Lights. Camera. Hilton

Total Page:16

File Type:pdf, Size:1020Kb

Lights. Camera. Hilton Hilton hotels around the world (and sometimes even in outer space) have made multiple appearances on both the big and small screens. Producers began rolling film at Hilton hotels LIGHTS. during Hollywood’s Golden Age. Decades later, individual Hiltons still set the stage for some of the most memorable moments in film. CAMERA. Versatile in set design and atmospheric nuances, Hilton hotels have the transformative power of developing into the perfect environment for motion pictures and television production. The HILTON. following movies were filmed at Hilton hotels or properties that are now part of the Hilton portfolio: 2010 The Little Fockers 2002 Two Weeks Notice 1992 The Bodyguard Hilton Chicago Hilton New York Fontainebleau Hilton Chicago, United States New York, United States Miami, United States 2009 Up in the Air 2002 Apasionados 1992 Hero Hilton Miami Airport Hilton Buenos Aires The Drake Hotel Miami, United States Buenos Aires, Argentina Chicago, United States Hilton St. Louis Airport, 2002 Nada por perder 1991 Curly Sue Hilton St. Louis by the Ballpark, Hilton Buenos Aires The Palmer House Hilton St. Louis, United States Buenos Aires, Argentina Chicago, United States 2008 Frost/Nixon 2002 Árboles y Arbustos 1991 Little Man Tate The Beverly Hilton, Hilton Buenos Aires Hilton Cincinnati Netherland Plaza Beverly Hills, United States Buenos Aires, Argentina Cincinnati, United States 2008 A Good Man Is Hard to Find 2002 Unconditional Love 1990 Total Recall Hilton Baton Rouge Capitol Center Hilton Chicago, Chicago Hilton Mars (Fictitious) Baton Rouge, United States United States Mars 2008 Blindness 2000 Nueve Reinas 1989 The Package Hilton Toronto Hilton Buenos Aires Hilton Chicago Toronto, Canada Buenos Aires, Argentina Chicago, United States 2008 Dirty Politics 1999 The Insider 1988 Red Heat Hilton Baton Rouge Capitol Center The Seelbach Hilton Louisville The Palmer House Hilton Baton Rouge, United States Louisville, United States Chicago, United States 2008 Loss of a Teardrop Diamond 1999 Love and Action in Chicago 1985 To Live and Die in L.A. Hilton Baton Rouge Capitol Center Hilton Chicago & The Drake Hotel The Beverly Hilton Baton Rouge, United States Chicago, United States Beverly Hills, United States 2008 The Express 1998 U.S. Marshals 1983 Scarface Hilton Chicago Hilton Chicago Fontainebleau Hilton Chicago, United States Chicago, United States Miami, United States 2007 Music & Lyrics 1997 My Best Friends Wedding 1983 Never Say Never Again Hilton New York Hilton Chicago British Colonial Hilton Nassau New York, United States Chicago, United States Nassau, Bahamas 2007 Unconditional Love 1997 The Relic 1983 Risky Business Hilton Chicago The Palmer House Hilton The Drake Hotel Chicago, United States Chicago, United States Chicago, United States 2006 Michael Clayton 1996 Primal Fear 1980 The Blues Brothers Hilton New York Hilton Chicago The Drake Hotel New York, United States Chicago, United States Chicago, United States 2006 Margaret 1996 You’re Invited to Mary-Kate & 1971 Diamonds Are Forever Hilton New York Ashley’s Hawaiian Beach Party Las Vegas Hilton New York, United States Hilton Hawaiian Village Las Vegas, United States 2006 El Cantante Honolulu, United States 1968 2001: A Space Odyssey Hilton New York 1995 Goldeneye Orbiter Hilton (Fictitious) New York, United States Langham Hilton in London Outer Space 2006 American Gangster London, United Kingdom 1964 Goldfinger Hilton New York 1994 Miracle on 34th Street Fontainebleau Hilton New York, United States The Palmer House Hilton Miami, United States 2006 Spiderman III Chicago, United States 1964 Thunderball Hilton New York 1993 The Fugitive British Colonial Hilton Nassau New York, United States Hilton Chicago Nassau, Bahamas 2006 Flags of Our Fathers Chicago, United States 1961 The Hustler The Drake Hotel 1993 Indecent Proposal The Seelbach Hilton Louisville Chicago, United States Las Vegas Hilton Louisville, United States 2004 Eliana em o Segredo dos Golfinhos Las Vegas, United States 1961 Blue Hawaii Hilton São Paulo Morumbi 1993 Manhattan Murder Mystery Hilton Hawaiian Village São Paulo, Brazil Millenium Hilton Honolulu, United States 2003 Jogo Subterrâneo New York, United States 1960 The Bellboy Hilton São Paulo Morumbi 1992 Home Alone II: Fontainebleau Hilton São Paulo, Brazil Lost in New York Miami, United States 2002 Road to Perdition Hilton Chicago 1950 Born Yesterday Chicago, United States Hilton Chicago, Capital Hilton Chicago, United States Washington, DC, United States.
Recommended publications
  • John Hughes' Family Films and Seriality
    Article Title ‘Give people what they expect’: John Hughes’ Family Films and Seriality in 1990s Hollywood Author Details: Dr Holly Chard [email protected] Biography: Holly Chard is Lecturer in Contemporary Screen Media at the University of Brighton. Her research focuses on the U.S. media industries in the 1980s and 1990s. Her recent and forthcoming publications include: a chapter on Macaulay Culkin’s career as a child star, a monograph focusing on the work of John Hughes and a co- authored journal article on Hulk Hogan’s family films. Acknowledgements: The author would like to thank Frank Krutnik and Kathleen Loock for their invaluable feedback on this article and Daniel Chard for assistance with proofreading. 1 ‘Give people what they expect’: John Hughes’ Family Films and Seriality in 1990s Hollywood Keywords: seriality, Hollywood, comedy, family film Abstract: This article explores serial production strategies and textual seriality in Hollywood cinema during the late 1980s and early 1990s. Focusing on John Hughes’ ‘high concept’ family comedies, it examines how Hughes exploited the commercial opportunities offered by serial approaches to both production and film narrative. First, I consider why Hughes’ production set-up enabled him to standardize his movies and respond quickly to audience demand. My analysis then explores how the Home Alone films (1990-1997), Dennis the Menace (1993) and Baby’s Day Out (1994) balanced demands for textual repetition and novelty. Article: Described by the New York Times as ‘the most prolific independent filmmaker in Hollywood history’, John Hughes created and oversaw a vast number of movies in the 1980s and 1990s.1 In a period of roughly fourteen years, from the release of National Lampoon’s Vacation (Ramis, 1983) to the release of Home Alone 3 (Gosnell, 1997), Hughes received screenwriting credits on twenty-seven screenplays, of which he produced eighteen, directed eight and executive produced two.
    [Show full text]
  • Movie List Please Dial 0 to Request
    Movie List Please dial 0 to request. 200 10 Cloverfield Lane - PG13 38 Cold Pursuit - R 219 13 Hours: The Secret Soldiers of Benghazi - R 46 Colette - R 202 5th Wave, The - PG13 75 Collateral Beauty - PG13 11 A Bad Mom’s Christmas - R 28 Commuter, The-PG13 62 A Christmas Story - PG 16 Concussion - PG13 48 A Dog’s Way Home - PG 83 Crazy Rich Asians - PG13 220 A Star is Born - R 20 Creed - PG13 32 A Walk Among the Tombstones - R 21 Creed 2 - PG13 4 Accountant, The - R 61 Criminal - R 19 Age of Adaline, The - PG13 17 Daddy’s Home - PG13 40 Aladdin - PG 33 Dark Tower, The - PG13 7 Alien:Covenant - R 67 Darkest Hour-PG13 2 All is Lost - PG13 52 Deadpool - R 9 Allied - R 53 Deadpool 2 - R (Uncut) 54 ALPHA - PG13 160 Death of a Nation - PG13 22 American Assassin - R 68 Den of Thieves-R (Unrated) 37 American Heist - R 34 Detroit - R 1 American Made - R 128 Disaster Artist, The - R 51 American Sniper - R 201 Do You Believe - PG13 76 Annihilation - R 94 Dr. Suess’ How the Grinch Stole Christmas - PG 5 Apollo 11 - G 233 Dracula Untold - PG13 23 Arctic - PG13 113 Drop, The - R 36 Assassin’s Creed - PG13 166 Dunkirk - PG13 39 Assignment, The - R 137 Edge of Seventeen, The - R 64 At First Light - NR 88 Elf - PG 110 Avengers:Infinity War - PG13 81 Everest - PG13 49 Batman Vs. Superman:Dawn of Justice - R 222 Everybody Wants Some!! - R 18 Before I Go To Sleep - R 101 Everything, Everything - PG13 59 Best of Me, The - PG13 55 Ex Machina - R 3 Big Short, The - R 26 Exodus Gods and Kings - PG13 50 Billy Lynn’s Long Halftime Walk - R 232 Eye In the Sky -
    [Show full text]
  • A Note from the Composer
    Toronto Symphony Orchestra Sir Andrew Davis, Interim Artistic Director Friday, December 6, 2019 at 7:30pm Saturday, December 7, 2019 at 2:00pm Saturday, December 7, 2019 at 7:30pm Constantine Kitsopoulos, conductor Resonance Youth Choir Bob Anderson, director As a courtesy to musicians, guest artists, and fellow concertgoers, please put your phone away and on silent during the performance. A NOTE FROM THE COMPOSER Ever since Home Alone appeared, it has held a unique place in the affections of a very broad public. Director Chris Columbus brought a uniquely fresh and innocent approach to this delightful story, and the film has deservedly become a perennial at holiday time. I took great pleasure in composing the score for the film, and I am especially delighted that the magnificent Toronto Symphony Orchestra has agreed to perform the music in a live presentation of the movie. I know I speak for everyone connected with the making of the film in saying that we are greatly honoured by this event…and I hope that the audience at this performance will experience the renewal of joy that the film brings with it, each and every year. John Williams DECEMBER 6 & 7, 2019 17 TWENTIETH CENTURY FOX Presents A JOHN HUGHES Production A CHRIS COLUMBUS Film HOME ALONE Starring MACAULAY CULKIN JOE PESCI DANIEL STERN JOHN HEARD and CATHERINE O’HARA Music by JOHN WILLIAMS Film Editor RAJA GOSNELL Production Designer JOHN MUTO Director of Photography JULIO MACAT Executive Producers MARK LEVINSON & SCOTT ROSENFELT and TARQUIN GOTCH Written and Produced by JOHN HUGHES Directed by CHRIS COLUMBUS Soundtrack Album Available on CBS Records, Cassettes and Compact Discs Color by DELUXE® Tonight’s program is a presentation of the complete filmHome Alone with a live performance of the film’s entire score, including music played by the orchestra during the end credits.
    [Show full text]
  • Attachment Anxiety: Parenting Culture, Adolescence and the Family Film in the US
    Abstract Attachment anxiety: parenting culture, adolescence and the family film in the US Many authors have noted a connection between notions of childhood and understandings of parenting; however, debates have focused only on adults and their behaviour. This article interrogates the child’s position in contemporary parenting culture using the Hollywood family film to explore how the cultural constructions of childhood and parenting may influence one another. The article analyses the reception of the family film of the 1990s and its representations of families and children to note a cultural response to the previous decade’s “discovery” of the pre-teen demographic. This response highlighted the incompatibility of young adolescence and attachment parenting, constructing a new childhood ideal which returned the child to assumptions of vulnerability. Keywords: Parenting culture, attachment, childhood, adolescence, Hollywood, family film Over the past three decades, a number of authors have examined western parenting culture. Among the most influential is Sharon Hays, who identified a dominant ideology of “intensive mothering” and explained it as the result of a series of social developments beginning with “the earliest discovery of childhood innocence in Western Europe” (1996Hays, S. (1996). The cultural contradictions of motherhood. New Haven, CT: Yale University Press., p. 22). The relationship between changes in notions of childhood and changes in understandings of parenting has been noted by several other authors, who linked contemporary parenting culture with “the way society regards children. Babies and infants are seen as both intensely vulnerable and highly impressionable – above all to parental influence” (Furedi, 2001Furedi, F. (2001). Paranoid parenting: Abandon your Anxieties and be a good parent.
    [Show full text]
  • Leaving Your Child Home Alone
    FACTSHEET FOR FAMILIES December 2018 Leaving Your Child Home WHAT’S INSIDE Alone What to consider before leaving your child home All parents eventually face the decision to leave alone their child home alone for the first time. Whether they are just running to the store for a few Tips for parents minutes or working during after-school hours, Resources parents need to be sure their child has the skills and maturity to handle the situation safely. Being trusted to stay home alone can be a positive experience for a child who is mature and well prepared and can boost the child’s confidence and promote independence and responsibility. However, children face real risks when left unsupervised. Those risks, as well as a child’s comfort level and ability to deal with challenges, must be considered. This factsheet provides some tips to help parents and caregivers when making this important decision. Children’s Bureau/ACYF/ACF/HHS 800.394.3366 | Email: [email protected] | https://www.childwelfare.gov Leaving Your Child Home Alone https://www.childwelfare.gov What to Consider Before Leaving Your States do not provide any detail on what is considered Child Home Alone “adequate supervision.” In some States, leaving a child without supervision at an inappropriate age or in When deciding whether to leave a child home alone, inappropriate circumstances may be considered neglect you will want to consider your child’s physical, mental, after considering factors that may put the child at risk of developmental, and emotional well-being; his or her harm, such as the child’s age, mental ability, and physical willingness to stay home alone; and laws and policies in condition; the length of the parent’s absence; and the your State regarding this issue.
    [Show full text]
  • Caring for Kids: Hard-To-Find Facts for Parents About Child Health & Development
    Caring for Caring Kids forKids Hard-to-Find Facts About Child Health &Parents Developmentfor Facts Hard-to-Find for Parents About Child Health & Development SECOND EDITION EDITION SECOND SECOND Riley Hospital for Children rileyhospital.org INDIANA’S ONLY COMPREHENSIVE CHILDREN’S HOSPITAL Caring forKids Hard-to-Find Facts for Parents About Child Health & Development SECOND EDITION by Abigail Klemsz, MD, PhD, and Patricia A. Keener, MD Sponsoring Partners Clarian Health Lilly Endowment Inc Riley Children’s Foundation® Indianapolis, Indiana How to Use this Book Dear Reader, Caring for Kids is divided into four sections. The final pages of each section contain resources, including helpful organizations, suggested books and Web sites. As the state’s only comprehensive children’s hospital, Riley Hospital for Children is proud to present its second edition of Caring for Kids, a book for all of us who care for or about children. Section One: Child Health Care As Riley Hospital’s chief medical officer, I have an opportunity to visit with many This section begins with a brief history of child health care and childhood over the last physicians across the state who are dedicated to caring for Indiana’s children. 200 years. A detailed discussion of the well-child visit is followed by a brief discussion We agree that educated families are an asset to their communities. Learning of dental and eye care. You will find information about sick child care, including when more about their children’s growth, development, health issues, safety and to keep your child home and how sick is sick. welfare can make families stronger and healthier.
    [Show full text]
  • Cover Page. Internet Safety Guide for Teens. Teenage Boy Sitting At
    Cover Page. Internet Safety Guide for Teens. Teenage boy sitting at computer looking over his shoulder with the message on the computer,’ L’ ‘M’ ‘I’ ‘R’ ‘L’- Let’s meet in Real Life. Page 1. Two young teenagers looking at a computer screen with chat between Victor and soccergirl. Victim asks, ‘how about tomorrow: are you home alone again? Soccergirl responds, ‘yeah’, victor responds, ‘let’s chat tomorrow at the same time…’ Page 2. Two young teenage girls. One whispers to the other, ‘yesterday, what? No way! The cool guy she was going to meet? Did he hurt her? Page 3. What’s the problem? The Internet can be a really great tool, fun to surf in your spare time, and totally entertaining. But remember, some things are just too good to be true. Unfortunately, we live in a world where people sometimes take advantage of others. It’s good to be prepared; this may happen to a friend or a sibling or to you. Anything on the Internet, whether it’s chat rooms or web sites, that attracts you and your friends will also attract abusers, bullies and predators. Read on. Many predators, people searching for young adults and teens to rape, kidnap or harm, now use the Internet as their tool of choice. Instead of doing research, like you are doing for that English paper, a predator uses the Internet to find victims. Predators communicate through chat rooms and instant messaging seeking to develop relationships with young people. They seek the trust of young people. When a trust forms, they ask to meet somewhere to check out a movie, window shop or get something to eat.
    [Show full text]
  • Twisted Titles Can You Figure out the Names of These Mixed up Movies? the Challenge Below Are the Titles of Some Popular Movies
    USE YOUR BRAIN Language Challenge Twisted Titles Can you Figure out the names of these mixed up movies? The Challenge Below are the titles of some popular movies. Unfortunately their titles have become twisted! In the first group, most of the words in the title have been replaced by synonyms, or words that mean the same thing. In the second group, most of the words in the title have been replaced by antonyms, An antonym is a word whose meaning is the opposite of another word. Hot/Cold, Small/Big, and Dark/Light are antonyms. Some words that don’t have an antonym are instead replaced by a word that means something that is related, but completely different, such as shack/skyscraper. Try to figure out the original titles in this linguistic challenge! Synonyms Antonyms Harold Jarmaker and the Warlock’s Rock Melted Marvel Moon Peace Skyward Calm Bats The Obfuscated Activities of Animal Outside In Companions Lovable You The Means of Teaching Your Drake Small Villain 9 Plaything Tale The Tiger Queen The Sorcerer of Fantasia The Plastic Dwarf The Female Heir and the Toad Away Together The Small Tritoness The Daydream after Thanksgiving Charles and the Cocoa Plant Employee Adult Stunner and the Monster Lieutenant Unimpressive The Leo, the Wizard, and the Dresser Out of the Plains The Rainforest Tome Birdwoman Rooster Dash Forward from the Past Shaolin Bear Jane or the Tiny Radish Incredible Guy USE YOUR BRAIN Language Chalenge Twisted Titles Did you handle this lingiustic challenge or were you left twisting? The Answers Synonyms Antonyms Harry Potter and the Sorcerer's Stone Frozen Wonder Star Wars Up Angry Birds The Secret Lives of Pets Inside Out How to Train Your Dragon Despicable Me Toy Story Big Hero Six The Wizard of Oz The Lion King The Princess and the Frog The Iron Giant The Little Mermaid Home Alone Charlie and the Chocoloate Factory The Nightmare before Christmas Beauty and the Beast Boss Baby The Lion, Witch, and the Wardrobe Captain Marvel The Jungle Book Into the Woods Chicken Run Batman Kung-Fu Panda Back to the Future Superman James and the Giant Peach.
    [Show full text]
  • BFI Film Quiz – August 2015
    BFI Film Quiz – August 2015 General Knowledge 1 The biographical drama Straight Outta Compton, released this Friday, is an account of the rise and fall of which Los Angeles hip hop act? 2 Only two films have ever won both the Palme D’Or at the Cannes Film Festival and the Academy Award for Best Picture. Name them. 3 Which director links the films Terms of Endearment, Broadcast News & As Good as it Gets, as well as TV show The Simpsons? 4 Which Woody Allen film won the 1978 BAFTA Award for Best Film, beating fellow nominees Rocky, Net- work and A Bridge Too Far? 5 The legendary Robert Altman was awarded a BFI Fellowship in 1991; but which British director of films including Reach for the Sky, Educating Rita and The Spy Who Loved Me was also honoured that year? Italian Film 1 Name the Italian director of films including 1948’s The Bicycle Thieves and 1961’s Two Women. 2 Anna Magnani became the first Italian woman to win the Best Actress Academy Award for her perfor- mance as Serafina in which 1955 Tennessee Williams adaptation? 3 Name the genre of Italian horror, popular during the 1960s and ‘70s, which includes films such as Suspiria, Black Sunday and Castle of Blood. 4 Name Pier Paolo Pasolini’s 1961 debut feature film, which was based on his previous work as a novelist. 5 Who directed and starred in the 1997 Italian film Life is Beautiful, which won the Academy Award for Best Foreign Language Film and the Grand Prix at the Cannes Film Festival, amongst other honours.
    [Show full text]
  • "It's Aimed at Kids - the Kid in Everybody": George Lucas, Star Wars and Children's Entertainment by Peter Krämer, University of East Anglia, UK
    "It's aimed at kids - the kid in everybody": George Lucas, Star Wars and Children's Entertainment By Peter Krämer, University of East Anglia, UK When Star Wars was released in May 1977, Time magazine hailed it as "The Year's Best Movie" and characterised the special quality of the film with the statement: "It's aimed at kids - the kid in everybody" (Anon., 1977). Many film scholars, highly critical of the aesthetic and ideological preoccupations of Star Wars and of contemporary Hollywood cinema in general, have elaborated on the second part in Time magazine's formula. They have argued that Star Wars is indeed aimed at "the kid in everybody", that is it invites adult spectators to regress to an earlier phase in their social and psychic development and to indulge in infantile fantasies of omnipotence and oedipal strife as well as nostalgically returning to an earlier period in history (the 1950s) when they were kids and the world around them could be imagined as a better place. For these scholars, much of post-1977 Hollywood cinema is characterised by such infantilisation, regression and nostalgia (see, for example, Wood, 1985). I will return to this ideological critique at the end of this essay. For now, however, I want to address a different set of questions about production and marketing strategies as well as actual audiences: What about the first part of Time magazine's formula? Was Star Wars aimed at children? If it was, how did it try to appeal to them, and did it succeed? I am going to address these questions first of all by looking forward from 1977 to the status Star Wars has achieved in the popular culture of the late 1990s.
    [Show full text]
  • Anthropology Goes to the Movies by Louise Krasniewicz
    “ROUND UP THE USUAL SUSPECTS ” Anthropology Goes to the Movies by louise krasniewicz n 1946, while most anthropologists were exercising their professional skills and curiosities in cul- tures far from home, Hortense Powdermaker took on a most daring research project. Applying the training in participant-observation she had fine-tuned in the South Pacific, Powdermaker set her sights on that elusive social system known as Hollywood. That year one of the top-grossing films and the Academy Award winner for Best Picture was The Best Years of Our Lives. It was produced by Ithe legendary Samuel Goldwyn, who was notorious for supposedly having warned against taking movies too z c seriously, stating “If I wanted to send a message, I’d send a telegram!” i w e i n s a r K e s i u o L 8 volume 48, number 1 expedition Powdermaker failed to heed this warning, and she became mythological, contextual, and linguistic—could come into one of the earliest anthropologists to take this form of story- play. Technical efforts that support or dispute the narrative— telling, mythmaking, and social production seriously. In her music, special effects, camera movements and positions, published study, Hollywood, the Dream Factory: An sound effects, acting—all would be included in a considera- Anthropologist Looks at the Movie-Makers, she combined keen tion of how the story is put together and what it thinks it is social observations with unfortunately simplistic psychologi- saying. Movie reviews, which often reach more people than the cal generalizations, but still gave the impression that movies themselves, could act as related narratives.
    [Show full text]
  • “Honey, I Shrunk the Kids” - a Classic We’Ve Sometimes Forgotten About - Available on Disney Plus
    Family Friendly Movies with Dad “Honey, I Shrunk the Kids” - a classic we’ve sometimes forgotten about - available on Disney Plus “Coco” - a heartwarming tale honoring culture and highlighting the importance of family - available on Disney Plus “The Goonies” - a goofy, spooky Spielberg gem any dad would love to watch with the kids - available on HBO Max “Home Alone” - any of these fun, adventuresome comedies would be perfect to laugh at on the couch with Dad - available on Disney Plus “Back to the Future” - grab the popcorn and your mad scientist goggles and enjoy this epic tale of science fiction and adventure - available on Netflix “Inside Out” - count on this movie to inspire any viewer with one of the many emotions represented by the clever characters - available on Disney Plus “The Karate Kid” - sharing the original 1980s classic or the 2010 remake of this movie with Dad is sure to be a blast - available to rent on Amazon Prime “Tangled” - if you have a little girl at home, this is the princess adventure movie to watch with Dad! - available on Disney Plus “The Lego Movie” - a hilarious tale involving the toys many have grown up loving will be a perfect movie night - available to rent on Amazon Prime “Hook” - this fun, heartwarming classic is perfect for a night with Dad - available on Netflix “Guardians of the Galaxy” - what is better than a superhero movie about friendship and fatherhood to enjoy on Father’s Day? - available on Disney Plus “Onward” - this animated fantasy film is the epitome of quirky, family fun about two brothers who set out on an epic quest to recover their long-lost father - available on Disney Plus.
    [Show full text]