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Adas Israel Congregation
Adas Israel Congregation December/Kislev–Tevet Highlights: ChronicleZionism 4.0: The Future Relationship between Israel and World Jewry 3 Combined Community Shabbat Service 3 Happy Hanukkah 5 December MakomDC 7 Ma Tovu: Sharon Blumenthal Cohen & Dan Cohen 20 Scenes From This Year’s Anne Frank House Mini-Walk 21 Chronicle • December 2016 • 1 The Chronicle Is Supported in Part by the Ethel and Nat Popick Endowment Fund clergycorner From the President By Debby Joseph Rabbi Lauren Holtzblatt “Our Rabbis taught: The mitzvah of Hanukkah is for a person to light (the candles) for his household; the zealous [kindle] a light for each member [of the household]; and the extremely zealous, Beit Shammai maintains: On the first day eight lights are lit and thereafter they are gradually reduced; but Beit Hillel says: On the first day one is lit and thereafter they are progressively increased.” Talmud Bavli, Shabbat 21b Hanukkah, Christmas, and Kwanzaa overlap As we approach the holiday of Hanukkah it is helpful to remember the this year—what an opportunity to create different traditions of lighting the hanukkiyah/ot in each household. The a season of good will and light for all of us. Talmud teaches us that it is enough for one to light a candle each night of Certainly as a country, we need to find our Hanukkah, but the more fervent among us have each family member of the common values and reunite. As Americans household light his or her own candles each night. Since we follow the way and Jews, we share a belief in the example of Beit Hillel, each night we increase the number of candles we light, thereby we serve for the nations of the world. -
Memories of Nick Drake (1969-70)
Counterculture Studies Volume 2 Issue 1 Article 18 2019 Memories of Nick Drake (1969-70) Ross Grainger [email protected] Follow this and additional works at: https://ro.uow.edu.au/ccs Recommended Citation Grainger, Ross, Memories of Nick Drake (1969-70), Counterculture Studies, 2(1), 2019, 137-150. doi:10.14453/ccs.v2.i1.17 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Memories of Nick Drake (1969-70) Abstract An account of Australian Ross Grainger's meetings with the British singer songwriter guitarist Nick Drake (1948-74) during the period 1969-70, including discussions at London folk clubs. Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License. This journal article is available in Counterculture Studies: https://ro.uow.edu.au/ccs/vol2/iss1/18 Memories of Nick Drake (1969-70) Ross Grainger Nick Drake, 29 April 1969. Photograph: Keith Morris. I first met Nick Drake when I arrived in London after attending the Isle of Wight Pop Festival in 1969, which featured as its curtain-closer a very different Bob Dylan to the one I had seen in Sydney in March 1966. However, on thinking about it, Dylan’s more scaled down eclectic country music approach - which he revealed for the first time - kind of prepared me for what I was about to experience in London. The day after I arrived at my temporary London lodgings with friends living in Warwick Avenue, I went to Les Cousins in Greek Street. -
KNIX's Barrel Boy Filled with Gratitude 15 Years After Stepping Into
2021 AUGUST 23 CountryInsider.com | Sign Up For Daily Email Here KNIX’s Barrel Boy Filled With Gratitude 15 Years After Stepping Into Costume. On Aug. 26, 2006, Barrel Boy had yet to don a barrel. He was in his early 20s and came to work at iHeartMedia KNIX Phoenix (102.5), hopelessly hungover after a night of heavy drinking at a bowling alley. Barrel and friends were celebrating the first night of Tim McGraw and Faith Hill’s “Soul 2 Soul Tour” doubleheader in Phoenix. His PD sent him home, told him to pull himself together and return to cover the second shift. Retribution, he said, was in order. Barrel Boy wasn’t in trouble, but the PD wanted to have some fun at his expense. (Continued on page 4) COUNTRY INSIDER TOP 5: WUBL’s Angie Ward: From College Radio To Country Radio Hall of Fame. Beasley Media Group Joins Cumulus, Urban One Requiring Employees To Get A COVID-19 Vaccine. Walker Hayes’ “Fancy Like” Is Now An Applebee’s Commercial - Complete With Oreo Shake. Scott Huskey: Why Now’s A Good Time To Give Smart Speakers A Second Look. Carrie Underwood Stars In Show-Opener For “Sunday Night Football.” 1 | AUGUST 23, 2021 CountryInsider.com Jeff Winfield - PD Madison Reeves KFGE Lincoln, NE Mornings-Dollar Bill & Madison Top 5 All-Time Today’’s Best Country, Top 5 Faves On WDXB Birmingham, AL Country Ballads: Froggy 98 The Charts Now: 102.5 The Bull Better Country 1. Wichita Lineman - 1. Fancy Like - Walker Hayes Glen Campbell 2. To Be Loved By You - 2. -
Minari-Screenplay.Pdf
MINARI Written by Lee Isaac Chung **All dialogue in [brackets] indicates Korean language. “MINARI” by Lee Isaac Chung FADE IN: INT. STATION WAGON - DAY (TRAVELING)(YEAR 1983 - SPRING) An Arkansas dirt road. In the car is the Yi family, Korean American. DAVID (age 7-8) is in the back. He watches his mother, MONICA (age 35) at the wheel; she follows a 1980s U-HAUL up ahead. MONICA [Where is daddy taking us?] David looks to his older sister, ANNE (age 10-11), for an answer, but she’s busy reading a book. EXT. THE FARM - MEADOW - DAY The U-Haul and the station wagon turn into a vast meadow. On the land is a SINGLE-WIDE TRAILER HOME. The vehicles park. From the U-Haul emerges the dad, JACOB YI (age 37-40). MONICA [What is this place?] JACOB [What is this? This is home.] David runs to the house and looks underneath. There, he sees: DAVID Wheels? Wheels? Whoa. Mobile homes don’t come with stairs. There’s a three foot climb to the front door. Jacob reaches up to open the door. MONICA [Really, what is this?] Jacob laughs as he hoists Anne and David to climb: INT. MOBILE HOME - DAY It’s decked out in early-80’s brown and yellow. 2. DAVID WHOA. WHOA. MONICA (O.S.) [You said you’d find a house in a big town.] David and Anne explore the empty house. EXT. THE FARM - MEADOW - DAY (LATER) Cicadas sing. David walks, staring in wonder at the meadow. Jacob and Anne follow. -
Readers Poll
84 READERS POLL DOWNBEAT HALL OF FAME One night in November 1955, a cooperative then known as The Jazz Messengers took the stage of New York’s Cafe Bohemia. Their performance would yield two albums (At The Cafe Bohemia, Volume 1 and Volume 2 on Blue Note) and help spark the rise of hard-bop. By Aaron Cohen t 25 years old, tenor saxophonist Hank Mobley should offer a crucial statement on how jazz was transformed during Aalready have been widely acclaimed for what he that decade. Dissonance, electronic experimentation and more brought to the ensemble: making tricky tempo chang- open-ended collective improvisation were not the only stylis- es sound easy, playing with a big, full sound on ballads and pen- tic advances that marked what became known as “The ’60s.” ning strong compositions. But when his name was introduced Mobley’s warm tone didn’t necessarily coincide with clichés on the first night at Cafe Bohemia, he received just a brief smat- of the tumultuous era, as the saxophonist purposefully placed tering of applause. That contrast between his incredible artistry himself beyond perceived trends. and an audience’s understated reaction encapsulates his career. That individualism came across in one of his rare inter- Critic Leonard Feather described Mobley as “the middle- views, which he gave to writer John Litweiler for “Hank Mobley: weight champion of the tenor saxophone.” Likely not intended The Integrity of the Artist–The Soul of the Man,” which ran in to be disrespectful, the phrase implied that his sound was some- the March 29, 1973, issue of DownBeat. -
'Night' by Elie Wiesel
A TEACHER’S RESOURCE for PART OF THE “WITNESSES TO HISTORY” SERIES PRODUCED BY FACING HISTORY AND OURSELVES & VOICES OF LOVE AND FREEDOM A TEACHER’S RESOURCE for Night by Elie Wiesel Part of the “Witnesses to History” series produced by Facing History and Ourselves & Voices of Love and Freedom Acknowledgments Voices of Love and Freedom (VLF) is a nonprofit educational organization that pro- motes literacy, values, and prevention. VLF teacher resources are designed to help students: • appreciate literature from around the world • develop their own voices as they learn to read and write • learn to use the values of love and freedom to guide their lives • and live healthy lives free of substance abuse and violence. Voices of Love and Freedom was founded in 1992 and is a collaboration of the Judge Baker Children’s Center, Harvard Graduate School of Education, City University of New York Graduate School, and Wheelock College. For more information, call 617-635-6433, fax 617-635-6422, e-mail [email protected], or write Voices of Love and Freedom, 67 Alleghany St., Boston, MA 02120. Facing History and Ourselves National Foundation, Inc. (FHAO) is a national educa- tional and teacher training organization whose mission is to engage students of diverse backgrounds in an examination of racism, prejudice, and antisemitism in order to promote the development of a more humane and informed citizenry. By studying the historical development and lessons of the Holocaust and other exam- ples of genocide, students make the essential connection between history and the moral choices they confront in their own lives. -
Redalyc.Retrieving the Offspring and Caring for It During the First Night at Home
Investigación y Educación en Enfermería ISSN: 0120-5307 [email protected] Universidad de Antioquia Colombia Castillo Espitia, Edelmira; Ocampo González, Melva Patricia Retrieving the offspring and caring for it during the first night at home Investigación y Educación en Enfermería, vol. 31, núm. 3, 2013, pp. 354-363 Universidad de Antioquia Medellín, Colombia Available in: http://www.redalyc.org/articulo.oa?id=105229159003 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative ORIGINAL ARTICLE • ARTÍCULO ORIGINAL • ARTIGO ORIGINAL Retrieving the offspring and caring for it during the first night at home Edelmira Castillo Espitia1 Melva Patricia Ocampo González2 Retrieving the offspring and caring for it during the first night at home Abstract Objective. To describe experiences of mothers caring for their preterm offspring on the first day after being discharged from the hospital. Methodology. This was an interpretative phenomenological study with 10 mothers. Results. Release of the infant from the hospital was interpreted by the mothers as an event that permits them to retrieve the offspring that did not belong to them but to the hospital personnel. The experience of caring for the child during the first night at home was undertaken with uneasiness, angst, and total dedication. Conclusion. After the child’s hospitalization, the mothers doubt their own capacity to care for it. It is necessary to implement strategies that permit mothers to know their offspring and participate in the care during the hospitalization to build trust in their capacity to care for the child at home. -
Poetry South
Poetry South Issue 10 2018 Poetry South Editor Kendall Dunkelberg Contributing & Angela Ball, University of Southern Mississippi Advisory Editors Carolyn Elkins, Tar River Poetry Ted Haddin, University of Alabama at Birmingham John Zheng, Mississippi Valley State University Assistant Editors Diane Finlayson Kathleen Galvin Tammie Rice Poetry South is a national journal of poetry published annually by Mississippi University for Women (formerly published by Yazoo River Press). The views expressed herein, except for editorials, are those of the writers, not the editors or Mississippi University for Women. Poetry South considers submissions year round. Submissions received after the deadline of July 15 will be considered for the following year. No previously published material will be accepted. Poetry South is not responsible for unsolicited submissions and their loss. Submissions are accepted through Submittable: https://poetrysouth.submittable.com/ Subscription rates are $10 for one year, $18 for two years; the foreign rate is $15 for one year, $30 for two years. All rights revert to the authors after publication. We request Poetry South be credited with initial publication. Queries or other correspondence may be emailed to: poetrysouth01@gmail. com. Queries and subscriptions sent by mail should be addressed to: Poetry South, MFA Creative Writing, 1100 College St., W-1634, Columbus MS 39701. ISSN 1947-4075 (Print) ISSN 2476-0749 (Online) Copyright © 2018 Mississippi University for Women Indexed by EBSCOHost/Literary Reference Center CONTENTS Will Cordeiro 5 August Song John Sibley Williams 6 Tacit Agreement with Dusk Pauletta Hansel 7 Elegy George Drew 8 Toast in Texas: A Triptych, in Memoriam Cyn Kitchen 10 When Night is Blackest 10 Is Like 11 A Periodic Slug of Nostalgia 11 Prairie Schooner Carol V. -
Performing Arts Industry a Look Back, a Peek Ahead in the Introduction Whew
December 2012 THE YEAR PERFORMING ARTS INDUSTRY A Look Back, A Peek Ahead in the Introduction Whew. What a year. One orchestra emerges from bankruptcy while others struggle to function within outdated models; one hugely expensive Ring cycle is declared the disaster of the century, while another far less pricey one triumphs. Music’s efficacy as more than just food for the soul is proven by a neuroscientist using pitch and rhythm to help an autistic child speak for the first time. El Sistema spreads like the best of wildfires to turn an entire generation of disadvantaged youngsters into mini virtuosos and confident, up-standing CONTENTS citizens. Our Year in the Performing Arts Industry actually covers about 16 months—from 2 Introduction the beginning of the 2011–12 season up through the end of November 2012. Nancy Malitz touches on the major News Milestones (some of which are 4 2012 Newsmaker mentioned above), while Wynne Delacoma canvases music critics in each of the Damian Woetzel major markets to discover some Truly Inspired Ideas your colleagues have come up with. My personal favorite is the St. Louis Symphony’s hook-up with the St. 5 2012 News Milestones Louis Cardinals, complete with Music Director David Robertson and the orchestra prominently displayed in a video on the ball field’s huge scoreboard playing Meet Me in St. Louis. 12 2012 Newsmaker Francesca Zambello Four newsmakers get special attention: Peter Gelb and Francesca Zambello from the realm of opera; Damian Woetzel, retired ballet principal turned international 13 2012’s Ten Truly Inspired Ideas dance impresario; and John Smith, head of both the Musicians Union and the Federation of Entertainment Unions in the U.K. -
Entire Issue in PDF Format
AMERICAN RANDONNEUR VOLUME 21 • ISSUE #4 WINTER 2018 IN THIS Three Americans in Paris — MARTIN GRUEBELE AND RYAN LINNE The Coulee Challenge 1200km: The Riders’ Stories — ROB WELSH ISSUE Sliven–Varna–(Sofia)–Sliven 1200km Ride Report — GEORGI STOYCHEV Official Travel Agency for the 2019 Paris - Brest - Paris Air Travel Reservations Ground Transportation Luggage Support + Storage Hotels Accommodations Trip + Traveler Insurance Excursions + River Cruises You can focus on training, we'll handle all of your travel needs. Give one of our travel professionals a call today at 314.842.6000. www.PBP19.com WHAT’S INSIDE President’s Message 2 John Lee Ellis American Randonneur Magazine From the Editor 3 Winter 2018 • Volume 21, Issue #4 Janice Chernekoff Three Americans in Paris 4 Martin Gruebele and Ryan Linne RUSA BOARD OF DIRECTORS President: John Lee Ellis RUSA: The Lay of Our Land 9 Vice President: Debra Banks Deb Banks Treasurer: David Thompson London–Edinburgh–London: An Epic Cycling Adventure 12 Secretary: Lois Springsteen Stacy Kline Board Member: John Cap'n Ende Board Member: Nigel Greene An Overnight Brevet—What a Hoot! 16 RBA Liaison: Jake Kassen Betty Jean Jordan COMMITTEE CHAIRS Stranger in a Strange Land: A Newbie Takes on the Ocean Beach 200km 22 Brevet Coordinator: Roland Bevan (chairman); Oliver Severino Lois Springsteen, Rob Hawks, and Rob Welsh Medals and Awards Coordinator: John Lee Ellis New RUSA Members 26 Membership: Nigel Greene; Don Hamilton Organizing and Riding a Hilly and Hot NJ 600 28 Webmaster: John Lee Ellis Joe Kratovil -
Son Writers & Publishers
Son writers & Publishers ARTISTS & MUSIC NO_ 7 SONG CRE'DO VT SO T I T L E WR I T E R P U B L I S H E R Budding Singer Blossoms As Writer THE HOT 100 IF YOU HAD MY LOVE Rodney Jerkins, LaShawn Daniels, Cory Rooney, Fred Jerkins III EMI Blackwood /BMI, Rodney Jerkins/BMI, EMI April /ASCAP, LaShawn Daniels /ASCAP, Cori Tiffani /BMI, Tamara Savage's EMI Deal Brings Chart - Topping Success Sony/ATV Songs /BMI, Fred Jerkins III /BMI, Ensign /8Ml HOT COUNTRY SINGLES & TRACKS BY DYLAN SIEGLER writes out loud by singing, and later ferent person. It's night and day - WRITE THIS DOWN Dana Hunt, Kent M. Robbins Neon Sky /ASCAP, Irving /BMI, Colter Bay /BMI NEW YORK- Tamara Savage was she sings her own demos. music is what makes her tick. She's HOT R &B SINGLES shopping her demo as a singer a year "I like to write things people can the most talented lyric and melody FORTUNATE R. Kelly Zomba /BMI, R. Kelly /BMI and a half ago when her career took learn from, or to help guys understand writer I've ever come across. She HOT RAP SINGLES an unexpected turn. where girls are coming from," says writes songs young NO PIGEONS K. Howell, S. Ford, M. Bryan, Kevin Briggs, Kandi Burgess, Tamika Cottle the that America Sporty/ASCAP Steal Burg /ASCAP, Commando Brabdo /ASCAP, Safe Cracker /ASCAP, Shek 'em Savage's youthful, savvy R &B Savage, who points to her song "I really feels, from the heart, with so Down /BMI, Hitco /BMI, Tam /ASCAP, Air Control /ASCAP songwriting caught the attention of Wanna Hear You much grit and power they're undeni- HOT LATIN TRACKS EMI Music Publishing senior VP of Say" on Shanice's able. -
Van Morrison from Wikipedia, the Free Encyclopedia
Van Morrison From Wikipedia, the free encyclopedia Background information Birth name George Ivan Morrison Also known as Van the Man, The Belfast Cowboy Born 31 August 1945 (age 69) Origin Belfast, Northern Ireland Genres Rock, blues, rhythm and blues, folk, blue-eyed soul, Celtic, rock and roll, jazz, pop, soft rock, country, skiffle, gospel Occupation(s) Singer-songwriter, musician Instruments Vocals, guitar, harmonica, saxophones, keyboards, drums, tambourine, ukulele Years active 1958–present Labels Decca, Bang, Warner Bros., London, Mercury, Exile/Polydor, Verve, Point Blank, Virgin, Universal, Blue Note, Lost Highway, Listen to the Lion/EMI, Manhattan, RCA (2014-present) George Ivan "Van" Morrison, OBE (born 31 August 1945) is a Northern Irish singer-songwriter and musician. Some of his recordings, such as the studio albums Astral Weeks and Moondance and the live album It's Too Late to Stop Now, are critically acclaimed. He has received six Grammy Awards, the Brit Award for Outstanding Contribution to Music, been inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. Known as "Van the Man" to his fans, Morrison started his professional career when, as a teenager in the late 1950s, he played a variety of instruments including guitar, harmonica, keyboards and saxophone for various Irish showbands covering the popular hits of the day. He rose to prominence in the mid-1960s as the lead singer of the Northern Irish R&B band Them, with whom he recorded the garage band classic "Gloria". His solo career began under the pop-hit oriented guidance of Bert Berns with the release of the hit single "Brown Eyed Girl" in 1967.