Europa E Italia. Studi in Onore Di Giorgio Chittolini
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Lapo's Life and Work
ch1.qxd 10/18/1999 2:02 PM Page 1 CHAPTER 1 Lapo’s Life and Work In the years that preceded the more or less permanent reentry of Pope Eugenius IV into Rome, the Renaissance humanist movement was in the middle of an interesting phase. At that time a large component of its members consisted of intellectuals who lacked ‹xed institutional places. Humanism—this new ars whose curricular focus was the studia humani- tatis—had still to ‹nd its place in society and was dependent largely on patrons. One practitioner of this new art was the Florentine Lapo da Cas- tiglionchio the Younger, who died in 1438 at the age of thirty-three. One of his most interesting cultural bequests to us is a treatise that he wrote in the year of his death, entitled De curiae commodis, or On the Bene‹ts of the Curia. In this dialogue, Lapo offers us a portrait of the papal curia that is written elegantly, learnedly, earnestly, and even angrily. It is a human document that is alive with information not only for intellectual historians but for social and cultural historians as well. The goal of this study is to discuss this dialogue in its intellectual and social contexts. A critical edition of the Latin text along with an annotated English transla- tion follows the discussion. This ‹rst chapter offers an examination of Lapo’s life and work, fol- lowed by a brief look at the historiography on the dialogue. Chapter 2 deals with the literary context of the dialogue and examines a compli- cated passage on the virtues, which I believe can serve as an interpretive key for the piece as a whole. -
A Virtual Train Journey Along the Mare Ligure from Ventimiglia to Rome
Italian Culture Newsletter Number 22 A Virtual Train Journey along the Mare Ligure from Ventimiglia to Rome. Marie and I have made this journey on a number of occasions. In doing so we have either made the journey in a single day albeit with a change of train, usually at Genova. On other occasions, we have spent an evening or even a few days at Genova and/or at Livorno or Pisa. The journey described will involve more stops on the way but could be more interesting on that account. The trip begins in Ventimiglia where we stayed overnight on our last day of our last holiday in Italy. This had been occasioned by the French railway strike which prevented any trains from running from Ventimiglia to Nice on the day of our arrival from Rome into the city at the Italian- French border in Liguria. Our first visit to Ventimiglia was in 2006 when some Italian friends from Cuneo, due north of Ventimiglia, in Piemonte, met us at the rail station in Ventimiglia to take us for a short stay at their apartment in Nice. On that occasion we didn’t see much of the city except for part of the old medieval town, which now mostly is the home of many of the southerners from Naples, Calabria and Sicily who moved north seeking employment after WWII. The old town is perched high above the new city with its long sea-front promenade and railway station. Ventimiglia is the ancient Albium Intemelium, the capital of the Intemelii, a Ligurian tribe which long resisted the Romans, until in 115 BC it was forced to submit to Marcus Aemilius Scaurus. -
MONTEPULCIANO's PALAZZO COMUNALE, 1440 – C.1465: RETHINKING CASTELLATED CIVIC PALACES in FLORENTINE ARCHITECTURAL and POLITI
MONTEPULCIANO’S PALAZZO COMUNALE, 1440 – c.1465: RETHINKING CASTELLATED CIVIC PALACES IN FLORENTINE ARCHITECTURAL AND POLITICAL CONTEXTS Two Volumes Volume I Koching Chao Ph.D. University of York History of Art September 2019 ABSTRACT This thesis argues for the significance of castellated civic palaces in shaping and consolidating Florence’s territorial hegemony during the fifteenth century. Although fortress-like civic palaces were a predominant architectural type in Tuscan communes from the twelfth century onwards, it is an understudied field. In the literature of Italian Renaissance civic and military architecture, the castellated motifs of civic palaces have either been marginalised as an outdated and anti-classical form opposing Quattrocento all’antica taste, or have been oversimplified as a redundant object lacking defensive functionality. By analysing Michelozzo’s Palazzo Comunale in Montepulciano, a fifteenth-century castellated palace resembling Florence’s thirteenth-century Palazzo dei Priori, this thesis seeks to address the ways in which castellated forms substantially legitimised Florence’s political, military and cultural supremacy. Chapter One examines textual and pictorial representations of Florence’s castellation civic palaces and fortifications in order to capture Florentine perceptions of castellation. This investigation offers a conceptual framework, interpreting the profile of castellated civic palaces as an effective architectural affirmation of the contemporary idea of a powerful city-republic rather than being a symbol of despotism as it has been previously understood. Chapters Two and Three examine Montepulciano’s renovation project for the Palazzo Comunale within local and central administrative, socio-political, and military contexts during the first half of the fifteenth century, highlighting the Florentine features of Montepulciano’s town hall despite the town’s peripheral location within the Florentine dominion. -
Articles / Saggi
ARTICLES / SAGGI POLITICAL AND CULTURAL PERSPECTIVES OF REGIONAL IDENTITY: ANCONA IN TWO “CANZONI” OF THE SECOND HALF OF THE QUATTROCENTO Nelia Saxby Sommario Le canzoni prese in esame sono di Francesco Palmario di Ancona, le cui "Rime" sono state pubblicate di recente in edizione critica. Nel caso del produttore del testo il suo senso di identità regionale equivale al senso di continuità che esiste fra Roma classica e Roma papale, i cui reggitori sono pure reggitori di Ancona. Si chiariscono i motivi che hanno indotto il Palmario a dedicare i suoi componimenti rispettivamente al Cardinale Prospero Colonna e al neo-eletto papa, Niccolò V, alla luce degli avvenimenti storici del momento della loro composizione (1447-8). L'intervento cerca di illustrare come avvenimenti di carattere municipale vengano connessi per motivi politici a episodi di storia papale. Questo mette in rilievo l'atteggiamento assunto dall'autore e dalla sua città verso il candidato papale e il papa infatti eletto. Le allusioni nelle canzoni al passato classico di Ancona e di Roma traggono il loro spunto non solo da ragioni politiche ma anche da ragioni culturali. Esse vengono fatte risalire alle prime scoperte 9 archeologiche di Ciriaco di Ancona e si cerca di giustificare la loro inclusione in un contesto esclusivamente politico. The canzoni under consideration are by Francesco Palmario of Ancona. By birth, as a member of one of the powerful families of Ancona and by education, a graduate in law, Palmario was equipped to enter into state or court service as a functionary 1. That he was able to compose poetry, like Giusto dei Conti, papal protonotary of the preceding generation or his Urbino contemporary, Angelo Galli, was an appanage which could enhance his standing and his usefulness in service as an exponent of the cultural policy of whichever power employed him. -
Jadranka Neralić Hrvatski Institut Za Povijest
Jadranka Neralić Hrvatski institut za povijest Odnos trogirskog klera s papinskom kurijom u vrijeme Ivana Duknovića Veze trogirskog klera s papinskom kurijom tijekom 15. i prvih desetljeća 16. stoljeća, odnosno u vrijeme u kojemu je živio i djelovao Ivan Duknović, mogu se pratiti na nekoliko razina. Prva, najviša hijerarhijska razina odnosi se na imenovanja biskupa i opata – a tijekom 15. stoljeća na trogirskoj su se biskupskoj stolici izmijenili: Šimun de Dominis, Marin Crnota, Toma Tomasini, Ludovico Trevisan Scarampi, Giovanni Vitelleschi, Angelo Cavazza, Jacopo Turlon, Leonello Clericati i Francesco Marcello. Druga se odvija na nešto nižoj, ali ne manje važnoj razini, i odnosi se na niže svećenstvo – kanonike, župnike i klerike na samom početku crkvene karijere. Razmatraju se njihove veze s Rimskom kurijom i njenim brojnim uredima – prije svega Konsistorijem (na kojem se odlučuje o imenovanjima na visoke crkvene službe), Apostolskom komorom (koja vodi financijske poslove), Apostolskom kancelarijom (koja vodi korespondenciju i čuva dokumentaciju), te sa Svetom Rimskom Rotom (u kojoj se vode sudski sporovi, osobito o nadarbinskim pitanjima) i Svetom Apostolskom Penitencijarijom (koja se bavi pitanjima savjesti i dodjeljuje dozvole, razrješenja i oproste), ali i posebne osobne veze i poznanstva s pojedinim kardinalima. *** Prva su desetljeća petnaestog stoljeća donijela značajne promjene na hijerarhijskom vrhu Zapadne katoličke crkve. Već dovoljno neugodna situacija Zapadnog raskola koja traje od 1378. godine dodatno se zakomplicirala na Saboru održanom 1409. godine u Pizi, ulaskom u igru još jednoga – trećeg pape, Aleksandra V. Okupljeni na Saboru koji se od 1414. do 1417. godine održavao u Konstanzu, crkveni su oci 11. studenog 1417. godine izborom rimskog plemića Odda Colonne za papu s imenom Martin V. -
Informazioni Storiche Di Palestrina
INFORMAZIONI STORICHE DI PALESTRINA Adagiato su una cima dei Monti Prenestini, nella zona compresa tra il bacino del fiume Sacco e l'Aniene, si estende il territorio di Palestrina. Il toponimo ha varie origini: Plutarco (45-127 d.C.) nelle Vite Parallele fa derivare l'origine dal nome greco prinistos (leccio), un albero diffuso in zona; Catone parla, invece, di Praeneste, dal latino praene (parte alta) e ste radice latina del verbo stare (stare nella parte alta). La leggenda la vuole fondata da Telegono, figlio di Ulisse, o da Prenesteo, nipote dello stesso; per Strabone è addirittura d’origine greca. "Nec Praenestinae fundator defuit urbis Volcano genitum pecora inter agrestia regem Inventumque focis omnis quem credidit aetas, Caeculus. Hunc legio late comitatur agrestis: Quique altum Praeneste viri, quique arva Gabinae Junonis [...]". Così invece Virgilio (70-19 a.C.), nel VII libro dell'Eneide, attribuisce la fondazione della città di Palestrina a Ceculo, figlio di Vulcano. L'antica Praeneste è menzionata in documenti risalenti all'VIII secolo a.C. quando i Latini, popolazione indoeuropea, si organizzarono nel Lazio in leghe di carattere politico. A testimonianza del periodo fiorente che visse la cittadina rimangono oggi i ricchi corredi tombali di proprietà dei barberini e bernardini. Conobbe alterni periodi di pace. Durante le lotte civili di Roma, schieratasi dalla parte del console Mario (157-86 a.C.), venne sottomessa da Silla (138-78 a.C.) che la trasformò in una colonia militare. Nel periodo imperiale fu luogo di villeggiatura (Augusto si fece costruire una villa ingrandita forse da Adriano), e vi fervevano attività diverse fra cui la produzione di oggetti bronzei, di sculture funerarie, di ciste, specchi ecc. -
Report on an Imperial Mission to Rome 1447 by Enea Silvio Piccolomini
Report on an Imperial Mission to Rome 1447 by Enea Silvio Piccolomini. Edited and translated by Michael von Cotta-Schönberg. 2nd version. (Reports on Five Diplomatic Missions by Enea Silvio Piccolomini; 1) Michael Von Cotta-Schönberg To cite this version: Michael Von Cotta-Schönberg. Report on an Imperial Mission to Rome 1447 by Enea Silvio Pic- colomini. Edited and translated by Michael von Cotta-Schönberg. 2nd version. (Reports on Five Diplomatic Missions by Enea Silvio Piccolomini; 1). 2020. hal-02567813v2 HAL Id: hal-02567813 https://hal.archives-ouvertes.fr/hal-02567813v2 Submitted on 21 Aug 2020 (v2), last revised 9 Jul 2021 (v4) HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. (Reports on Five Diplomatic Missions by Enea Silvio Piccolomini; 1) 0 Report on an Imperial Mission to Rome 1447 by Enea Silvio Piccolomini. Edited and translated by Michael von Cotta- Schönberg 2nd version 2020 1 Abstract In January 1447, Enea Silvio Piccolomini arrived in Rome on a mission from Emperor Friedrich III to the ailing Pope Eugenius IV. The mission was to declare the obedience of the Holy Roman Empire to the pope, thus ending the state of German neutrality between the pope and the rump council of Basel. -
Report on an Imperial Mission to Rome 1447 by Enea Silvio Piccolomini
Report on an Imperial Mission to Rome 1447 by Enea Silvio Piccolomini. Edited and translated by Michael von Cotta-Schönberg. Michael Von Cotta-Schönberg To cite this version: Michael Von Cotta-Schönberg. Report on an Imperial Mission to Rome 1447 by Enea Silvio Piccolo- mini. Edited and translated by Michael von Cotta-Schönberg.. 2020. hal-02567813v4 HAL Id: hal-02567813 https://hal.archives-ouvertes.fr/hal-02567813v4 Submitted on 9 Jul 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. (Reports on Five Diplomatic Missions by Enea Silvio Piccolomini; 1) 0 Report on an Imperial Mission to Rome 1447 by Enea Silvio Piccolomini. Edited and translated by Michael von Cotta- Schönberg 4th preliminary version 2020 1 This text is a preliminary version. The final version has been included and published in: Collected Reports on Diplomatic Missions, 1447-1455, of Enea Silvio Piccolomini. Edited and translated by Michael von Cotta-Schönberg. 2021. Generis Publishing. ISBN: 978-1-63902-4506. Orders by e-mail: [email protected] Abstract In January 1447, Enea Silvio Piccolomini arrived in Rome on a mission from Emperor Friedrich III to the ailing Pope Eugenius IV. -
Popes, Cardinals and War ‘Cursed Be He That Keepeth Back His Sword from Blood.’ Jeremiah, XLVIII, 10
Popes, Cardinals and War ‘Cursed be he that keepeth back his sword from blood.’ Jeremiah, XLVIII, 10 ‘Then Simon Peter having a sword drew it, and smote the high priest’s servant, and cut off his right ear.’ John, XVIII, 10 ‘“Oho!” said Stalin [to Pierre Laval in Moscow, May 1935]. “The Pope? How many divisions has he got?”’ Joseph Stalin, 1935, quoted by Winston Churchill, The Second World War, vol. 1: The Gathering Storm (London, 1949), p.121 Popes, Cardinals and War THE MILITARY CHURCH IN RENAISSANCE AND EARLY MODERN EUROPE D.S. Chambers Published in 2006 by I.B.Tauris & Co. Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © D.S. Chambers, 2006 The right of D.S. to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN 10: 1 84511 178 8 ISBN 13: 978 1 84511 178 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset -
Form and Function of Central Italian Medieval Glass in the Light of Nds from the Benedictine Abbey of Farfa and the Palazzo Vitelleschi at Tarquinia
Durham E-Theses Form and function of central Italian medieval glass in the light of nds from the Benedictine Abbey of Farfa and the palazzo Vitelleschi at Tarquinia Newby, Martine Sarah How to cite: Newby, Martine Sarah (1999) Form and function of central Italian medieval glass in the light of nds from the Benedictine Abbey of Farfa and the palazzo Vitelleschi at Tarquinia, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4600/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Form and Function of Central Italian Medieval Glass in the Light of Finds from the Benedictine Abbey of Farfa and the Palazzo Vitelleschi at Tarquinia Volume I (of II) Marline Sarah Newby The copyright of this thesis rests with the author No quotation from it should be published without the written consent of the author an information derived From it should be acknowledged MPhil. -
Lorenzo Valla and the Donation of Constantine in Historical Context, 1439–40
[Expositions 8.1 (2014) 1–28] Expositions (online) ISSN: 1747–5376 Lorenzo Valla and the Donation of Constantine in Historical Context, 1439–40 THOMAS RENNA Saginaw Valley State University, Emeritus ABSTRACT Lorenzo Valla’s refutation (1440) of the forgery The Donation of Constantine (ca. 757-800) has been variously interpreted as a rhetorical and philological exercise, an attack on papal temporal power in general or the Papal States in particular, an invective against Pope Eugenius IV, an apology for Alfonso V, a proposal for clerical reform, a satire on the clergy, a defense of the Council of Basel. But little attention has been given to the role of Emperor Frederick III in Valla’s implied suggestions for the improvement of circumstances in warring Italy. It is argued here that Valla wrote the Declaration in part to encourage greater imperial involvement in the papal schism and especially in the affairs of Italy and the City of Rome. The Donation of Constantine is the most influential forgery in Western history. Lorenzo Valla’s refutation of the document is the most famous debunking of any literary fraud. The renown of the humanist’s Discourse1 stems from the historical fact that it was the first systematic refutation of the Donation of Constantine, itself widely cited in 1200–1400.2 Although the Donation was probably composed in the second half of the eighth century,3 it did not become the subject of intense discussion until the twelfth century, when it was cited by the defenders of the pope’s claim to crown German kings (after being elected Kings of the Romans) with the title of Emperor of the Romans and retain some degree of control of the emperor and the empire.