Civilisations, 51 | 2004 Re-Africanization in Secondary Religious Diasporas: Constructing a World Reli
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Introduction: Introducing Yemoja
1 2 3 4 5 Introduction 6 7 8 Introducing Yemoja 9 10 11 12 Solimar Otero and Toyin Falola 13 14 15 16 17 18 Mother I need 19 mother I need 20 mother I need your blackness now 21 as the august earth needs rain. 22 —Audre Lorde, “From the House of Yemanjá”1 23 24 “Yemayá es Reina Universal porque es el Agua, la salada y la dul- 25 ce, la Mar, la Madre de todo lo creado / Yemayá is the Universal 26 Queen because she is Water, salty and sweet, the Sea, the Mother 27 of all creation.” 28 —Oba Olo Ocha as quoted in Lydia Cabrera’s Yemayá y Ochún.2 29 30 31 In the above quotes, poet Audre Lorde and folklorist Lydia Cabrera 32 write about Yemoja as an eternal mother whose womb, like water, makes 33 life possible. They also relate in their works the shifting and fluid nature 34 of Yemoja and the divinity in her manifestations and in the lives of her 35 devotees. This book, Yemoja: Gender, Sexuality, and Creativity in the 36 Latina/o and Afro-Atlantic Diasporas, takes these words of supplica- 37 tion and praise as an entry point into an in-depth conversation about 38 the international Yoruba water deity Yemoja. Our work brings together 39 the voices of scholars, practitioners, and artists involved with the inter- 40 sectional religious and cultural practices involving Yemoja from Africa, 41 the Caribbean, North America, and South America. Our exploration 42 of Yemoja is unique because we consciously bridge theory, art, and 43 xvii SP_OTE_INT_xvii-xxxii.indd 17 7/9/13 5:13 PM xviii Solimar Otero and Toyin Falola 1 practice to discuss orisa worship3 within communities of color living in 2 postcolonial contexts. -
Umbanda: Africana Or Esoteric? Open Library of Humanities, 6(1): 25, Pp
ARTICLE How to Cite: Engler, S 2020 Umbanda: Africana or Esoteric? Open Library of Humanities, 6(1): 25, pp. 1–36. DOI: https://doi.org/10.16995/olh.469 Published: 30 June 2020 Peer Review: This article has been peer reviewed through the double-blind process of Open Library of Humanities, which is a journal published by the Open Library of Humanities. Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Open Library of Humanities is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Steven Engler, ‘Umbanda: Africana or Esoteric?’ (2020) 6(1): 25 Open Library of Humanities. DOI: https:// doi.org/10.16995/olh.469 ARTICLE Umbanda: Africana or Esoteric? Steven Engler Mount Royal University, CA [email protected] Umbanda is a dynamic and varied Brazilian spirit-incorporation tradition first recorded in the early twentieth century. This article problematizes the ambiguity of categorizing Umbanda as an ‘Afro-Brazilian’ religion, given the acknowledged centrality of elements of Kardecist Spiritism. It makes a case that Umbanda is best categorized as a hybridizing Brazilian Spiritism. Though most Umbandists belong to groups with strong African influences alongside Kardecist elements, many belong to groups with few or no African elements, reflecting greater Kardecist influence. -
P E E L C H R Is T Ian It Y , Is L a M , an D O R Isa R E Lig Io N
PEEL | CHRISTIANITY, ISLAM, AND ORISA RELIGION Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserving and rein- vigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Christianity, Islam, and Orisa Religion THE ANTHROPOLOGY OF CHRISTIANITY Edited by Joel Robbins 1. Christian Moderns: Freedom and Fetish in the Mission Encounter, by Webb Keane 2. A Problem of Presence: Beyond Scripture in an African Church, by Matthew Engelke 3. Reason to Believe: Cultural Agency in Latin American Evangelicalism, by David Smilde 4. Chanting Down the New Jerusalem: Calypso, Christianity, and Capitalism in the Caribbean, by Francio Guadeloupe 5. In God’s Image: The Metaculture of Fijian Christianity, by Matt Tomlinson 6. Converting Words: Maya in the Age of the Cross, by William F. Hanks 7. City of God: Christian Citizenship in Postwar Guatemala, by Kevin O’Neill 8. Death in a Church of Life: Moral Passion during Botswana’s Time of AIDS, by Frederick Klaits 9. Eastern Christians in Anthropological Perspective, edited by Chris Hann and Hermann Goltz 10. Studying Global Pentecostalism: Theories and Methods, by Allan Anderson, Michael Bergunder, Andre Droogers, and Cornelis van der Laan 11. Holy Hustlers, Schism, and Prophecy: Apostolic Reformation in Botswana, by Richard Werbner 12. Moral Ambition: Mobilization and Social Outreach in Evangelical Megachurches, by Omri Elisha 13. Spirits of Protestantism: Medicine, Healing, and Liberal Christianity, by Pamela E. -
Yoruba Art & Culture
Yoruba Art & Culture Phoebe A. Hearst Museum of Anthropology University of California, Berkeley Yoruba Art and Culture PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY Written and Designed by Nicole Mullen Editors Liberty Marie Winn Ira Jacknis Special thanks to Tokunbo Adeniji Aare, Oduduwa Heritage Organization. COPYRIGHT © 2004 PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY AND THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED. PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY ◆ UNIVERSITY OF CALIFORNIA AT BERKELEY BERKELEY, CA 94720-3712 ◆ 510-642-3682 ◆ HTTP://HEARSTMUSEUM.BERKELEY.EDU Table of Contents Vocabulary....................4 Western Spellings and Pronunciation of Yoruba Words....................5 Africa....................6 Nigeria....................7 Political Structure and Economy....................8 The Yoruba....................9, 10 Yoruba Kingdoms....................11 The Story of How the Yoruba Kingdoms Were Created....................12 The Colonization and Independence of Nigeria....................13 Food, Agriculture and Trade....................14 Sculpture....................15 Pottery....................16 Leather and Beadwork....................17 Blacksmiths and Calabash Carvers....................18 Woodcarving....................19 Textiles....................20 Religious Beliefs....................21, 23 Creation Myth....................22 Ifa Divination....................24, 25 Music and Dance....................26 Gelede Festivals and Egugun Ceremonies....................27 Yoruba Diaspora....................28 -
AFN 121 Yoruba Tradition and Culture
City University of New York (CUNY) CUNY Academic Works Open Educational Resources Borough of Manhattan Community College 2021 AFN 121 Yoruba Tradition and Culture Remi Alapo CUNY Borough of Manhattan Community College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bm_oers/29 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Presented as part of the discussion on West Africa about the instructor’s Heritage in the AFN 121 course History of African Civilizations on April 20, 2021. Yoruba Tradition and Culture Prof. Remi Alapo Department of Ethnic and Race Studies Borough of Manhattan Community College [BMCC]. Questions / Comments: [email protected] AFN 121 - History of African Civilizations (Same as HIS 121) Description This course examines African "civilizations" from early antiquity to the decline of the West African Empire of Songhay. Through readings, lectures, discussions and videos, students will be introduced to the major themes and patterns that characterize the various African settlements, states, and empires of antiquity to the close of the seventeenth century. The course explores the wide range of social and cultural as well as technological and economic change in Africa, and interweaves African agricultural, social, political, cultural, technological, and economic history in relation to developments in the rest of the world, in addition to analyzing factors that influenced daily life such as the lens of ecology, food production, disease, social organization and relationships, culture and spiritual practice. -
Reglas De Congo: Palo Monte Mayombe) a Book by Lydia Cabrera an English Translation from the Spanish
THE KONGO RULE: THE PALO MONTE MAYOMBE WISDOM SOCIETY (REGLAS DE CONGO: PALO MONTE MAYOMBE) A BOOK BY LYDIA CABRERA AN ENGLISH TRANSLATION FROM THE SPANISH Donato Fhunsu A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature (Comparative Literature). Chapel Hill 2016 Approved by: Inger S. B. Brodey Todd Ramón Ochoa Marsha S. Collins Tanya L. Shields Madeline G. Levine © 2016 Donato Fhunsu ALL RIGHTS RESERVED ii ABSTRACT Donato Fhunsu: The Kongo Rule: The Palo Monte Mayombe Wisdom Society (Reglas de Congo: Palo Monte Mayombe) A Book by Lydia Cabrera An English Translation from the Spanish (Under the direction of Inger S. B. Brodey and Todd Ramón Ochoa) This dissertation is a critical analysis and annotated translation, from Spanish into English, of the book Reglas de Congo: Palo Monte Mayombe, by the Cuban anthropologist, artist, and writer Lydia Cabrera (1899-1991). Cabrera’s text is a hybrid ethnographic book of religion, slave narratives (oral history), and folklore (songs, poetry) that she devoted to a group of Afro-Cubans known as “los Congos de Cuba,” descendants of the Africans who were brought to the Caribbean island of Cuba during the trans-Atlantic Ocean African slave trade from the former Kongo Kingdom, which occupied the present-day southwestern part of Congo-Kinshasa, Congo-Brazzaville, Cabinda, and northern Angola. The Kongo Kingdom had formal contact with Christianity through the Kingdom of Portugal as early as the 1490s. -
African Concepts of Energy and Their Manifestations Through Art
AFRICAN CONCEPTS OF ENERGY AND THEIR MANIFESTATIONS THROUGH ART A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Renée B. Waite August, 2016 Thesis written by Renée B. Waite B.A., Ohio University, 2012 M.A., Kent State University, 2016 Approved by ____________________________________________________ Fred Smith, Ph.D., Advisor ____________________________________________________ Michael Loderstedt, M.F.A., Interim Director, School of Art ____________________________________________________ John R. Crawford-Spinelli, D.Ed., Dean, College of the Arts TABLE OF CONTENTS LIST OF FIGURES………………………………………….. iv ACKNOWLEDGMENTS …………………………………… vi CHAPTERS I. Introduction ………………………………………………… 1 II. Terms and Art ……………………………………………... 4 III. Myths of Origin …………………………………………. 11 IV. Social Structure …………………………………………. 20 V. Divination Arts …………………………………………... 30 VI. Women as Vessels of Energy …………………………… 42 VII. Conclusion ……………………………………….…...... 56 VIII. Images ………………………………………………… 60 IX. Bibliography …………………………………………….. 84 X. Further Reading ………………………………………….. 86 iii LIST OF FIGURES Figure 1: Porogun Quarter, Ijebu-Ode, Nigeria, 1992, Photograph by John Pemberton III http://africa.si.edu/exhibits/cosmos/models.html. ……………………………………… 60 Figure 2: Yoruba Ifa Divination Tapper (Iroke Ifa) Nigeria; Ivory. 12in, Baltimore Museum of Art http://www.artbma.org/. ……………………………………………… 61 Figure 3.; Yoruba Opon Ifa (Divination Tray), Nigerian; carved wood 3/4 x 12 7/8 x 16 in. Smith College Museum of Art, http://www.smith.edu/artmuseum/. ………………….. 62 Figure 4. Ifa Divination Vessel; Female Caryatid (Agere Ifa); Ivory, wood or coconut shell inlay. Nigeria, Guinea Coast The Metropolitan Museum of Art, http://www.metmuseum.org. ……………………… 63 Figure 5. Beaded Crown of a Yoruba King. Nigerian; L.15 (crown), L.15 (fringe) in. -
O Rei Expansionista Do Tambor De Mina Amazônico Taissa Tavernard De
Dom Manoel (O Venturoso): o rei expansionista do tambor de Mina Amazônico Taissa Tavernard de Luca* Resumo Este trabalho tem por objetivo analisar o panteão da Mina, em Belém do Pará, enfocan- do uma categoria de entidades de alto status, denominada de “senhores de toalha”, ou “nobres gentis nagôs”. Trata-se de reis e nobres europeus que possuem ligação com a história luso-brasileira e que foram “divinizados”. Abordarei a trajetória de Dom Manoel, rei português da dinastia de Avis, responsável pelo processo de expansão marítima e descoberta do Brasil. Recupero parte da história de vida desse personagem na tentativa de entender o processo de divinização do homem público, bem como a construção dos mitos ligados a ele. Procuro apontar valores que estão subjacentes às narrativas míticas, entre os quais destaco o simbolismo da branquidade. Palavras-chave: História; Mito; Religião de Matriz Africana; Tambor de Mina. Dom Manoel (The Fortunate): The Expansionary’s King Of The Afro-Amazonian Religion Abstract This work aims to analyze the pantheon of Mina in Belem, focusing on one category of high-status entities, called “towel lords”, or “noble nagôs kind”. It is kings and European nobles that have connection with the Luso-Brazilian history and were “deified”. Among them, discuss the Dom Manoel trajectory, Portuguese king of Avis, responsible for overseas expansion process and discovery of Brazil. Recover part of the life history of this character in an attempt to understand the deification process of the public official and the construction of the myths attached to it. I try to point values underlying the mythical narratives, among which highlight the symbolism of whiteness. -
El Concepto De Vida Y Muerte En La Religión Yoruba
El concepto de vida y muerte en la religión yoruba Leonel Gámez Céspedes Sociedad Yoruba de México, A. C. os conceptos de vida y muerte para las personas que no comprenden nues- tra religión, y aun para muchos practicantes de la misma, son confusos y L llenos de lo que un lector casual llamaría “ambigüedades”. Sin embargo, en la mentalidad yoruba cada uno de los procesos de nuestra vida y nuestra muerte lleva pasos a recorrer, pues el concepto de ambas es equivalente al de hacer un via- je. De hecho, en nuestra religión todas las consagraciones que recibimos llevan lo que se denomina un itán, o sea un “camino” en su traducción al español. Esta sen- da a seguir que se nos traza nos llevará a la culminación de nuestras vidas con éxi- tos, prosperidad y sobre todo una larga existencia y una buena muerte. Muchos de los conceptos yoruba que veremos serán familiares a personas que conozcan algo de mitología griega. Como veremos, la muerte no está excluida y es parte del camino que debemos recorrer. Cada fase de nuestra muerte es precedida por alguna deidad o entidad que tiene una función en este proceso que nos toca pasar. En esta fase veremos que pasamos a ser un alma al morir y cómo después podemos pasar a ser un “ancestro venerado”. De hecho, si nuestra vida ha sido muy ejemplar, al morir podemos llegar a ser un egungun (ancestro venerado) o un orisha familiar o comunitario. En nuestra religión el concepto se recoge en la frase popular Ikú lobi ocha: “El muerto pare al santo”. -
86 Position of Women in Igbo Traditional Religion Gladys I. Udechukwu Abstract Human Beings Are Remarkable and Extra-Ordinary Co
Position of Women in Igbo Traditional Religion Gladys I. Udechukwu Abstract Human beings are remarkable and extra-ordinary complex species and adaptable beings that have ever existed on the planet. Among the things God created, man is special and highly esteemed, valued and honoured. For this reason, man in the time past has always tried to maintain the honorary position God has kept him during the creation. He tries to do everything within his power to make sure that he does not bring himself down to the level of other creatures. It is then not surprise why Igbo people have been so religious in keeping the rules of this creator. There have been so many assumptions that Igbo women are being discriminated in Igbo traditional worship. In the Igbo traditional worship, everybody participates but in the level he or she belongs. This paper aspires to show that Igbo women are recognized in the Igbo traditional religion. Several interviews were conducted and the findings showed that Igbo women participate in the Igbo Traditional worship but in their own level. Introduction Almost everybody in our generation was subjected to a school system that gave us the ideas that: the Igbo (and most African societies) were savage and primitive, and had inferior cultures. The major beliefs of the Igbo religion are shared by all Igbo-speaking people. However, many of its practices are locally organized, with 86 Position of Women in Igbo Traditional Religion - Udechukwu the most effective unit of religious worship being the extended family. Periodic rituals and ceremonies may activate the lineage (larger kinship unit) or the village, which is the widest political community. -
From Africa to America
Afro-Caribbean From Africa to America From Africa to America Summary: During the brutality of the slave trade, many enslaved Africans brought their religious traditions to the United States and the Caribbean. These traditions were maintained in subtle ways in the United States, most notably in the Christianity of black Americans. Over the next two centuries, black Americans have explored their connection to African heritage and religions. Most Africans bound for the plantations, mines, and workshops of the New World embarked on their involuntary journey from the coast of western Africa that runs between present-day Senegal and Angola. Among the approximately ten million who reached the Americas, there were a few Christians and many more Muslims; but the vast majority observed traditional African religions, carrying their complex legacy to the New World. Today that legacy is part of the religious landscape of the United States. Though always subtly visible in the Christianity of black North Americans, it is vibrantly apparent in the religious traditions that were brought to the United States by Caribbean immigrants in the late 20th century, including Cuban Santería, Haitian Vodou, Jamaican Revivalism, and Rastafarianism. The presence of these Afro-Caribbean traditions in the U.S. has contributed to new forms of African- influenced religious life among African Americans. The African religious traditions that came to the Americas through African captives share a range of qualities. All acknowledge a supreme God, sometimes described as a “high God,” but emphasize the primacy of multiple spirit beings—called “orisha” in Yoruba—in daily life. In reciprocal relationships with these gods, people enjoy successes, celebrate rites of passage, and cope with misfortune, illness, and grief. -
Samuel Adekunle Ola Osungbeju
FRIENDSHIP AND BETRAYAL: A NARRATIVE READING OF MATTHEW 26: 47-56 IN THE LIGHT OF THE CONCEPT OF OREODALE OF THE YORUBA PEOPLE IN NIGERIA. A THESIS SUBMITTED IN FULFILMENT OF ACADEMIC REQUIREMENTS FOR THE AWARD OF THE DEGREE OF DOCTOR OF PHILOSOPHY IN BIBLICAL STUDIES IN THE SCHOOL OF RELIGION, PHILOSOPHY AND CLASSICS, UNIVERSITY OF KWAZULU-NATAL, PIETERMARITZBURG, SOUTH AFRICA. BY SAMUEL ADEKUNLE OLA OSUNGBEJU 1 ABSTRACT The theme of friendship and betrayal cuts across many disciplines and cultures. This research focuses on the theme of friendship which is fundamentally related to the theme of the church (Matt.16, 18) and love as contained in the Sermon on the Mount (Matt.5-7), and is clearly expressed in Matthew 5:23-26 and 7:12. This theme rings through in Matthew’s Gospel as a narrative or story. This then forms the background to our search for a new understanding of the theme of friendship and betrayal in the Matthean Gospel with a focus on Matt.26:47-56 in light of the socio-cultural perspective of the Yoruba people in Nigeria. Friendship cuts across different societies with its diverse cultural distinctiveness. We find in the Matthean community, a model of friendship as exemplified by Jesus with his disciples as well as with the people of his day that is informed by love, mutual trust, loyalty, commitment, forgiveness, and which revolves around discipleship and equality. Although Jesus took on the role of a servant and friend with his disciples he remained the leader of the group. But his disciples abandoned him at the very critical point of his life with Peter even publicly denying knowing him.