Teddy Pendergrass Funeral
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Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli. -
Me, Teddy Free
FREE ME, TEDDY PDF Chris McKimmie | 32 pages | 01 Oct 2016 | Allen & Unwin | 9781760291334 | English | Sydney, Australia Teddy Pendergrass | Discography | Discogs Make Matching outfits for kids and their teddy. Become part of our adventure on Facebook and Instagram. Easy-to-use childrenswear sewing patterns. Easy-to-use sewing patterns with Me by step instructions and Teddy colour Me to guide you all the way. Create fun, original and matching clothes for your child and their teddy bear. Look good — do good. Be inspired to upcycle preloved clothing and help raise funds for children's charities. I lost my wonderful Dad 18 months ago and am still Teddy hearted… I kept a few of his suites. I cut one Me, very carefully, Teddy made your teddy. A Teddy to make x. Are Me trousers? Are they shorts?? Another totally awesome Teddy from teddyand. Cerys is going to be over the moon! I saw a call out for pattern testers on Facebook, Teddy really enjoyed taking part and making my version Teddy the VortexTshirt. I loved the vortex bit so much. And once I had read the info through it made so much sense and was pretty Teddy to do. About teddyand. A joy to make x Are they trousers? Read more Customer Reviews. This site uses cookies, as explained in our Privacy and Cookie Policy. If you agree to our use of cookies, please accept and close this message and continue to use this site. Accept Cookies. Hold Me (Teddy Pendergrass and Whitney Houston song) - Wikipedia More Images. Please enable Javascript to Teddy full advantage of our site features. -
Groove Theory: a Vamp on the Epistemology of Funk
Groove Theory 9 Groove Theory: A Vamp on the Epistemology of Funk Tony Bolden When asked to define funk, George Clinton once said, “If it makes you shake your rump, it’s the funk.”1 At the most basic level, the term “funk” signifies honesty and beauty of expression at the depths of human emotion. As such, funk comprises the secular counterpart of “the spirit”—what Albert Murray calls “paroxysms of ecstasy”—in black church worship. Writing about James Brown, the musicologist Teresa L. Reed makes an observation that is applicable to funk music generally. She states that the music “captures the soulful spontaneity of the Sanctified church and the animated exhortation of the Sanctified preacher. [The music] also emulates and incites an emotional intensity parallel to the Holy Spirit possession that is a trademark of the Sanctified worship service.”2 Teddy Pendergrass makes a similar point in his memoir Truly Blessed. Recall- ing his childhood experiences in what he described as a “rock-‘em, sock-‘em, sanctified, feel-the-Spirit church,” Pendergrass said, “We talk today about the innovations in rhythm made by great jazz musicians and pioneers like James Brown, but the truth is, they had nothing on a congregation going full force in praise of the Lord.”3 The musicologist Guthrie P. Ramsey, Jr. echoes Pendergrass’s statement in his recollection of his experiences as a member of the Sanctified Band in Chicago. According to Ramsey, “Funky was the watchword . God liked funky. Funky ministered to the people.”4 Of course, black churches have always functioned as training repositories for black musicians, but the frenzy and kinetic expression associated with holiness churches played a disproportionate 0026-3079/2013/5204-009$2.50/0 American Studies, 52:4 (2013): 9-34 9 10 Tony Bolden role in funk music. -
Karen Evans February 14, 1947 - June 15, 2021
PHONE: (972) 562-2601 Karen Evans February 14, 1947 - June 15, 2021 Karen Ann (Miller) Evans, age 74, of Frisco, Texas, passed from this life on Tuesday, June 15, 2021. She was born in Morristown, New Jersey, on February 14, 1947, to Marie Anna (Gunther) and Adolph S. Miller. Graduating from Randolph High School in 1965 and (then known as) Montclair State College in 1969, she began her career as a school vocal/choral music teacher having taught at elementary and middle school levels, as well as piano to beginners, being particularly gifted at fostering a love of music in young children. Karen was also a fine French Horn player. She and Jeff Evans, her husband of 41 years, were married on November 17, 1979, and shared a common faith in Jesus Christ and their love of music throughout their marriage. Karen is survived by her husband, Jeff; their son, Chris Evans, of Fredon, New Jersey; mother-in-law, Ruth Evans, of Frisco; sister-in-law, Jill Urbanski and her husband, Jeffrey, of Frisco; nephews, Gregory Urbanski and his wife, Tricia, and Keith Urbanski; as well as several cousins. She was preceded in death by her parents. Family and friends are invited to a visitation at Turrentine-Jackson-Morrow, 8520 Main Street, Frisco, Texas, on Thursday, June 24, 2021, from 5:00 to 8:00 p.m. A celebration of Karen’s life will be held at St. Philip’s Episcopal Church, 6400 Stonebrook Parkway, Frisco, Texas, on Friday, June 25, 2021, at 10:30 a.m. officiated by the Rev. -
{Download PDF} Me, Teddy Ebook Free Download
ME, TEDDY PDF, EPUB, EBOOK Chris McKimmie | 32 pages | 01 Oct 2016 | Allen & Unwin | 9781760291334 | English | Sydney, Australia Hold Me (Teddy Pendergrass and Whitney Houston song) - Wikipedia And each read offers something new to discover. An introduction to writing an autobiography or a memoir perhaps, and certainly a heads-up to be more observant of those who fill our lives. The collaboration between family members in deciding what is included could also serve as a model as the children could imagine the conversations and how discussions could be settled through negotiation rather than confrontation. Over the years, McKimmie has written a number of books, all of which are very distinctive and several of which have been shortlisted for the CBCA awards, but this one has to be my favourite so far. In the meantime, I need to take my Ebony for a walk — she who clearly believes she is a chook just like the three she plays with every day. Now that would make for an interesting scrapbook page. Me, Teddy Chris McKimmie. Download cover. I am Teddy. It's about me growing up from a little tiny puppy with a boofy head and big brown melty eyes to a big black labrador weighing 40 kilos since I have been on a diet. This hilarious and engaging story about a much loved pet is another triumph by Chris McKimmie. More books by this author. Category: Picture books. Create fun, original and matching clothes for your child and their teddy bear. Look good — do good. Be inspired to upcycle preloved clothing and help raise funds for children's charities. -
Performer & Panelist Profiles
GOSPEL ROOTS OF ROCK AND SOUL LIVE CONCERT FINALE Friday, November 30, 2018 PERFORMER & PANELIST PROFILES SARAH DASH defines the word "legend." As an award-winning vocalist, songwriter, motivational speaker, educator, entrepreneur, and humanitarian, Sarah is a unique force whose voice has touched millions of listeners around the world. From co-founding Patti LaBelle & the Bluebelles and making history as a member of Labelle to becoming the very first Music Ambassador (2017) of Trenton, New Jersey, Sarah has blazed a trail in every facet of her remarkable career. Music has been a constant source of inspiration in Sarah's life ever since her childhood in Trenton. The seventh of thirteen children born to Elder Abraham Dash and Mother Elizabeth Dash, Sarah sang in the Trenton Church of Christ Choir as a young girl and entertained her classmates with renditions of standards like "With These Hands." The radio dial introduced her to everything from R&B and rock 'n' roll to country and polka, with the voices of Tina Turner, Gladys Knight, and Smokey Robinson shaping some of Sarah's earliest influences alongside albums by Mahalia Jackson, Nat "King" Cole, Andy Williams, and her brother's jazz collection. Doo-wop groups The Capris and The Dells inspired the name of Sarah's first group, the Del-Capris, which included another Trenton-based singer, Nona Hendryx. When Sarah and Nona teamed with Patricia (Patti) Holte and Cynthia (Cindy) Birdsong of The Ordettes, a new group was born — The Bluebelles. Beginning in 1962, Patti LaBelle & the Bluebelles -
A GOSPEL REVIVAL; the Crash Left Teddy Pendergrass His Voice. but It Broke His Soul
Page 1 3 of 10 DOCUMENTS The Washington Post October 17, 1998, Saturday, Final Edition A GOSPEL REVIVAL; The Crash Left Teddy Pendergrass His Voice. But It Broke His Soul. Richard Harrington, Washington Post Staff Writer SECTION: STYLE; Pg. C01 LENGTH: 2055 words DATELINE: PHILADELPHIA Vinnette Carroll's "Your Arms Too Short to Box With God," the acclaimed gospel musical that has toured almost continuously since its New York premiere in 1976, proved the perfect vehicle for Teddy Pendergrass's live performance comeback. Based on the Book of Matthew, it tells the story of Christ's last days, of his trial, crucifixion and resurrection. Teddy Pendergrass knows something about trials and resurrections: Since a 1982 car crash, he's used a wheelchair, a quadriplegic with no feeling or movement below his chest. Before the accident, which happened right before he turned 32, he'd been one of R&B's most charismatic singers and sex symbols, an archetypal lover man known to his fervent female fans as "Teddy Bear." There would be only a year-long hiatus from music -- Pendergrass has recorded seven albums since the accident, a number of them achieving platinum sales. And after a surprise guest appearance at 1985's Live Aid concert, there would be a few appearances on television specials, always for a single song. But for 14 years, no stage was inviting enough to Pendergrass. It wasn't a question of money or opportunity. It was a question of heart and soul. "I was extremely apprehensive," Pendergrass admits as the afternoon sun filters through the shaded windows of his spacious, specially designed mansion here at the far end of Philadelphia's Main Line.