kad komadna male ekrane te natjeca- prodaja, nažalost, bilježi teljskog duha među auto- nezaustavljiv pad, od izu- rima, pjevačima i producentima. Ipak je zetne koristi svim autorima javno odmjeravanje i glasovanje publike, i izvođačima koji više nisu odnosno stručnog žirija pošteniji način iz- u prilici i mogućnosti sni- bora hrvatske pjesme za pjesmu Europe, mati albume, a žele prona- Ante Pecotić: »Fokus je jedinstvena spona nas glazbenika i radijskih urednika.« za Eurosong.
    [Show full text]
  • Riverside Ballet Arts Presents 10 P.M
    California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 6-3-1987 June 3rd 1987 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "June 3rd 1987" (1987). Coyote Chronicle (1984-). 239. https://scholarworks.lib.csusb.edu/coyote-chronicle/239 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. Inside: Communication Students I Two CSUSB Baseball \ All-Campus Spring Attended Conference^ I pi^yers Recognized page 10 XBarbecue page 8 THE CHRONICLE •'J: Volume 21, Number 28 California State University, San Bernardino Jttm 3, /9|i7 :RSITy iliiiiliiiiSfili JUN 3 1987 CSUSB Student To Compete In Austria LtBRARY by Anthony Parrish This July Danny Morse will go to Rohrback, Austria to cx^mpete in the World Crossbow Championship. Danny is a graduate student at CSUSB. He graduated in 1974 with his bachelor's degree in Biolc^. In 1984 Danny was an alternate in the Olympic Games. But that is not the beginning or the end of Danny's praiseworthy accomplish­ ments. He began shooting competitive rifles in the 1960's. He started experimenting with the crossbow in 1981 and two years later he made the United Stat^ National World Championship Team. Since then Danny set the 1986 Match in Rifle Shooting. Though not a conceited person, Danny has every right to hold his head high and be proud.
    [Show full text]