Putin Ordered Hacking Intent to Get Trump Elected, Director of Intelligence Says
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Mansionz Download Album Mansionz
mansionz download album Mansionz. The debut album from singer/songwriter Mike Posner and singer/producer Blackbear, Mansionz showcases the duo's emotive, electronic, hip-hop and R&B-tinged pop. Having forged a creative bond after collaborating on Justin Bieber's 2012 single "Boyfriend," Posner and Mat Musto (aka Blackbear) formed Mansionz as an outlet for their combined skills and distinctive cross-genre sound. Also featured are guest appearances by G- Eazy, Soren Bryce, Snooze God, and others. Included on Mansionz are the singles "STFU" featuring Spark Master Tape, "White Girls," and "Dennis Rodman." Mansionz: An Artistic Escape for Blackbear and Mike Posner. Singer-songwriter Mike Posner and singer, rapper, and producer Blackbear, came together in 2016 to create the music duo Mansionz. Known for their hip-hop infused electro-pop sound, Mansionz is based out of Los Angeles, California. Both artists are established performers in their own regard but they were looking for an artistic escape. They decided to form a new creative outlet together as a conceptual duo and that is how Mansionz was born. Mike Posner is a Grammy-nominated singer. He’s known for popular songs like “Cooler Than Me,” “Please Don’t Go,” and “I Took A Pill in Ibiza.” Mike Posner grew up in Southfield, Michigan. He wrote music as a kid, but didn’t pursue it until college. On February 28, 2009, Posner released his mixtape A Matter of Time using iTunes. This provided him with a strong fan base to continue creating music. Later in October that year, he released One Foot Out the Door . -
LGBTQ+ Students Speak About Life on Campus
www.fsutorch.com Single Issue Free, Additional Copies 50 Cents Week of April 4 - 10, 2018 HERE’s wHAT’s INSide Ferris State University captain planet can’t save us that time of the year Opinions editor Marley Tucker ex- Learn more about the hip-hop sen- plains why we need to take respon- sation blackbear before his perfor- sibility for the messes we cause mance at this year’s Music Takes TORCH within our environment. Action. Truth, fairness and accuracy since 1931 opinions | Page 7 lifestyles | Page 13 Prideful confessions LGBTQ+ students speak about life on campus Harley Harrison News Editor A month after the open house for the Ferris LGBTQ+ Re- source Center, students of the LGBTQ+ community reflect on their experiences at Ferris. As a bisexual transgender man, Ferris social work senior Connor McGahan has struggled in his time as a Bulldog. “I’ve been hurt by the university because I’ve been hav- ing to advocate for myself and others in the community since I have been here. It’s exhausting constantly having to educate others because Ferris doesn’t value the com- munity,” McGahan said. “I have no problem educating stu- dents, however, I don’t think that the university should be relying on me to be the one to educate their faculty and staff.” While McGahan did acknowledge the significance of the new LGBTQ+ Resource Center, he added that the center came too late for many of the students that needed it. “I hope that Ferris State University understands how im- portant the LGBTQ+ Resource Center and the Coordinator is to the university. -
Sonic Modernities in the Malay World Verhandelingen Van Het Koninklijk Instituut Voor Taal-, Land- En Volkenkunde
Sonic Modernities in the Malay World Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde Edited by Rosemarijn Hoefte KITLV, Leiden Henk Schulte Nordholt KITLV, Leiden Editorial Board Michael Laffan Princeton University Adrian Vickers Sydney University Anna Tsing University of California Santa Cruz VOLUME 290 Southeast Asia Mediated Edited by Bart Barendregt (KITLV) Ariel Heryanto (Australian National University) VOLUME 5 The titles published in this series are listed at brill.com/vki Sonic Modernities in the Malay World A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s) Edited by Bart Barendregt LEIDEN • BOSTON 2014 This is an open access title distributed under the terms of the Creative Commons Attribution-Noncommercial 3.0 Unported (CC-BY-NC 3.0) License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. This work is part of the research programme Articulation of Modernity: The Making of Popular Music in 20th Century Southeast Asia and the Rise of New Audiences (NWO 360-63- 070), which is (partly) financed by the Netherlands Organisation for Scientific Research (NWO). Cover illustration: Photo adapted from an 1963 EP released by Singaporean band The Crescendos (Philips BE 430 801). Library of Congress Cataloging-in-Publication Data Sonic modernities in the Malay world : a history of popular music, social distinction and novel lifestyles (1930s-2000s) / edited by Bart Barendregt. pages cm. -- (Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ; volume 290) (Southeast Asia mediated ; volume 4) Includes bibliographical references and index. ISBN 978-90-04-25986-7 (hardback : alk. -
Chicago Open Trash 2018: Look at All Those Chickens by Rob Carson, Carsten Gehring, and Andrew Hart Round 3: Tossups 1. a Lyric
Chicago Open Trash 2018: Look at All Those Chickens by Rob Carson, Carsten Gehring, and Andrew Hart Round 3: Tossups 1. A lyric about this group was parodied in a poem that contains the couplet “stripped of the guerdons and glory untold, kicked in the stomach and cut from the fold,” which described how John K. Tener and Charles P. Taft conspired against Charles Webb Murphy after Murphy had fired a member of this group. A ditty once printed as “Gotham’s Woe” described how this group collectively pricked New York’s “gonfalon bubble.” A phrase containing the names of this group’s members was said to be “the saddest of possible words” in a lyric by (*) Franklin Pierce Adams calling them a “trio of bear cubs” who were “fleeter than birds” in their relentless pursuit of double plays against the New York Giants. For 10 points, what trio of infielders on the successful nineteen-aughts Chicago Cubs teams was immortalized in the poem “Baseball’s Sad Lexicon,” which is sometimes known as “[blank] to [blank] to [blank]” after their three names? ANSWER: Tinker, Evers, and Chance [accept “Tinker to Evers to Chance” or Joe Tinker, Johnny Evers, and Frank Chance (in any order) or Joseph Bert Tinker, Johnny Joseph Evers, and Frank Leroy Chance (in any order); prompt on “Chicago Cubs” or “Cubs infield” or similar answers] <Hart> 2. The start of this film was interrupted during its premiere screening at the Cannes Film Festival by firemen rushing in to deal with a bomb threat. This film includes a message signed by Richard M.