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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The BG News April 20, 1990
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-20-1990 The BG News April 20, 1990 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 20, 1990" (1990). BG News (Student Newspaper). 5076. https://scholarworks.bgsu.edu/bg-news/5076 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. ARTS IN APRIL BG NETTERS VICTORIOUS International and ethnic Falcons prevail 6-3 artworks presented Friday Mag ^ over tough Wooster club Sports The Nation *s Best College Newspaper Friday Weather Vol.72 Issue 116 April 20,1990 Bowling Green, Ohio High 67* The BG News Low 49° BRIEFLY Hostage release postponed Erosion In Damascus. Syrian Foreign Minis- by Rodeina Kenaan "The United States ter Farouk al-Sharaa said his govern- Associated Press writer ment has "been exerting a great deal of of ozone CAMPUS does not knuckle under influence" to secure the hostage BEIRUT, Lebanon — Pro-Iranian to demands." release by Sunday. He would not elab- Beta rescheduled: The 27th kidnappers said Thursday they post- -George Bush, orate. layers annual Beta 500 race has been poned indefinitely the release of an President Bush said the United rescheduled for this Sunday at noon. American hostage because the United CJ.S. -
Arcansiel - Swimming in the Sand
arcsits Arcansiel - Swimming In The Sand It has been ten years since Italian band Arcansiel released an album and that was Normality Of Perversion in 1994. 2004 sees the release of Swimming In The Sand, which is a sort of 'best of' compilation. I say 'sort of' because five of the six tracks here have appeared on past studio albums but, for this release, the band returned to the studio in 2003 to re-record the songs. With so much progressive rock to choose from these days, those of us with limited time (and finances) can not be expected to be familiar with everything out there so tend to stick with music from bands we know. A compilation such as this makes a lot of sense, giving those you have yet to hear the band a selection of the best tracks and for the existing fans of Arcansiel, a new version of these tracks. The band personnel has changed once again but original guitarist Gianni Opezzo is still there, Sandro Marinoni (tenor sax, flute) is back and Paolo Baltaro (vocals, bass, drums, keyboards, bagpipes) who joined the band for Normality, remains. Arcansiel came onto the scene at the time when Fish period Marillion was coming to an end and http://www.hairlessheartherald.co.uk/arcsits.htm (1 of 2)27/07/2004 17.42.11 arcsits inevitably they got labelled as neo prog with seventies influences from Genesis to PFM and Banco. Perhaps the neo prog tag fitted at the beginning of the band's career but it was polished neo prog, lacking the harshness of typical neo prog of the time. -
Arlo Parks - Black Dog Episode 210
Song Exploder Arlo Parks - Black Dog Episode 210 Hrishikesh: You’re listening to Song Exploder, where musicians take apart their songs, and piece by piece, tell the story of how they were made. My name is Hrishikesh Hirway. Before this episode starts, I want to let you know that the song being discussed is about someone who is alive and well today, but was going through a period of depression and anxiety. Both the song and the interview allude to suicide, so please be careful before listening. If you’re thinking about suicide, or if you have a friend who is, or if you just need someone to talk to right now, you can get support by calling the National Suicide Prevention Lifeline at 1-800-273-TALK (8255) or by texting HOME to 741-741, which is the Crisis Text Line. If you’re outside of the U.S., check out the list of international hotlines at suicide.org. I’ll link to all of this on the Song Exploder website and in the episode show notes. (“Black Dog” by Arlo Parks) Hrishikesh: Arlo Parks is a singer and songwriter from London. In January 2021, she released her debut album, Collapsed in Sunbeams. It hit number three on the UK charts, and she won this year’s BRIT award for Breakthrough Artist. Last year, NME called her song “Black Dog” the year’s “most devastating song.” In this episode, she breaks down “Black Dog,” which she made with producer Gianluca Buccellati. Arlo: But I call him Luca. Hrishikesh: Here’s Arlo Parks on Song Exploder. -
Columbia Poetry Review Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Poetry Review Publications Spring 4-1-1992 Columbia Poetry Review Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cpr Part of the Poetry Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Poetry Review" (1992). Columbia Poetry Review. 5. https://digitalcommons.colum.edu/cpr/5 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Poetry Review by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. COLUMBIA POETRY REVIEW Columbia College/Chicago Spring 1992 Columbia Poetry Review is published in the spring of each year by the English Department of Columbia College, 600 South Michigan Avenue, Chicago, Illinois 60605. Submissions are encouraged and should be sent to the above address. Subscriptions and sample copies are available at $6.00 an issue. Copyright © I 992 by Columbia College. Grateful acknowledgement is made to Dr. Philip Klukoff, Chairman of the English Department; Dr. Sam Floyd, Academic Vice-President; Lya Rosenblum, D ean of Graduate Studies; Bert Gall, Administrative Vice President; and Mike Alexandroff, President of Columbia College. The cover photograph is by John Mulvany. Student Editors: John -
Felix Issue 1016, 1995
The Student Newspaper of Imperial College Nol022 24FEB95 Powermacs Pilfered from Huxley BY ANDREW SMITH by a sturdier security lock, was minimal. Some of the stolen possession of a screwdriver and a abandoned after the intruders equipment has already been long-bladed knife. Supervisor An estimated £30,000 of failed to detach it from its bolts. replaced, and the rest is expected Dockman made the arrest of the computer equipment was FELIX has been assured by in the near future. One benefit: male suspect who alleges that damaged or stolen from the Dr Sloman, Assistant Director of first year computing students someone let him into the fourth floor of the Department of Computers and Communication, have had coursework deadlines building using their swipe card. Computing in the early hours of that no confidential information postponed! This incident, together with Saturday morning. Further was held on the hard drives of In a further incident in the the allegation that the computer damage was prevented when a the stolen equipment. All files are Huxley Building Imperial thieves had explained their postgraduate student heard the held in the department's central College Security scored a success suspicious activity by saying that intruders, saving some of the computing service which were with the apprehension of a they were looking for toilets, has department's multi-million backed up the previous night, so dangerous intruder. After being raised concerns that both pounds equipment from being only one day's work should have spotted attempting to break into students and staff are not being targeted. been lost. -
Star-Tin Something More Brown Sauce Thrice Bitten
• TOURS L.COVE /10114>INIEll" Londonbeat have lined up dates at London's Lovetrain release their debut album, Human Feelings Return', on June 12. The album THRICE BITTEN Marquee June 7, Town And Country Club 8, Bath The third It Bites album crops up on Moles Club 9and Oxford Polytechnic 10. Tickets was produced by Phil Thornalley, mho was headhunted following his work with the are available from usual agents. June 12. 'Eat Me In St Louis' contains Cure and Prefab Sprout. Lovetrain are also supporting Love And Money this month at The Pet Shop Boys dates: Birmingham NEC July the current single 'Still Too Young To 15. Tickets £15.50 and £13.50 from box office, Leeds Poly 8, Liverpool Royal Court 9, Manchester International 2 10, London Shaw Birmingham ticket shop, Odeon and usual agents. Remember' and eight other tracks. The Theatre 12/13, York University 16 and Leicester University 17. Glasgow SEC July 17. £14.50 and £12.50 from cassette version features one bonus Virgin Records, Union Street, all Todo agents and Edinburgh Playhouse. Phone bookings: 031-557 track, and if you're really lucky you'll 6969. Wembley Arena July 19. £15.50 and £13.50 from box office, Tower Records Piccadilly V be able to pick up a bargain limited Circus and all usual agents. Credit card hotlines: 01-240 7200, 01-741 8989, 01-379 4444. edition double pack CD set, including the CD (11-track) album plus three- Fresh from supporting Jesus Jones, the Sandkings go on tour in June at Reading Community Art inch disc containing three exclusive Centre 3, Leicester University 7and Lancaster University 8(both supporting Stone Roses), Crawley tracks (ie not on the album). -
It Bites – the Tall Ships / Map of the Past
It Bites – The Tall Ships / Map Of The Past (79:01, CD, Vinyl, Digital, InsideOut Music/Sony Music, 2008 / 2012) In den Mid 80ern und frühen 90ern gelang es It Bites als Schnittmenge aus Rock / Pop und einem gewissen Progressive Rock Einschlag ein gewisses Maß an Aufmerksamkeit zu erreichen. Einen guten Überblick über deren damalige Live-Aktivitäten bietet die an dieser Stelle vorgestellte Box „Live in London„, die mittlerweile leider nur noch zu recht satten Preisen erhältlich ist. Der Restart bzw. die Wiederbelebung von It Bites ohne deren ehemaligen Sänger / Gitarristen Francis Dunnery begann Ende der 2000er Jahre ursprünglich nur als Liveband. Doch nachdem man mit John Mitchell einen durchaus veritablen neuen Frontmann gefunden hatte, wollte man sich ebenfalls wieder ins Studio wagen. Leider stand dafür Bassist Dick Nolan nicht mehr zur Verfügung, so dass man das 2008er Album „The Tall Ships“ als Trio mit John Mitchell (Gesang, Gitarre, Bass), John Beck (Keyboards, Gesang) undBob Dalton (Schlagzeug) einspielte. Vier Jahr später folgte der Nachfolger „Map Of The Past“ mitLee Pomeroy als neuen Bassisten. Beide Alben liegen nun als Reissue in remastertem Format mit jeweils zwei Bonustracks (Material der Special Editions bzw. Single B-Seiten: ‚These Words‘, ‚When I Fall‘, ‚Lighthouse‘, ‚Come On‘) vor. Weiterhin sind beide Ausgaben erstmals auch im Vinylformat erhältlich. Zwar versuchte man auf beiden Alben in gewissem Maße die Tradition von It Bites wiederzubeleben, doch klingt vieles eher nach Kino, dem Bandprojekt, bei dem sowohl John Mitchell, als auch John Beck beteiligt sind und waren, sowie dem einige Jahre später folgenden Soloprojekt Lonely Robot von John Mitchell. -
A 50Th Anniversary Tribute to YES Sonic Elements Presents Yesterday and Today – a Tribute to YES 1
A 50th Anniversary Tribute to YES Sonic Elements Presents Yesterday and Today – A Tribute to YES 1. Machine Messiah (Featuring Nick D’Virgilio & Geoff Downes) 2. Yours Is No Disgrace (Featuring Marisol Koss & Tony Kaye) 3. Turn of the Century (Featuring Sally Minnear & Dave Bainbridge) 4. Sweetness (Featuring Pat Sansone) 5. Soon (Featuring Curved Air) 6. Cinema (Featuring Steve Hackett) 7. Changes (Featuring Robert Berry, Billy Sherwood & Tom Brislin) 8. I’m Running (Featuring Robin Schell, Billy Sherwood & Marco Minnemann) 9. Acoustic Medley (Featuring Jon Davison) i. Your Move ii. And You and I iii. Wonderous Stories 10. Yesterday and Today (Featuring Dr. Danny) 11. Long Distance Runaround (Featuring Leslie Hunt) 12. The Fish (Featuring Billy Sherwood) 13. Starship Trooper (Featuring Francis Dunnery) Produced by Dave Kerzner and Fernando Perdomo Executive Producer: Dave Kerzner FEATURING Jon Davison, Tony Kaye, Jay Schellen, Billy Sherwood Robert Berry, Francis Dunnery, Nick D’Virgilio, Geoff Downes, Steve Hackett, Marco Minnemann, Pat Sansone Dennis Atlas, Dave Bainbridge, Tom Brislin, Johnny Bruhns, Joe Cass, Derek Cintron, Dr. Danny, John Demarkis, Jay Gore, Marisol Koss, Roger Houdaille, Leslie Hunt, Walter Ino, Randy McStine, Sally Minnear, Mark Murdock, Hal Rosenfeld, Robin Schell, Jonathan Schang, Ken Sharp Curved Air: Sonja Kristina, Robert Norton, Paul Sax, Kit Morgan, Chris Harris, Andy Tween ℗ & © 2018 RecPlay, Inc. All rights reserved. All trademarks are the property of their respective owners. Unauthorized copying, hiring, lending, public performance and broadcasting of this record prohibited. A Tribute to YES People sometimes ask us what appeals to us about making The Beatles were my first love, then Yes became the logical a tribute album. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
"Most Likely to Succeed
Country's Tim McGraw "Most Likely To Succeed Fan Fair '94 Edition 0 82791 19359 . ) VOL, LVII, NO. 39 JUNE 11,1994 STAFF GEORGE ALBERT President and Publisher KEITH ALBERT Executive Vice President/ General Manager EDDIE KRITZER Executive Vice President/ Marketing (LA MARK WAGNER Director, Nashville Operations RICH NIECIECKI Managing Editor MARKETING/ADVERTISING DONALD SMITH (LA) MATTHEW SAVALAS (LA) MAXIA L. BANE (LA) INSIDE THE BOX STAN LEWIS (NY) RAFAEL A. CHARRES (Latin, NY) COVER STORY EDITORIAL Los Angeles TROY J AUGUSTO MICHAEL MARTINEZ Country’s “Most Likely To Succeed” JOHN GOFF Nashville RICHARD McVEY Liberty’s John Berry, Curb’s Bros.' Faith Hill, Rick Tim McGraw, Warner Columbia’s Trevino. RCA’s GARY KEPUNGER New York Lari White and Capricorn’s Kenny Chesney are among this year’s class of rising new artists that are RAFAEL A CHARRES. Latin Editor TED WILLIAMS “most likely to succeed.’’ Cash Box's Richard McVey profiles each of these talented newcomers. CHART RESEARCH Los Angeles —see pages 6 & 7 DANI FRIEDMAN NICOLA RAE RONCO GIL BANDEL Nashville Readies For Fan Fair TRENICE KEYES Nashville GARY KEPUNGER Country music fans who want the opportunity to get upclose and personal with their favorite stars at this Chicago year’s Fan Fair can do so with a special one-day ticket or attend the entire week’s schedule, June 6-12, CAMILLE COMPASIO Director. Coin Machine Operations PRODUCTION at the Tennessee State Fairgrounds. SHARON CHAMBUSS-TRAYLOR see page 15 — CIRCULATION NINA TREGUB, Manager Industry Buzz PASHA SANTOSO PUBLICATION OFFICES NEW YORK East Coast: Francis Dunnery lias evolved from recording and touring as a guitarist for Robert Plant to 345 W 5Sh Street Suite 15W New York, NY 10019 his own Atlantic debut Fearless. -
R O C K Hi G Hli G
ROCK ItI AIRPLAY R • We Listen To Radioter • September 8, 1995 $ 4.95 Volume 2 • No. 37 R O C K HI G H LIG H TS M AI NS T R E A M R O C K BROTHER CANE we, And Fools Shine On (VIRGIN) * * * AERP O W E R * * * CANDLEBOX • Simple Lessons (MAVERICK WARNER BROS.) N E W RE LE ASES AC 'DC • Hard As A Rock (EASTWESTIEEG) DEADEYE DICK • Paralyze Me acHIBAno THE DEFTONES • 7 Words (WARNER BROS.) FRANCIS DUNNERY • Too Much Saturn (ATLANTIC) THE FLAMING LIPS • Bad Days (WARNER BROS.) JETHRO TULL • Beside Myself (CHRYSALIS/EMI) KLOVER • Beginning To End (MERCURY) MAD SEASON • Long Gone Day (COLUMBIA) THE NIXONS • Happy Song (Make It Rain) (MCA) SPONGE • Rainin' (WORK) M O D E R N R O C K SILVERCHAIR Tomorrow (EPIC) * * * AI RP O WE R * * * EDWYN COLLINS • A Girl Like You (BAR NONEA&M) CANDLEBOX • Simple Lessons (MAVERICK/WARNER BROS.) HEATHER NOVA • Walk This World (Eno CAT/WORK) N E W RE LE ASES BJORK • Oh, So Quiet (ELEKTRA/EEG) COMBUSTILE EDISON • Vertigogo (ELEKTRA/EEG) FRANCIS DUNNERY • Too Much Saturn (ATLANTIC) THE FLAMING LIPS • Bad Days (WARNER BROS.) GRETA • About You (MERCURY) CHRIS ISAAK • Go Walking Down There (REPRISE) The First Track LEFTFIELD • Open Up (HARD HAND/COLUMBIA) From The New Album EXIT THE DRAGON MAD SEASON • Long Gone Day (COLUMBIA) MACHINES OF LOVING GRACE • Richest Junkie (MAMMOTHATLANTIC) MEAT PUPPETS • SCUM (LONDON/ISLAND) MORRISSEY • The Boy Racer (REPRISE) THE NIXONS • Happy Song (Make It Rain) (MCA) THAT DOG • He's Kissing Christian (OGG/GEFFEN) URGE OVERKILL • The Break (GEFFEN) PUBLISHER.