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EDUCATOR GUIDE Subject: Sanjay Patel Discipline: Visual Art & Animation
EDUCATOR GUIDE Subject: Sanjay Patel Discipline: Visual Art & Animation SECTION I - OVERVIEW ......................................................................................................................2 EPISODE THEME SUBJECT CURRICULUM CONNECTIONS OBJECTIVE STORY SYNOPSIS INSTRUCTIONAL STRATEGIES INSTRUCTIONAL OBJECTIVES EQUIPMENT NEEDED MATERIALS NEEDED INTELLIGENCES ADDRESSED SECTION II – CONTENT/CONTEXT ..................................................................................................3 CONTENT OVERVIEW THE BIG PICTURE RESOURCES – TEXTS RESOURCES – WEB SITES VIDEO RESOURCES BAY AREA FIELD TRIPS SECTION III – VOCABULARY.............................................................................................................6 SECTION IV – ENGAGING WITH SPARK .........................................................................................7 Still image from SPARK story, 2010. SPARK Educator Guide – Sanjay Patel 1 SECTION I - OVERVIEW ¾ Teacher‐guided instruction, including demonstration SUBJECT and guidance Sanjay Patel ¾ Hands‐on individual projects in which students work independently GRADE RANGES ¾ Hands‐on group projects in which students assist K‐12 & Post‐secondary and support one another ¾ Critical reflection on personal expressions and how CURRICULUM CONNECTIONS they are seen and received by others Visual Arts & Language Arts INSTRUCTIONAL OBJECTIVES OBJECTIVE • To introduce students to the animation and fine artwork of Sanjay Patel ¾ Understand the development of personal works of • To provide -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
Pdf Ramayana: Divine Loophole Sanjay Patel - Book Pdf Free
pdf Ramayana: Divine Loophole Sanjay Patel - book pdf free Read Best Book Online Ramayana: Divine Loophole, Ramayana: Divine Loophole PDF Download, Ramayana: Divine Loophole Ebooks, Read Ramayana: Divine Loophole Books Online Free, Download Ramayana: Divine Loophole Online Free, Sanjay Patel ebook Ramayana: Divine Loophole, Ramayana: Divine Loophole Free Read Online, Ramayana: Divine Loophole Ebooks, Read Online Ramayana: Divine Loophole E-Books, Download Free Ramayana: Divine Loophole Book, Ramayana: Divine Loophole PDF Download, Read Best Book Online Ramayana: Divine Loophole, Free Download Ramayana: Divine Loophole Books [E-BOOK] Ramayana: Divine Loophole Full eBook, Free Download Ramayana: Divine Loophole Best Book, Ramayana: Divine Loophole Download PDF, Ramayana: Divine Loophole pdf read online, Ramayana: Divine Loophole Download PDF, Ramayana: Divine Loophole PDF read online, Read Online Ramayana: Divine Loophole E-Books, Ramayana: Divine Loophole Popular Download, CLICK HERE - DOWNLOAD epub, kindle, mobi, pdf Description: There's something very different about the the person being portrayed as what happens when he gets fired from The Xmas Club He needs just like everyone else who works for him...and that really is why our fans are so excited If you can't fit into any part of your character or want to see them get dismissed on Facebook then consider subscribing instead you might read all around here. Or if it looks nice with their comic - because now they look awesome enough We're only going out for one more season where we will hold an event called THE FINAL CONFERENCE OF WAR And hey there has been some real upsets over these past few weeks too Let's say goodbye to how much time have gone since his previous episode which saw people running away screaming making me laugh while crying loudly Oh boy those were serious conversations before seeing THAT Is It Always Love Good Time Because once again YOU know WHAT IS LIE THIS AMAZING ME So enjoy y'all. -
Jobs and Education
Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation. -
Immigration Raids Alarm Uttle Tokyo
•• •• • PC Chronology February 12, 1982 aCl lC Cl· lZel1 (45¢ Postpaid) News 20¢ The National Publication of the Japanese American Citizens League ISSN : 0030-8579 f Whole No. 2,175 f Vol. 94 No. 6 Stand; Immigration raids alarm Uttle tokyo By PEI'ER IMAMURA tight six-block Little Tokyo that 38 were arrested, 27 of LOS ANGELES-Recent large- wnented Japanese and four zone in search of undocum them being Japanese. scale arrests of Japanese, Mexican workers. ented aliens, Pursglove said Both Landon and Pursglove Mexican and Latin American Dan Pursglove, supervis that INS agents had been noted separately that the ar illegal aliens by agents of the ory criminal investigator in working only from informa rested aliens have been re Immigration and Naturaliza- the Little Tokyo section, said tion givel'l to them and were leased on bonds ranging from tion Service this past week in an interview Feb. 4 that only concerned with specific $3,000 to $5,000. None was be ~Feb. 2) in Little Tokyo have these illegal aliens were as places as cited on the com- ing held. Two were dismissed alarmed businessmen and certained through complaints plaints. without charges, while sev community organizations and filed with INS. Total number of illegal ali eral are scheduled for immi caused panic among both doc- Agents returned to JVP on ens arrested is uncertain. gration hearings. Those who umented and undocumented Feb. 2 with more information According to Pursglove's flg were released on bond had workers here. on illegal aliens working in ures, 34 persons were taken several charges against But INS officials said that several other restaurants as into custody. -
The Good Dinosaur
Advances in Social Science, Education and Humanities Research, volume 565 Proceedings of the International Conference on Education Universitas PGRI Palembang (INCoEPP 2021) Values of Character Education in Disney’s Animated Featured “The Good Dinosaur” by Peter Shon Maria Indriati1*), Tahrun2, Hanni Yukamana2 1SMP Negeri 8 OKU, South of Sumatera, Indonesia 2Universitas PGRI Palembang, Indonesia *Corresponding author. Email: [email protected] ABSTRACT The purpose of this study was to identify the values of character education in Disney's animated film "The Good Dinosaur." The study was a descriptive qualitative study in which data from the film's story, plot, and setting were gathered through close reading. The research procedure was watching, identifying, analyzing, and concluding, which can be repeated many times to ensure the data. The film served as the research's data source, and the study's object was character education values. In this study, eighteen-character education values were used, as stated in the Minister of National Education's decision (2010) and to be reinforced by Perpres number 87 in 2017. This study discovered thirteen-character education values: discipline, honesty, Tolerance, discipline, hard work, creativity, independence, curiosity, love homeland, appreciating achievement, friendly/communicative, love peace, sociality, and responsibility. It can be concluded that media such as movies can be used to teach children character values. Keywords: The Good of Dinosaurus, Film, Character Education 1. INTRODUCTION through effort that can inspire viewers. Films also contain jokes to entertain as cited in Suwistini [1]. The importance of education is not only oriented to Those aspects are aimed to build high moral standard master the subject matters but also character and entertainment for children. -
Samsung, Boost Mobile, Sony Electronics, Thomson
Jonathan Levy 337 East 88th Street New York, NY 10128 646.623.9404 [email protected] Director of Production, Adwalker Inc., New York, NY 2006-2009 Responsible for directing and supervising all production for the US office of Adwalker, an immersive media technology solutions company. Designed, developed interactive applications for proprietary web technologies based (Java, JavaScript, XML, Flash, Flex, etc.) out of home advertising platform. Projects included media delivery to cell phones, PDAs, iPods and other mobile media devices, as well as integrated social media elements. Served as primary liaison with other technology partners. Clients: Samsung, Boost Mobile, Sony Electronics, Thomson Reuters, Emusic, Diageo, Alcone, DMG, Starcom, GM R*Works, DDB, Mediavest, NBC Universal, MTV Networks, The CW Network, Telemundo, Yahoo, Comcast, American Express, Hasbro, Unilever, Bank of America, and Wachovia. Technical Director, Pinky Dinky Doo, Cartoon Pizza, New York, NY 2004-2005 Created methodology and supervised production for the animated television series, Pinky Dinky Doo, a co-production with Sesame Workshop. Oversaw an in-house crew of over 40 Flash animators and production artists. Produced all visual effects animation for the series. Authored animation production bible. Aired on Noggin, Nick Jr., BBC and CBC in 2006. Creative Director, ADM Multimédia Bt., Budapest, Hungary 2001-2003 Developed and directed all art production for the company, which produced music and video multimedia events. Created all promotional material for both print and web applications. Clients: United Nations Mission in Kosovo (UNMIK), SOS Kinderdorf, Wizart.hu, Sziget Fesztivál, Kultiplex, and MediaWave. Senior Technical Director, Wildbrain, San Francisco, CA 1999-2001 Supervised all production for wildbrain.com, an animation portal, resulting in over fifteen hours of original Flash based content produced for the company’s website as well as for other clients. -
MONSTERS INC 3D Press Kit
©2012 Disney/Pixar. All Rights Reserved. CAST Sullivan . JOHN GOODMAN Mike . BILLY CRYSTAL Boo . MARY GIBBS Randall . STEVE BUSCEMI DISNEY Waternoose . JAMES COBURN Presents Celia . JENNIFER TILLY Roz . BOB PETERSON A Yeti . JOHN RATZENBERGER PIXAR ANIMATION STUDIOS Fungus . FRANK OZ Film Needleman & Smitty . DANIEL GERSON Floor Manager . STEVE SUSSKIND Flint . BONNIE HUNT Bile . JEFF PIDGEON George . SAM BLACK Additional Story Material by . .. BOB PETERSON DAVID SILVERMAN JOE RANFT STORY Story Manager . MARCIA GWENDOLYN JONES Directed by . PETE DOCTER Development Story Supervisor . JILL CULTON Co-Directed by . LEE UNKRICH Story Artists DAVID SILVERMAN MAX BRACE JIM CAPOBIANCO Produced by . DARLA K . ANDERSON DAVID FULP ROB GIBBS Executive Producers . JOHN LASSETER JASON KATZ BUD LUCKEY ANDREW STANTON MATTHEW LUHN TED MATHOT Associate Producer . .. KORI RAE KEN MITCHRONEY SANJAY PATEL Original Story by . PETE DOCTER JEFF PIDGEON JOE RANFT JILL CULTON BOB SCOTT DAVID SKELLY JEFF PIDGEON NATHAN STANTON RALPH EGGLESTON Additional Storyboarding Screenplay by . ANDREW STANTON GEEFWEE BOEDOE JOSEPH “ROCKET” EKERS DANIEL GERSON JORGEN KLUBIEN ANGUS MACLANE Music by . RANDY NEWMAN RICKY VEGA NIERVA FLOYD NORMAN Story Supervisor . BOB PETERSON JAN PINKAVA Film Editor . JIM STEWART Additional Screenplay Material by . ROBERT BAIRD Supervising Technical Director . THOMAS PORTER RHETT REESE Production Designers . HARLEY JESSUP JONATHAN ROBERTS BOB PAULEY Story Consultant . WILL CSAKLOS Art Directors . TIA W . KRATTER Script Coordinators . ESTHER PEARL DOMINIQUE LOUIS SHANNON WOOD Supervising Animators . GLENN MCQUEEN Story Coordinator . ESTHER PEARL RICH QUADE Story Production Assistants . ADRIAN OCHOA Lighting Supervisor . JEAN-CLAUDE J . KALACHE SABINE MAGDELENA KOCH Layout Supervisor . EWAN JOHNSON TOMOKO FERGUSON Shading Supervisor . RICK SAYRE Modeling Supervisor . EBEN OSTBY ART Set Dressing Supervisor . -
An Analysis of Torture Scenes in Three Pixar Films Heidi Tilney Kramer University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2013 Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films Heidi Tilney Kramer University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons Scholar Commons Citation Kramer, Heidi Tilney, "Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films" (2013). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4525 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films by Heidi Tilney Kramer A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Women’s and Gender Studies College of Arts and Sciences University of South Florida Major Professor: Elizabeth Bell, Ph.D. David Payne, Ph. D. Kim Golombisky, Ph.D. Date of Approval: March 26, 2013 Keywords: children, animation, violence, nationalism, militarism Copyright © 2013, Heidi Tilney Kramer TABLE OF CONTENTS Abstract ................................................................................................................................ii Chapter One: Monsters Under -
Commercials Issueissue
May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era. -
Representations of Masculinity in Contemporary Hollywood Comedies a Thesis Presented to the Facult
In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Nicholas D. Bambach August 2016 © 2016 Nicholas D. Bambach. All Rights Reserved. 2 This thesis titled In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies by NICHOLAS D. BAMBACH has been approved for the School of Film and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT BAMBACH, NICHOLAS D., M.A., August 2016, Film In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies Director of Thesis: Ofer Eliaz This thesis discusses the increasing visibility of masculine identity in contemporary Hollywood comedies. I examine how shifting developments in economic, societal, cultural, and gender relations impacted the perception of cinematic masculinity. The men, more specifically white and heterosexual, in these films position themselves as victims and, as a result, turn to alternative outlets to ease their frustrations and anxieties. In order to broadly survey the genre of the past two decades, I focus on three consistently popular character tropes in Hollywood comedies: slackers, office workers, and bromantic friendships. All the male characters discussed throughout the thesis are plagued by their innermost anxieties and desires that compromise their gendered identities. However, these films resort to a regressive understanding of masculinity and functions within the dominant heteronormative structures. This thesis demonstrates how Hollywood comedies present a contradictory and multifaceted image of modern masculinity. -
Why Is Peter Pan Always Flying?
The Mighty Mammoth Message May 6, 2020 Welcome BASE Staff sure misses our kiddos and their families!! In an effort to stay The Great BASE Challenge Sick of Disney+ - Now What?? connected, and hopefully provide a little help as well, Of course we can’t have a Disney we have created a weekly edition of The Mighty Mammoth Start off with a quick trip to Disneyland newsletter for you and your Message without Disney+! For this week, & Disney World to ride some of the kiddos! Each edition will be coolest rides! we want to know what you have been emailed Wednesday - watching on Disney+! Please email or instead of our usual boring text us with your favorites, or what you Weekly Reminder email! We will have articles that will would consider the hidden gems! hopefully help with [email protected] or 303.501.4928 Frozen Ever After everything from bored kiddos, to dinner plans, to just a little laugh! There will What am I Making for Dessert?! also be opportunities to connect back with us – How about the iconic Disneyland snack which we would – Disney Dole Whip?! The recipe was Pirates of the Caribbean LOVE! just released! Whip up a batch today! Best of the Best Disney Dole Whip Check out this list to see if 1 scoop vanilla ice cream 4 ounces of pineapple juice your family has seen the ten 2 cups of frozen pineapple Splash Mountain highest grossing animated Disney movies . Add all 3 ingredients into a blender. #10 Monsters University Blend until smooth. Serve as is, or the Then get a little crafty with these easy #9 Coco Disney way .