Flamin' Hot Founder Speaks at Goodwin Lecture Series
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
The Nudge, Ahoribuzz and @Peace
GROOVe gUiDe . FamilY owneD and operateD since jUlY 2011 SHIT WORTH DOING tthhee nnuuddggee pie-eyed anika moa cut off your hands adds to our swear jar no longer on shaky ground 7 - 13 sept 2011 . NZ’s origiNal FREE WEEKlY STREET PRESS . ISSUe 380 . GROOVEGUiDe.Co.NZ Untitled-1 1 26/08/11 8:35 AM Going Global GG Full Page_Layout 1 23/08/11 4:00 PM Page 1 INDEPENDENT MUSIC NEW ZEALAND, THE NEW ZEALAND MUSIC COMMISSION AND MUSIC MANAGERS FORUM NZ PRESENT GOING MUSIC GLOBAL SUMMIT WHAT YOU NEED TO KNOW BEFORE YOU GO If you are looking to take your music overseas, come and hear from people who are working with both new and established artists on the global stage. DELEGATES APPEARING: Natalie Judge (UK) - Matador Records UK Adam Lewis (USA) - The Planetary Group, Boston Jen Long (UK) - BBC6 New Music DJ/Programmer Graham Ashton (AUS) - Footstomp /BigSound Paul Hanly (USA) - Frenchkiss Records USA Will Larnach-Jones (AUS) - Parallel Management Dick Huey (USA) - Toolshed AUCKLAND: MONDAY 12th SEPTEMBER FREE ENTRY SEMINARS, NOON-4PM: BUSINESS LOUNGE, THE CLOUD, QUEENS WHARF RSVP ESSENTIAL TO [email protected] LIVE MUSIC SHOWCASE, 6PM-10:30PM: SHED10, QUEENS WHARF FEATURING: COLLAPSING CITIES / THE SAMI SISTERS / ZOWIE / THE VIETNAM WAR / GHOST WAVE / BANG BANG ECHE! / THE STEREO BUS / SETH HAAPU / THE TRANSISTORS / COMPUTERS WANT ME DEAD WELLINGTON: WEDNESDAY 14th SEPTEMBER FREE ENTRY SEMINARS, NOON-5PM: WHAREWAKA, WELLINGTON WATERFRONT RSVP ESSENTIAL TO [email protected] LIVE MUSIC SHOWCASE, 6PM-10:30PM: SAN FRANCISCO BATH HOUSE FEATURING: BEASTWARS / CAIRO KNIFE FIGHT / GLASS VAULTS / IVA LAMKUM / THE EVERSONS / FAMILY CACTUS PART OF THE REAL NEW ZEALAND FESTIVAL www.realnzfestival.com shit Worth announciNg Breaking news Announcements Hello Sailor will be inducted into the New Zealand Music Hall of Fame at the APRA Silver Scroll golDie locks iN NZ Awards, which are taking place at the Auckland Town Hall on the 13th Dates September 2011. -
Students MAP out Their Futures Features Letter from the President
The free magazine for The University of Manchester 5 October 2009 UniLifeIssue 1 Volume 7 Students MAP out their futures Features Letter from the President Given that my monthly UniLife pieces should probably reflect what is at the top of my own personal agenda, I will keep returning to the urgent News need for the University to give the utmost priority to Chemical improving the quality of the learning experiences Engineering gets offered to undergraduates here in Manchester. £30m boost Manchester’s performance in undergraduate page 3 education is patchy. In some Schools undergraduate students enter a supportive, intellectually rewarding learning environment enriched by frequent, meaningful interactions with teachers, both formally (in small groups) and informally, through timely, informative feedback on their work and through other forms of constructive personal engagement. Research Such Schools and programmes are exemplary. New clues in Easter But although the academic community cares deeply Island mystery about undergraduate learning, and all Schools contain individual teachers whose dedication, experience, I was struck recently by the relevance of page 7 creativity and passionate commitment to their an article that Derek Rowntree wrote about his own students are beacons of excellence, Manchester, as institution, the Open University (THE, 25 June - an institution, falls well short of what any of us 1 July 2009). should regard as satisfactory. How was it, he wondered, that a University with According to the most recent National Student Survey student:staff ratios of 150:1 could achieve a higher (NSS), Manchester is still ranked embarrassingly low in level of student satisfaction in the NSS that “any terms of overall student satisfaction. -
Hip Hop Pedagogies of Black Women Rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Schoolin' women: hip hop pedagogies of black women rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Guillory, Nichole Ann, "Schoolin' women: hip hop pedagogies of black women rappers" (2005). LSU Doctoral Dissertations. 173. https://digitalcommons.lsu.edu/gradschool_dissertations/173 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCHOOLIN’ WOMEN: HIP HOP PEDAGOGIES OF BLACK WOMEN RAPPERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Nichole Ann Guillory B.S., Louisiana State University, 1993 M.Ed., University of Louisiana at Lafayette, 1998 May 2005 ©Copyright 2005 Nichole Ann Guillory All Rights Reserved ii For my mother Linda Espree and my grandmother Lovenia Espree iii ACKNOWLEDGMENTS I am humbled by the continuous encouragement and support I have received from family, friends, and professors. For their prayers and kindness, I will be forever grateful. I offer my sincere thanks to all who made sure I was well fed—mentally, physically, emotionally, and spiritually. I would not have finished this program without my mother’s constant love and steadfast confidence in me. -
The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product. -
“Racist, Sexist, Profane, and Violent”: Reinterpreting WWE's Portrayals of Samoans Across Generations
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 8-2020 “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations John Honey Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the American Popular Culture Commons Recommended Citation Honey, John, "“Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations" (2020). All Graduate Plan B and other Reports. 1469. https://digitalcommons.usu.edu/gradreports/1469 This Report is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. 1 2 Copyright © John B. Honey 2020 All Rights Reserved 3 ABSTRACT “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans across Generations By John B. Honey, Master of Science Utah State University, 2020 Major Professor: Dr. Eric César Morales Program: American Studies This paper examines the shifting portrayals of Pacific Islanders in World Wrestling Entertainment (WWE) across three generations. As both a popular and historically racially problematic venue, WWE’s politically incorrect programming has played an underappreciated and under examined role in representing the USA. Although 4 many different groups have been portrayed by gross stereotypes in WWE, this paper uses the family of Dwayne “the Rock” Johnson—the Samoan Dynasty—as a case study. The WWE originally presented Pacific Islanders using the most offensive stereotypes, and the first two generations of the Samoan Dynasty had to “play Indian” or cosign onto gross representations of their people to be recognized by American audiences unfamiliar with representations of Pacific Islanders. -
In Tupelo, Scene Wants ® Check to Keep up Sites to Tell You About Local Time at Djournal.Com
see. hear. do. August 14-20 • 2008 North Mississippi’s entertainment guide Staind rolls into Tupelo for Saturday show ‘PINEAPPLE EXPRESS’ , SALTILLO’S JUSTIN POSEY , CONCERT GUIDE 2E scene August 14-20, 2008 what’s TOP 10 Blog songs High® Five Sited NBC took the gold last week, while rival broad- ®WMSV 91.1, 5.“I Kissed a Girl,” Katy cast networks barely placed. Propelled by just Make Scene World Class Radio Perry the first three nights of the Summer Olympics, Adult album 6.“American Boy,” Estelle NBC scored an average of 17.67 million viewers, Shine with Kanye West Now your alternative while its nearest competitor, CBS, averaged just 1.“Come Around,” Counting 7.“Viva la Vida,” Coldplay 5.68 million, according to Nielsen Media Crows 8.“Forever,” Chris Brown Research figures released Tuesday. blog choice 2.“Peace, Love & Happi- 9.“When I Grow Up,”The BY SHEENA BARNETT ness,” G. Love & Special Pussycat Dolls Scene Sauce 10.“A Little Bit Longer,” There are millions of 3.“Staying With Me,” Los Jonas Brothers music and entertainment Lonely Boys Web sites out there. ® www.billboard.com ®VIDEO RENTALS 4.“Hope,” Jack Johnson 1.“21,” Sony Pictures Home Entertainment. There are some for coun- Hot country songs 5.“Viva la Vida,” Coldplay 2.“The Bank Job,” Lionsgate Home Entertainment. try music. 1.“All I Want to Do,” Sugar- Some for 6.“Old Enough,” Raconteurs land ® 3.“College Road Trip,” Buena Vista Home Entertain- TELEVISION indie rock. 7.“I'm Amazed,” My 2.“You Look Good in My 1.“Summer Olympics Opening Ceremony,” NBC. -
OAESV Survivor Series Empowerment, Hope & Healing
OAESV Survivor Series Empowerment, Hope & Healing UNDERSTANDING THE TRAUMA OF SEXUAL VIOLENCE Sexual Violence is a Form of Trauma As a survivor of sexual violence, you have endured a trauma, a significant event or series of events that fall outside the range of normal, everyday human experience. All forms of sexual violence are traumatic, including rape, attempted rape, sexual abuse, molestation, voyeurism, and many others. Other familiar types of traumatic events include combat conditions, natural disasters, vehicle accidents, and medical emergencies, or witnessing one or more of these events happening to someone else. What makes a particular experience traumatic is that the survivor’s ability to control what is happening to him or her is stripped away, often violently. The survivor feels that his or her health, safety and even life are directly threatened and he/she is rendered powerless to address that threat in the moment. Such an event overwhelms the brain’s capacity to effectively respond and cope the way you would be able to in other types of situations. The extent to which a particular event is experienced as being traumatic by the survivor depends on many factors, which are unique to each person and each situation. Although you may feel out of sorts, or even that you’re “going crazy,” your reactions are normal responses to an abnormal event. Sexual Violence is Unique While the “brain impact” of sexual violence is similar to that of other types of trauma, sexual violence is unique. Unlike other types of trauma, sexual violence is a deliberate violation of your most personal space by one or more individuals that you likely knew and may have even trusted or loved. -
A Study of the Rap Music Industry in Bogota, Colombia by Laura
The Art of the Hustle: A Study of the Rap Music Industry in Bogota, Colombia by Laura L. Bunting-Hudson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2017 © 2017 Laura L. Bunting-Hudson All Rights Reserved ABSTRACT The Art of the Hustle: A Study of the Rap Music Industry in Bogota, Colombia Laura L. Bunting-Hudson How do rap artists in Bogota, Colombia come together to make music? What is the process they take to commodify their culture? Why are some rappers able to become socially mobile in this process, while others are less so? What is technology’s role in all of this? This ethnography explores those questions, as it carefully documents the strategies utilized by various rap groups in Bogota, Colombia to create social mobility, commoditize products and to create a different vision of modernity within the hip-hop community, as an alternative to the ideals set forth by mainstream Colombian society. Resistance Art Poetry (RAP), is said to have originated in the United States but has become a form of international music. In conducting ethnographic research from December of 2012 to October 2014, I was able to discover how rappers organize themselves politically, how they commoditize their products and distribute them to create various types of social mobilities. In this dissertation, I constructed models to typologize rap groups in Bogota, Colombia, which I call polities of rappers to discuss how these groups come together, take shape, make plans and execute them to reach their business goals. -
The Cord Weekly (November 1, 1995)
PHARMACY • Prescriptions Ask about the • Over-the-Counter Products es for our "f\November the cord • All drug plans honoured contest! On Campus: 3rd floor in the SUB 884-3101 • Johanne Fortier B.PH,L.PH. Canada still a country Parizeau under heatfor "ethnic" comment KATHY CAWSEY and Canada that the "next time could come Cord News more quickly than we believe." Alberta Few Canadians have experienced a night as Premier Ralph Kline said that changes would tense as this past Monday. have to be made in Canada. He called for The Quebec Referendum resulted in one of decentralization and greater autonomy for the the closest political races in history. At the end provinces. of the evening, Federalism squeaked by with In the end, however, Quebec Premier only a 1 percent victory over the Separatists. Jacques Parizeau upstaged all the other actors Television viewers across Canada watched of the evening. In an exuberant speech to 'Yes' anxiously as the blue and red bar at the bot- supporters, Parizeau pointed out that 60 per- tom of the screen wavered back and forth cent of francophones voted 'yes'. He then went across the 50 percent mark all night. on to predict that "we will have our own coun- With a final result of 50.6 percent to 49.4 try," and, in a speech that scandalized many percent, the Federalists didn't feel very victori- observers, blamed the loss on non-francopho- ous about their win. Prime Minister Jean nes and especially "ethnic" Quebecers. Chretien concluded the evening with a call for "It is true that we have been defeated, but change. -
Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Hebert, Neal Anderson, "Professional Wrestling: Local Performance History, Global Performance Praxis" (2016). LSU Doctoral Dissertations. 2329. https://digitalcommons.lsu.edu/gradschool_dissertations/2329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROFESSIONAL WRESTLING: LOCAL PERFORMANCE HISTORY, GLOBAL PERFORMANCE PRAXIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre By Neal A. Hebert B.A., Louisiana State University, 2003 M.A., Louisiana State University, 2008 August 2016 TABLE OF CONTENTS ACKNOWLEDGMENTS .............................................................................................. iv ABSTRACT ......................................................................................................................v