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Letnik XX, Številka 3, Ljubljana 2018
Letnik XX, številka 3, Ljubljana 2018 DRUŠTVO ZA ANTIČNE IN HUMANISTIČNE ŠTUDIJE SLOVENIJE SOCIETAS SLOVENIAE STUDIIS ANTIQUITATIS ET HUMANITATIS INVESTIGANDIS Keria_2018_3_4.indd 1 22. 11. 2018 11:00:07 Keria_2018_3_4.indd 2 22. 11. 2018 11:00:07 Contents Editorial .................................................................................................................... 5 Edith Hall: American Communist Idealism in George Cram Cook’s The Athenian Women (1918) .......................................................................... 7 Nina V. Braginskaya: Symbolist Ideas in the Scripts of Gubpolitprosvet: The Theory and Practice of Proletarian Performance ................................. 27 Elżbieta Olechowska: Ancient Plays on Stage in Communist Poland .............. 41 Bernd Seidensticker: Ancient Drama and Reception of Antiquity in the Theatre and Drama of the German Democratic Republic (GDR) ............. 75 Alenka Jensterle-Doležal: In the Realm of Politics, Nonsense, and the Absurd: The Myth of Antigone in West and South Slavic Drama in the Mid-Twentieth Century .......................................................... 95 Keria_2018_3_4.indd 3 22. 11. 2018 11:00:07 Keria_2018_3_4.indd 4 22. 11. 2018 11:00:07 DOI: https://doi.org/10.4312/keria.20.3.5-6 Editorial Half a century ago, while he was teaching a course at the Iowa Writers’ Work- shop, Kurt Vonnegut wrote a sentence I find difficult to forget: “Be a good editor. The Universe needs more good editors, God knows.” While humbled by invitation to become the guest editor of what is to be the first international volume of Keria – studia Latina et Graeca, published to celebrate the journal’s twentieth anniversary, I am also ever so slightly nervous. Editing can use the authors’ ingredients to make a Breakfast of Champions. However, there is al- ways a possibility of a Slaughterhouse Five. -
Meyer Werkverzeichnis.Pdf
KRZYSZTOF MEYER SIKORSKI MUSIKVERLAGE HAMBURG SIK 4/5625 CONTENTS PREFACE .................................. 4 VORWORT ................................ 6 AWARDS AND PRIZES ....................... 8 PUBLISHERS ............................... 9 STAGE WORKS ............................. 10 ORCHESTRAL WORKS........................ 13 WORKS FOR VOCAL SOLOISTS OR CHOIR & ORCHESTRA .................... 32 CHORAL WORKS ........................... 38 WORKS FOR VOICE AND PIANO OR SMALL ENSEMBLE ........................ 40 CHAMBER WORKS .......................... 42 INSTRUMENTAL SOLO WORKS ................ 60 MUSIC FOR THE YOUNG ..................... 69 INCIDENTAL MUSIC TO PLAYS AND FILMS ....... 71 INDEX OF OPUS NUMBERS ................... 73 ALPHABETICAL INDEX ....................... 78 SIKORSKI MUSIKVERLAGE 20139 HAMBURG phone: (+ 49) (0)40 / 41 41 00-0 · fax: (+ 49) (0)40 / 41 41 00-41 www.sikorski.de · [email protected] 31 AUGUST 2021 COVER PHOTO © CHRISTINE LANGENSIEPEN 3 PREFACE Krzysztof Meyer was born on 11 August 1943 in Cracow. From the age of five he learned the piano, and from 1954 he took lessons in theory and composition with Stanisl/ aw Wiecho- wicz. After graduating from the Fryderyk Chopin State Secondary School of Music in Cra- cow, he began to study at the College of Music in Cracow, where he obtained two diplo- mas with distinction: in 1965 in composition, under Krzysztof Penderecki (after Stanisl/ aw Wiechowicz’s death) and in 1966 in theory. In 1964, 1966, and 1968 he went to France to study with Nadia Boulanger for a few month each time. In the years 1965-1967 he appeared as a pianist with the contemporary music group ‘MW2 Ensemble', giving concerts both at home and abroad, in most European countries. He also played his solo compositions for piano. From 1966 to 1987 Krzysztof Meyer taught theoretical subjects at the State College of Music (now Academy of Music) in Cracow. -
16 June 2021 Aperto
AperTO - Archivio Istituzionale Open Access dell'Università di Torino Indomita yidishe mame. Ida Kaminska e la sua famiglia teatrale This is the author's manuscript Original Citation: Availability: This version is available http://hdl.handle.net/2318/1659848 since 2018-02-13T10:38:12Z Publisher: Accademia University Press Terms of use: Open Access Anyone can freely access the full text of works made available as "Open Access". Works made available under a Creative Commons license can be used according to the terms and conditions of said license. Use of all other works requires consent of the right holder (author or publisher) if not exempted from copyright protection by the applicable law. (Article begins on next page) 06 October 2021 Tutto era musica Figure e motivi del tea tro e del cinema yiddish tra Europa e America vol. VII kaminska_interni_L3.indd 1 05/02/18 10:59 Tutto era musica ISSN 2283-7353 Figure e motivi del tea tro e del cinema yiddish tra Europa e America I. Antonio Attisani con Veronica Belling, Marida Rizzuti e Luca Valenza, Tutto era musica. Indice sommario per un atlante della scena yiddish II. Luci, ombre e voci sullo schermo yiddish III. Antonio Attisani, Da Odessa a New York: una Grande Aquila, un re dello shund e altre stelle vagabonde IV. Maurice Schwartz e la “Commedia dell’arte yiddish” della seconda età dell’oro V. Antonio Attisani, Solomon Michoels e Veniamin Zuskin. Vite parallele nell’arte e nella morte VI. Claudia D’Angelo, Re Lear. Storia di uno spettacolo yiddish sovietico VII. Giulia Randone, Indomita yidishe mame. -
Classical Antiquity on Communist Stage in Poland
ANTIQUITY_OKLADKA:Layout 1 1/7/15 4:24 PM Page 1 “A truly reliable and full if inevitably as yet not quite comprehensive Classical Antiquity on Communist Stage In Poland account of the relationship between Classical antiquity and the Polish Classical stage during the communist epoch, which is in itself a huge achievement and an invaluable scholarly resource. (…) A more intensive analysis Antiquity (…) takes first steps in developing interpretive models for the understanding of the unique features of Polish performance on Communist reception of Classical antiquity, and will help future scholars, especially international ones who are not au fait with the specific Polish Stage experience, orient themselves and their understanding of this particular national-cultural history. (…) It is a huge asset for the Warsaw University endeavours in Classics and Liberal Arts and will provoke intense international interest.” In Poland “Precision, reliability, and clarity are trade-marks of this worthwhile publication. Each chapter is formulated in a competent manner and written in an attractive style. Bios of playwrights inspired by antiquity, information about each performance, bibliography relative to sources and themes combine to provide an example of scholarship of the highest quality.” ANTIQUY_OKL_VERSO:Layout 3 1/7/15 4:38 PM Page 1 Series OBTA STUDIES IN CLASSICAL RECEPTION Edited by Katarzyna Marciniak Other available volumes: Polish Literature for Children & Young Adults Inspired by Classical Antiquity. A Catalogue, eds. Katarzyna Marciniak, Elżbieta Olechowska, Joanna Kłos, Michał Kucharski. Warsaw: Faculty of “Artes Liberales” UW, 2013, online: http://www.al.uw.edu.pl/omc_catalogue Tadeusz Zielinski. Queen of the Wind Maidens. Prologue, Introduction Michał Mizera, translation from the Russian original Katarzyna Tomaszuk, English translation and textual notes Elżbieta Olechowska. -
AUPC. 284. Studia Historicolitteraria 19
19*2019 284 Annales Universitatis Paedagogicae Cracoviensis ISSN 2081-1853 Studia Historicolitteraria 19 ∙ 2019 Rada Naukowa Tadeusz Budrewicz – przewodniczący (Kraków), Wołodymyr Antofijczuk (Czerniowce, Ukraina), Marek Buś (Kraków), Dariusz Chemperek (Lublin), Jan Goes (Arras, Francja), Margareta Grigorova (Wielkie Tyrnowo, Bułgaria), Krystyna Latawiec (Kraków), Roman Mazurkiewicz (Kraków), Luis Meneses Lerin (Paryż, Francja), Christian Morzewski (Lille, Francja), Romuald Naruniec (Wilno, Litwa), Siergiej Nikołajew (Sankt Petersburg, Rosja), Jacek Popiel (Kraków), Paweł Próchniak (Kraków), Dariusz Rott (Katowice), Marie Sobotková (Ołomuniec, Czechy), Aleksej Szmieliow (Moskwa, Rosja), Alois Woldan (Wiedeń, Austria), Ryszard Waksmund Kolegium(Wrocław) Recenzentów Cezary Bronowski (Toruń), Zbigniew Chojnowski (Olsztyn), Marina Ciccarini (Włochy, Rzym), Jolanta Dygul (Warszawa), Katarzyna Flader-Rzeszowska (Warszawa), Dorota Fox (Katowice), Ewa Guderian-Czaplińska (Poznań), Dorota Jarząbek-Wasyl (Kraków), Tomasz Kaczmarek (Łódź), Dorota Kielak (Warszawa), Anna Klimkiewicz (Kraków), Mirosław Kocur (Wrocław), Dariusz Kosiński (Kraków), Anna Krajewska (Poznań), Grażyna Legutko (Kielce), Maria Maślanka-Soro (Kraków), Piotr Morawski (Warszawa), Katarzyna Osińska (Warszawa), Beata Popczyk-Szczęsna (Katowice), Anna Sobiecka (Słupsk), Roman Sosnowski (Kraków), Moni- ka Surma-Gawłowska (Kraków), Marek Waszkiel (Warszawa), Ewa Wąchocka (Katowice), RedakcjaWładysław Witalisz (Kraków), Monika Woźniak (Włochy, Rzym), Agata Zalewska (Warszawa) Piotr -
Voices Zindeksem.Pdf
Kent Academic Repository Full text document (pdf) Citation for published version Allain, Paul and Ziolkowski, Grzegorz, eds. (2014) Voices from Within. Grotowski's Polish Collaborators. Routledge Taylor and Francis, London, 170 pp. ISBN 978-1-910203-02-6. DOI Link to record in KAR https://kar.kent.ac.uk/31888/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Voices from Within: Grotowski’s Polish Collaborators Voices from Within: Grotowski’s Polish Collaborators EDITED BY PAUL ALLAIN AND GRZEGORZ ZIÓŁKOWSKI First published 2015 by Polish Theatre Perspectives. Polish Theatre Perspectives is an imprint of TAPAC: Theatre and Performance Across Cultures 86-90 Paul Street, London, EC2A 4NE, UK. Co-published in partnership with the Grotowski Institute, Wrocław, Poland. To purchase your copy of this or any other Polish Theatre Perspectives title please visit www.ptp.press.