Stranger's Guide Through the City of Montreal, with Engravings of the Most Prominent Public Buildings and Churches in the Ci
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LORNE PIERCE MEDAL – Royal Society Of
LORNE PIERCE MEDAL – Royal Society of Canada Nomination Deadline: March 2022 Internal Deadline: TBD Good to know: Nomination is by Fellow of the Royal Society or our President Sponsor: Royal Society of Canada Web Site: https://rsc-src.ca/en/awards-excellence/rsc-medals-awards#Pierce For an achievement in critical or imaginative literature. Awarded: Biennially Next deadline: 2022 The medal was established in 1926 by Lorne Pierce (1890-1961), FRSC, who was Editor of Ryerson Press for forty years and contributed greatly to the development and appreciation of Canadian literature. The medal is awarded for an achievement of special significance and conspicuous merit in imaginative or critical literature written in either English or French (critical literature dealing with Canadian subjects has priority over critical literature of equal merit that does not deal with Canadian subjects). The gold plated silver medal is offered every two years if there is a suitable candidate. In addition to the specific information to be included in the nomination form, a complete nomination also comprises the following items: (1) a letter from the Primary Nominator (2) two letters from co-nominators attesting to their support of the nomination (3) a short citation (max 70 words) (4) a detailed appraisal of the nominee’s scholarship or artistic achievements (max 1200 words) (5) three letters of reference from independent referees and their biographies (6) a Curriculum Vitae (maximum of 20 pages) CONTACT Interested faculty are encouraged to consult with Danelle D'Alvise, Prizes & Awards Manager in the Office of the Vice-President, Research regarding this Medal and for assistance with the nomination process including: writing, editing and proofreading required elements of the nomination package; securing letters of support; and managing the submission process to ensure deadlines are met. -
Archived Content
Archived Content Information identified as archived is provided for reference, research or recordkeeping purposes. It is not subject to the Government of Canada Web Standards and has not been altered or updated since it was archived. Some of this archived content is available only in one official language. Translation by CMHC can be requested and will be provided if demand is sufficient. Contenu archive Le contenu identifie comme archive est fourni a des fins de reference, de recherche ou de tenue des dossiers; il n'est pas assujetti aux normes Web du gouvernement du Canada. Aucune modification ou mise a jour n'y a ete apportee depuis son archivage. Une partie du contenu archive n'existe que dans une seule des langues officielles. La SCHL en fera la traduction dans l'autre langue officielle si la demande est suffisante. Canada mortgage and housing corporation societe canadienne dhypoth Eques et de logement CanadaJl*l RESEARCH REPORT External Research Program Montreal: A Rich Tradition in Medium Density Housing CMHC# SCHL Canada HOME TO CANADIANS CMHC—HOME TO CANADIANS Canada Mortgage and Housing Corporation (CMHC) has been Canada ’s national housing agency for more than 60 years. Together with other housing stakeholders, we help ensure that Canada maintains one of the best housing systems in the world. We are committed to helping Canadians access a wide choice of quality, affordable homes, while making vibrant, healthy communities and cities a reality across the country. For more information, visit our website at www.cmhc.ca You can also reach us by phone at 1-800-668-2642 or by fax at 1-800-245-9274. -
Appendix C Letters Not Included in the Print Edition
Appendix C Letters not included in the print edition I Peregrinations: 1903-1925 E. LODGE (2 DEC. 1903). EJP, VUL. Handwritten, on a ‘Newfoundland postcard’ (3 x 5) with 1 cent postage. Addressed to Mr E. Lodge / Asst. Sup. Of Education / St John’s/ Newfoundland. Offers to sell 400 Newfoundland stamps ‘at fifty cents a hundred as you said last year.’ MRS F.H. WALLACE (18 AUG. 1918). Pratt, MUNA. Handwritten, plain paper. Encloses a carbon copy of the typescript of ‘Rachael, a Sea-Story of Newfoundland (In Verse)’ as a gift in appreciation for the kindness of Dr and Mrs Wallace. LORNE PIERCE (16 APR. 1923). Pierce, QUA. Handwritten, LH2. Asks that copies of NV, published on 2 April 1923, be sent to reviewers as soon as possible. ARTHUR PHELPS (23 APR. 1918). Phelps, UML. Handwritten, plain paper. Encloses a recent AV, requested by Phelps, containing one of his poems [possibly ‘The Dear Illusion,’ AV (Mar. 1918): 312]. Requests ‘tit for tat.’ LORNE PIERCE (11 JUNE 1923). Pierce, QUA. Handwritten, LH3. Encloses clippings of a review of NV in the St. John’s Daily News. WILLIAM ARTHUR DEACON (3 AUG. 1923). Deacon, FRBL. Handwritten, LH2 with address crossed out and written over. Writes from Bobcaygeon to tell Deacon that W.A. Creighton of the Christian Guardian has agreed that he should review Deacon’s new book, Pens and Pirates [Toronto: Ryerson, 1923]. LORNE PIERCE (8 DEC. 1923). Pierce, QUA. Handwritten, LH2. Submission of three typescripts of ‘The Witches’ Brew’ for consideration by The Ryerson Press. NEWTON PINCOCK (NEWT AND JENNIE PINCOCK AND FRED AND MINNIE MAINES) (8 JUNE 1924) Pincock, UWL. -
The Stranger's Illustrated Guide to the City of Montreal
: j&r- —>& THE STRANGER'S ILLUSTRATED TO THE CITY OF MONTREAL BEING A SYNOPSIS OF ITS HISTORY, STATISTICS, ETC, AND A THROUGH GUIDE TO ITS DRIVES, PUBLIC BUILDINGS', PUBLIC WORKS, AND RESORTS ALSO GIVING THF CARRIAGE TARIFF, DISTANCE AND TIME-TABLES, with a VI EW OF TH E CITY. -<£/ Published by C R. Chisholm, News Agent, Grand Trunk Railway. PRICE 25 CENTS. MONTREAL PRINTED BY THE MONTREAL PRINTING & PUBLISHING COMPANY. 1868. 3-V ^ : THE STRANGER'S ILLUSTRATED TO THE CITY OF MONTREAL BEING A SYNOPSIS OF ITS HISTORY, STATISTICS, ETC., AND A THOROUGH GUIDE TO ITS DRIVES, PUBLIC BUILDINGS, PUBLIC WORKS, AND RESORTS ALSO GIVING THE CARRIAGE TARIFF, DISTANCE AND TIME-TABLES, WITH A VIEW OF THE CITY. Published by C. R. Chisholm, News Agent, Grand Trunk Railway, PRICE 25 CENTS. MONTREAL PRINTED BY THE MONTREAL PRINTING & PUBLISHING COMPANY. 1868. roo I VIEW OF THE CITY OF MONTREAL, FROM THE MOUNTAIN. CONTENTS. PAGE Street Guide 7 Montreal—A Sketch of its History, Statistics, etc 9 Public Buildings, Squares, <fcc 15 Public W< rks, &c 39 Drives. &c, in and around the City - 41 City Council 44 Tariffs of Coaches, Cabs. Caleches, &c 45 Currency Table 45 Fire Alarm Telegraph Signal Boxes 46 Timo Indicator 47 Table of Distances 47 : i STREET GUIDE. NOTICE TO READERS. On enterine any street, when you find out its name, look at the following Street Index. and it will i>o:nt uut the page on which the description of that street and its buildings is to be found Page. Beaver Hall ITill from Jurors to Belmont 15 Belmont st., from Beaver Hall terrace west to St. -
News from the Feminist Caucus, by Anne Burke
News from the Feminist Caucus, by Anne Burke This month, more news from Bernice Lever and Mary Lou Soutar-Hynes; previews from Inanna Press and Wilfred Laurier Press; and a review of Journey With No Maps, A Life of P.K. Page (McGill-Queen’s Press) by Sandra Djwa. Don’t forget to send your review, news, and/or link! “Women are in language prison who can’t read safety regulations on the job, can’t read warnings on cleaning fluids or on wharfs, can’t read to get car licences or job contracts.” Bernice Lever edited and contributed to language(s) prison(s) 1998, with other papers by Nela Rio, Sheila Hyland, and Mary Dalton, in the Living Archives Series. She also compiled Singing, An Anthology of Women’s Writing from Canadian Prisons (Highway Book Shop, 1979). From: Bernice Lever To: A. Burke Sent: Friday, February 22, 2013 1:26:20 PM Subject: Query on reviews and interviews? Dear Anne: Sorry to be so slow in contacting you. Do you have a full slate of speakers on Male Mentors or topic for Toronto AGM in June? I am in Ottawa for Friday and Saturday --- for PLR and flying by banquet time to Toronto. Sat.8th. But I could send a prepared piece as some did last year who could not be present for the panel. 1.) Jennifer Footman interviewed me last year. She has the printed version and an audio one. Do you use audio ones on Feminist Caucus site? 2.) Also I wrote a book review of the Poet to Poet anthology by Guernica Editions which has some F.C. -
Lorne Pierce, Ryerson Press, and the Lmakters of Canadian Literature Series
Lorne Pierce, Ryerson Press, and The lMakters of Canadian Literature Series Margery Fee Probably every university library in Canada has, scattered through its Cana- dian Literatuire section, most of the thirteen blue and gold volumes of Ryer- son Press's Makers of Canadian Literature series.' It is just as probable that some of these volumes rarely leave the shelves: who is likely to want a book on Robert Norwood, Arthur Stringer, or Peter McArthur today? Charles G.D. Roberts, Isabella Valancy Crawford, and Stephen Leacock are still widely taught, but the canon has shifted away from William Henry Drum- mond, Thomas Haliburton, William Kirby, and even John Richardson. Louis Fréchette, Frangois-Xavier Garneau, and Antoine G6rin-Lajoie are all impor- tant figures in Quebec history, but none is now claimed as a great poet or novelist. Still, the history of the series is of interest to bibliographers, anti- qluarian book dealers, and literary historians. Lately, critical attention has turned to such matters as the economics of literary production, the history of the audience's 'reception' of particular works, the formation of national canons, and the description of the institutions connected with any special- ized discourse. The history of the Makers of Canadian Literature series touches on all these matters. The series can by no means be described as an unequivocal success: it failed financially, and some of its volumes are uncritical and badly written. Still, other volumes are readable and makte good critical sense. And the mere process of preparing the series generated, uncovered, and preserved a great deal of information about Canada's early literary history that, while it remains to be fully exploited, will undoubtedly be useful to both scholars and critics. -
Periods of Poetic Silence in Modern Canadian Creative Careers
“A Strange Gestation”: Periods of Poetic Silence in Modern Canadian Creative Careers Laura Cameron Department of English McGill University, Montreal July 2015 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Laura Cameron 2015 “The sun climbs to the middle of the sky and stops. It’s noon. It’s the first bell of noon ringing loud from the cathedral tower. … Great shovelfuls of sound dumped in the grave of our activity. The sound fills up every space and every thought. … The future is blocked. The past is plugged up. Layer after layer of the present seizes us, buries us in one vast amber paperweight. Sealed under twelve skyfuls of the only moment.” — Leonard Cohen, Death of a Lady’s Man (1978) “Sit in a chair and keep still. Let the dancer’s shoulders emerge from your shoulders, the dancer’s chest from your chest, the dancer’s loins from your loins, the dancer’s hips and thighs from yours; and from your silence the throat that makes a sound, and from your bafflement a clear song to which the dancer moves, and let him serve God in beauty. When he fails, send him again from your chair.” — Leonard Cohen, Book of Mercy (1984) Table of Contents Abstract ii Résumé iv Acknowledgements vi Abbreviations viii Introduction 1 PART I: Conceptions of Silence Chapter One: “From the Performance Point of View”: Critical Conceptions of Creative Silence 30 Chapter Two: “Why did you stop writing?”: Poets Accounting for Poetic Silence 76 PART II: The Experience of Silence Chapter Three: “The Whole Breathless Predicament”: The Experience of Creative Crisis 121 Chapter Four: “Then let us start again”: Writing Out of Silence 189 Conclusion 288 Works Cited 301 Cameron ii Abstract This dissertation unites a diverse group of Canadian poets who all fell silent for a prolonged period in the middle of otherwise productive and successful poetic careers: P.K. -
Download The
READING THE FIELD OF CANADIAN POETRY IN THE ERA OF MODERNITY: THE RYERSON POETRY CHAP-BOOK SERIES, 1925-1962 by Gillian Dunks B.A. (With Distinction), Kwantlen Polytechnic University, 2011 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gillian Dunks, 2013 ii Abstract From 1925 to 1962, the Ryerson Press published 200 short, artisanally printed books of poetry by emerging and established Canadian authors. Series editor Lorne Pierce introduced the series alongside other nationalistic projects in the 1920s in order to foster the development of an avowedly Canadian literature. Pierce initially included established Confederation poets in the series, such as Charles G.D. Roberts, and popular late-romantic poets Marjorie Pickthall and Audrey Alexandra Brown. In response to shifting literary trends in the 1940s, Pierce also included the work of modernists such as Anne Marriott, Louis Dudek, and Al Purdy. Following Pierre Bourdieu, I read the Ryerson series as a sub-field of literary production that encapsulates broader trends in the Canadian literary field in the first half of the twentieth century. The struggle between late-romantic and modernist producers to determine literary legitimacy within the series constitutes the history of the field in this period. Pierce’s decision to orient the series towards modernist innovation during the Second World War was due to late romantics’ loss of their dominant cultural position as a result of shifting literary tastes. Modernist poets gained high cultural capital in both the Ryerson series and the broader field of Canadian literary production because of their appeal to an audience of male academics whose approval ensured their legitimacy. -
University of Victoria Special Collections Brown, Audrey Alexandra, 1904-1998 SC335
University of Victoria Special Collections Brown, Audrey Alexandra, 1904-1998 SC335 Title Audrey Alexandra Brown fonds Dates 1904-1998 Extent 60 cm of textual records and other materials Biographical Sketch Audrey Alexandra Brown was born in Nanaimo, B.C. on October 29th, 1904 to Joseph Miller Brown, a Nanaimo pioneer watchmaker and amateur historian, and Rosa Elizabeth nee Rumming. She was fifth in a family of 8. She was educated at St Ann's Convent Nanaimo, April 1912-September 1913 and at Nanaimo Public School March 1915-February 1917. She was a very keen reader and largely educated herself. She wrote her first verse at the age of 6. In May 1927 she was attacked by rheumatic fever and rendered unable to walk. She was taken into treatment at Queen Alexandra Solarium (Mill Bay) November 1934, operated on, and discharged able to walk, 1935. Brown was "discovered" in 1928 by Professor Pelham Edgar of Victoria College (Toronto) who promoted her career from 1928 to 1939. Between 1931 and 1948 she published 5 books of poems: A Dryad in Nanaimo (1931), A Dryad in Nanaimo with 11 New Poems (1934), The Tree of Resurrection (1937), Challenge to Time and Death (1943) all with Macmillan's Canada, and All Fools Day (1948) with Ryerson Press. In 1937 she published her only prose work, The Log of the Lame Duck (1937) about her hospital experience. In addition to this Ms. Brown published some of her poetry in newspapers and journals. From 1926 on, Audrey Brown published first poetry and later prose in newspapers. -
Canadian Women Poets and Poetic Identity : a Study of Marjorie
CANADIAN WOMEN POETS AND POETIC IDENTITY: A STUDY OF MARJORIE PICKTHALL, CONSTANCE LINDSAY SKINNER, AND THE EARLY WORK OF DOROTHY LIVESAY Diana M.A. Relke B.A., Simon Fraser University, 1982 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of English 0 Diana M.A. Relke 1986 SIMON FRASER UNIVERSITY July 1986 All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy, or other means, without permission of the author. APPROVAL Name : Diana M.A. Relke Degree : Doctor of Philosophy Title of Dissertation: Canadian Women Poets and Poetic Identity: A Study of Marjorie Pickthall, Constance Lindsay Skinner, and the Early Work of Dorothy Livesay. Examining Committee: Chairperson: Chinmoy Banerjee Sandra,,Djwa, Professor, Wnior Supervisor -------a-=--=--J-% ------- b -------- Meredith Kimball, Associate Professor, Department of Psychology, S.F.U. --------------. ------------ Diana Brydon, ~ssociatklProfessor, University of British Columbia Date Approved : ii Canadian Women Poets and Poetic Identity: A Study of Marjorie Pickthall , Constance Lindsay Skinner, and the Early Work of -_______^_ -- ----.^ . _ -.___ __ Dorothy Livesay. ---- ---..--- .-------- -.---.----- --- ---- Diana M.A. Re1 ke --- -- ---. ----- - ---* - -.A -- Abstract This study is an examination of the evolution of the female tradition during the transitional period from 1910 to 1932 which signalled the beginning of modern Canadian poetry. Selective and analytical rather than comprehensive and descriptive, it focuses on three representative poets of the period and traces the development of the female poetic self-concept as it is manifested in their work. Critical concepts are drawn from several feminist theories of poetic identity which are based on the broad premise that poetic identity is a function of cultural experience in general and literary experience in particular. -
The Bias of Libraries: Montreal's Grande Bibliothèque Paulina
The Bias of Libraries: Montreal’s Grande Bibliothèque Paulina Mickiewicz Department of Art History and Communication Studies McGill University, Montreal May 2013 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Paulina Mickiewicz, 2013 Table of Contents Introduction 10 Chapter 1: Introducing the Grande Bibliothèque 26 Founding a “Scriptural” Society 26 The Saint-Sulpice Library 28 The Civic Library 31 Montreal Libraries in Context 36 The Quiet Revolution 39 The Québécois “nous” 44 The Grande Bibliothèque: From Conception to Object 45 Library Leadership 50 Battling the Budget 55 Architectural Makings 57 Chapter 2: Matters of Site 64 The Politics of Reading and the Problem of Place 70 Constructing the “Third Place” 78 The Finalists 87 The Curse of the East 94 Public Choice 100 On the Border of Things 107 Chapter 3: Letting the Outside In: Designing a New Public Space 109 Library Transformations 113 The International Architecture Competition 117 Architectural Priorities and Hopes 120 The Architects 125 An Architecture of Openness: Letting the Outside In 129 The Grande Bibliothèque 135 Welcoming the Grande Bibliothèque 147 The Complexities of Access 151 Surveillance, Monitoring, and Questions of Privacy 158 Mediating Public Space 167 Chapter 4: Knowledge Experiments: Technology and the Library 169 Technology and Design 172 Technologizing the Grande Bibliothèque 188 Adapting 197 “Technological Citizenship” 207 Library Mediations 212 Chapter 5: When Does a Library Stop Being a Library? 216 Why Libraries? 224 Learning at the Grande Bibliothèque 240 “The Community Garage” 253 Conclusion 257 Bibliography 271 Abstract This dissertation is centered on the Grande Bibliothèque (GB) which opened in Montreal in the spring of 2005, and was a library project of unprecedented scale in the city. -
Nationalism, Morality, and Gender: Lorne Pierce and the Canadian Literary Canon, 1920-60
Nationalism, Morality, and Gender: Lorne Pierce and the Canadian Literary Canon, 1920-60 Sandra Campbellt Lorne Pierce (1890-1961), editor of the Ryerson Press from 1920 to 1960, was arguably Canada's most influential publisher and editor in the period from Canada's coming-of-age after the First World War to the Quiet Revolution. Canadian literary historians have not yet recognized the degree to which Pierce's prescriptive vision of Cana- dian literature and culture was driven by his nationalism, which was itself in turn influenced by his Methodism and his excperiences at Queen's University and in the Canadian West.I Moreover, on his arrival in Toronto in 1920 from rural Ontario, Pierce's exposure to the cultural nationalism of the: Group of Seven sharpened his patriotic desire to publish and promote such poets as Bliss Carman, Sir Charles G.D. Roberts, and Wilson MacDonald, whose landscape poetry seemed to him to give Canadians a literary sense of their landscape in a manner analogous to the canvases of the Group of Seven. Pierce's literary nationalism - so characteristic of many late nineteenth and twentieth-centuiry English Canadian men of letters - worked in concert with a strong moralism rooted in his Method- ism as well as his patriarchal assumptions about gender which, as we will see, were 'in the air' of the Canadian literary world at this time. All three forces - his nationalism, his moralism, and his patriarchal values - influenced his literairy work as editor and writer in ways important to the shaping of the Canadian canon and the careers of individual writers published by Ryerson Press in the decades from 1920 to 1960.2 Pierce was, of course, not the only important figure in the Cana- dian publishing world of the 1920s who espoused a strong literary nationalism.