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Concert and Music Performances Ps48
J S Battye Library of West Australian History Collection CONCERT AND MUSIC PERFORMANCES PS48 This collection of posters is available to view at the State Library of Western Australia. To view items in this list, contact the State Library of Western Australia Search the State Library of Western Australia’s catalogue Date PS number Venue Title Performers Series or notes Size D 1975 April - September 1975 PS48/1975/1 Perth Concert Hall ABC 1975 Youth Concerts Various Reverse: artists 91 x 30 cm appearing and programme 1979 7 - 8 September 1979 PS48/1979/1 Perth Concert Hall NHK Symphony Orchestra The Symphony Orchestra of Presented by The 78 x 56 cm the Japan Broadcasting Japan Foundation and Corporation the Western Australia150th Anniversary Board in association with the Consulate-General of Japan, NHK and Hoso- Bunka Foundation. 1981 16 October 1981 PS48/1981/1 Octagon Theatre Best of Polish variety (in Paulos Raptis, Irena Santor, Three hours of 79 x 59 cm Polish) Karol Nicze, Tadeusz Ross. beautiful songs, music and humour 1989 31 December 1989 PS48/1989/1 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Elisa Wilson Embleton (soprano), John Kessey (tenor) Date PS number Venue Title Performers Series or notes Size D 1990 7, 20 April 1990 PS48/1990/1 Art Gallery and Fly Artists in Sound “from the Ros Bandt & Sasha EVOS New Music By Night greenhouse” Bodganowitsch series 31 December 1990 PS48/1990/2 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Emma Embleton Lyons & Lisa Brown (soprano), Anson Austin (tenor), Earl Reeve (compere) 2 November 1990 PS48/1990/3 Aquinas College Sounds of peace Nawang Khechog (Tibetan Tour of the 14th Dalai 42 x 30 cm Chapel bamboo flute & didjeridoo Lama player). -
Festival Statistics: Key Concepts and Current Practices
2695 Festivals can provide substantive income and generate tourism at both local and national levels. There is growing recognition of the importance of collecting data in this field, particularly to gauge the social and economic contributions of festivals to host societies. This requires a greater understanding of how festivals can be measured and data collected in a standardised, systematic manner based on existing models and current practices. This handbook presents the theories, concepts and practices that are currently used in the effective measuring of festivals across the globe. It identifies prevailing theoretical perspectives on measuring festivals; current policy constructs concerning the collection of data on festivals; as well as best practices and processes for festival data collection and statistics based on experience from around the world. 2695 FESTIVAL STATISTICS Key concepts and current practices The UNESCO Institute for Statistics (UIS) is the statistical office of the United Nations Educational, Scientific and Cultural Organization (UNESCO) and is the UN depository for internationally comparable statistics in the fields of education, science and technology, culture and communication. 2009 UNESCO FRAMEWORK FOR CULTURAL STATISTICS HANDBOOK NO. 3 2009 FRAMEWORK FOR CULTURAL STATISTICS HANDBOOK NO. 3 Festival statistics: Key concepts and current practices UNESCO The constitution of the United Nations Educational, Scientific and Cultural Organization (UNESCO) was adopted by 20 countries at the London Conference in November -
State of the Blues PAST, PRESENT and FUTURE by JACK HADLEY
BIMONTHLY NEWS OF THE COLORADO BLUES SCENE • VOL. 24, NO. 4 • AUG. - SEPT. 2018 • [email protected] 2013 KBA WINNER BLUES SOCIETY STATE OF THE BLUES PAST, PRESENT AND FUTURE BY JACK HADLEY Most Americans growing up in the age of pop music never listened to the blues. It wasn’t played on commercial radio and, sadly, not much has changed. I realize that any roots music in 2018 is hidden in plain sight. It’s out there if you look for it. I was at a blues jam re- cently and I was surprised at the music I heard. It was uniformly real blues mu- sic. There were no reggae covers or pop tunes played under the guise of blues. The most telling part of the night for me was a band of young people who hit the stage. A standard lineup of guitar, bass, drums and a lead vocalist. I have to admit they didn’t look like they knew any- thing about the music. I was dead wrong. These kids (anyone under 30 is a kid to me now) hit it real hard. It was on the blues rock end of the scale and more blues than I expected. Howlin’ Wolf and a few other classic covers. It was well done and I felt the blues coming from the stage. No, they didn’t sound like any of the artists on this page (Sonny Boy Williamson, Rick Estrin & The Nightcats and Christone “Kingfish” Ingram, clockwise from left to right). They sounded like themselves. And it’s still called the blues. -
Warehouse 13
Sun Herald Sunday 22/1/2012 Brief: WDSTAFF Page: 26 Page 1 of 4 Section: TV Guide Region: Sydney Circulation: 410,407 Type: Capital City Daily Size: 982.92 sq.cms. Frequency: ------S PAY TV THIS WEEK BRAD NEWSOME IV 7 Sunday, Monday, Tuesday, January 22 January 23 January 24 Design Star Superweapons of the Ancient World Mech Men LifeStyle Home, 6.30 pm Discovery Science, 8.30pm National Geographic, Tonight, the American interior Engineers build a Roman tortoise- 7.30pm designers competing for the chance style battering ram to see if they can An interesting look at the progress to host their own TV show are demolish a replica city wall. being made in designing powered working on real people's houses. exoskeletons of the kind usually Somewhere out in New York's Jono: What if My Baby Is seen in Japanese cartoons. Eye- commuter belt they are split into Born Like Me? opening demonstrations show the two teams of five, each doing over LifeStyle You, 9.30pm inventions really can endow their two rooms for one lucky home An affecting and respectful operators with superhuman owner. What follows is equal parts documentary in which young Briton strength, speed and endurance. inspiration and frustration but the Jono Lancaster and his partner, Their potential looks great for use in personalities of the contestants do Laura, weigh up whether or not to rescue operations, for helping not so much clash as slowly chafe have a child who could inherit Jono's soldiers carry heavy equipment over against each other. The changes are Treacher Collins syndrome. -
Where the Wifi Is As Engaging As the Music
case study Where the WiFi is as Future Music Festival Engaging as brings together hundreds of artists and organisers the Music with thousands of fans to FUTURE MUSIC FESTIVAL create some of the biggest and best music festivals in Australasia. And TSG’s WiFi system powered by “With Encapto we delivered a range of Encapto keeps them all responsive branded portals, tiered access connected and engaged. for artists, VIPs, festival goers and staff, and in a very short time frame. We just Modules used: couldn’t have done it with anything else.” • Encapto Cloud Deck - Kamie Ang, Managing Director, TSG • RADIUS user management • Encapto powered gateway appliance • Encapto Campaign • Encapto Portal Builder Client: TSG & Future Entertainment Deployed: 2015 www.encapto.com Future Music Festival needed a versatile network management platform to deliver WiFi to keep festival goers connected. Short term event licensing and a rapidly scalable network architecture enabled engaging WiFi at 9 events across 5 different cities to 100s of thousands of fans and artists over a two-week period. User Engagement Music festivals carry a dynamic vibe and Future Music Festival needed to communicate that across to its visitors by engaging with them via WiFi. Future Music Festival wanted to use its WiFi to not only deliver internet access but also push special offers and notices from festival vendors and event sponsors, straight to users’ devices. Encapto’s Campaign module allowed Future Entertainment to deliver targeted scheduled content to user devices engaging festival-goers with the right message at the right time. And survey and Facebook connect mean Future can know even more about its patrons to keep them engaged even after the event. -
Accelerated Reader Book List
Accelerated Reader Book List Picking a book to read? Check the Accelerated Reader quiz list below and choose a book that will count for credit in grade 7 or grade 8 at Quabbin Middle School. Please see your teacher if you have questions about any selection. The most recently added books/tests are denoted by the darkest blue background as shown here. Book Quiz No. Title Author Points Level 8451 EN 100 Questions and Answers About AIDS Ford, Michael Thomas 7.0 8.0 101453 EN 13 Little Blue Envelopes Johnson, Maureen 5.0 9.0 5976 EN 1984 Orwell, George 8.2 16.0 9201 EN 20,000 Leagues Under the Sea Clare, Andrea M. 4.3 2.0 523 EN 20,000 Leagues Under the Sea (Unabridged) Verne, Jules 10.0 28.0 6651 EN 24-Hour Genie, The McGinnis, Lila Sprague 4.1 2.0 593 EN 25 Cent Miracle, The Nelson, Theresa 7.1 8.0 59347 EN 5 Ways to Know About You Gravelle, Karen 8.3 5.0 8851 EN A.B.C. Murders, The Christie, Agatha 7.6 12.0 81642 EN Abduction! Kehret, Peg 4.7 6.0 6030 EN Abduction, The Newth, Mette 6.8 9.0 101 EN Abel's Island Steig, William 6.2 3.0 65575 EN Abhorsen Nix, Garth 6.6 16.0 11577 EN Absolutely Normal Chaos Creech, Sharon 4.7 7.0 5251 EN Acceptable Time, An L'Engle, Madeleine 7.5 15.0 5252 EN Ace Hits the Big Time Murphy, Barbara 5.1 6.0 5253 EN Acorn People, The Jones, Ron 7.0 2.0 8452 EN Across America on an Emigrant Train Murphy, Jim 7.5 4.0 102 EN Across Five Aprils Hunt, Irene 8.9 11.0 6901 EN Across the Grain Ferris, Jean 7.4 8.0 Across the Wide and Lonesome Prairie: The Oregon 17602 EN Gregory, Kristiana 5.5 4.0 Trail Diary.. -
Society of Children's Book Writers and Illustrators Official Reading List Summer 2016
SOCIETY OF CHILDREN’S BOOK WRITERS AND ILLUSTRATORS OFFICIAL READING LIST SUMMER 2016 All books are grouped by geographical region of the author or illustrator. They are listed in alphabetical order by title and divided into grade levels. TABLE OF CONTENTS ATLANTIC (Pennsylvania / Delaware / New Jersey / Washington D.C. / Virginia / West Virginia / Maryland) . 3 AUSTRALIA / NEW ZEALAND (May - December 2016) . 15 CALIFORNIA / HAWAII . 21 CANADA . 37 INTERNATIONAL / OTHER . 43 MID-SOUTH (Kansas / Louisiana / Arkansas / Tennessee / Kentucky / Missouri / Mississippi) . 45 MIDDLE EAST / INDIA / ASIA . 51 MIDWEST (Minnesota / Iowa / Nebraska / Wisconsin / Illinois / Michigan / Indiana / Ohio) . 53 NEW ENGLAND (Maine / Vermont / New Hampshire / Connecticut / Massachusetts / Rhode Island) . 69 NEW YORK . 81 SOUTHEAST (Florida / Georgia / South Carolina / North Carolina / Alabama) . 89 SOUTHWEST (Nevada / Arizona / Utah / Colorado / Wyoming / New Mexico) . 99 TEXAS / OKLAHOMA . 107 UK / IRELAND . 113 WEST (Washington / Oregon / Alaska / Idaho / Montana / North Dakota / South Dakota) . 117 SPANISH / BILINGUAL . 127 SOCIETY OF CHILDREN’S BOOK WRITERS AND ILLUSTRATORS OFFICIAL READING LIST — SUMMER 2016 ATLANTIC (Pennsylvania / Delaware / New Jersey / Washington D.C. / Virginia / West Virginia / Maryland) GRADES K-2: garten beginning readers. Author’s Residence: Reading, Pennsylvania Apple Days: A Rosh Hashanah Story Publisher: Reading Reading Books by Allison Sarnoff Soffer, illustrated by Bob McMahon Picture Book The Boy Who Said Nonsense Description: A touching story about a child’s beloved apple-picking by Felicia Sanzari Chernesky, illustrated by Nicola Anderson tradition, disappointment, and the power of community. Apple- Picture Book sauce recipe included. Description: Tate can count just by looking at things! All this count- Author’s Residence: Washington, D.C. ing makes everyone think Tate talks nonsense—until his brother Publisher: Kar-Ben Publishing sees everything from Tate’s perspective. -
Black and Asian Theatre in Britain a History
Black and Asian Theatre in Britain A History Edited by Colin Chambers First published 2011 ISBN 13: 978-0-415-36513-0 (hbk) ISBN 13: 978-0-415-37598-6 (pbk) Chapter 8 ‘All a we is English’ Colin Chambers CC BY-NC-ND 4.0 8 ‘All A WE IS English’1 Britain under Conservative rule in the 1980s and for much of the 1990s saw black and Asian theatre wax and then wane, its growth the result of earlier forces’ coming to a head and its falling away a consequence of cuts allied to a state-driven cultural project that celebrated the individual over the collective and gave renewed impetus to aggressive, narrow nationalism. How to survive while simultaneously asserting the heterodox, hybrid nature of non-white theatre and its contribution to British theatre was the urgent challenge. Within two years of the Thatcher government’s election to power in 1979, Britain saw perhaps the most serious rioting of its postwar era, which led to major developments in public diversity policy, though less significant change at the level of delivery. The black community could no longer be taken for granted and was demanding its rights as British citizens. The theatre group that epitomized this new urgency and resilience and the need to adapt to survive was the Black Theatre Co-operative (BTC).2 The group was founded by Mustapha Matura and white director Charlie Hanson in 1978 after Hanson had failed to interest any theatres in Welcome Home Jacko, despite Matura’s standing as the leading black playwright of his generation. -
Tour Dates May, June & July
TOUR DATES MAY, JUNE & JULY ALDOUS HARDING http://www.aldousharding.com/ May 18 - Paganini Ballroom, Great Escape, Brighton, UK May 19 - NZ Showcase, The Great Escape, Brighton, UK May 20 - L’Olympic Café, Paris, FRANCE May 21 - Huis 23, Brussels, BELGIUM May 22 - Omeara, London, UK May 23 - Thekla, Bristol, UK May 24 - Eagle Inn, Manchester, UK May 25 - Broadcast, Glasgow, UK May 28 - Schellingwouderkerk, THE NETHERLANDS May 29 - Nochtwache, Hamburg, GERMANY June 3 - Royale, Boston, MA, USA May 30 - Auster Club, Berlin, GERMANY June 6 - Ram’s Head Live, Baltimore, MD, USA June 3 – 4 - Nelsonville Music Festival, OH, USA June 7 - Cat’s Cradle, Carrboro, NC, USA June 5 - DC9, Washington, DC, USA June 8 - Mercury Ballrooom, Louisville, KY, USA June 6 - Johnny Brenda’s, Philadelphia, PA, USA June 9 - Delmar Hall, Saint Louis, MO, USA June 7 - Great Scott, Allston, MA, USA June 11 - Le Divan Orange , Montreal, QC, CANADA DELANEY DAVIDSON http://www.delaneydavidson.com June 12 - Velvet Underground, Toronto, ON, CANADA May 19 - NZ Showcase, The Great Escape, Brighton, UK June 13 - El Club, Detroit, MI, USA May 19 - Harbour Hotel, The Great Escape, Brighton UK June 14 - Empty Bottle, Chicago, IL, USA May 24 - Polka Bar, Munich, GERMANY June 16 - The Earl, Atlanta, GA, USA May 27 - Café Kairo, Bern, SWITZERLAND June 17 - Gasa Gasa, New Orleans, LA, USA June 19 - The Mohawk (Inside), Austin, TX, USA DEVILSKIN http://www.devilskin.co.nz June 20 - The Monarch, El Paso, TX, USA June 6 - The Academy, Dublin, IRELAND June 21 - Hotel Congress, Tucson, -
Fire from My Tongue// 1
Fire From My Tongue // a lesson plan by Charlie Schwartz Goal: To raise questions and frame a discussion around the paradoxically universalist and particularist identities of many Diaspora Jews. Technical Requirments: Large Sticky Notes/Half Sheets of Paper with Tape Pens LCD Projector/Screen Computer with Internet Lyric Sheets Background: With its distinctive reggae cadence, Matisyahu's song "Jerusalem" runs deep with biblical allusions, references to the Holocaust, exile and the hope of messianic redemption. In contrast, the video for "Jerusalem" beautifully depicts people from diverse backgrounds placing photographs on a wall, forming a literal Kotel of human experience. On an intellec tual level, there is dissonance between the particular nature of the lyrics, and the universal themes of the video, yet on an artistic level the video and lyrics hypnotically integrate with one another. This session examines this apparent tension between the video and the song while exploring how participants integrate their Jewish identities into the non-Jewish world around them. Activity 1: What is Jerusalem? This activity is essentially a group brainstorm designed to get participants to start thinking about what Jerusalem means to them. Suggested Steps: *Handout half sticky notes/paper and pens. *Ask participants to write a sentence about what comes to mind when they hear the word “Jerusalem” *Ask participants to post their sentences on the wall. *Ask participants if they see any patterns. *Have participants move sentences into groups according to ideas and themes. *Have participants explain their grouping of sentences. Activity 2: Jerusalem, the Song. In this activity participants listen to the Matisyahu song “Jerusalem,” and try to understand the lyrics through chevruta (partner) study. -
Events 2010 January
EVENTS 2010 JANUARY Hyundai Hopman Cup XXII 2 - 9 January, Burswood Dome, Perth See Lleyton Hewitt, Samantha Stosur, and Britain’s Andy Murray at one of the biggest tennis events on the international circuit. This prestigious invitational mixed team’s tennis tournament is unique in format and attracts the world’s top players. Lancelin Ocean Classic 7 - 10 January, Lancelin The Lancelin Ocean Classic is Australia’s four day premier windsurfing event attracting the world’s best athletes to the beautiful coastal town of Lancelin that offers some of the best windsurfing conditions in the world. The Doctor – Surf Ski World Cup 16 - 17 January, Perth Witness Australia’s greatest ocean paddling event, incorporating the Surf Ski World Cup, a 23km downwind race from Rottnest Island to Hillary’s Marina and a State of Origin and International Teams Challenge from Fremantle to City Beach. Lancelin Ocean Classic FEBRUARY Busselton Jetty Swim 6 - 7 February, Busselton Take part in the entertainment, activities and family-friendly fun on Saturday and watch over 1,000 swimmers compete in the 3.6km ocean swim along the iconic Busselton Jetty on Sunday. Boyup Brook Country Music Festival 18 - 21 February, Boyup Brook Experience Western Australia’s premier Country Music Festival, featuring live music, WA’s biggest bush poet’s breakfast, street carnival, WA Country Music Awards, workshops and the Boyup Ute and Truck Muster. Geographe Bay Race Week 19 - 26 February, Geographe Bay, Busselton Busselton Jetty Swim Head to Busselton for Western Australia’s largest annual yachting regatta. Over 100 yachts compete in this week long event that also features live entertainment, twilight sailing, a picnic race day and big band performances. -
Annual Report 2017
CONTENTS President’s Report 4 Treasurer’s Report 6 CEO’s Report 8 QMusic Program Report 10 QMusic Management Committee 16 QMusic Staff 19 Income & Expenditure Statement 22 Assets & Liabilities Statement 23 Statement of Cash Flows 24 3/374 Brunswick Street PO Box 878 Fortitude Valley QLD 4006 Notes to the Financial Statements 25 Australia T (07) 3257 0013 Statement by Members of the Committee 30 E [email protected] www.qmusic.com.au Independent Audit Report 31 Queensland Music Network Incorporated ABN 14 083 014 720 Disclaimer to the Detailed Income & Expenditure Statement 33 Promoting the artistic value, cultural worth and commercial potential of Queensland music. Detailed Income and Expenditure Statement 34 QMusic - The Queensland Music Network - is a registered non-profit association dedicated to developing, servicing and representing the Queensland music industry. QMusic acknowledges that Aboriginal and Torres Strait Islanders are the custodians of the land and recognise the disadvantage caused by colonisation and dispossession. Aboriginal and Torres Strait Islander music plays a critical role in the broader Australian music context and Australian culture overall. QMusic is committed to working with community to build opportunities for Aboriginal and Torres Strait Islander artists and music businesses. QMusic acknowledges the support and funding of the Queensland Government, Australia Council for the Arts and APRA AMCOS 2017 ANNUAL REPORT 3 PRESIDENT’S REPORT Like the wider music industry, QMusic has known its share of challenging times in more than two decades in existence. Those times have helped to place the positive moments into perspective. And 2017 will go down as a strong year for QMusic.