The Architectural Precedents and Context of Carlyle House
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Brief History of Architecture in N.C. Courthouses
MONUMENTS TO DEMOCRACY Architecture Styles in North Carolina Courthouses By Ava Barlow The judicial system, as one of three branches of government, is one of the main foundations of democracy. North Carolina’s earliest courthouses, none of which survived, were simple, small, frame or log structures. Ancillary buildings, such as a jail, clerk’s offi ce, and sheriff’s offi ce were built around them. As our nation developed, however, leaders gave careful consideration to the structures that would house important institutions – how they were to be designed and built, what symbols were to be used, and what building materials were to be used. Over time, fashion and design trends have changed, but ideals have remained. To refl ect those ideals, certain styles, symbols, and motifs have appeared and reappeared in the architecture of our government buildings, especially courthouses. This article attempts to explain the history behind the making of these landmarks in communities around the state. Georgian Federal Greek Revival Victorian Neo-Classical Pre – Independence 1780s – 1820 1820s – 1860s 1870s – 1905 Revival 1880s – 1930 Colonial Revival Art Deco Modernist Eco-Sustainable 1930 - 1950 1920 – 1950 1950s – 2000 2000 – present he development of architectural styles in North Carolina leaders and merchants would seek to have their towns chosen as a courthouses and our nation’s public buildings in general county seat to increase the prosperity, commerce, and recognition, and Trefl ects the development of our culture and history. The trends would sometimes donate money or land to build the courthouse. in architecture refl ect trends in art and the statements those trends make about us as a people. -
A Short History of Georgian Architecture
A SHORT HISTORY OF GEORGIAN ARCHITECTURE Georgia is situated on the isthmus between the Black Sea and the Caspian Sea. In the north it is bounded by the Main Caucasian Range, forming the frontier with Russia, Azerbaijan to the east and in the south by Armenia and Turkey. Geographically Georgia is the meeting place of the European and Asian continents and is located at the crossroads of western and eastern cultures. In classical sources eastern Georgia is called Iberia or Caucasian Iberia, while western Georgia was known to Greeks and Romans as Colchis. Georgia has an elongated form from east to west. Approximately in the centre in the Great Caucasian range extends downwards to the south Surami range, bisecting the country into western and eastern parts. Although this range is not high, it produces different climates on its western and eastern sides. In the western part the climate is milder and on the sea coast sub-tropical with frequent rains, while the eastern part is typically dry. Figure 1 Map of Georgia Georgian vernacular architecture The different climates in western and eastern Georgia, together with distinct local building materials and various cultural differences creates a diverse range of vernacular architectural styles. In western Georgia, because the climate is mild and the region has abundance of timber, vernacular architecture is characterised by timber buildings. Surrounding the timber houses are lawns and decorative trees, which rarely found in the rest of the country. The population and hamlets scattered in the landscape. In eastern Georgia, vernacular architecture is typified by Darbazi, a type of masonry building partially cut into ground and roofed by timber or stone (rarely) constructions known as Darbazi, from which the type derives its name. -
“Lafayette in Williamsburg” (Walking Tour)
Other Sites to Visit • African American Religion exhibit– Explore the religious heritage of Africans and their Virginia descendants. Lafayette in • American Indian Interpretation– Explore the diverse cultures of Native peoples striving to preserve their traditional way of life and learn about the roles they played in creating a new country. Williamsburg • Apothecary – Learn how medicine, wellness, and surgical practices of the 18th century compare to today. • Cabinetmaker & Harpsichord Maker – Watch expert woodworkers fashion the intricate details of luxury products with period hand tools. AMERICAN FRIENDS OF LAFAYETTE • Capitol – Take a guided tour of the first floor entering through the Courtroom and exiting through the House of Burgesses. Annual Meeting 2021 June 13, 2021 • Carpenter’s Yard – Discover how the carpenters use hand tools to transform trees into lumber and lumber into buildings. • Courthouse – Experience justice in the 18th century in an original building. • Gunsmith – See how rifles, pistols, and fowling pieces are made using the tools and techniques of the 18th-century. • Joinery – Watch our experts use saws, planes, hammers, and other tools to fashion wood into the pieces of a future building. • Milliner & Mantua-maker – Shop for latest hats, headwear, ornaments, and accessories. Watch as old gowns are updated to the newest 18th-century fashion. • Tailor – Touch and feel the many different sorts of fabrics and garments that clothed colonial Americans, from elegant suits in the latest London styles to the sturdy uniforms of Revolutionary soldiers. • Public Leather Works – Discover how workman cut, mold, and stitch leather and heavy textiles. • Printing Office & Bindery – Watch and learn as printers set type and use reproduction printing presses to manufacture colonial newspapers, political notices, pamphlets, and books. -
Fire Alarm Newsletter February Issue of the Journal of Operations Management, Vol
William and Mary Faculty Meeting Set To: All Members of the Faculty and Administration SUBJECT: College-wide Faculty Meeting The Annual College-wide Faculty Meeting will be held on Tuesday, September 4, 1984, in Millington Auditorium at 3:30 p.m. On that occasion we shall be introducing new members of the Faculty of the College to their colleagues. Deans and Department Chairmen are invited to extend special invitations to their new colleagues to attend this meeting. NEWS A listing of new members of the Faculty will be distributed in advance Tuesday, April 24, 1984 Permit No. 26 of the meeting, containing brief biographical and professional informa¬ Volume XII, Number 28 Non-Profit Organization tion about each individual, to reduce the time of introductions. Mr. U.S. Postage PAID at Williamsburg, Va. George R. Healy, as Provost of the College, will introduce all new mem¬ bers of the Faculty. The meeting, which should be over by 4:30 p.m., will be followed by an informal reception in Andrews Hall Foyer, to which you are all invited. I look forward to seeing you on Tuesday, September 4. Social Psychiatrist Robert Coles Zoe and I also look forward to welcoming you to the President's House for an informal brunch on Sunday, September 9, at 12:30 p.m. Next On Cosmos Lecture Series I will be sending you another notice later in the summer, but 1 hope you will place this important meeting on your calendars now. The "Our Future in the Cosmos" lec¬ ture series, co-sponsored by the College and NASA, since 1974 anues this spring with the appearance of Dr. -
Toronto Arch.CDR
The Architectural Fashion of Toronto Residential Neighbourhoods Compiled By: RASEK ARCHITECTS LTD RASE K a r c h i t e c t s www.rasekarchitects.com f in 02 | The Architectural Fashion of Toronto Residential Neighbourhoods RASEK ARCHITECTS LTD Introduction Toronto Architectural Styles The majority of styled houses in the United States and Canada are The architecture of residential houses in Toronto is mainly influenced by its history and its culture. modeled on one of four principal architectural traditions: Ancient Classical, Renaissance Classical, Medieval or Modern. The majority of Toronto's older buildings are loosely modeled on architectural traditions of the British Empire, such as Georgian, Victorian, and Edwardian architecture. Toronto was traditionally a peripheral city in the The earliest, the Ancient Classical Tradition, is based upon the monuments architectural world, embracing styles and ideas developed in Europe and the United States with only limited of early Greece and Rome. local variation. A few unique styles of architecture have emerged in Toronto, such as the bay and gable style house and the Annex style house. The closely related Renaissance Classical Tradition stems from a revival of interest in classicism during the Renaissance, which began in Italy in the The late nineteenth century Torontonians embraced Victorian architecture and all of its diverse revival styles. 15th century. The two classical traditions, Ancient and Renaissance, share Victorian refers to the reign of Queen Victoria (1837-1901), called the Victorian era, during which period the many of the same architectural details. styles known as Victorian were used in construction. The styles often included interpretations and eclectic revivals of historic styles mixed with the introduction of Middle Eastern and Asian influences. -
1 Dataset Illustration
1 Dataset Illustration The images are crawled from Wikimedia. Here we summary the names, index- ing pages and typical images for the 66-class architectural style dataset. Table 1: Summarization of the architectural style dataset. Url stands for the indexing page on Wikimedia. Name Typical images Achaemenid architecture American Foursquare architecture American craftsman style Ancient Egyptian architecture Art Deco architecture Art Nouveau architecture Baroque architecture Bauhaus architecture 1 Name Typical images Beaux-Arts architecture Byzantine architecture Chicago school architecture Colonial architecture Deconstructivism Edwardian architecture Georgian architecture Gothic architecture Greek Revival architecture International style Novelty 2 architecture Name Typical images Palladian architecture Postmodern architecture Queen Anne architecture Romanesque architecture Russian Revival architecture Tudor Revival architecture 2 Task Description 1. 10-class dataset. The ten datasets used in the classification tasks are American craftsman style, Baroque architecture, Chicago school architecture, Colonial architecture, Georgian architecture, Gothic architecture, Greek Revival architecture, Queen Anne architecture, Romanesque architecture and Russian Revival architecture. These styles have lower intra-class vari- ance and the images are mainly captured in frontal view. 2. 25-class dataset. Except for the ten datasets listed above, the other fifteen styles are Achaemenid architecture, American Foursquare architecture, Ancient Egyptian architecture, -
Course Description
American Studies 308, Section 1 American Studies Program, Penn State Harrisburg Fall Semester 2015 Days/Times: MWF 10:10-11 am Location: TBD Instructor: Caitlin Black Primary Email: [email protected] Primary Phone: (717) 948-6020 Office Location and Hours: TBD Course Description This course examines the styles, structures, and concepts of American architecture from Native American roots to modern “green” buildings. Through readings, images, and film, students will learn to identify major architectural styles and will become familiar with important buildings, communities, and movements in American architectural history and material culture. Students will consider the social and political connection of architecture to American experience and ideas. When possible, this course focuses on local examples to illuminate national trends over time. Course Objectives 1. Students will be able to identify key buildings, movements, and figures in American architecture. 2. Students will be able to interpret primary sources (such as maps, photographs, and drawings) used to understand American architecture. 3. Students will learn to understand and use architecture as form of evidence when analyzing themes and events. 4. Students will develop the tools to analyze aspects of American architecture in their social and political contexts and interpret changes over time. Required Texts The following texts are available at the Campus Bookstore. Mark Gelernter, A History of American Architecture (Hanover, NH: University Press of New England, 1999). ISBN: 978-1584651369. Erik Larson, The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America (New York: Crown Publishers, 2003). ISBN: 978-0375725609. (Ebook also available) Daisy M. Myers, Sticks’n Stones: The Myers Family in Levittown (New York: New York Heritage Trust, 2005). -
Chapter 2 Yeardley's Fort (44Pg65)
CHAPTER 2 YEARDLEY'S FORT (44PG65) INTRODUCTION In this chapter the fort and administrative center of Flowerdew at 44PG65 are examined in relation to town and fortification planning and the cultural behavior so displayed (Barka 1975, Brain et al. 1976, Carson et al. 1981; Barka 1993; Hodges 1987, 1992a, 1992b, 1993; Deetz 1993). To develop this information, we present the historical data pertaining to town development and documented fortification initiatives as a key part of an overall descriptive grid to exploit the ambiguity of the site phenomena and the historic record. We are not just using historic documents to perform a validation of archaeological hypotheses; rather, we are trying to understand how small-scale variant planning models evolved regionally in a trajectory away from mainstream planning ideals (Beaudry 1988:1). This helps refine our perceptions of this site. The analysis then turns to close examination of design components at the archaeological site that might reveal evidence of competence or "mental template." These are then also factored into a more balanced and meaningful cultural interpretation of the site. 58 59 The site is used to develop baseline explanatory models that are considered in a broader, multi-site context in Chapter 3. Therefore, this section will detail more robust working interpretations that help lay the foundations for the direction of the entire study. In short, learning more about this site as a representative example of an Anglo-Dutch fort/English farmstead teaches us more about many sites struggling with the same practical constraints and planning ideals that Garvan (1951) and Reps (1972) defined. -
The Adjacent Possible Faculty Show 14 1619 / 2019
Dear Friends of the Muscarelle, LETTER With the fall semester upon us, I am happy to report that the Museum into the topic of repatriations and restitutions of looted art. Through FROM THE continues to thrive and that we are moving forward aggressively five special events comprising lectures and films, we probed the on multiple paths. We have a vibrant calendar of exhibitions and criminality of systematic art theft and the legal remedies that have INTERIM programs scheduled for the final months of 2019, and we are helped to reverse the ethical breakdowns and illegal activity of the DIRECTOR continuing to develop and refine plans for our new facility. past. We presented another season of Selected Topics in Architecture, At the Muscarelle, 2019 is clearly the year of collaborations. The our 9th annual sequence of architectural lectures. We restarted our Museum reopened this past spring with the outstanding exhibition Members’ Travel Program with a trip to the Tintoretto exhibition at the entitled Objects of Ceremony: Effervescence, Decay, and the Everyday. National Gallery of Art in Washington, D.C., and we held a variety of The exhibition was the product of the amazing work of Professor art workshops and artist conversations throughout the semester. FALL/WINTER Alan Braddock and his curatorial class in the Department of Art & Art In addition to our upcoming exhibitions, we have another semester History. The class worked to develop their theme and then carefully of strong and vibrant programming scheduled for our university and selected works from the collections of the Museum and the Special community audiences. -
Bulletin of the College of William and Mary in Virginia
c ii.A^ .-\^ -¥- Vol. 34, No. 3 BULLETIN March, 1940 of The College of William and Mary IN Virginia CATALOGUE of W^t College of l^illiam anb iMarp in Virginia Two Hundred and Forty-Seventh Yeah 1959-mo Announcements , Session 1940-1941 WILLIAMSBURG, VIRGINIA 1940 Entered at the post office at Williamsburg, Virginia, July 3, 1926, under act of August 24, 1912, as second-class matter Issued January, February, March, April, June, August, November Entered at the post office at Williamsburg, Virginia, July 3, 1926, under act of August 24, 1912, as second-class matter Issued January, February, March, April, June, August, November Digitized by the Internet Archive in 2011 with funding from LYRASIS IVIembers and Sloan Foundation http://www.archive.org/details/bulletinofcolleg343coll Wren Building—East Front Showing Lord Botetourt's Statue Vol. 34, No. 3 BULLETIN March, 1940 of The College of William and Mary IN Virginia CATALOGUE W^t College of William anb iHarp in Two Hundred and Forty-Seventh Year 1939-1940 Announcements i Session 1940-1941 WILLIAMSBURG, VIRGINIA 1940 Entered at the post office at Williamsburg, Virginia, July 3, 1926, under act of August 24, 1912, as second-class matter Issued January, February, March, April, June, August, November CONTENTS Page Calendar 4 College Calendar 5 Board of Visitors 6 Standing Committees of the Board of Visitors 7 OflScers of Administration 8 Officers of Instruction 9 Standing Committees of the Faculty 18 Special Lecturers 21 Alumni Association 22 Societies and Publications 24 Athletics for Men 26 -
Colonial Revival Architecture
FYS 100 HE: Landmarks and Legends: Learning Local History Shannon Clarke Professor Benowitz 1 December 2017 Colonial Revival Architecture Most Colonial Revival style houses have a rectangular shape and are normally one to two stories tall.1 They tend to have a medium pitch side-gable roof with narrow eaves, but in some cases a hipped roof and dormers are present.2 The buildings are symmetrical with a large door in the center of the house and have multi-pane windows, which are double hung.3 The centered door is accented with columns, pilasters, pediment, and/or maybe hooded to create a covered porch.4 The door may also have a fanlight, sidelight, or maybe paneled.5 Brick or wood is most commonly used as siding and some other design elements include two-story pilasters, a portico or dentil trim under the eaves.6 The Colonial Revival style is one of the most classic building styles. It is stately and distinguished, which show the owners are people with solid center and traditional values.7 The common Colonial Revival style building is symmetric and each side is a mirror image of the other. Typically decorative elements are restrained and drawn from Greek and Roman architecture.8 In the 1890s, when the Colonial Revival period of architecture was started, it could be found everywhere. One of the big influences that helped the style spread was the World’s Columbian Exposition in Chicago, which influenced architects everywhere to have an appreciation for classical architecture when they left.9 The Georgian style of the Colonial Revival period was one version of the design. -
Nomination Form
~~ ~ ~~ - . ~ ~ -, DESCRIPTION * (Check One) I -7-- ~~ Excellent Good Fair 0 Oetsriormtsd Ruins 11 Unexposed CONDITION -- t (Check One) I (Chock One) a. BACKGROUND INFORMATION: Tie first successful college in Virginia and the second in all the English colonies, the College of William and Mary was chartered on February 8, 1693. Middle Plantation (later renamed Williamsburg) was chosen as the site, and the cornerstone was laid in 1695. Designed by Sir Christopher Wren and "adapted to the Nature of the Country by the Gentlemen there," the building was completed in its original form in 1702, when two sides of the proposed quadrangle were finished. Accidentally burned in 1705, the building was subsequently rebuilt, and a third side of the quadrangle was completed in 1732. Tdice more, in 1859 and 1862, the building was damaged by fire, with consequent alterations in each reconstruction. When John D. Rockefeller, Jr., undertook its restoration in 1927, only two-thirds of the original wall height remained. Timely discovery of the Bodleian Plate" at Oxford University, depicting several important buildings of 18th century Williansburg, permitted an authentic restoration of the Wren Building. One of the largest buildings erected in the English colonieo up to that time, the Wren Building was four stories high (including English basement and attic) and 136 feet lone. Though begun in the 17th century, its design .das proudly of the 18th. The mature Renaissance design incorporates a formal symmetry, with the central axis accented by round-arch portal, balcony, sharp-pitched gable and cupola. Balancing the central axis are uniformly smced windows and narrow dormers.