Stacey Kent - Schwergewicht Der Leichten Muse

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Reprise: Jazz Collection: Stacey Kent - Schwergewicht der leichten Muse Dienstag, 29. November 2016, 21.00 - 22.00 Uhr (Erstausstrahlung 08.03.2010) Samstag, 03. Dezember 2016, 22.00 - 24.00 Uhr (Erstausstrahlung 08.03.2016 / Zweitsendung) Sie hat keine Angst vor Gassenhauern aus dem Great American Songbook, und sie singt, als Amerikanerin, auch ohne weiteres auf Portugiesisch die Standards aus dem Brasilianischen Repertoire. Oder französische Chansons. Von aussen besehen hat sich Stacey Kent ohne Zweifel der leichten Muse verschrieben. Die Perfektion aber, und die Lockerheit, mit der sie sich all diese bekannten Lieder zu eigen macht, lässt auf unermüdliche Arbeit und einen sehr wachen Geist schliessen. Das Phänomen Stacey Kent zu erschliessen hilft. Gast: Gabriela Krapf Redaktion: Jodok Hess Stacey Kent: Richard III Original Motion Picture Soundtrack Label: Polygram Track 2: Come Live With Me and Be My Love Stacey Kent: Close Your Eyes Label: Candid Track 7: I’m Old Fashioned Stacey Kent: The Tender Trap Label: Candid Track 3: Comes Love Stacey Kent: Let Yourself Go. Celebrating Fred Astaire Label: Candid Track 10: A Fine Romance Stacey Kent: The Boy Next Door Label: Candid Track 8: What the World Needs Now Is Love Stacey Kent: Breakfast On The Morning Tram Label: Blue Note Track 1: The Ice Hotel Stacey Kent: Raconte-moi Label: Blue Note Track 10: Mi Amor Stacey Kent: The Changing Lights Label: Parlophone Track 6: O Barquinho Marcos Valle & Stacey Kent: Ao vivo Label: Sony Track 3/9: The Face I Love (Seu Encanto) / Batucada Stacey Kent: Tenderly Label: Okeh Records Track 11: That’s All Bonustracks – nur in der Samstagsausgabe Stacey Kent: Raconte-moi Label: Blue Note Track 03 Raconte moi Gabriela Krapf: The Great Unknown Label: Eigenvertrieb Track 02: The Great Unknown Shirley Horn: May The Music Never End Label: Verve Track 11: May The Music Never End Dena DeRose: We Won't Forget You. An Homage To Shirley Horn Label: HighNote Records Track 01: You Stepped Out of a Dream Diana Krall: All For You Label: Impulse Track 01: I’m an Errand Girl for Rhythm Track 05: Boulevard of Broken Dreams Track 06: Baby, Baby, All the Time .

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Stacey Kent with Orchestra
STACEY KENT WITH ORCHESTRA The repertoire exceeds a single concert’s length, so concerts REPERTOIRE can be tailored according to territory and an agreed concept Avec Le Temps - Leo Ferré between artist and orchestra. Bullet Train - Jim Tomlinson/Kazuo Ishiguro The Changing Lights - Jim Tomlinson/Kazuo Ishiguro Corcovado - Antonio Carlos Jobim/De Moraes/Lees Repertoire comprises songs Double Rainbow - Antonio Carlos Jobim/Gene Lees from The Great American Dreamer - Antonio Carlos Jobim/Gene Lees I Know I Dream - Jim Tomlinson/Cliff Goldmacher Songbook, Bossa Nova and The Ice Hotel - Jim Tomlinson/Kazuo Ishiguro French Chansons, plus original Jardin D’Hiver - Keren Ann/Benjamin Biolay compositions for which Stacey La Rua Madureira - Nino Ferrer Kent is famous, such as the The If You Go Away (Ne Me Quitte Pas) - Jacques Brel Les Amours Perdues - Serge Gainsbourg Ice Hotel, from her Grammy- Mais Uma Vez - Jim Tomlinson/Antonio Ladeira nominated, Platinum-selling Make It Up - Jim Tomlinson/Cliff Goldmacher album, Breakfast on the O Comboio - Jim Tomlinson/Antonio Ladeira Photograph - Antonio Carlos Jobim Morning Tram. Sait-On Jamais? - Jim Tomlinson/Camille D’Avril Samba Saravah - B Powell/V De Moraes/P Barrouh It is also possible to include 5- That’s All - Bob Haynes/Alan Brandt tet material in amongst the Thinking About The Rain - Jim Tomlinson/Cliff Goldmacher To Say Goodbye - Edu Lobo/Torquato Neto/Lani Hall orchestral arrangements. The Waters Of March - Antonio Carlos Jobim Arrangements are written for the following instrumentation strings 1st VIOLIN - SUGGESTED MINIMUM 8 2nd VIOLIN - SUGGESTED MINIMUM 8 VIOLA - SUGGESTED MINIMUM 6 CELLO -SUGGESTED MINIMUM 6 DOUBLE BASS - SUGGESTED MINIMUM 2 HARP (THERE ARE DIVISE PASSAGES FOR THE STRINGS.
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Stacey Kent, Jim Tomlinson, and Kazuo Ishiguro “Wish They Could Go Travelling Again” by ALLEN MORRISON
From the April 2021 Issue Stacey Kent, Jim Tomlinson, and Kazuo Ishiguro “Wish They Could Go Travelling Again” by ALLEN MORRISON The singer Stacey Kent and her husband/musical director Jim Tomlinson have been riding out the pandemic in style from their mountain retreat in Colorado, elevation 7,000 feet, complete with home studio and picture windows looking out on the hills and valley below. They’re counting their blessings. “There’s immense suffering out there,” Kent told me recently over Zoom, with Tomlinson at her side. “We know we’re extraordinarily lucky that we’re not part of that. Of course, we miss being connected to our musicians. But I’m here with my best friend, and we’ve been very productive. We have a neighbor who teaches Tai-Chi, so we started doing that with him. Via Zoom.” The New Jersey-born Kent has been building a fervent international following since her debut album in 1997. Her quiet voice remains remarkably pure, a presence at once intense and intimate, modeled after her hero João Gilberto. Her unimpeachable repertoire draws extensively on the American and Brazilian Songbooks. It doesn’t hurt that she sings in multiple languages, including English, French and Portuguese. Her 14 albums include duets with Brazilian bossa nova greats Marcos Valle and Roberto Menescal, and an album entirely in French. Jim Tomlinson and Stacey Kent at Fnac Montparnasse in 2007. (Photo: Wikimedia Commons) Kent honors the composers’ intent and keeps the focus on the lyrics. Other jazz singers experiment with the time, alter the melody freely, or scat, but Kent wants none of this.
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STACEY KENT the Changing Lights English Bio Liner Notes
Stacey Kent - "The Changing Lights" The critic Gilles Tordjman once wrote that Brazil was not a nation, but "a region of the heart, where everything seems to ring to the tune of a stronger and more accurate vibration". This is a sentence that Stacey Kent could no doubt make her own. At the age of 14, the American singer discovered the endless charms of the album, Getz / Gilberto, an historic encounter of jazz and bossa nova, after which nothing would ever be the same. Over the course of a musical journey that has wandered freely in the open spaces of jazz and song, Brazil became, in her eyes, more than a country: a kind of internalized poetic horizon, a chosen land on an intimate scale, adjusted to the proportions of her soul, her singing and her inspiration. Whether she literally celebrates them through covers of Tom Jobim, Sergio Mendes or Luiz Bonfá, or whether she summons the spirit through the finesse of her performances, Stacey Kent has never loosened the emotional ties that bind her to Brazilian music. An eternal student, this well-informed polyglot, with a degree in comparative literature, has followed her passion to the point of learning the Portuguese language and taking an interest in the cultural and political history of the giant auriverde. It is this passion, made both of depth and lightness, that pervades her tenth album. The Changing Lights is not "Stacey Kent's Brazilian record". It is more a recreational break or a sound postcard than a stuffy exercise of style. In collaboration with her partner and husband, the English saxophonist, composer and arranger, Jim Tomlinson, Stacey Kent simply displays all the sensitive qualities of a musician for whom Brazil represents, precisely and foremost, "a region of the heart".
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December 2016 Birdland Page 17 Smalls Page 10
176561_HH_December_0 11/21/16 10:29 AM Page 1 The only jazz magazine THE LATIN SIDE in NY in print, online OF HOT HOUSE P32 and on apps! 2016 Holiday Gift Guide page 30 December 2016 www.hothousejazz.com Birdland Page 17 Smalls Page 10 Stacey Kent Ingrid and Christine Jensen Craig Harris Jane Ira Bloom Mt Olivet Baptist Church Page 21 Cornelia Street Café Page 10 Where To Go & Who To See Since 1982 176561_HH_December_0 11/21/16 10:29 AM Page 2 2 176561_HH_December_0 11/21/16 10:29 AM Page 3 3 176561_HH_December_0 11/21/16 10:29 AM Page 4 4 176561_HH_December_0 11/21/16 10:29 AM Page 5 5 176561_HH_December_0 11/21/16 10:29 AM Page 6 6 176561_HH_December_0 11/21/16 10:29 AM Page 7 7 176561_HH_December_0 11/21/16 10:29 AM Page 8 8 176561_HH_December_0 11/21/16 10:29 AM Page 9 9 176561_HH_December_0 11/21/16 10:29 AM Page 10 WINNING SPINS By George Kanzler OPRANO, AND ALTO, SAXOPHO- Rhythm" is a catchy tune with a Snes as well as trumpet and electronic Latin/Middle Eastern rhythmic flavor, effects appear on this month's pair of Jane employing looping EFX to double her Winning Spins, but what most character- soprano lines. izes both albums is the leadership of Bobby's toms and a swooping soprano women. Soprano saxophonist Jane Ira inform "Mind Gray River" and the album's Bloom, a distinctive jazz voice for well over most strikingly original track is "Say three decades, helms one, while the More," a ruminative piece with a barely younger Canadian sisters, Christine and pronounced pulse, full of hesitations, and Ingrid Jensen, co-lead the other.
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Jazz Collection: Stacey Kent - Schwergewicht Der Leichten Muse
Jazz Collection: Stacey Kent - Schwergewicht der leichten Muse Dienstag, 08. März 2016, 21.00 - 22.00 Uhr Samstag, 12. März 2016, 22.00 - 24.00 Uhr (Zweitsendung) Sie hat keine Angst vor Gassenhauern aus dem Great American Songbook, und sie singt, als Amerikanerin, auch ohne Weiteres auf Portugiesisch die Standards aus dem Brasilianischen Repertoire. Oder französische Chansons. Von aussen besehen hat sich Stacey Kent ohne Zweifel der leichten Muse verschrieben. Die Perfektion aber, und die Lockerheit, mit der sie sich all diese bekannten Lieder zu eigen macht, lässt auf unermüdliche Arbeit und einen sehr wachen Geist schliessen. Das Phänomen Stacey Kent zu erschliessen hilft die Sängerin Gaby Krapf, in der Jazz Collection, als Gast von Jodok Hess. Redaktion: Jodok Hess Stacey Kent: Richard III Original Motion Picture Soundtrack Label: Polygram Track 2: Come Live With Me and Be My Love Stacey Kent: Close Your Eyes Label: Candid Track 7: I’m Old Fashioned Stacey Kent: The Tender Trap Label: Candid Track 3: Comes Love Stacey Kent: Let Yourself Go. Celebrating Fred Astaire Label: Candid Track 10: A Fine Romance Stacey Kent: The Boy Next Door Label: Candid Track 8: What the World Needs Now Is Love Stacey Kent: Breakfast On The Morning Tram Label: Blue Note Track 1: The Ice Hotel Stacey Kent: Raconte-moi Label: Blue Note Track 10: Mi Amor Stacey Kent: The Changing Lights Label: Parlophone Track 6: O Barquinho Marcos Valle & Stacey Kent: Ao vivo Label: Sony Track 3/9: The Face I Love (Seu Encanto) / Batucada Stacey Kent: Tenderly Label: Okeh
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The Changing Lights: This Happy Madness; the Summer We Port That Rewards Repeated Listening
I Love,” both of which include lyrical, assured take on the standard, with an arrangement featuring a solos by Tomlinson. Legendary bossa nova sing- string quartet playing a pizzicato samba beat. er-songwriter Roberto Menescal plays guitar on Kent and Tomlinson apparently have some- his classic “O Barquinho ($e Little Boat)” and thing very special going on. Together, they create on a new Tomlinson song, “A Tarde,” with lyrics a warm cocoon, an ideal romantic world that con- by Portuguese poet Antonio Ladeira. A 0rst-rate veys the true spirit of Brazilian song. rhythm section featuring pianist Graham Harvey —Allen Morrison and guitarist John Parricelli provides subtle sup- The Changing Lights: This Happy Madness; The Summer We port that rewards repeated listening. Crossed Europe In The Rain; One Note Samba; Mais Uma Vez; Wait- er, Oh Waiter; O Barquinho; The Changing Lights; How Insensitive; Even if a few song choices may seem overly famil- O Bêbado E A Equilibrista/Smile; Like A Lover; The Face I Love; A iar (“One Note Samba,” “How Insensitive”), they are Tarde; Chanson Légère; Quiet Nights Of Quiet Stars (Corcovado); Meditation. (65:29) still spot-on renderings, arguably as good as any- Personnel: Stacey Kent, vocals; Jim Tomlinson, tenor, soprano body has recorded. One of the disc’s two bonus tracks saxophones, flute; Graham Harvey, piano, Fender Rhodes; Roberto Menescal, John Parricelli, guitar; Jeremy Brown, double bass; Matt is “Quiet Nights”—but before you say, “Oh no, not Home, drums; Joshua Morrison, drums; Raymundo Bittencourt, ganza. another ‘Corcovado,’” this one o#ers a highly original Ordering info: staceykent.com Stacey Kent e Changing Lights WARNER BROS.
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Stacey Kent Weaves Subtle Spell at Birdland Posted 12/27/2013
Source: http://www.downbeat.com/default.asp?sect=news&subsect=news_detail&nid=2294 Stacey Kent Weaves Subtle Spell at Birdland Posted 12/27/2013 “Where melancholy meets hope” is the phrase Stacey Kent uses to describe the wistful love songs written for her by her husband and band leader, Jim Tomlinson, and his writing partner, Japanese-born British novelist Kazuo Ishiguro. It’s also a good description of Kent’s musical aesthetic. Stacey Kent (Photo: Benoit Peverelli) At New York’s Birdland on Dec. 7, the charming, multilingual Kent greeted audience members in English, French and Portuguese, and sang an international repertoire with a gentle intensity and level of nuance that calls to mind great singers of a previous generation. Emotionally precise, and sentimental without being precious, she can be as delicate as Blossom Dearie and as intimate as João Gilberto. On uptempo numbers Kent rarely improvises, like Peggy Lee, but she can also swing like Lee did. Blessed with a luscious timbre, she combines it with emotionally intelligent phrasing to illuminate and elevate her songs. Although Kent is well known for her modern renditions of American standards and French chansons (she is so popular in France that in 2009 she was awarded the National Order of Arts and Letters by the French Ministry of Culture), the bossa nova tradition remains her greatest influence. The Birdland gig featured songs from her new album The Changing Lights (Warner Bros.), her most overtly Brazilian-themed effort to date. The disc includes new songs as well as classic sambas and bossa novas by Antonio Carlos Jobim, Roberto Menescal, Marcos Valle and other Brazilian masters of the form.
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Stacey Kent Stacey Kent, Voce Jim Tomlinson, Sassofono Graham
Milano Stacey Kent Blue Note Stacey Kent, voce Mercoledì 21.IX.11 Jim Tomlinson, sassofono ore 21 e ore 23 Graham Harvey, pianoforte Jeremy Brown, contrabbasso 74° Matt Skelton, batteria Torino Milano Festival Internazionale della Musica 03_22 settembre 2011 Quinta edizione Stacey Kent, voce Stacey Kent ha una voce solare come un mattino di tarda primavera, lieve, leggera e mai banale: un canto che esprime una serenità di rara bellezza. È uno degli astri nascenti del panorama jazz mondiale. I suoi spettacoli sono indimenticabili per il modo in cui domina il palco, dialoga con il pubblico e la band, e per come interpreta la musica con la sua voce e con il suo cuore. Stacey Kent è un’artista unica che unisce lo swing delle proprie origini ame- ricane alle influenze stilistiche e linguistiche europee, non a caso la nazione da cui è nato il suo successo, poi divenuto mondiale, è la Francia. Nata negli USA, ma naturalizzata inglese dopo un viaggio di studi linguistici che l’ha portata a conoscere e sposare Jim Tomlinson, il sassofonista che è da sempre al suo fianco, Stacey Kent incide Close your eyes nel 1997: è il suo primo disco e comincia a cimentarsi in quel Great American Songbook che costituirà sempre la base di partenza del suo repertorio. Da questo momento in poi l’attenzione della critica si fa sempre più assidua su di lei. Dal 1999, grazie a un incarico da parte del canale televisivo CBS, Stacey può farsi cono- scere da un pubblico più ampio andando in onda ogni domenica mattina.
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The Art of Accompanying the Jazz Vocalist: a Survey of Piano Styles and Techniques
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository THE ART OF ACCOMPANYING THE JAZZ VOCALIST: A SURVEY OF PIANO STYLES AND TECHNIQUES BY CHRISTOPHER EDWARD WHITE THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Jazz Performance in the Graduate College of the University of Illinois at Urbana-Champaign, 2010 Urbana, Illinois Doctoral Committee: Associate Professor John "Chip" Stephens, Chair, Director of Research Associate Professor Jeffrey Magee Professor Jim Pugh Assistant Professor Reynold Tharp ABSTRACT This study examines the process of accompanying the jazz vocalist and explains the performance subtleties inherent in the art form from the pianist’s perspective. Through interviews of eight pianists, the study specifies differences between instrumental and vocal accompanying and explains how pianists learn and improve upon their accompaniment skills. The study addresses common issues that arise when working with a vocalist, such as creating appropriate introductions, performing rubato, attention to lyrics, performing in a duo setting, the use of musical texture, chord voicings, avoiding harmonic conflicts with the melody, the improvised solo, transposition and the use of ornamentation with the vocal line. The project examines how an accompanist arranges for and adapts to the each vocalist. Descriptions of musical examples and transcriptions from recordings supplement and illuminate the artist’s comments. This study finds that there is a difference between being a proficient improviser and a proficient accompanist. The preeminent accompanists are, in essence, co- collaborators with vocalists.
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Stacey Kent Is a Jazz Singer in the Mold of the Greats, with a Legion Of
Stacey Kent is a jazz singer in the mold of the greats, with a legion of fans worldwide, a host of honors and awards including a Grammy nomination, album sales approaching 2 million, Gold, Double-Gold and Platinum-sellingalbums that have reached a series of No. 1 chart positions during the span of her career. Raised and schooled on the east coast of the USA, this comparative literature graduate with a musical bent, travelled to Europe to further her studies. In 1990, through a series of twists of fate, she found herself in London where she enrolled in a graduate music program at the Guildhall School of Music and Drama and where she met her future husband and musical collaborator, Jim Tomlinson. Kent's musical journey began in her childhood with piano lessons. An unusually keen ear and true voice lead her to participate in school musical productions, and throughout her time at Sarah Lawrence College in New York, she could often be heard singing at impromptu musical events in the college's cafe. However, nothing suggested the shift in career that has propelled her to international recognition. With a catalogue of 10 studio albums including the Platinum-selling, GRAMMY-nominated 'Breakfast On The Morning Tram'(EMI/BLUE NOTE 2007) and an impressive list of collaborations, Stacey has graced the stages of more than 50 countries over the course of her career. Kent paid her dues in the jazz clubs of London, including the famed Ronnie Scott's Cub, where she still performs every year, before releasing the first of a series of 6 albums, 'Close Your Eyes' (1997), for the Candid label.
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