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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Arcansiel - Swimming in the Sand
arcsits Arcansiel - Swimming In The Sand It has been ten years since Italian band Arcansiel released an album and that was Normality Of Perversion in 1994. 2004 sees the release of Swimming In The Sand, which is a sort of 'best of' compilation. I say 'sort of' because five of the six tracks here have appeared on past studio albums but, for this release, the band returned to the studio in 2003 to re-record the songs. With so much progressive rock to choose from these days, those of us with limited time (and finances) can not be expected to be familiar with everything out there so tend to stick with music from bands we know. A compilation such as this makes a lot of sense, giving those you have yet to hear the band a selection of the best tracks and for the existing fans of Arcansiel, a new version of these tracks. The band personnel has changed once again but original guitarist Gianni Opezzo is still there, Sandro Marinoni (tenor sax, flute) is back and Paolo Baltaro (vocals, bass, drums, keyboards, bagpipes) who joined the band for Normality, remains. Arcansiel came onto the scene at the time when Fish period Marillion was coming to an end and http://www.hairlessheartherald.co.uk/arcsits.htm (1 of 2)27/07/2004 17.42.11 arcsits inevitably they got labelled as neo prog with seventies influences from Genesis to PFM and Banco. Perhaps the neo prog tag fitted at the beginning of the band's career but it was polished neo prog, lacking the harshness of typical neo prog of the time. -
Arlo Parks - Black Dog Episode 210
Song Exploder Arlo Parks - Black Dog Episode 210 Hrishikesh: You’re listening to Song Exploder, where musicians take apart their songs, and piece by piece, tell the story of how they were made. My name is Hrishikesh Hirway. Before this episode starts, I want to let you know that the song being discussed is about someone who is alive and well today, but was going through a period of depression and anxiety. Both the song and the interview allude to suicide, so please be careful before listening. If you’re thinking about suicide, or if you have a friend who is, or if you just need someone to talk to right now, you can get support by calling the National Suicide Prevention Lifeline at 1-800-273-TALK (8255) or by texting HOME to 741-741, which is the Crisis Text Line. If you’re outside of the U.S., check out the list of international hotlines at suicide.org. I’ll link to all of this on the Song Exploder website and in the episode show notes. (“Black Dog” by Arlo Parks) Hrishikesh: Arlo Parks is a singer and songwriter from London. In January 2021, she released her debut album, Collapsed in Sunbeams. It hit number three on the UK charts, and she won this year’s BRIT award for Breakthrough Artist. Last year, NME called her song “Black Dog” the year’s “most devastating song.” In this episode, she breaks down “Black Dog,” which she made with producer Gianluca Buccellati. Arlo: But I call him Luca. Hrishikesh: Here’s Arlo Parks on Song Exploder. -
Thomas Edison Children
Thomas Edison Children His father was Samuel Ogden Edison Jr. At the same time, he served as chaplain of Monmouth College, now Monmouth University, in West. At Edison Preparatory School, we provide a quality education experience with an emphasis on college and career readiness, every day, without exception. Great inventor and scientist, Edison shed light on the world. Engaging kids in STEM learning, Thomas Edison’s Secret Lab™, the exhibit offers unique, hands-on experiences that introduce STEM concepts, build enthusiasm for related education and careers, present engaging opportunities to actively participate in the scientific process, and highlight some of the greatest scientists and innovators from throughout history who have inspired us all with their ground-breaking discoveries. So many of Thomas Edison’s inventions are held in such high regard that he is considered the greatest inventor of all time. Children: Marion Estelle, Thomas Jr. menloparkmuseum. Thomas Edison Museum. They had traditional styling, so there was a feasible level of attractiveness to them. , and William Leslie by his first wife Mary Stillwell. 2 Generation Why 2 Powers and Abilities 2. Type : Soft, Washable, Food-Safe; especially for beginners who want to take food using chopsticks; Designed for all people, especially for beginners who want to take food using chopsticks with no difficulty. The Thomas Alva Edison Children's Room At the Harrison Public Library. 3) Hernando Cortez and the Conquest of Mexico. Souls of Angels: A Novel. Black History Month Printable Activities and Worksheets; Basic Houseparty App Tutorial; Valentine Cookie Decorating Ideas; 50 Free Virtual Tours of Unique and Famous Places. -
Star-Tin Something More Brown Sauce Thrice Bitten
• TOURS L.COVE /10114>INIEll" Londonbeat have lined up dates at London's Lovetrain release their debut album, Human Feelings Return', on June 12. The album THRICE BITTEN Marquee June 7, Town And Country Club 8, Bath The third It Bites album crops up on Moles Club 9and Oxford Polytechnic 10. Tickets was produced by Phil Thornalley, mho was headhunted following his work with the are available from usual agents. June 12. 'Eat Me In St Louis' contains Cure and Prefab Sprout. Lovetrain are also supporting Love And Money this month at The Pet Shop Boys dates: Birmingham NEC July the current single 'Still Too Young To 15. Tickets £15.50 and £13.50 from box office, Leeds Poly 8, Liverpool Royal Court 9, Manchester International 2 10, London Shaw Birmingham ticket shop, Odeon and usual agents. Remember' and eight other tracks. The Theatre 12/13, York University 16 and Leicester University 17. Glasgow SEC July 17. £14.50 and £12.50 from cassette version features one bonus Virgin Records, Union Street, all Todo agents and Edinburgh Playhouse. Phone bookings: 031-557 track, and if you're really lucky you'll 6969. Wembley Arena July 19. £15.50 and £13.50 from box office, Tower Records Piccadilly V be able to pick up a bargain limited Circus and all usual agents. Credit card hotlines: 01-240 7200, 01-741 8989, 01-379 4444. edition double pack CD set, including the CD (11-track) album plus three- Fresh from supporting Jesus Jones, the Sandkings go on tour in June at Reading Community Art inch disc containing three exclusive Centre 3, Leicester University 7and Lancaster University 8(both supporting Stone Roses), Crawley tracks (ie not on the album). -
It Bites – the Tall Ships / Map of the Past
It Bites – The Tall Ships / Map Of The Past (79:01, CD, Vinyl, Digital, InsideOut Music/Sony Music, 2008 / 2012) In den Mid 80ern und frühen 90ern gelang es It Bites als Schnittmenge aus Rock / Pop und einem gewissen Progressive Rock Einschlag ein gewisses Maß an Aufmerksamkeit zu erreichen. Einen guten Überblick über deren damalige Live-Aktivitäten bietet die an dieser Stelle vorgestellte Box „Live in London„, die mittlerweile leider nur noch zu recht satten Preisen erhältlich ist. Der Restart bzw. die Wiederbelebung von It Bites ohne deren ehemaligen Sänger / Gitarristen Francis Dunnery begann Ende der 2000er Jahre ursprünglich nur als Liveband. Doch nachdem man mit John Mitchell einen durchaus veritablen neuen Frontmann gefunden hatte, wollte man sich ebenfalls wieder ins Studio wagen. Leider stand dafür Bassist Dick Nolan nicht mehr zur Verfügung, so dass man das 2008er Album „The Tall Ships“ als Trio mit John Mitchell (Gesang, Gitarre, Bass), John Beck (Keyboards, Gesang) undBob Dalton (Schlagzeug) einspielte. Vier Jahr später folgte der Nachfolger „Map Of The Past“ mitLee Pomeroy als neuen Bassisten. Beide Alben liegen nun als Reissue in remastertem Format mit jeweils zwei Bonustracks (Material der Special Editions bzw. Single B-Seiten: ‚These Words‘, ‚When I Fall‘, ‚Lighthouse‘, ‚Come On‘) vor. Weiterhin sind beide Ausgaben erstmals auch im Vinylformat erhältlich. Zwar versuchte man auf beiden Alben in gewissem Maße die Tradition von It Bites wiederzubeleben, doch klingt vieles eher nach Kino, dem Bandprojekt, bei dem sowohl John Mitchell, als auch John Beck beteiligt sind und waren, sowie dem einige Jahre später folgenden Soloprojekt Lonely Robot von John Mitchell. -
Marillion - Somewhere Else - Your London Reviews Page 1 of 2 About | Home | Contact | Join Search
IndieLondon: Marillion - Somewhere Else - Your London Reviews Page 1 of 2 About | Home | Contact | Join Search Going Out Marillion - Somewhere Else Related Links ACCORDING to their PR, Marillion are one of » Film z Music Archives the UK music scene’s “best kept secrets”, z A/V Room » Theatre not to mention “purveyors of soulful, powerful and often deeply moving music”. z IndieLondon Gig » Music Guide » Events It’s a claim that’s hard to justify on the z Singles of the evidence of current album Somewhere Else, Week » Food their 14th studio offering. » Travel z Website Musically accomplished, for sure, the album Review by Jack Foley z Buy it » Tickets is also fairly bland. It may hold some appeal IndieLondon Rating: 2.5 out of 5 for fans of acts such as Embrace or even Staying In Crowded House but for all its endeavour, Somewhere Else lacks any real spark. » A/V Room Marillion are, of course, probably still best known for their ’80s hit Kayleigh when » Books Fish was their lead singer. Jon Bon Jovi Jon Bon Jovi concert » DVD But he left the band in 1988 after four albums and was replaced by Steve Hogarth London Tickets now www.epassage24.de » Competitions who helped to redefine the Marillion sound with the help of long-term band members Steve Rothery (guitar), Mark Kelly (keyboards), Pete Trewavas (bass) » Galleries and Ian Mosley (drums). Shopping They even launched their own record company, marillion.com, in 1999, taking away any of the pressure of record companies. Watch Fish Videos » Features Your Favorite Artists Unfortunately, Somewhere Else isn’t the LP that’s going to catapult them to the On-Demand. -
Intactcd11 Progressi
Marillion goes PHOTO: NIELS VAN IPEREN Somewhere Else It has been nearly a quarter century since Marillion arose at Band considers its chemistry the forefront of progressive rock’s second wave in the early th 1980s. During that span the band gradually adapted to a tighter than ever on 14 changing musical landscape, morphing from prototypical neo- progressive band, replete with references to Peter Gabriel-era studio release Genesis, to crack contemporary rock band. Rock, yes — but still progressive? According to guitarist Steve Rothery, yes, probably, but bassist Pete Trewavas isn’t so sure. By ROSS BOISSONEAU “It’s a rock band,” Trewavas says flatly, before adding, “I’m not even sure it’s a rock band.” “Some people call you progressive,” says Rothery, “but they mean that as an insult, like the worst ‘70s excess or self- indulgent twaddle. The true meaning is it doesn’t have to conform to short-radio format. “You can absorb classical, jazz. It [progressive music] has more meaning than most conventional pop songs. In that regard, yes, we’re a progressive band.” Drummer Ian Mosley is more succinct. “I’ve never really thought about progressive rock, I much prefer to think of music as good or bad – whether it’s long or short,” he says. Not that this discussion settles anything definitively. Marillion long has been considered a standard-bearer among second-generation prog bands, along with outfits such as Pallas and Pendragon, which followed on the heels of Kansas and 42 Progression 51 • Spring/Summer 2007 Rush and the “golden-era” groups who pioneered progressive “We’ve improved as musicians, and I think we’ve learned rock in the ‘70s – the likes of King Crimson, Yes, and Emerson, the craft of writing and arranging,” says Trewavas of the new Lake & Palmer. -
DVD Review: Arena - Smoke & Mirrors Page 1 of 5
Blogcritics.org: DVD Review: Arena - Smoke & Mirrors Page 1 of 5 A sinister cabal of superior bloggers on music, books, film, popular culture, technology, and politics. REVIEW DVD Review: Arena - Smoke & Mirrors May 19, 2006 Paul Roy On September 22nd, 2005, at the Wyspianski Theatre in Katowice, Poland, British neo- progressive rockers Arena celebrated their 10th anniversary and filmed this excellent, two- hour, career-spanning concert, which comes to you as Smoke & Mirrors. This concert features the same lineup of Clive Nolan (keyboards), Mick Pointer (drums), Rob Sowden (vocals), John Mitchell (guitars), and Ian Salmon (bass), that appeared on their last concert DVD, 2003's Caught In The Act, and have now miraculously been together since 1999. After overcoming numerous personnel changes, during the band's first four years, it appears that things have finally stabilized in the Arena camp. Although not one of my favorite progressive-rock bands, Arena have consistently churned out high-quality music, since their 1995 debut, Songs From The Lions Cage. Each album unfolds with complex moods, and dramatic concepts that blend elements of symphonic- prog, metal, and classic-rock, and often demand repeated listens to fully absorb all that is being unraveled before you. My reaction to the band mostly mirrors what you see from the remarkably subdued audiences on each of their DVDs. Rarely do they rise from the comfort of their theater seats, or manage more than a few polite claps. Not your typical rock concert vibe. Some of the band's performances can be quite uninspiring, while others, such as "The Hanging Tree", "Solomon", and, the always climactic, "Crying For Help VII", can be downright http://blogcritics.org/archives/2006/05/19/105044.php 5/25/2006 Blogcritics.org: DVD Review: Arena - Smoke & Mirrors Page 2 of 5 amazing. -
Also Eden News
Also Eden News Also Eden welcome Rich Harding posted 18 Jan 2010 Finding a replacement for Huw has proved to be no easy task. Huw co-founded Also Eden and naturally, his voice has defined so much of the bands sound. However, we’re delighted to announce that we have found a new singer to take us in a new and exciting direction. Rich Harding has been singing live since 1985, fronting bands as diverse as The Allnight Chemists (space rock), Sane (prog) and Twisted (heavy metal). For the last few years he has also been performing with a number of successful Marillion "tribute" bands, in the UK and on the continent (Misplaced Neighbourhood, Lords of the Backstage and Skyline Drifters). His voice is very different to Huw’s - but he has power, energy and enthusiasm and we know he’s going to make a huge impact on the band’s sound this year. Rich says: 'Having only done tribute gigs - fun though they are - in the four years since leaving Twisted, I've been searching for the right opportunity to get my creative juices flowing again and am delighted to be joining Also Eden. I've immensely enjoyed getting to grips with some of the existing material and am excited to be working with rest of the band on the next steps forward.' Also Eden will now be working feverishly on a new EP to be available circa-May 2010 where we’ll have some new, and some more familiar (yet very different!) material for you to enjoy! As ever, thank you for your continued support and enthusiasm. -
Marillion Somewhere in London (Racket/MVD Visual, 2008) Review by Joe Milliken
(Community news, sports and entertainment for Chester, Londonderry, Ludlow, Rockingham, Springfield, West River Valley and Weston.) Marillion Somewhere In London (Racket/MVD Visual, 2008) Review by Joe Milliken Marillion is just one of those bands that makes me shake my head and beg the question; "Why isn't this amazing band much more popular than they are?" This band is talented, deep and compelling, producing album after album of powerful, soulful and intricately progressive songs that is a sound all their own. Their latest DVD release titled Somewhere In London, is a special two-disc package filmed at the Forum in Kentish Town, London during the final two nights of the bands' 2007 Somewhere Else album tour. The first disc features a feature-length concert film, followed by a second disc of the remaining tracks performed throughout the two nights . The first disc featuring the main show is outstanding, an invigorating blend of pristine musicianship and deep emotions that is simply stellar. From the opening ominous intro of "Splintering Hear", to the epic explosions of "Ocean Cloud", to the guitar prowess of "The Wound", front man Steve Hogarth and company continue to pour their heart and souls into their live performances… leaving their loyal followers thoroughly satisfied. Guitarist Stephen Rothery is flat out, one of the most innovative guitarists around, offering inventive structures and blistering solos, while keyboard player extraordinare Mark Kelly is masterful, creating atmospheric soundscapes that wash over the endeared crowd. And lest we forget the driving rhythm section of bassist Pete Trewavas and the wonderfully progressive drumming of Ian Mosley. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question