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Steven Feld CV 1 CV Steven Feld [email protected] Education Ph.D. 1979 Indiana University, Anthropological Linguistics B.A. 1971 Hofstra University, cum laude, highest honors in Anthropology Teaching Positions 2005-2014 Distinguished Prof. of Anthropology and Music, U. of New Mexico 2003-2005 Professor of Anthropology and Music, University of New Mexico 2002-2003 Professor of Music, Columbia University 1997-2001 Professor of Anthropology, New York University 1995-1997 Professor of Anthropology, University of California, Santa Cruz 1985-95 Associate & Professor of Anthropology and Music, U. of Texas at Austin 1980-85 Assistant Professor of Communications, University of Pennsylvania Visiting Positions 1993 Visiting Professor of Anthropology, University of Sydney 2001-2006 Visiting Professor, Grieg Music Academy, University of Bergen 2007-2012 Visiting Professor, Institute of Music, University of Oslo 2009 Ernest Bloch Visiting Professor of Music, University of California, Berkeley 2012 Visiting Professor of Anthropology, University of California, Berkeley Honors/Fellowships/Awards Elliott Skinner Prize, for Jazz Cosmopolitanism in Accra, 2013 Prix Bartók, Paris International Film Festival, for A Por Por Funeral for Ashirifie, 2010 Charles Seeger Lecture, Society for Ethnomusicology, 2009 Ernest Bloch Lectures in Music, University of California, Berkeley, 2009 John Simon Guggenheim Memorial Fellowship, 2003-2004 Fumio Koizumi Prize for Ethnomusicology, 2003 John D. and Catherine T. MacArthur Foundation Fellowship, 1991-1996 Chicago Folklore Prize, for Music Grooves (with Charles Keil), 1995 American Academy of Arts and Sciences, Fellow, elected 1994 Distinguished Alumni Award, Indiana University, 1992 J.I. Staley Prize, for Sound and Sentiment, 1991 NEH Scholar, School of American Research, 1989-90 Key Research Projects Anthropology of Sound in Bosavi, Papua New Guinea (Since 1975) Schizophonia and its Discontents: “World Music” in the 80s & 90s (since 1986) Acoustemology of Bells in Europe & Africa, (since 2000) Jazz Cosmopolitanism in Accra, Ghana (since 2004) Books 1982 Sound and Sentiment: Birds, Weeping, Poetics and Song in Kaluli Expression. Philadelphia: University of Pennsylvania Press; 2nd edition 1990; 3rd edition, Duke University Press, 2012. J.I. Staley Prize 1991. 1994 Music Grooves: Essays and Dialogues. (with Charles Keil) Chicago: University of Chicago Press. Chicago Folklore Prize 1995. 1996 Senses of Place. (editor, with Keith Basso) Santa Fe: SAR Press. 1998 Bosavi-English-Tok Pisin Dictionary. (with Bambi B. Schieffelin, Hoido: Degelo:, Ho:nowo: Degili, Kulu Fuale, Ayasilo Ha:ina, and Da:ina Ha:waba:). Pacific Linguistics C-153; Australian National University Press. 2002 Bright Balkan Morning: Romani Lives and the Power of Music in Greek Macedonia. Photographs by Dick Blau, text by Charles and Angeliki Keil, CD by Steven Macedonia. Photographs by Dick Blau, text by Charles and Angeliki Keil, CD by Steven Feld. Middletown: Wesleyan University Press. 2003 Jean Rouch: Ciné-Ethnography. (editor and translator) University of Minnesota Press. 2007 Exposures: A White Woman in West Africa. Photographs by/of Virginia Ryan, text by Steven Feld. Santa Fe: Voxlox. 2010 Skyros Carnival. Photographs by Dick Blau, text by Agapi Amanatidis and Panayotis Panopoulos, CD and DVD by Steven Feld. Santa Fe: Voxlox. 2012 I Suoni dell’albero (book with 2 CD; editor, with Nicola Scaldaferri). Udine: Nota. 2012 Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Duke University Press. Elliott Skinner Prize, Association for Africanist Anthropology, 2013. Articles c. 75 articles since 1974 for edited books and journals, including Cultural Anthropology, American Ethnologist, American Anthropologist, Annual Review of Anthropology, Public Culture, Critical Inquiry, Studies in Visual Communication, Visual Anthropology, Oral Tradition, Journal of Linguistic Anthropology, Ethnomusicology, Yearbook for Traditional Music Translations c. 25 article and book translations in Greek, Italian, French, Spanish, Portuguese, Japanese, Chinese, Turkish, German, Serbian, and Russian. Audio and Video/Film and Radio c. 50 audio, video/film, and radio programs for US, Australian and European networks; c.40 LPs, cassettes, CDs, DVDs, festival installations; 4 feature length documentary films, plus numerous shorts, at www.vimeo.com/voxlox. Public Presentations c.200 invited lectures, performances, installations, and screenings at c. 100+ universities, museums, galleries, festivals, auditoria in the USA, UK, Australia, France, Italy, Germany, Greece, Japan, Denmark, Finland, Norway, Netherlands, Ghana, South Africa, Hong Kong..
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  • Doing Anthropology in Sound
    STEVEN FELD University of New Mexico DONALD BRENNEIS University of California, Santa Cruz Doing anthropology in sound ound has come to have a particular resonance in many disciplines ABSTRACT over the past decade. Social theorists (Attali 1995), historians Sound has come to have a particular resonance in (Brady 1999; Carter 1992; Corbin 1998; Hoffer 2003; Johnson many disciplines over the past decade. Social 1995; Picker 2003; Rath 2003; Smith 2001), literary researchers theorists, historians, literary researchers, (Smith 1999), folklorists (Bendix 2003), and scholars in science folklorists, and scholars in science and technology Sand technology studies (Sterne 2003; Thompson 2002) and in visual, studies and visual, performative, and cultural performative, and cultural studies (Bull and Back 2003; Chion 2002; Connor studies provide a range of substantively rich 2000; Drobnick 2004; Erlmann 2004; Gouk 1999; Ja¨rviluoma and Wagstaff accounts and epistemologically provocative models 2002; Kahn 1999; Kruth and Stobart 2000; Morris 1998; van Leeuwen 1999; for how researchers can take sound seriously. This Wishart 1996) provide a range of substantively rich accounts and epistemo- conversation explores general outlines of an logically provocative models for how researchers can take sound seriously. anthropology of sound. Its main focus, however, is In this conversation we explore not only what an anthropology of sound on the issues involved in using sound as a primary might be like but also what doing ethnography through sound—listening, medium for ethnographic research. [sound, recording, editing, and representation—might entail and promise.1 epistemology, ethnography, documentation, media representation] Don Brenneis: Why don’t you start out by talking about the chronology of taking up sound recording in your anthropological work? Steven Feld: I was inspired to think about recording sound as anthropological work at pretty much the same moment that I was inspired to pursue anthropology.
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    STEVE FELD University of New Mexico DONALD BRENNEIS University of California, Santa Cruz Doing anthropology in sound ound has come to have a particular resonance in many disciplines ABSTRACT over the past decade. Social theorists (Attali 1995), historians Sound has come to have a particular resonance in (Brady 1999; Carter 1992; Corbin 1998; Hoffer 2003; Johnson many disciplines over the past decade. Social 1995; Picker 2003; Rath 2003; Smith 2001), literary researchers theorists, historians, literary researchers, (Smith 1999), folklorists (Bendix 2003), and scholars in science folklorists, and scholars in science and technology Sand technology studies (Sterne 2003; Thompson 2002) and in visual, studies and visual, performative, and cultural performative, and cultural studies (Bull and Back 2003; Chion 2002; Connor studies provide a range of substantively rich 2000; Drobnick 2004; Erlmann 2004; Gouk 1999; Ja¨rviluoma and Wagstaff accounts and epistemologically provocative models 2002; Kahn 1999; Kruth and Stobart 2000; Morris 1998; van Leeuwen 1999; for how researchers can take sound seriously. This Wishart 1996) provide a range of substantively rich accounts and epistemo- conversation explores general outlines of an logically provocative models for how researchers can take sound seriously. anthropology of sound. Its main focus, however, is In this conversation we explore not only what an anthropology of sound on the issues involved in using sound as a primary might be like but also what doing ethnography through sound—listening, medium for ethnographic research. [sound, recording, editing, and representation—might entail and promise.1 epistemology, ethnography, documentation, media representation] Don Brenneis: Why don’t you start out by talking about the chronology of taking up sound recording in your anthropological work? Steve Feld: Iwasinspiredtothinkaboutrecordingsoundas anthropological work at pretty much the same moment that I was inspired to pursue anthropology.
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  • AR Rahman and the Global Routes of Indian Popular Music
    BEYOND KITSCH: A. R. RAHMAN AND THE GLOBAL ROUTES OF INDIAN POPULAR MUSIC Stephanie Lou Jackson A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: David Harnish, Advisor Esther Clinton Jeremy Wallach © 2010 Stephanie Jackson All Rights Reserved iii ABSTRACT David Harnish, Advisor At the 2009 Academy Awards, A. R. Rahman became the first Indian composer to win Best Score and Best Song (“Jai Ho”) for his music in the film, Slumdog Millionaire (2008). This event not only granted Rahman another prestigious accolade for his accomplishments as a popular film music composer (i.e., he has been awarded many times over in India for his music), but it gave Rahman new star-status recognition among a Western audience. Although enormously famous in India and well-known among the South Asian diaspora located throughout many parts of the world, Rahman remained, up until that time, virtually unknown among mainstream U.S. audiences. U.S. audiences today are perhaps more likely than a decade ago to recognize the sounds and images of Indian cinema known as Bollywood, a cultural artifact, once considered “kitsch,” that increasingly traverses international popular cultures. Consequently, the appeal of Rahman’s Bollywood music among a wider global audience (as presented in Slumdog Millionaire) coincides with the global circulation and consumption of Bollywood films and music in recent years. I suggest that the appeal for Rahman’s music outside of India cannot be explained by the Western fascination with the exotic “Other," but instead involves a cultural affinity for a type of style and sound set forth in Rahman’s music.
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  • SHORT BIO: Steven Feld Steven Feld Is an Anthropologist, Filmmaker
    SHORT BIO: Steven Feld Steven Feld is an anthropologist, filmmaker, sound artist/performer, and Distinguished Professor of Anthropology Emeritus at the University of New Mexico. After studies in music, film, and photography, he received the Ph.D in Anthropological Linguistics at Indiana University in 1979. From 1976 he began a research project in the Bosavi rainforest of Papua New Guinea. Results include the monograph Sound and Sentiment (republished 2012 in a 3rd and 30th anniversary edition), a Bosavi-English-Tok Pisin Dicitionary, and essays, some published in his co-edited books Music Grooves and Senses of Place. From this work he also produced audio projects including Voices of the Rainforest. Key theoretical themes developed in this work are the anthropology of sound and voice; acoustemology, particularly regarding eco-cosmology as relational ontology; emotive sensuality; and experimental, dialogic writing, recording, and filmmaking. Work after 2000 has concentrated on related themes in the study of bells in Europe, Japan, Ghana, and Togo, published in CDs, DVDs, and books like The Time of Bells, Skyros Carnival, and Santi, Animali, e Suoni. His most recent project concerns jazz in West Africa, published in the twelve CD, five DVD, and book set Jazz Cosmopolitanism in Accra. Feld’s work has been supported and honored by MacArthur and Guggenheim fellowships as well as book and film prizes. LONG BIO: Steven Feld Steven Feld's academic research principally concerns the anthropology of sound, voice, senses, and media, incorporating linguistics and poetics, music and aesthetics, acoustics and ecology, film and photography. From 1975-2000 he studied the sound world of the Bosavi rainforest region in Papua New Guinea, from environmental sounds and bird calls to language, poetry and music.
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  • Sound and Sentiment Birds, Weeping, Poetics, and Song in Kaluli Expression   
    Sound and Sentiment Birds, Weeping, Poetics, and Song in Kaluli Expression Steven Feld Sound and Sentiment Sound and Sentiment Birds, Weeping, Poetics, and Song in Kaluli Expression Third Edition Steven Feld Thirtieth Anniversary Edition with a New Introduction Duke University Press Durham & London 2012 © 1982, 1990 Steven Feld “Introduction to the Third Edition”© 2012 Steven Feld All rights reserved Printed in the United States of America on acid- free paper ∞ Library of Congress Cataloging-in- Publication Data Feld, Steven. Sound and sentiment : birds, weeping, poetics, and song in Kaluli expression / Steven Feld. — 3rd ed.; thirtieth anniversary ed. with a new introduction. p. cm. Includes bibliographical references and index. ISBN 978-0-8223-5365-2 (pbk. : alk. paper) 1. Kaluli (Papua New Guinean people)—Social life and customs. 2. Kaluli (Papua New Guinean people)—Rites and ceremonies. 3. Kaluli (Papua New Guinean people)—Music— History and criticism. 4. Folk music—Papua New Guinea— History and criticism. 5. Folk songs, Kaluli—Papua New Guinea—History and criticism. 6. Birds—Mythology—Papua New Guinea. 7. Birds—Papua New Guinea. I. Title. DU740.42.F44 2012 305.89'912—dc23 2012024696 To the boy who became a muni bird and in memory of Charlie Parker, John Coltrane, and Charles Mingus, ane kalu ɔbɛ mise Contents List of Illustrations ix Acknowledgments xi Introduction to the Third Edition xiii Preface to the Second Edition xxxix Introduction to the First Edition 3 1. The Boy Who Became a Muni Bird 20 2. To You They Are Birds, to Me They Are Voices in the Forest 44 3.
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  • FELD Long Cv
    1 CV January 2021 Steven Feld P.O. Box 22160, Santa Fe, NM, 87502 USA [email protected] www.stevenfeld.net Education B.A. 1971 Hofstra University, cum laude, highest honors in Anthropology Ph.D. 1979 Indiana University; Anthropological Linguistics & Ethnomusicology Professional Positions 1980-85 Assistant Professor of Communications, University of Pennsylvania 1985-91 Associate Professor of Anthropology & Music, University of Texas at Austin 1987-95 Director, Folklore and Ethnomusicology Center, University of Texas at Austin 1993- Visiting Professor of Anthropology, University of Sydney 1991-1995 Professor of Anthropology & Music, University of Texas at Austin 1995-1997 Professor of Anthropology, University of California, Santa Cruz 1997-2001 Professor of Anthropology, New York University 2001-2006 Visiting Professor, Grieg Academy of Music, University of Bergen 2002-2003 Professor of Music, Columbia University 2003-2005 Professor of Anthropology & Music, University of New Mexico 2005-2014 Distinguished Professor of Anthropology & Music, U. of New Mexico 2007-2012 Visiting Professor, Institute of Music, University of Oslo 2009 Ernest Bloch Visiting Professor of Music, University of California, Berkeley 2012 Alan Dundes Visiting Professor of Anthropology, University of California, Berkeley 2015- Distinguished Professor of Anthropology Emeritus, University of New Mexico 2016- 2020 Senior Scholar, School for Advanced Research, Santa Fe 2020 Fellow, Center for Experimental Ethnography, University of Pennsylvania 2021 Chaire Internationale,
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  • SHORT BIO: Steven Feld Steven Feld Is an Anthropologist
    SHORT BIO: Steven Feld Steven Feld is an anthropologist, filmmaker, sound artist/performer, and Distinguished Professor of Anthropology Emeritus at the University of New Mexico. After studies in music, film, and photography, he received the Ph.D in Anthropological Linguistics at Indiana University in 1979. From 1976 he began a research project in the Bosavi rainforest of Papua New Guinea. Results include the monograph Sound and Sentiment (republished 2012 in a 3rd and 30th anniversary edition), a Bosavi-English-Tok Pisin Dicitionary, and essays, some published in his co-edited books Music Grooves and Senses of Place. From this work he also produced audio projects including Voices of the Rainforest. Key theoretical themes developed in this work are the anthropology of sound and voice; acoustemology, particularly regarding eco-cosmology as relational ontology; emotive sensuality; and experimental, dialogic writing, recording, and filmmaking. Work after 2000 has concentrated on related themes in the study of bells in Europe, Japan, Ghana, and Togo, published in CDs, DVDs, and books like The Time of Bells, Skyros Carnival, and Santi, Animali, e Suoni. His most recent project concerns jazz in West Africa, published in the ten CD, four DVD, and book set Jazz Cosmopolitanism in Accra. Feld’s work has been supported and honored by MacArthur and Guggenheim fellowships as well as book and film prizes. LONG BIO: Steven Feld Steven Feld's academic research principally concerns the anthropology of sound, voice, senses, and media, incorporating linguistics and poetics, music and aesthetics, acoustics and ecology, film and photography. From 1975-2000 he studied the sound world of the Bosavi rainforest region in Papua New Guinea, from environmental sounds and bird calls to language, poetry and music.
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  • Feld Biography
    BIOGRAPHY: Steven Feld Steven Feld is Senior Scholar at the School for Advanced Research in Santa Fe, New Mexico. An anthropologist, filmmaker, musician, and sound artist, he is also Distinguished Professor of Anthropology Emeritus at the University of New Mexico. Recipient of a John D. and Catherine T. MacArthur Foundation Fellowship in 1991, he was elected a fellow of the American Academy of Arts and Sciences in 1994, and in 2003 received the Koizumi Fumio Prize for Ethnomusicology and a John Simon Guggenheim Memorial Foundation Fellowship. His research has also been supported by the National Science Foundation, the National Endowments for the Humanities and for the Arts, the Wenner-Gren Foundation for Anthropological Research, and other foundations. Feld's academic research principally concerns the anthropology of sound, a term he coined in 1972 to extend the anthropology of music and language into a more critical sensory and aesthetic focus on voice and poetics, all-species sound relations, media and technologies, and environmental and ecological acoustics. From 1975-2000 he pursued anthropology of sound studies in the Bosavi rainforest region in Papua New Guinea, researching relations of environmental ambient sounds, bird calls, weeping, poetics, and song. This work is represented nd rd in articles, the monograph Sound and Sentiment (1982, 2 edition 1990, 3 edition 2012, and 1991 recipient of the J.I. Staley Prize from the School of American Research), as well as the Bosavi-English-Tok Pisin Dictionary (compiled with Bambi Schieffelin and five Bosavi collaborators). It is audible on LPS and CDs like Voices of the Rainforest, Rainforest Soundwalks, and the box set retrospective Bosavi: Rainforest Music from Papua New Guinea, which Time Out New York called "anthropology that is truly wonderful to behold." Based on this research Feld expanded the framework of the anthropology of sound in the early 1990’s to acoustemology, a term coined from at the conjunction of acoustics and epistemology to refer to sound as a way of knowing.
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  • Ranganathan Dissertation
    Dwelling in my Voice: Tradition as musical judgment and aesthetic sense in North Indian classical Dhrupad By Sumitra Ranganathan A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Bonnie C. Wade, Chair Professor Benjamin E. Brinner Professor Charles K. Hirschkind Summer 2015 Dwelling in my Voice: Tradition as musical judgment and aesthetic sense in North Indian classical Dhrupad © 2015 By Sumitra Ranganathan Abstract Dwelling in my Voice: Tradition as musical judgment and aesthetic sense in North Indian classical Dhrupad By Sumitra Ranganathan Doctor of Philosophy in Music University of California, Berkeley Professor Bonnie C. Wade, Chair In this dissertation, I examine notions of tradition and fidelity to tradition in Indian classical music by investigating the development of musical judgment, categorical knowledge and aesthetic sense in the performance of Dhrupad - a genre of Hindustani music with medieval origins. Focusing on two contemporary performers of Dhrupad with very different histories of listening and practice, I show that categorical knowledge and strong notions of fidelity to tradition arise directly from the deeply dialogic and inter-subjective processes through which individual musicians develop and stabilize coherent aesthetic response to handed-down musical materials in situated practice. Specifically, I argue that strong notions of tradition and fidelity to tradition in Indian classical music are irreducible to a discussion of the disciplinary technologies of colonialism and cultural nationalism. Rather, I propose that tradition in Indian classical music has to be understood in dialogic relationship with intelligibility and individual musical judgment.
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  • SHORT BIO: Steven Feld
    SHORT BIO: Steven Feld Steven Feld is an anthropologist, filmmaker, sound artist/performer, and Distinguished Professor of Anthropology Emeritus at the University of New Mexico. After studies in music, film, and photography, he received the Ph.D in Anthropological Linguistics at Indiana University in 1979. From 1976 he began a research project in the Bosavi rainforest of Papua New Guinea. Results include the monograph Sound and Sentiment (republished 2012 in a 3rd and 30th anniversary edition), a Bosavi-English-Tok Pisin Dicitionary, and essays, some published in his co-edited books Music Grooves and Senses of Place. From this work he also produced audio projects including Voices of the Rainforest. Key theoretical themes developed in this work are the anthropology of sound and voice; acoustemology, particularly regarding eco-cosmology as relational ontology; emotive sensuality; and experimental, dialogic writing, recording, and filmmaking. Work after 2000 has concentrated on related themes in the study of bells in Europe, Japan, Ghana, and Togo, published in CDs, DVDs, and books like The Time of Bells, Skyros Carnival, and Santi, Animali, e Suoni. His most recent project concerns jazz in West Africa, published in the ten CD, four DVD, and book set Jazz Cosmopolitanism in Accra. Feld’s work has been supported and honored by MacArthur and Guggenheim fellowships as well as book and film prizes. LONG BIO: Steven Feld Steven Feld's academic research principally concerns the anthropology of sound, voice, senses, and media, incorporating linguistics and poetics, music and aesthetics, acoustics and ecology, film and photography. From 1975-2000 he studied the sound world of the Bosavi rainforest region in Papua New Guinea, from environmental sounds and bird calls to language, poetry and music.
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  • 1 Biography Steven Feld Steven Feld Is an Anthropologist, Filmmaker
    1 Biography Steven Feld Steven Feld is an anthropologist, filmmaker, musician, and sound artist. He is a Senior Scholar at the School for Advanced Research in Santa Fé, and Distinguished Professor of Anthropology Emeritus at the University of New Mexico. Recipient of a John D. and Catherine T. MacArthur Foundation Fellowship in 1991, he was elected a fellow of the American Academy of Arts and Sciences in 1994, and in 2003 received a John Simon Guggenheim Memorial Foundation Fellowship. His research has also been supported by the National Science Foundation, the National Endowments for the Humanities and for the Arts, the Wenner-Gren Foundation for Anthropological Research, and other foundations. Feld's academic research principally concerns the anthropology of sound, a term he coined in 1972 to extend the anthropology of music and language into a more critical sensory and aesthetic focus on voice and poetics, all-species sound relations, media and technologies, and environmental and ecological acoustics. From 1975-2000 he pursued anthropology of sound studies in the Bosavi rainforest region in Papua New Guinea, researching relations of environmental ambient sounds, bird calls, weeping, poetics, and song. This work is represented in articles, the monograph Sound and Sentiment (1982, 2nd edition 1990, 3rd edition 2012, and 1991 recipient of the J.I. Staley Prize from the School of American Research), as well as the Bosavi-English-Tok Pisin Dictionary (compiled with Bambi Schieffelin and five Bosavi collaborators). It is audible on LPS and CDs like Voices of the Rainforest, Rainforest Soundwalks, and the box set retrospective Bosavi: Rainforest Music from Papua New Guinea, which Time Out New York called "anthropology that is truly wonderful to behold." Based on this research Feld expanded the framework of the anthropology of sound in the early 1990’s to acoustemology, a term coined from at the conjunction of acoustics and epistemology to refer to sound as a way of knowing.
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  • Semiotic Review
    Semiotic Review 9: Images - article published November 2020 https://semioticreview.com/ojs/index.php/sr/article/view/63 Spectral Signage: A Discussion with Steven Feld Steven Feld [email protected] Meghanne Barker [email protected] Constantine V. Nakassis [email protected] Figure 0. Costas Nakassis (CN; top-left), Meghanne Barker (MB; top-right), and Steven Feld (SF; bottom); 4 May 2020, online in Chicago, Illinois, London, England, and Santa Fe, New Mexico. Preface. This discussion with Steven Feld occurred online on May 4, 2020 for around two-and-a-half hours. It covers a wide range of topics: Feld’s training and background; the relations of linguistic anthropology, semiotics, linguistics, film studies, visual anthropology, musicology, and acoustemology; linguistic poetics, iconic power, and visual form; spectralism and the trace; relationality and interspeciality; the Anthropocene, the atomic bomb, and COVID-19; among other topics. This conversation builds upon Feld’s keynote lecture, “Spectral Signage” for the workshop Sense and Semiosis: Bridging Conversations between Linguistic and Visual Anthropology (September 26–28, 2019, at the University of Chicago, organized by Constantine V. Nakassis and Meghanne Barker, funded by the Wenner-Gren Foundation), as well as the discussion that followed. A recording of the online conversation was transcribed by Emily Kuret and Constantine V. Nakassis, and edited by Meghanne Barker, Constantine V. Nakassis, and Steven Feld for readability, completeness, and context. References were later added as endnotes, and visual images and sound recordings discussed during the conversation were intercalated into the final text. – Meghanne Barker and Constantine V. Nakassis MB: Steve, it was wonderful to have you join us in September for the Sense and Semiosis workshop and great to have you joining us for this special issue on images.
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