MAUVE and ITS ANNIVERSARIES* Anthony S
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COMPLETE WARDROBE of SHADES. for BEST RESULTS, Dr.’S REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER with BASIC BASE COAT and CALMING CLEAR SEALING TOP COAT
COMPLETE WARDROBE OF SHADES. FOR BEST RESULTS, Dr.’s REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER WITH BASIC BASE COAT AND CALMING CLEAR SEALING TOP COAT. ALTRUISTIC AMITY BALANCE NEW BOUNTIFUL BRAVE CHEERFUL CLARITY COZY Auburn Amethyst Brick Red BELOVED Blue Berry Cherry Coral Cafe A playful burnt A moderately A deep Blush A tranquil, Bright, fresh and A bold, juicy and Bright pinky A cafe au lait orange with bright, smokey modern Cool cotton candy cornflower blue undeniably feminine; upbeat shimmer- orangey and with hints of earthy, autumn purple. maroon. crème with a flecked with a the perfect blend of flecked candy red. matte. pinkish grey undertones. high-gloss finish. hint of shimmer. romance and fun. and a splash of lilac. DEFENSE FOCUS GLEE HOPEFUL KINETIC LOVEABLE LOYAL MELLOW MINDFUL Deep Red Fuchsia Gold Hot Pink Khaki Lavender Linen Mauve Mulberry A rich A hot pink Rich, The perfect Versatile warm A lilac An ultimate A delicate This renewed bordeaux with classic with shimmery and ultra bright taupe—enhanced that lends everyday shade of juicy berry shade a luxurious rich, romantic luxurious. pink, almost with cool tinges of sophistication sheer nude. eggplant, with is stylishly tart matte finish. allure. neon and green and gray. to springs a subtle pink yet playful sweet perfectly matte. flirty frocks. undertone. & classic. MOTIVATING NOBLE NURTURE PASSION PEACEFUL PLAYFUL PLEASING POISED POSITIVE Mink Navy Nude Pink Purple Pink Coral Pink Peach Pink Champagne Pastel Pink A muted mink, A sea-at-dusk Barely there A subtle, A poppy, A cheerful A pale, peachy- A high-shine, Baby girl pink spiked with subtle shade that beautiful with sparkly fresh bubble- candy pink with coral creme shimmering soft with swirls of purple and cocoa reflects light a hint of boysenberry. -
Historical Group
Historical Group NEWSLETTER and SUMMARY OF PAPERS No. 61 Winter 2012 Registered Charity No. 207890 COMMITTEE Chairman: Prof A T Dronsfield, School of Education, | Prof J Betteridge (Twickenham, Middlesex) Health and Sciences, University of Derby, | Dr N G Coley (Open University) Derby, DE22 1GB [e-mail [email protected]] | Dr C J Cooksey (Watford, Hertfordshire) Secretary: | Prof E Homburg (University of Maastricht) Prof W P Griffith, Department of Chemistry, | Prof F James (Royal Institution) Imperial College, South Kensington, London, | Dr D Leaback (Biolink Technology) SW7 2AZ [e-mail [email protected]] | Dr P J T Morris (Science Museum) Treasurer; Membership Secretary: | Prof. J. W. Nicholson (University of Greenwich) Dr J A Hudson, Graythwaite, Loweswater, | Mr P N Reed (Steensbridge, Herefordshire) Cockermouth, Cumbria, CA13 0SU | Dr V Quirke (Oxford Brookes University) [e-mail [email protected]] | Dr S Robinson (Ham, Surrey) Newsletter Editor: | Prof. H. Rzepa (Imperial College) Dr A Simmons, Epsom Lodge, | Dr. A Sella (University College) La Grande Route de St Jean,St John, Jersey, JE3 4FL [e-mail [email protected]] Newsletter Production: Dr G P Moss, School of Biological and Chemical, Sciences Queen Mary University of London, Mile End Road, London E1 4NS [e-mail [email protected]] http://www.chem.qmul.ac.uk/rschg/ http://www.rsc.org/membership/networking/interestgroups/historical/index.asp Contents From the Editor 2 RSC Historical Group News - Bill Griffith 3 Identification Query - W. H. Brock 4 Members’ Publications 5 NEWS AND UPDATES 6 USEFUL WEBSITES AND ADDRESSES 7 SHORT ESSAYS 9 The Copperas Works at Tankerton - Chris Cooksey 9 Mauveine - the final word? (3) - Chris Cooksey and H. -
(12) United States Patent (10) Patent No.: US 6,242,602 B1 Giri Et Al
USOO62426O2B1 (12) United States Patent (10) Patent No.: US 6,242,602 B1 Giri et al. (45) Date of Patent: Jun. 5, 2001 (54) ONE POTSYNTHESIS OF G. F. Bettinetti et al., “Synthesis of 5, 10-Dialkyl-5, 5,10-DIHYDROPHENAZINE COMPOUNDS 10-dihydrophenazines”, Synthesis, Nov. 1976, pp. 748-749. AND 5,10-SUBSTITUTED DHYDROPHENAZINES B. M. Mikhailov et al., “Metal Compounds of Phenazine and Their Transformations', 1950, Chemical Abstracts, vol. 44, (75) Inventors: Punam Giri; Harlan J. Byker; Kelvin pp. 9452–9453. L. Baumann, all of Holland, MI (US) Axel Kistenmacher et al., “Synthesis of New Soluble Triph (73) Assignee: Gentex Corporation, Zeeland, MI (US) enodithiazines and Investigation of Their Donor Properties”, Chem. Ber, 1992, 125, pp. 1495–1500. (*) Notice: Subject to any disclaimer, the term of this Akira Sugimoto et al., “Preparation and Properties of Elec patent is extended or adjusted under 35 tron Donor Acceptor Complexes of the Compounds Having U.S.C. 154(b) by 0 days. Capto-Dative Substituents', Mar.-Apr. 1989, vol. 26, pp. (21) Appl. No.: 09/280,396 435-438. (22) Filed: Mar. 29, 1999 Primary Examiner Richard L. Raymond (51) Int. Cl." ....................... C07D 241/46; CO7D 241/48 ASSistant Examiner Ben Schroeder (52) U.S. Cl. ............................................. 544/347; 544/347 (74) Attorney, Agent, or Firm-Brian J. Rees; Factor & (58) Field of Search ............................................... 544/347 Partners, LLC (56) References Cited (57) ABSTRACT U.S. PATENT DOCUMENTS Dihydrophenazines and bis(dihydrophenazines) are pre 2,292,808 8/1942 Waterman et al. .................. 260/267 pared in high yield under commercially viable reaction 2,332,179 10/1943 Soule .................................. -
Milestones and Personalities in Science and Technology
History of Science Stories and anecdotes about famous – and not-so-famous – milestones and personalities in science and technology BUILDING BETTER SCIENCE AGILENT AND YOU For teaching purpose only December 19, 2016 © Agilent Technologies, Inc. 2016 1 Agilent Technologies is committed to the educational community and is willing to provide access to company-owned material contained herein. This slide set is created by Agilent Technologies. The usage of the slides is limited to teaching purpose only. These materials and the information contained herein are accepted “as is” and Agilent makes no representations or warranties of any kind with respect to the materials and disclaims any responsibility for them as may be used or reproduced by you. Agilent will not be liable for any damages resulting from or in connection with your use, copying or disclosure of the materials contained herein. You agree to indemnify and hold Agilent harmless for any claims incurred by Agilent as a result of your use or reproduction of these materials. In case pictures, sketches or drawings should be used for any other purpose please contact Agilent Technologies a priori. For teaching purpose only December 19, 2016 © Agilent Technologies, Inc. 2016 2 Table of Contents The Father of Modern Chemistry The Man Who Discovered Vitamin C Tags: Antoine-Laurent de Lavoisier, chemical nomenclature Tags: Albert Szent-Györgyi, L-ascorbic acid He Discovered an Entire Area of the Periodic Table The Discovery of Insulin Tags: Sir William Ramsay, noble gas Tags: Frederick Banting, -
NATURE 591 ACOUSTICAL QUANTA and the Zontalline at the 'Epoch' T
No. 4044 May 3, 1947 NATURE 591 ACOUSTICAL QUANTA AND THE zontalline at the 'epoch' t. These are extreme cases. In general, signals cannot be represented by lines ; THEORY OF HEARING but it is possible to associate with them a certain characteristic rectangle or 'cell' by the following By DR. D. GABOR process, which at first sight might perhaps appear British Thomson-Houston Co. Research Laboratory, Rugby somewhat complicated. Consider a given signal described as s(t) in 'time N popular expositions of wave mechanics, acoustical language' and by its Fourier transform S(f) in I illustrations have been used by several authors, 'frequency language'. If s(f) is real, S(j) will be in with particular success by Lande1 • In a recent paper general complex, and the spectrum will extend over on the "Theory of Communication"• I have taken both ppsitive and negative frequencies. This creates the opposite course. Acoustical phenomena are dis an unwelcome asymmetry between the two repre cussed by mathematical methods closely related to sentations, which can be eliminated by operating those of quantum theory. While in physical acoustics with a complex signal ljl(t) = s(t) + icr(t), where cr(t) a new formal approach to old problems cannot be is the Hilbert transform of s(t), instead of with the expected to reveal much that is not already known, real signals(t). This choice makes the Fourier trans the position in subjective acoustics is rather different. form 'P(f) of ljl(t) zero for all negative frequencies. In fact, the new methods have already proved their Next we define the 'energy density' of the signal as heuristic value, and can be expected to throw more ljlljl*, where the asterisk denotes the conjugate com light on the theory of hearing. -
Perkin's Mauve: the History of the Chemistry
REFLECTIONS Perkin’s Mauve: The History of the Chemistry Andrew Filarowski Those of us who owe our living in part to the global dyestuff and chemical industry should pause today and remember the beginnings of this giant industry which started 150 years ago today with William Perkins’ discovery of mauveine whilst working in his home laboratory during the Easter holiday on April 28, 1856. Prior to this discovery, all textiles were dyed with natural dyestuffs and pigments. What did Perkin’s Reaction Entail? William Henry Perkin carried out his experiments at his home laboratory in the Easter break of 1856. He was trying to produce quinine (C20H24N2O2). This formula was known but not the structural formula. Because chemistry was in such an early stage of development Perkin thought that by simply balancing the masses (simple additive and subtractive chemistry) in an equation he would obtain the required compound. He therefore believed that if he took two allyltoluidine molecules, C10H13N, and oxidised them with three oxygen atoms (using potassium dichromate) he would get quinine (C20H24N2O2) and water. 2 (C10H13N) + 3O C20H24N2O2 + H2O It is unsurprising to us now but Perkin reported “that no quinine was formed, but only a dirty reddish brown precipitate.” However, he continued in his trials and decided to use aniline (C6H5NH2) and its sulphate, and to oxidise them using potassium dichromate. This produced a black precipitate that Perkin at first took to be a failed experiment, but he noticed on cleaning his equipment with alcohol that a coloured solution was obtained. Perkin’s Patent W H Perkin filed his patent on the 26th August 1856 for “Producing a new colouring matter for the dyeing with a lilac or purple color stuffs of silk, cotton, wool, or other materials.” (sic) Patent No. -
Guides to the Royal Institution of Great Britain: 1 HISTORY
Guides to the Royal Institution of Great Britain: 1 HISTORY Theo James presenting a bouquet to HM The Queen on the occasion of her bicentenary visit, 7 December 1999. by Frank A.J.L. James The Director, Susan Greenfield, looks on Front page: Façade of the Royal Institution added in 1837. Watercolour by T.H. Shepherd or more than two hundred years the Royal Institution of Great The Royal Institution was founded at a meeting on 7 March 1799 at FBritain has been at the centre of scientific research and the the Soho Square house of the President of the Royal Society, Joseph popularisation of science in this country. Within its walls some of the Banks (1743-1820). A list of fifty-eight names was read of gentlemen major scientific discoveries of the last two centuries have been made. who had agreed to contribute fifty guineas each to be a Proprietor of Chemists and physicists - such as Humphry Davy, Michael Faraday, a new John Tyndall, James Dewar, Lord Rayleigh, William Henry Bragg, INSTITUTION FOR DIFFUSING THE KNOWLEDGE, AND FACILITATING Henry Dale, Eric Rideal, William Lawrence Bragg and George Porter THE GENERAL INTRODUCTION, OF USEFUL MECHANICAL - carried out much of their major research here. The technological INVENTIONS AND IMPROVEMENTS; AND FOR TEACHING, BY COURSES applications of some of this research has transformed the way we OF PHILOSOPHICAL LECTURES AND EXPERIMENTS, THE APPLICATION live. Furthermore, most of these scientists were first rate OF SCIENCE TO THE COMMON PURPOSES OF LIFE. communicators who were able to inspire their audiences with an appreciation of science. -
Color Chart Colorchart
Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade -
Colour of Emotions
Colour of Emotions Utilizing The Psychology of Color GRA 3508 - Desktop Publishing II Table of Contents Introduction ........................................................................... 2 Psychology of Logos ............................................................... 3 Reds ....................................................................................... 4 Overview of Red,Mauve, Magenta ............................................... 4 Crimson, Scarlet, Poster Red ...................................................... 5 Yellows................................................................................... 6 Overview of Yellow, Coral, Orange ............................................... 6 Amber, Gold, Yellow ................................................................. 7 Greens ................................................................................... 8 Overview of Green, Lime, Leaf Green .......................................... 8 Sea Green, Emerald, Teal .......................................................... 9 Blues ..................................................................................... 10 Overview of Blue, Cyan, Sky Blue ............................................... 10 Ultramarine, Violet, Purple ......................................................... 11 Credits.................................................................................... 12 1 Introduction Psychology of Logos Color is a magical element that gives feeling and emotion to art and design. It is an exclusive -
May 2016 Alan J. Rocke EDUCATION BA, 1969, Chemistry, Beloit College
-1- May 2016 Alan J. Rocke EDUCATION B.A., 1969, Chemistry, Beloit College, Beloit, Wisconsin M.A., 1973, History of Science, University of Wisconsin-Madison Thesis: “Isaac Newton’s Theory of Matter” University of Munich, West Germany, 1974-75 Ph.D., 1975, History of Science, University of Wisconsin-Madison Dissertation: “Origins of the Structural Theory in Organic Chemistry” ACADEMIC EMPLOYMENT University of Wisconsin-Madison 1969-74 Teaching Assistant, Depts. of Chemistry and History of Science 1975-78 Lecturer, Depts. of Chemistry and Integrated Liberal Studies Case Western Reserve University 1978-84 Assistant Professor of History of Science and Technology, Department of Interdisciplinary Studies 1984-93 Associate Professor of History of Technology and Science 1993-2016 Professor of History 1995-2016 Henry Eldridge Bourne Professor of History 2012- Distinguished University Professor AWARDS AND HONORS Jack Youden Prize (American Society for Quality Control, Chemical Division), 1982 Carl F. Wittke Award for Excellence in Undergraduate Teaching, 1988 Outstanding Paper Award (American Chemical Society, History Division), 1992 Dexter Award for Outstanding Lifetime Contributions to the History of Chemistry (American Chemical Society), 2000 Fellow of the American Association for the Advancement of Science, 2000 Liebig-Wöhler Freundschafts-Preis, Lewicki Foundation, Göttingen, 2002 Membre correspondant, Académie Internationale d’Histoire des Sciences, 2007 Fellow of the American Chemical Society, 2012 Distinguished University Professor, 2012 -
Sir William Henry Perkin: the 18-Year-Old Chemist That Changed the World of Fashion
Sir William Henry Perkin: The 18-Year-Old Chemist That Changed The World of Fashion [sg_popup id=”39″ event=”onload”][/sg_popup]On March 12th, 2018, Google Doodle honored the 180th birthday of British chemist, Sir William Henry Perkin, who is best known for his accidental discovery of the first synthetic organic dye, mauveine. In 1856, in a makeshift chemistry lab in his apartment, 18-year-old Perkin and his professor, August William von Hofmann, had spent the previous three years trying to find a way to make quinine, a chemical substance found in the bark of the cinchona tree. Quinine was the best treatment for malaria at the time. Due to the extensive extraction process from the bark, the medicine was expensive. Hofmann wanted to find a cheaper way of producing this lifesaving medicine in the lab. However, the project wasn’t going well. And after yet another unsuccessful attempt at creating quinine, the story goes that Perkin was cleaning out a beaker when he noticed that when the leftover dark brown sludge was diluted with alcohol, it left a bright, rich fuchsia- purple stain on the glass. Along with being a brilliant chemist, Perkin was also a painter, so he immediately saw the potential for the vivid purple dye. To keep his accidental discovery to himself, he moved his work to a garden shed, and later that same year, filed for a patent on a dye he called mauveine. Mauveine was used as the first synthetic dye for cloth. Before this discovery, to create a colorful fabric in the mid-1800s, the color had to be extracted from something in nature, like berries, beetle’s exoskeleton, or bat guano. -
COLOR SELECTION High Gloss Colors Matte Finish Colors Choosing a Color Is a Very Personal Decision, So QUICKIE and ZIPPIE Give You More Options
POWER CHAIR SHROUD COLORS & COLOR SELECTION High Gloss Colors Matte Finish Colors Choosing a color is a very personal decision, so QUICKIE and ZIPPIE give you more options. From subtle to eye-catching, we offer the Apple Green Copper Silver Matte Black widest spectrum of possibilities. Explore our collection to find the look that suits you! Special Edition White Candy Apple Red High Gloss Black Yellow Digital Camo Available exclusively on QUICKIE 7 R, 7RS and Q7 NextGEN KOLORFUSION ™ Candy Blue Midnight Blue American Flag Woodland Camo Desert Camo Mossy Oak Camouflage Stars and Stripes Candy Purple Pearl Pink Pink Camo Grunge Skulls Zebra* Color match your * Black Zebra Kolorfusion ™ pattern is available on any base color. JAY ® J3 Back to your Shown here on Candy Blue base color. Quickie ® chair! Carbon Fiber Pearl White ©01.2016 Sunrise Medical (US) LLC Available for order MK-100168 Rev. B through JAY Your Way ™ customizations Customer Service: 800.333.4000 www.SunriseMedical.com FRAME COLORS Sparkle Silver, Red Anodized Package Zebra Kolorfusion ™ Glow paint shown in the dark High Gloss Colors Matte Finish Colors Aztec Gold Candy Red Rootbeer Titanium Color Paint Black Electric Blue Sparkle Silver Matte Black Black Cherry Evergreen Sunrise Orange Matte Black Cherry Black Opal Glow Yellow Matte Purple ANODIZED PARTS Blue Opal Green Apple Refer to product order form for anodized part options. Matte Electric Blue Candy Blue Hot Sparkle Pink Black Titanium Grey Gold Blue Matte Evergreen NOTES: Print processes cannot accurately represent paint finishes. Actual colors may vary. Candy Purple Mauve Pink Colors and patterns may vary based on type of chair or frame material.