The Fey and the Furious Ben Aaronovitch
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Peregrine Nations 2.3, October 2002
VOLUME TWO, NUMBER THREE / OCTOBER 2002 In This Ish: Silent eLOCutions (Art by Trinlay Khadro & Ye Editor) Smoke & Mirrors by Alan White (Art by Alan White) State of the Art: Graphic Novel Writers -- Coda by Will Allan Hogarth Saints by E. B. Frohvet (Art by William Rotsler) The Faned Article Pool by J. G. Stinson (art by my rubber stamp collection) Will the Real Swamp Thing Please Stand Up? (editorial) (Art by Alan White) Free Book Deal Update Pub Crawl: Zine Reviews by J.G. Stinson Additional Art: Alan White / cover, masthead No page numbers again, still haven't figured out how to make Word do that without futzing the thing... peregrination, n., L., A traveling, roaming, or wandering about; a journey. (The New Webster Encyclopedic Dictionary of the English Language, Avenel Books, New York: 1980). "As Perrottet explains...the Pax Romana...in the first two centuries of the Christian era...made possible for the first time the concept of tourism...and with it all the accoutrements still known in the travel industry: peregrinatores, the tourists themselves; mystagogi...guides; periegesis, ...guidebooks..." // From "On Tour with the Ancients" by Louis Werner, Archaeology Magazine, Nov./Dec. 2002, p. 57. Well, now, ain't that a hoot. This issue of Peregrine Nations is a © 2002 J9 Press Publication edited and published by J. G. Stinson, P.O. Box 430314, Big Pine Key, FL 33043-0314 USA. Copies available for $1 or the Usual. A quarterly pubbing sked is intended. All material in this publication was contributed for one-time use only, and the copyrights belong to the contributors. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
UNCLE SCROOGE #21 (Legacy #425), DECEMBER 2016
STORY 1 The Substitute Santa of Strathbungo from Norwegian Donald Julealbum 4, 2013 (First USA Publication) WRITER Knut Nærum and Tormod Løkling ARTIST Arild Midthun COLORIST Digikore Studios LETTERER Jesse Post DIALOGUE Byron Erickson EDITOR Sarah Gaydos STORY 2 PUBLISHER Ted Adams Scientific Sculptor from Donald Duck Sunday comic strip, 1963 ARCHIVAL EDITOR David Gerstein IFC DESIGNER Paul Hornschemeier WRITER Bob Karp COVER DESIGNER Tom B. Long ARTIST AND LETTERER Al Taliaferro COLORIST Digikore Studios REGULAR COVER Andrea Freccero REGULAR COVER colored by Mario Perrotta SUB COVER Marco Rota STORY 3 SUB COVER colored by Marco Colletti The Roundabout Rally RI COVER Marco Gervasio from Brazilian O Pato Donald 992, 1970 RI COVER colored by Marco Colletti (First USA Publication) WRITER Dick Kinney ARTIST Tony Strobl INKER Steve Steere COLORIST Digikore Studios LETTERER Jesse Post TRANSLATION David Gerstein DIALOGUE David Gerstein and Joe Torcivia Special thanks to Daniel Saeva, Julie Dorris, Manny Mederos, Roberto Santillo, Camilla Vedove, Stefano Ambrosio, Carlotta Quattrocolo, Chris Troise, Floyd Norman, and Thomas Jensen. For international rights, contact [email protected] Ted Adams, CEO & Publisher • Greg Goldstein, President & COO • Robbie Robbins, EVP/Sr. Graphic Artist • Chris Ryall, Chief Creative Officer • David Hedgecock, Editor-in-Chief • Laurie Windrow, Senior Vice President of Sales & Marketing • Matthew Ruzicka, CPA, Chief Financial Officer • Dirk Wood, VP of Marketing • Lorelei Bunjes, VP of Digital Services • Jeff Webber, VP of Licensing, Digital and Subsidiary Rights • Jerry Bennington, VP of New Product Development Facebook: facebook.com/idwpublishing • Twitter: @idwpublishing • YouTube: youtube.com/idwpublishing www.IDWPUBLISHING.com Tumblr: tumblr.idwpublishing.com • Instagram: instagram.com/idwpublishing UNCLE SCROOGE #21 (Legacy #425), DECEMBER 2016. -
A Visual-Textual Analysis of Sarah Glidden's
BLACKOUTS MADE VISIBLE: A VISUAL-TEXTUAL ANALYSIS OF SARAH GLIDDEN’S COMICS JOURNALISM _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial FulfillMent of the RequireMents for the Degree Master of Arts _____________________________________________________ by TYNAN STEWART Dr. Berkley Hudson, Thesis Supervisor DECEMBER 2019 The undersigned, appointed by the dean of the Graduate School, have exaMined the thesis entitleD BLACKOUTS MADE VISIBLE: A VISUAL-TEXTUAL ANALYSIS OF SARAH GLIDDEN’S COMICS JOURNALISM presented by Tynan Stewart, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. —————————————————————————— Dr. Berkley Hudson —————————————————————————— Dr. Cristina Mislán —————————————————————————— Dr. Ryan Thomas —————————————————————————— Dr. Kristin Schwain DEDICATION For my parents ACKNOWLEDGEMENTS My naMe is at the top of this thesis, but only because of the goodwill and generosity of many, many others. Some of those naMed here never saw a word of my research but were still vital to My broader journalistic education. My first thank you goes to my chair, Berkley Hudson, for his exceptional patience and gracious wisdom over the past year. Next, I extend an enormous thanks to my comMittee meMbers, Cristina Mislán, Kristin Schwain, and Ryan Thomas, for their insights and their tiMe. This thesis would be so much less without My comMittee’s efforts on my behalf. TiM Vos also deserves recognition here for helping Me narrow my initial aMbitions and set the direction this study would eventually take. The Missourian newsroom has been an all-consuming presence in my life for the past two and a half years. -
Beat the Heat
To celebrate the opening of our newest location in Huntsville, Wright Hearing Center wants to extend our grand openImagineing sales zooming to all of our in offices! With onunmatched a single conversationdiscounts and incomparablein a service,noisy restaraunt let us show you why we are continually ranked the best of the best! Introducing the Zoom Revolution – amazing hearing technology designed to do what your own ears can’t. Open 5 Days a week Knowledgeable specialists Full Service Staff on duty daily The most advanced hearing Lifetime free adjustments andwww.annistonstar.com/tv cleanings technologyWANTED onBeat the market the 37 People To Try TVstar New TechnologyHeat September 26 - October 2, 2014 DVOTEDO #1YOUTHANK YOUH FORAVE LETTING US 2ND YEAR IN A ROW SERVE YOU FOR 15 YEARS! HEARINGLeft to Right: A IDS? We will take them inHEATING on trade & AIR for• Toddsome Wright, that NBC will-HISCONDITIONING zoom through• Dr. Valerie background Miller, Au. D.,CCC- Anoise. Celebrating• Tristan 15 yearsArgo, in Business.Consultant Established 1999 2014 1st Place Owner:• Katrina Wayne Mizzell McSpadden,DeKalb ABCFor -County HISall of your central • Josh Wright, NBC-HISheating and air [email protected] • Julie Humphrey,2013 ABC 1st-HISconditioning Place needs READERS’ Etowah & Calhoun CHOICE!256-835-0509• Matt Wright, • OXFORD ABCCounties-HIS ALABAMA FREE• Mary 3 year Ann warranty. Gieger, ABC FREE-HIS 3 years of batteries with hearing instrument purchase. GADSDEN: ALBERTVILLE: 6273 Hwy 431 Albertville, AL 35950 (256) 849-2611 110 Riley Street FORT PAYNE: 1949 Gault Ave. N Fort Payne, AL 35967 (256) 273-4525 OXFORD: 1990 US Hwy 78 E - Oxford, AL 36201 - (256) 330-0422 Gadsden, AL 35901 PELL CITY: Dr. -
Graphic No Vels & Comics
GRAPHIC NOVELS & COMICS SPRING 2020 TITLE Description FRONT COVER X-Men, Vol. 1 The X-Men find themselves in a whole new world of possibility…and things have never been better! Mastermind Jonathan Hickman and superstar artist Leinil Francis Yu reveal the saga of Cyclops and his hand-picked squad of mutant powerhouses. Collects #1-6. 9781302919818 | $17.99 PB Marvel Fallen Angels, Vol. 1 Psylocke finds herself in the new world of Mutantkind, unsure of her place in it. But when a face from her past returns only to be killed, she seeks vengeance. Collects Fallen Angels (2019) #1-6. 9781302919900 | $17.99 PB Marvel Wolverine: The Daughter of Wolverine Wolverine stars in a story that stretches across the decades beginning in the 1940s. Who is the young woman he’s fated to meet over and over again? Collects material from Marvel Comics Presents (2019) #1-9. 9781302918361 | $15.99 PB Marvel 4 Graphic Novels & Comics X-Force, Vol. 1 X-Force is the CIA of the mutant world—half intelligence branch, half special ops. In a perfect world, there would be no need for an X-Force. We’re not there…yet. Collects #1-6. 9781302919887 | $17.99 PB Marvel New Mutants, Vol. 1 The classic New Mutants (Sunspot, Wolfsbane, Mirage, Karma, Magik, and Cypher) join a few new friends (Chamber, Mondo) to seek out their missing member and go on a mission alongside the Starjammers! Collects #1-6. 9781302919924 | $17.99 PB Marvel Excalibur, Vol. 1 It’s a new era for mutantkind as a new Captain Britain holds the amulet, fighting for her Kingdom of Avalon with her Excalibur at her side—Rogue, Gambit, Rictor, Jubilee…and Apocalypse. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Recycling the Other: the Role of Nostalgia in Superhero Comics’ Orientalism Nao Tomabechi
Recycling the Other: The Role of Nostalgia in Superhero Comics’ Orientalism Nao Tomabechi Abstract Whiteness has been one of the core ideals in American mainstream superhero comics, but in recent years, with demands for diversity increasing, more than ever, racial minorities have leading roles in superhero comics. However, the struggle for Asians in the superhero genre is not entirely gone. The number of appearances may have increased, but stereotypes do persist. Japanese characters in superhero comics, for instance, whether they are heroes or villains, are still forced to display their Otherness, even in recent works. In this paper, by using Wolverine’s adventures set in Japan and the Japanese superhero Katana from DC Comics as examples, I argue that Asians in contemporary superhero comics are still contained within the grasps of Orientalism, and that nostalgia plays a significant role in that containment. Keywords: Orientalism, nostalgia, racism, continuity, diversity Introduction As many scholars and fans have already pointed out, whiteness has been one of the core ideals in American mainstream superhero comics.1 From DC Comics’ Superman and Batman to Marvel’s Captain America and Iron Man, the most famous and popular superheroes, as well as supervillains, have always been predominantly white. In recent years however, with increasing demands for diversity, this focus on whiteness has been highly questioned and criticized. Consequently, more than ever, racial minorities have leading roles in superhero comics. Miles Morales, the Spider-Man of Marvel’s Ultimate Universe, is a mixed-race teenager, and the African Black Panther is now extremely popular after the successful film released in 2018. -
FREE FESTIVAL GUIDE @Comicartfest 12-14 October 2018 Main Funder Kendal, Cumbria 2 the LAKES INTERNATIONAL COMIC ART FESTIVAL 2018
LIMITED FESTIVAL PASSES AVAILABLE BUY NOW THE LAKES INTERNATIONAL COMIC ART FESTIVAL 2018 FREE FESTIVAL GUIDE @comicartfest www.comicartfestival.com 12-14 October 2018 Main Funder Kendal, Cumbria 2 THE LAKES INTERNATIONAL COMIC ART FESTIVAL 2018 INTRODUCTION Welcome festival-goers. A sincere thank you to our regulars for their steadfast support and a warm welcome to newcomers for giving LICAF a go. This year is our sixth festival and we continue to refine, adapt and add to our programme to keep it relevant, fresh and challenging too. This year we have more special guests than ever before, an expanded Clocktower (which maintains its intimacy), a bigger social, “out of hours” programme and more new countries represented including Russia, the Czech Republic, Denmark, India and Nepal. Our partnership with Wacom, Lancaster University, the University of Cumbria and the National Cartoonists’ Society continues to grow and we welcome our new partners, Dundee University and Lyon BD Festival, with whom we expect to work more closely over coming months. We also welcome back Amiens Comics Festival, the Finnish Institute, a fresh delegation from the Netherlands and representatives from the Flemish EVENTS Literature Fund. Times, dates and venues for A huge thank you to our funders this year’s amazing events and partners but most of all to our 4 tremendous team of volunteers without whom we’d be lost, fumbling around in a sea of intent! Julie, Carole, Sharon, Marianne, Aileen, Matt, Nick, Steve, John, Jo and Chris CONTENTS 4 Festival Overview 5 Festival -
FEBRUARY 2013: New Titles Staff Picks Page 2-6 Page 8 Novel Ideas Biff’S Bit Page 6-7 Page 9 History Books COMICS Page 8 NEW TITLES
FEBRUARY 2013: New Titles Staff Picks Page 2-6 Page 8 Novel Ideas Biff’s Bit Page 6-7 Page 9 History Books COMICS Page 8 NEW TITLES UBER #0 POLARITY #1 KIERON GILLEN | MAX BEMIS | SHIPPING IN CAANAN WHITE JORGE COELHO Kieron Gillen unveils his From the mind of Say epic new monthly series, Anything frontman Max launching with a special Bemis comes Polarity, double-sized issue! a manic-depressive trip 1945. Germany is in you’ll never forget. APRIL ruins. The war in the west Timothy Woods is a can only be days away bipolar artist stuck in from ending. Threats of the world of hipsters, “wunderwaffen” to be unleashed by the dying meaningless sex, and vain art — better known MISS FURY #1 Reich have become laughable. There are no as Brooklyn. But after he survives a near ROB WILLIAMS | miracle weapons here. It’s over. It has to be over. fatal car accident, Timothy discovers that his JACK HERBERT It’s not. There’s been stories which have mixed mental instability is more than just a disorder, The pulp heroine returns! enhanced humans and World War 2 before. and that his bipolar medication hasn’t just When Miss Fury foils There’s never been one like this. See super been subduing depression and uncontrollable a wartime plot by Nazi beings in a whole new light as Gillen presents mania… it’s been suppressing his super secret agents, she is an epic new series that not only rewrites powers! Now it’s time for Timothy to stand catapulted through history, it redefines the genre. -
The Big Fat Flat Blot Plot
eap into action with Donald Duck and Mick ey Mouse for a wild collection of modern-day L comics classics featuring the return of the diabolical Phantom Blot! When the supervillain Blot turns himself two dimen- sional, daring Mickey can only stop his crime spree by hopping dimensions! Then, unlucky Donald finally wins the lottery... and will do anything to hang on to his prize! All the stories from IDW’s Donald and Mickey #1 and 2 are here, including work by fan-favorite writer-artists William Van Horn and Andrea “Casty” Castellan! The Big Fat Flat Blot Plot From Italian Topolino #2619, 2006 Writer: Andrea “Casty” Castellan Artist: Lorenzo Pastrovicchio Colorists: Disney Italia with Digikore Studios, Erik Rosengarten, and Nicole and Travis Seitler Letterers: Nicole and Travis Seitler Translation and Dialogue: Jonathan H. Gray Yard Wars From Dutch Donald Duck #27/1995 Writer: Frank Jonker Artist: Bas Heymans Colorists: Sanoma and Digikore Studios The Saucerer’s a Menace! Letterers: Nicole and Travis Seitler From Danish Anders And & Co. #13/2005 Translation and Dialogue: Maura McManus Writer: Kari Korhonen Artist: Daniel Branca Colorists: Digikore Studios and Tim Artz with Nicole and Travis Seitler Letterers: Nicole and Travis Seitler Translation and Dialogue: Thad Komorowski Special thanks to Eugene Paraszczuk, Julie Dorris, Carlotta Quattricolo, Chris Troise, Roberto Santillo, Manny Mederos, Camille Vedove, Stefano Ambrosio, and Thomas Jensen. For international rights, contact [email protected] ISBN: 978-1-68405-136-6 21 20 19 18 1 2 3 4 Greg Goldstein, President & Publisher • Robbie Robbins, EVP & Sr. Art Director • Chris Ryall, Chief Creative Officer & Editor-in-Chief • Matthew Ruzicka, CPA, Chief Financial Officer • David Hedgecock, Associate Publisher • Laurie Windrow, Senior Vice President of Sales & Marketing Lorelei Bunjes, VP of Digital Services • Eric Moss, Sr. -
An Interview with Hunt Emerson
Dante e l’arte 5, 2018 263-270 An interview with Hunt Emerson Francisco Saez de Adana Instituto Franklin, Universidad de Alcalá [email protected] Resumen Este artículo presenta una entrevista a Hunt Emerson acerca de su proceso de adapta- ción del Infierno de Dante, la primera sección de La Divina Comedia. Emerson cuenta su aproximación a la obra y su visión sobre la misma a la hora de transformar el poema original en una historia cómica. Palabras clave: Hunt Emerson; Infierno de Dante; Kevin Jackson; adaptación; comic humorístico. Abstract This paper presents an interview with Hunt Emerson about his adaptation process of Dante’s Inferno, the first section of The Divine Comedy. Emerson tells his approach to Dante’s work and his vision of it when transforming the original poem into a comic story. Keywords: Hunt Emerson; Dante’s Inferno; Kevin Jackson; adaptation; humour comics. https://doi.org/10.5565/rev/dea.113 ISSN 2385-5355 (digital), ISSN 2385-7269 (paper) 264 Dante e l’arte 5, 2018 Francisco Saez de Adana unt Emerson is a British humorous cartoonist whose career started in the Hearly 1970s. He was closely involved with the Birmingham Arts Lab of the mid-to-late 1970s, and with the British underground comics scene of the 1970s and 1980s. His earliest strips in the 1970s appeared in British small press comics and in the 1980s he started working with several US underground and independent publishers. Since then, he has worked with some different publishers both in the US and the UK as Eclipse, DC Comics or Knocka- bout Comics among others.