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Tokyo Family
Dossier de presse trigon-film TOKYO FAMILY Un film de Yoji Yamada Japon, 2013 DISTRIBUTION trigon-film Limmatauweg 9 5408 Ennetbaden Tél: 056 430 12 30 Fax: 056 430 12 31 [email protected] www.trigon-film.org CONTACT MEDIAS Martial Knaebel 079 438 65 13 [email protected] MATERIEL PHOTOGRAPHIQUE www.trigon-film.org FICHE TECHNIQUE Réalisation Yoji Yamada Scénario Yoji Yamada, Emiko Hiramatsu Image Masashi Chikamori Montage Iwao Ishii Décors Mitsuo Degawa Costumes Kazuo Matsuda Son Kazumi Kishida Musique Joe Hisaishi Production Shochiku Tokyo Pays Japon Année 2013 Durée 146 minutes Langue/sous-titres japonais a/f FICHE ARTISTIQUE Isao Hashizume Shukichi Hirayama Kazuke Yoshiyuki Tomiko Hirayama Satoshi Tsumabuki Shoji Hirayama Yu Aoi Noriko Mamiya Yui Natsukawa Fumiko Hirayama Masahiko Nishimura Koichi Hirayama Tomoko Nakajima Shigeko Kanai Shozo Hayashiya Kurazo Kanai FESTIVALS Internationale Filmfestspiele Berlin: Berlinale Special Festival international de Valladolid: Meilleur film Awards of the Japanese Academy: sélectionné dans 12 catégories SYNOPSIS Un vieux couple quitte son île, dans la région d'Hiroshima, pour aller rendre visite à ses enfants qui vivent maintenant à Tokyo où ils travaillent. Ceux-ci, très occupés par leurs professions respectives n'ont que peu de temps à consacrer à leurs parents et leur offrent un séjour dans un hôtel au bord de mer. Yasujiro Ozu, il y a 60 ans, avait déjà filmé cette même histoire de façon inoubliable dans Le voyage à Tokyo (Tokyo monogatari). Son assistant de l'époque, Yoji Yamada, avec ce remake, lui rend un remarquable hommage. RESUME DU FILM Shukichi et Tomiko Hirayama viennent à Tokyo pour rendre visite à leurs enfants. -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights. -
Love and Honor (Shown at the JICC Last October)
Samurai Week in Washington, D.C. The 150th Anniversary of the First Japanese Diplomatic Mission to the U.S. 150 years ago, the world had yet to discover Japan, and the people of Japan had never seen America… Japan Information & Culture Center, Embassy of Japan presents © Tartan Films 2005. The Hidden Blade th Thursday, May 27 @ 6:30 pm Honor, loyalty and love are at stake in The Hidden Blade, the second film in director Yoji Yamada’s acclaimed samurai trilogy which began with the Oscar‐nominated Twilight Samurai and ended with Love and Honor (shown at the JICC last October). Katagiri is an honest, low‐ranking samurai struggling to adapt as the way of the samurai fades and Western influences begin to take hold in mid 19th century Japan. dRaise to respect tradition, the modernization of Japan's political and military methods is forcing Katagiri to look to the future. Publicly he tries to maintain his footing, paying heed to the demanding moral code of the samurai while striving to master new military technology. Privately he is secretly in love with his family's maid. His passion leads him to rescue her from a loveless marriage, scandalously carrying the low‐caste young woman away on his back. When an old friend, the clan’s best swordsman, is arrested in Edo for plotting against the Shogunate, Katagiri comes under suspicion. Ordered to kill the ‘traitor’ to prove his allegiance, the loyal samurai is faced with one final challenge to his principles. Japanese with English subtitles. Rated R. 132min, 2004. Directed by Yoji Yamada. -
The Significance of the Atypical Samurai Image: A
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UC Research Repository THE SIGNIFICANCE OF THE ATYPICAL SAMURAI IMAGE: A STUDY OF THREE NOVELLAS BY FUJISAWA SHŪHEI AND THE FILM TASOGARE SEIBEI BY YAMADA YŌJI A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Japanese at the University of Canterbury by S. J. Albrow University of Canterbury 2007 Table of Contents Acknowledgments ........................................................................... …..……..…2 Abstract ........................................................................................................... …3 Author's Notes ................................................................................................ …4 Introduction ........................................................................... ….…….…….…..5 I Historical Background to the Samurai and their Ideals ......................... ..11 1.1. Emergence of the Samurai... ...................................................... ……..11 1.2. Samurai Ethics during the Tokugawa Period ........................... ……..20 1.3. Anxiety and Change .......................................................... …..…..…...29 1.4. Modern Adaptation of Samurai Ideals ............................................... ..42 1.5. Re-examining Samurai Traditions ............................................ ….…..46 II The Atypical Samurai Image ........................................................... ….…..51 2.1. Corporate Society ..................................................................... -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations A Dissertation Presented by I-Te Rita Sung to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University August 2016 Stony Brook University The Graduate School I-Te Rita Sung We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. E. Ann Kaplan, Distinguished Professor, Dissertation Co-Advisor Cultural Analysis & Theory Krin Gabbard, Professor Emeritus, Dissertation Co-Advisor Cultural Analysis & Theory Jeffrey Santa Ana, Associate Professor, Chairperson of Defense Cultural Analysis & Theory and English Department Leo T.S. Ching, Outside Member, Duke University, Department of Asian and Middle Eastern Studies Aaron A. Gerow, Outside Member, Yale University, Department of East Asian Languages and Literatures This dissertation is accepted by the Graduate School Nancy Goroff Interim Dean of the Graduate School ii Abstract of the Dissertation Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations by I-Te Rita Sung Doctor of Philosophy in Comparative Literature Stony Brook University 2016 Since the beginning of the 21st century, the jun’ai (pure-love) genre has flourished in Japan, both in works of popular literature and in film. This phenomenon coincides with a time when the country is seen by the media as being characterized by soshitsukan (sense of loss). -
Production Notes
Production Notes ABOUT THE FILM Timed to the 50th anniversary of NASA’s celebrated Apollo 11 mission, Apollo 11: First Steps Edition is a thrilling cinematic experience that showcases the real-life moments of humankind’s first steps on the Moon. In this special giant screen edition of Todd Douglas Miller’s (Dinosaur 13) critically acclaimed Apollo 11 documentary, the filmmakers reconstruct the exhilarating final moments of preparation, liftoff, landing, and return of this historic mission—one of humanity’s greatest achievements, and the first to put humans on the Moon. It seems impossible, but this project was possible because of the discovery of a trove of never-before-seen 70mm footage and uncatalogued audio recordings—which allowed the filmmakers to create a 47-minute version of the film tailored exclusively for IMAX® and giant screen theaters in science centers and museums. Apollo 11: First Steps Edition is produced by Statement Pictures in partnership with CNN Films. The film is presented by Land Rover, and distributed by MacGillivray Freeman Films. “The Apollo 11 mission was humanity’s greatest adventure and we’re pleased to be bringing this edition to science centers and museums everywhere,” says director Todd Douglas Miller. “This film was designed to take full advantage of the immersive quality of IMAX and giant screen theaters.” But how did it happen? How did this one-in-a-lifetime batch of footage remain undiscovered for fifty years? Miller explains that as his team was working closely with NASA and the National Archives (NARA) to locate all known Apollo 11 footage, NARA staff members simply discovered reels upon reels of 70mm, large-format Apollo footage. -
Introduction to Electronic Music
introduction to electronic music Bruno Ruviaro 2011-05-31 Stanford University CCRMA (Center for Computer Research in Music and Acoustics) Glitch Dataplex (2005), by Ryoji Ikeda Mash Up All Day (2010), by Girl Talk Plunderphonics Dab (1989), by John Oswald Turntablism Christian Marclay Grandmaster Flash 1980s 1980s Computer music Turenas (1972) by John Chowning Acousmatic music Tremblement de terre très doux (1978) by François Bayle orchestra of loudspeakers, cinéma sonore, GRM Early analog synthesizers Late 1960s: Wendy Carlos Isao Tomita Early computer music Late 1950s: Max Mathews Lejaren Hiller Early analog synthesizers Late 1960s Wendy Carlos Isao Tomita Early computer music Late 1950s Max Mathews Lejaren Hiller Early analog synthesizers Late 1960s Wendy Carlos Isao Tomita Early computer music Late 1950s Max Mathews Lejaren Hiller Text-sound composition Visage (1961) by Luciano Berio speech & music, radiophonic art, linguistics Stochastic music Concrete P.H. (1958) by Iannis Xenakis sound masses, formalized music, UPIC, music & architecture Elektronische Musik Gesang der Jünglinge (1955-6) by Karlheinz Stockhausen serialism, Cologne studio, sinusoidal school Musique Concrète Étude aux chemins de fer (1948) by Pierre Schaeffer sound object, acousmatic music, concrete sound John Cage Imaginary Landscape #1 (1939) Edgard Varèse Organized Sound Music as Art-Science (1930s) Luigi Russolo Futurism Art of Noises (1913) First electronic instruments Theremin (1920) Telharmonium (1901) . n o i s e n o i s e truck n o i s e truck static n o i s e truck static rain . n o i s e truck static rain . musical instruments! John Cage (1912-1992) But after all, what is music but organized noises? And a composer, like all artists, is an organizer of disparate elements. -
Yamada Yoji Harks Back to Japanese Cinema's Golden Age
Volume 6 | Issue 2 | Article ID 2658 | Feb 01, 2008 The Asia-Pacific Journal | Japan Focus Yamada Yoji Harks Back to Japanese Cinema's Golden Age Mark Schilling Yamada Yoji Harks Back to Japanese "Tora-san"), his film series about a lovelorn Cinema's Golden Age peddler. 'Tora-san" put Yamada in the Guinness Book of Records for the longest-running movie Mark Schilling series in the world, but not on many foreign critics' best-director lists. Instead, he was How many directors make great movies after denounced by many critics (though not this turning 70? John Huston did it with "The Dead," one) as a studio hack, grinding out easily likewise Kurosawa Akira with "Ran" and Clint digestible product for the masses. Eastwood with "Letters from Iwo Jima," but the numbers are few. Even Yamada, when I first met him in 1991 at the height of his "Tora-san" fame, compared himself to a soba-noodle chef, tossing out bowl after bowl of what he hoped was tasty soup. Tora-san But Yamada also had higher ambitions. "Shiawase no Kiiroi Hankachi (The Yellow Handkerchief of Happiness)" from 1977 and 1991's "Musuko (My Sons)" were serious dramatic films that won many domestic awards, but were little seen abroad. His true flowering, however, has come this decade, after the "Tora-san" series. In 2002 he Yamada Yoji. Photo Miura Yoshiaki released his first period drama, "Tasogare Seibei (The Twilight Samurai)," which scooped To that short list now add Yamada Yoji. The an Oscar nomination for Best Foreign filmmaker is best known for directing all 48 Language Film. -
BEAUTIFUL NOISE Directions in Electronic Music
BEAUTIFUL NOISE Directions in Electronic Music www.ele-mental.org/beautifulnoise/ A WORK IN PROGRESS (3rd rev., Oct 2003) Comments to [email protected] 1 A Few Antecedents The Age of Inventions The 1800s produce a whole series of inventions that set the stage for the creation of electronic music, including the telegraph (1839), the telephone (1876), the phonograph (1877), and many others. Many of the early electronic instruments come about by accident: Elisha Gray’s ‘musical telegraph’ (1876) is an extension of his research into telephone technology; William Du Bois Duddell’s ‘singing arc’ (1899) is an accidental discovery made from the sounds of electric street lights. “The musical telegraph” Elisha Gray’s interesting instrument, 1876 The Telharmonium Thaddeus Cahill's telharmonium (aka the dynamophone) is the most important of the early electronic instruments. Its first public performance is given in Massachusetts in 1906. It is later moved to NYC in the hopes of providing soothing electronic music to area homes, restaurants, and theatres. However, the enormous size, cost, and weight of the instrument (it weighed 200 tons and occupied an entire warehouse), not to mention its interference of local phone service, ensure the telharmonium’s swift demise. Telharmonic Hall No recordings of the instrument survive, but some of Cahill’s 200-ton experiment in canned music, ca. 1910 its principles are later incorporated into the Hammond organ. More importantly, Cahill’s idea of ‘canned music,’ later taken up by Muzak in the 1960s and more recent cable-style systems, is now an inescapable feature of the contemporary landscape. -
CENTERFOLD • PPINGLIST * , ..., * Paa4' 2' December 4, 1984 December 4, 1984 the Ticker The'deker Page 3
.1932 * The Students' Voice for Over SO Years ·1984· Vol. 52 No.7 Baruch College, CUNY December 4, 1984 StudeBt-TeaeIter WBMB May Lose Funding Evaluations To Unless It Meets Four Conditions Be Held This' Fall Three Have Been Met By Eric J(un By Eric J. Fox According to Anatoly Herman, the chairman of the Communica Student evaluations of teachers WBMB, the college radio sta tions Board, the submission of a will be held this fall but there will tion, may lose its funding unless it written time-frame for full broad be no spring evaluations, although complies with four conditions set casting capabilities "will result in a students say evaluations should be " .. "" -';'.-. --::" by the Baruch College Communica significant improvement in the held both semesters. tions Board, according to Ronald quality of programs." The Com Jeffrey Weiss, chairperson of the' ..; M. Aaron. the associate dean of munications Board is responsible student council, said that evalua The bathroom where the incident is said to have occurred. students. for allocating money to Baruch , tions held "once a year is not "A lot of money has been in College media. r- _.' enough." Weiss explained that a vested into the operation of WBMB has complied with ~e\ student can only voice his or her Three Students Robbed In Bathroom; WBMB," said Aaron, "and ques first condition, according ~ tb" opinions about a teacher once a tions were raised last year by an ar Aaron. "The initial report did year. Since students have different Second Incident In Two Weeks ray of board members as to where come in well before Oct. -
Thesis Writing Deliverables (Pdf)
DEFENSE SPEECH Discovering and listening to music has always been my biggest passion in life and my primary way of coping with my emotions. I think its main appeal to me since childhood has been the comfort it brings in knowing that at some point in time, another human felt the same thing as me and was able to survive and express it by making something beautiful. For my project, I recorded a 9 track album called Strange Machines while I was on leave of absence last year. This term, I created a 20 minute extended music video to accompany it. All of this lives on a page I coded on my personal website with some fun bonus content that I’ll scroll through at the end of this presentation. I’ll put the link in the comments so anyone who’s interested can check it out at their own pace. I have so much fun making music and feel proud when I have a cohesive finished product at the end. I’m not interested in becoming a virtuoso musician or a professional producer. A lot of trained musicians gatekeep, intimidate, and discourage amateurs. People mystify and mythologize the creative process as if it’s the product of some elusive, innate genius rather than practice, experimentation, and a simple love of music. As someone who’s work exists entirely as digital recordings, there’s no inherent reason for me to be an amazing guitar player who can play a song perfectly all the way through, as mistakes can be easily cut out and re-recorded. -
Exploring the Japanese Heritage Film
῏ῑῒΐ ῐ ῍ ῍῎ῌῌ῏῎ Cinema Studies, no.1 Exploring the Japanese Heritage Film Mai K6ID Introduction The issue of heritage film has become one of the most crucial and frequently discussed topics in Film Studies. Not only has the argu- ment about British ῍or English῎ heritage film been developed by many researchers,1 but the idea of the heritage film has also begun to be applied to the cinema of other countries. A remarkable example in the latter direction is Guy Austin’s examination of la tradition de qualité in French cinema as a heritage genre ῍142῎ῌ One of the main aims of this article is to provide support for the proposal that the concept of heritage films should be applied internationally, rather than solely to the British cinema. This is because I believe the idea of the heritage film could be one of the main scholarly research field in Film Studies as a whole, as it encompasses a large number of areas including representation, gender, genre, reception, marketing, politics and tourism. Like canonical research fields in Film Studies such as Film Noir or The New Wave, the idea of The Heritage Film establishes an alternative method of examining and understanding film. In order to demonstrate the capability of the heritage film con- cept, and in particular its adaptability beyond the confines of British cinema, this article aims to apply it to Japanese cinema. In con- sideration of what kind or type of Japanese cinema might be eligible as heritage film, the most likely answer is Jidaigeki, which can loosely be understood as period dramas.