Q.1) Examine the Role Played by the Judiciary in Addressing the Concern for the Right to Freedom of Religion
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Śāntiniketan and Modern Southeast Asian
Artl@s Bulletin Volume 5 Article 2 Issue 2 South - South Axes of Global Art 2016 Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond YIN KER School of Art, Design & Media, Nanyang Technological University, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/artlas Part of the Art Education Commons, Art Practice Commons, Asian Art and Architecture Commons, Modern Art and Architecture Commons, Other History of Art, Architecture, and Archaeology Commons, Other International and Area Studies Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation KER, YIN. "Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond." Artl@s Bulletin 5, no. 2 (2016): Article 2. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. South-South Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond Yin Ker * Nanyang Technological University Abstract Through the example of Bagyi Aung Soe, Myanmar’s leader of modern art in the twentieth century, this essay examines the potential of Śāntiniketan’s pentatonic pedagogical program embodying Rabindranath Tagore’s universalist and humanist vision of an autonomous modernity in revitalizing the prevailing unilateral and nation- centric narrative of modern Southeast Asian art. -
Char Dham Project Is a Two-Lane Highway Project Currently Under Construction in the State of Uttarakhand by the Border Road Organisation
Char Dham Highway Project The Char Dham project is a two-lane highway project currently under construction in the state of Uttarakhand by the Border Road Organisation. Upon the completion of the project, it will connect the four important pilgrim towns of Badrinath, Kedarnath, Gangotri and Yamunotri. The details about the Char Dham Project given in this article will be useful for candidates appearing in the government exams. Overview of Char Dham Project The foundation stone of the ₹12,000 crore project was laid at Parade Ground in Dehradun by Prime Minister Narendra Modi on December 27 2016. The highway construction project is called as Char Dham Mahamarg Vikas Pariyojana and its aim is to improve the connectivity to the Chota Char Dham. The Chota Char Dham itself is a pilgrim circuit nestled in the Himalayas. The highway project will also be will have railway links and several long bridges and tunnels to eliminate accident and slide prone areas Some more facts about the Char Dham Project is given in the table below: Char Dham Highway Project Total Length of the Highway 719 North End Mana South End Rishikesh Maintained by National Highway Authority of India Proposed Routes Rishikesh–Yamunotri Rishikesh–Gangotri Rishikesh–Kedarnath Rishikesh–Badrinath .Environmental Concerns regarding the Char Dham Project Environmentalists had pointed out that the unregulated cutting of tries and scooping up land at the base of the hills is irreversibly damaging the ecosystem as well as making the regions the project passes through dangerously prone to landslides. Although the government had given orders to the contractors to treat the slopes before moving on to the next construction point, it was found that most had not done so. -
National Gallery of Modern Art New Delhi Government of India Vol 1 Issue 1 Jan 2012 Enews NGMA’S Newsletter Editorial Team From
Newsletter JAN 2012 National Gallery of Modern Art New Delhi Government of India Vol 1 Issue 1 Jan 2012 enews NGMA’s Newsletter Editorial Team FroM Ella Datta the DIrector’s Tagore National Fellow for Cultural Research Desk Pranamita Borgohain Deputy Curator (Exhibition) Vintee Sain Update on the year’s activities Assistant Curator (Documentation) The NGMA, New Delhi has been awhirl with activities since the beginning of the year 2011. Kanika Kuthiala We decided to launch a quarterly newsletter to track the events for the friends of NGMA, Assistant Curator New Delhi, our well-wishers and patrons. The first issue however, will give an update of all the major events that took place over the year 2011. The year began with a bang with the th Monika Khanna Gulati, Sky Blue Design huge success of renowned sculptor Anish Kapoor’s exhibition. The 150 Birth Anniversary of Design Rabindranath Tagore, an outstanding creative genius, has acted as a trigger in accelerating our pace. NGMA is coordinating a major exhibition of close to hundred paintings and drawings Our very special thanks to Prof. Rajeev from the collection of NGMA as well as works from Kala Bhavana and Rabindra Bhavana of Lochan, Director NGMA without whose Visva Bharati in Santiniketan, West Bengal. The Exhibition ‘The Last Harvest: Rabindranath generous support this Newsletter would not Tagore’ is the first time that such a major exhibition of Rabindranath’s works is travelling to have been possible. Our Grateful thanks to all so many art centers in Europe and the USA as well as Seoul, Korea. -
Contextual Modernism’ in the Silk Paintings of Maniklal Banerjee
The Chitrolekha Journal on Art and Design (E-ISSN 2456-978X), Vol. 1, No. 2, 2017 DOI: https://dx.doi.org/10.21659/cjad.12.v1n205 PDF URL: www.chitrolekha.com/ns/v1n2/v1n205.pdf The ‘Contextual Modernism’ in the Silk Paintings of Maniklal Banerjee Ashmita Mukherjee Research Scholar, Jadavpur University. Email: [email protected] Abstract The paper tries to analyze the silk paintings of Maniklal Banerjee (1917-2002) who was greatly influenced by the artists of the so-called Bengal school of art. The school started by Abanindranath Tagore did not remain confined to its own time and space, but grew into dynamic new modernisms over a span of nearly a century. Art historian Sivakumar invoked a number of artists of Santiniketan and called it a “contextual modernism”. The paper tries to re-read the spirit of Santiniketan artists on the more recent and un- researched art of Maniklal Banerjee- who contextualized in his own way the Bengal ‘school’ that had by now turned into a ‘movement’. The spirit of freedom runs at the core of this movement and finds a new language in the late twentieth century artist’s renderings of daily life and Puranic narrations. Keywords: Bengal School, Maniklal Banerjee, Abanindranath Tagore, Nandalal Bose, Indian art, Puranic art, aesthetics Introduction: Maniklal Banerjee (1917-2002) Barely remembered beyond textbooks of art schools, Maniklal Banerjee was one of the first innovators of the technique of using water-color on silk in India. In order to engage in any critical discussion on his works, it is ironical that this painter- a recipient of the prestigious Abanindra Puraskar in 1999- needs an introduction (Plate 1 and 2). -
Rajya Sabha List of Questions for WRITTEN ANSWERS to Be Asked at a Sitting of the Rajya Sabha to Be Held on Monday, March 22, 2021/ 1 Chaitra, 1943 (Saka)
Rajya Sabha List of Questions for WRITTEN ANSWERS to be asked at a sitting of the Rajya Sabha to be held on Monday, March 22, 2021/ 1 Chaitra, 1943 (Saka) (Ministries : Coal; Defence; Environment, Forest and Climate Change; Heavy Industries and Public Enterprises; Information and Broadcasting; Jal Shakti; Micro, Small and Medium Enterprises; Mines; Minority Affairs; Parliamentary Affairs; Ports, Shipping and Waterways; Road Transport and Highways; Youth Affairs and Sports) Total number of questions -- 160 License for new mines 2881 # Shri Satish Chandra Dubey: Will the Minister of Coal be pleased to state: (a) the number of new mines for which licenses have been granted by Government during the last one year; (b) the quantum of coal reserve in the country at present; and (c) whether Government has any plan for the Foreign Direct Investment (FDI) in coal mining sector, if so, the details thereof? Developing infrastructure of coal industries 2882 Dr. Amee Yajnik: Will the Minister of Coal be pleased to state: (a) whether Government has provided any specific funds to develop infrastructure for coal industries of the country; (b) if so, the details thereof; and (c) whether Government expects the State Governments to develop infrastructure for coal industries in the absence of central aid and if so, the details thereof? Auction of mineral blocks 2883 # Ch. Sukhram Singh Yadav: Smt. Chhaya Verma: Shri Vishambhar Prasad Nishad: Will the Minister of Coal be pleased to state: (a) the details of the mineral blocks proposed for auction by the State -
IBPS PO Prelims
WWW.CAREERPOWER.IN & WWW.BANKERSADDA.COM COMPETITION POWER – MARCH - 2 0 1 7 1 WWW.CAREERPOWER.IN & WWW.BANKERSADDA.COM From the Editor’s Desk Dear Readers, Bankers Adda in collaboration with Career Power brings to you Competition Power (March Edition). The reason why this collaboration is so important and a landmark event as both BA and Career Power has had a long and extremely successful association with students appearing for competitive exams. This magazine includes various initiatives that cover various aspects of Banking and SSC exams in an exhaustive manner. Keeping in mind the upcoming exams, we have covered Current Affairs for not only the month of January but also for the month of December under the name “Current Affairs Zinger”. To make learning easy for the students we have also introduced another initiative by the name "NEWS MAKER OF THE MONTH" which covers all the important people, appointments, awards, etc that have made news. Having covered the GK and CA portion in an exhaustive manner, we have also given equal importance and focus to all the other aspects of the exams, be it Covering each aspect of the various subjects (like reasoning, english, quant, computers) right from building the student's concepts to helping him practice a few topics.or be it Interview Preparation or Guidance and boosting the confidence of students. We Have It All Covered!!! Along with this we have also included Mock Papers on SSC CGL Tier I 2017 Practice Set, IBPS PO MAINS Reasoning And Quant Practice Set, Syndicate Bank PO 2017 Practice Set, IBPS PO Prelims | SBI PO Prelims 2017 : PRACTICE SET and IBPS Clerk Mains 2016 Memory Based following the respective exam pattern for practice for our readers, so that they can increase their speed and accuracy. -
Annual Report 2019-2020
ANNUAL REPORT 2019-2020 ANNUAL Gandhi Smriti and Darshan Samiti ANNUAL REPORT 2019-2020 © Gandhi and People Gathering by Shri Upendra Maharathi Mahatma Gandhi by Shri K.V. Vaidyanath (Courtesy: http://ngmaindia.gov.in/virtual-tour-of-bapu.asp) (Courtesy: http://ngmaindia.gov.in/virtual-tour-of-bapu.asp) ANNUAL REPORT 2019-2020 Gandhi Smriti and Darshan Samiti ANNUAL REPORT - 2019-2020 Contents 1. Foreword ...................................................................................................................... 03 2. Introduction ................................................................................................................. 05 3. Structure of the Samiti.................................................................................................. 13 4. Time Line of Programmes............................................................................................. 14 5. Tributes to Mahatma Gandhi......................................................................................... 31 6. Significant Initiatives as part of Gandhi:150.................................................................. 36 7. International Programmes............................................................................................ 50 8. Cultural Exchange Programmes with Embassies as part of Gandhi:150......................... 60 9. Special Programmes..................................................................................................... 67 10. Programmes for Children............................................................................................. -
The Nandalal—Gandhi—Rabindranath Connection
The Nandalal—Gandhi—Rabindranath Connection Nandalal Bose’s ideas on art and art education were influenced to a large extent by the ideas of two of his distinguished contemporaries—Mohandas Karamchand Gandhi and Rabindranath Tagore. Gandhi is known in India today as the father of the nation as he managed to awaken almost single-handedly, the aspirations of the Indian people on a wide scale and organize them into a formidable political force. He had captured their attention even before he entered the country’s political scene by his successful use of satyagraha (non-violent political action) in South Africa to secure for its coloured people some measure of social justice from its white rulers. This was so unprecedented that it became the talk of the whole world. Gandhi moved to India in 1915; and in the next three decades used the same agitational strategy to emancipate the country from colonial rule. Nandalal was an involved witness of this process and soon became one of his great admirers. He became particularly so when Gandhi’s action programme widened its purview to include the economic independence of India and the strengthening of its wide-spread artisan traditions to achieve this. This focus on the artisan traditions had a special appeal for Nandalal. Even in his childhood years the artisan’s workshops in his home town had a great attraction for him; he often went there to watch the workers—potters, woodworkers, metal smiths, scroll-painters—ply their trades with seemingly effortless skill with open-eyed fascination. It was this fascination that fed his desire to become an artist when he grew up. -
Download Excerpt
the art of the art of CONTENTS January – March 2012 Director’s Note 5 © 2012 Delhi Art Gallery Pvt. Ltd., New Delhi Editor’s Note 7 White, Black And Grey: 10 The Colonial Interface Paula Sengupta ‘Revivalism’ And The 32 11 Hauz Khas Village, New Delhi 110016, India ‘Bengal School’ Tel: 91 11 46005300 Sanjoy Mallik DLF Emporio, Second Floor, Vasant Kunj New Delhi 110070, India History And Utopia 44 Tel: 91 11 41004150 Ina Puri Email: [email protected] www.delhiartgallery.com Late 18th Century -1910 62 PROJECT EDITOR: Kishore Singh 1911-1920 103 EXECUTIVE EDITOR: Shruti Parthasarathy PROJECT COORDINATOR: Nishant and Neha Berlia 1921-1930 120 RESEARCH: Aditya Jha, Puja Kaushik, Poonam Baid, Sukriti Datt 1931-1940 140 PHOTOGRAPHY OF ARTWORKS: Durga Pada Chowdhury 1941-1950 164 RESTORATION: Priya Khanna 1951-1960 208 DESIGN: Madhav Tankha, Vivek Sahni – Vivek Sahni Design 1961-1970 252 PRINT: Archana Printers Pvt. Ltd., New Delhi 1971-1980 298 All rights are reserved under international copyright conventions. No part of this catalogue may be reproduced or utilised in any form or by any means, 1981-1990 340 electronic and mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing 1991-2010 368 from the publisher. 2000-2010 400 ISBN: 978-93-81217-23-8 Artist Profiles 415 Front cover: Author Profiles 452 Back cover: Artist Groups in Bengal 453 Bibliography 454 Artist Index 461 DIRECTOR’S NOTE engal – the association with its art (and literature, and cinema, and food) is instinctive, almost as if it’s DNA-coded into its people. -
Download PDF « Kapila Vatsyayan : a Cognitive Biography: a Float A
Q1FFTQGILORF # Kindle // Kapila Vatsyayan : A Cognitive Biography: A Float a Lotus Leaf Kapila Vatsyayan : A Cognitive Biography: A Float a Lotus Leaf Filesize: 5.23 MB Reviews These sorts of book is the greatest book offered. This can be for all those who statte that there had not been a really worth reading. I am just quickly could get a pleasure of reading a written ebook. (Verner Goyette DDS) DISCLAIMER | DMCA GILPORKS6UEM « Kindle ~ Kapila Vatsyayan : A Cognitive Biography: A Float a Lotus Leaf KAPILA VATSYAYAN : A COGNITIVE BIOGRAPHY: A FLOAT A LOTUS LEAF Stellar Publishers, 2015. Hardcover. Book Condition: New. Dust Jacket Condition: New. 1st Edition. Contents: 1. Rock salt of character. 2. An era of eclectic minds. 3. Not a generation of midnights children. 4. Intellectual validity came from foreign shores. 5. Southern sojourn and other paradoxical journeys. 6. Dance became her Talisman. 7. Banaras a boat ride of relearning. 8. In the corridors of bureaucracy. 9. Maulana Sahabs Deep commitment to heritage. 10. The arts as pedagogical tool. 11. Almora was a primordial call. 12. Intra-cultural dialogues. 13. Maiden oriental discourse in the orient. 14. Gita Govinda-a fathomless discovery. 15. Revival of Buddhist and Sanskrit studies. 16. Institutions outlast the individuals. A life beyond categories perhaps thats the quintessence of Dr. Kapila Vatsyayans trajectory both as a sensitive artist and profound scholar. She has not only questioned, but also defied the mindsets that create those categories, with her multidisciplinary approach. Given her proximity to the stalwarts of the intellectual and cultural arena, i.e. Aruna Asaf Ali, Kamaladevi Chattopadhyay, Rukmini Devi Arundale, Dr. -
India Pavilion Opening Release Final
India Pavilion 58th International Art Exhibition – La Biennale di Venezia SHAKUNTALA KULKARNI Photo Performance: Asiatic Library, 2010 –2012 Digital print on rag paper 28 x 42 inches Collection: Chemould Prescott, Mumbai Image courtesy: Artist Our Time for a Future Caring Exhibition: 11 May to 24 November 2019 Pre-opening: 8-10 May 2019 (opening India Pavilion: 8 May, 12:30pm) Organisers: Ministry of Culture, Govt. of India and Confederation of Indian Industry Commissioner: National Gallery of Modern Art, Delhi Principal Partner & Curator: Kiran Nadar Museum of Art The India Pavilion presentation Our Time for a Future Caring at the 58th International Art Exhibition – La biennale di Venezia opens to the public on 11 May 2019. Our Time for a Future Caring, a group exhibition curated by Roobina Karode, Director and Chief Curator at the Kiran Nadar Museum of Art, critically engages with the figure and philosophies of Mahatma Gandhi, reflecting on his enduring impact and the contemporary relevance of his ideals. Gandhi acts as focal point for different artistic interpretations, delving into broader issues of India’s history and nationhood, as well more conceptual investigations into notions of freedom, nonviolence, action and agency. The exhibition forms part of India’s celebrations of ‘150 years of Gandhi’ and showcases artworks spanning from the twentieth century to the present day by Nandalal Bose, MF Husain, Atul Dodiya, Jitish Kallat, Ashim Purkayastha, Shakuntala Kulkarni, Rummana Hussain and GR Iranna. A landmark partnership between India’s public and private sectors has enabled India’s second national participation at the Biennale Arte 2019. The Pavilion was organized by the India Ministry of Culture with the Confederation of Indian Industry (CII). -
Himalayan Histories
TIF - Himalayan Histories DINYAR PATEL June 4, 2021 The Himalayas have been a zone of global interactions and exchanges over the centuries, quite unlike the stereotype of remoteness and isolation. Himalaya: A Human History. Ed Douglas. (London: The Bodley Head, 2020) The Gateway to Hell, it transpires, sits on the very roof of the world. In 2007, I travelled along the Friendship Highway, which links Lhasa to Kathmandu. Nyalam — termed 'Gateway to Hell' by travellers — is the starting point for an ancient trans-Himalayan trading route following the Bhote Kosi river from Tibet into Nepal. It is also the beginning of one of the world’s most stunning zones of environmental and cultural transition. In less than 40 kilometres, the Friendship Highway catapults 2,000 metres off the Tibetan plateau. Blue skies and arid highlands give way to perpetual rain and cloud forests. The Sinic world melds into something more subcontinental. At Kodari, the border post, I had one final interaction with the Chinese state, scowling yet efficient, and then encountered the chaos of a Nepali customs office. Outside, a truckers’ union had declared a bandh and had blocked the highway to Kathmandu. Welcome to South Asia. Douglas’s account forcefully pushes against the common narrative that the Himalaya are a barrier — a perpetual abode of snow and ice shielding disparate civilisations from one another. Historically, as toponyms like Gateway to Hell testify, such zones of transition were uncomfortable and dangerous places. Yet they are at the very heart of the story of the Himalayan region. Ed Douglas’s new book, Himalaya: A Human History, demonstrates how cultures along the roof of the world have been defined by Page 1 www.TheIndiaForum.in June 4, 2021 perpetual border crossing.