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Mdns/Dns-Sd Tutorial
MDNS/DNS-SD TUTORIAL In this tutorial, we will describe how to use mDNS/DNS-SD on Raspberry Pi. mDNS/DNS-SD is a protocol for service discovery in a local area network. It is standardized under RFCs 6762 [1] and 6763[2]. The protocol is also known by the Bonjour trademark by Apple, or Zeroconf. On Linux, it is implemented in the avahi package. [1] http://tools.ietf.org/html/rfc6762 [2] http://tools.ietf.org/html/rfc6763 About mDNS/DNS-SD There are several freely available implementations of mDNS/DNS-SD: 1. avahi – Linux implementation (http://www.avahi.org/) 2. jmDNS – Java implementation (http://jmdns.sourceforge.net/) 3. Bonjour – MAC OS (installed by default) 4. Bonjour – Windows (https://support.apple.com/kb/DL999?locale=en_US) During this course, we will use only avahi. However, any of the aforementioned implementations are compatible. Avahi installation avahi is available as a package for Raspbian. Install it with: sudo apt-get install avahi-deamon avahi-utils Avahi usage avahi-daemon is the main process that takes care of proper operation of the protocol. It takes care of any configuration of the interfaces and network messaging. A user can control the deamon with command line utilities, or via D-Bus. In this document, we will describe the former option. For the latter one, please see http://www.avahi.org/wiki/Bindings. Publishing services avahi-publish-service is the command for publishing services. The syntax is: avahi-publish-service SERVICE-NAME _APPLICATION- PROTOCOL._TRANPOSRT-PROTOCOL PORT “DESCRIPTION” --sub SUBPROTOCOL For instance, the command: avahi-publish-service light _coap._udp 5683 “/mylight” --sub _floor1._sub._coap._udp will publish a service named ‘light’, which uses the CoAP protocol over UDP on port 5683. -
Smart Speakers & Their Impact on Music Consumption
Everybody’s Talkin’ Smart Speakers & their impact on music consumption A special report by Music Ally for the BPI and the Entertainment Retailers Association Contents 02"Forewords 04"Executive Summary 07"Devices Guide 18"Market Data 22"The Impact on Music 34"What Comes Next? Forewords Geoff Taylor, chief executive of the BPI, and Kim Bayley, chief executive of ERA, on the potential of smart speakers for artists 1 and the music industry Forewords Kim Bayley, CEO! Geoff Taylor, CEO! Entertainment Retailers Association BPI and BRIT Awards Music began with the human voice. It is the instrument which virtually Smart speakers are poised to kickstart the next stage of the music all are born with. So how appropriate that the voice is fast emerging as streaming revolution. With fans consuming more than 100 billion the future of entertainment technology. streams of music in 2017 (audio and video), streaming has overtaken CD to become the dominant format in the music mix. The iTunes Store decoupled music buying from the disc; Spotify decoupled music access from ownership: now voice control frees music Smart speakers will undoubtedly give streaming a further boost, from the keyboard. In the process it promises music fans a more fluid attracting more casual listeners into subscription music services, as and personal relationship with the music they love. It also offers a real music is the killer app for these devices. solution to optimising streaming for the automobile. Playlists curated by streaming services are already an essential Naturally there are challenges too. The music industry has struggled to marketing channel for music, and their influence will only increase as deliver the metadata required in a digital music environment. -
A High-Level Programming Language for Multimedia Streaming
Liquidsoap: a High-Level Programming Language for Multimedia Streaming David Baelde1, Romain Beauxis2, and Samuel Mimram3 1 University of Minnesota, USA 2 Department of Mathematics, Tulane University, USA 3 CEA LIST – LMeASI, France Abstract. Generating multimedia streams, such as in a netradio, is a task which is complex and difficult to adapt to every users’ needs. We introduce a novel approach in order to achieve it, based on a dedi- cated high-level functional programming language, called Liquidsoap, for generating, manipulating and broadcasting multimedia streams. Unlike traditional approaches, which are based on configuration files or static graphical interfaces, it also allows the user to build complex and highly customized systems. This language is based on a model for streams and contains operators and constructions, which make it adapted to the gen- eration of streams. The interpreter of the language also ensures many properties concerning the good execution of the stream generation. The widespread adoption of broadband internet in the last decades has changed a lot our way of producing and consuming information. Classical devices from the analog era, such as television or radio broadcasting devices have been rapidly adapted to the digital world in order to benefit from the new technologies available. While analog devices were mostly based on hardware implementations, their digital counterparts often consist in software implementations, which po- tentially offers much more flexibility and modularity in their design. However, there is still much progress to be done to unleash this potential in many ar- eas where software implementations remain pretty much as hard-wired as their digital counterparts. -
Tamil Flac Songs Free Download Tamil Flac Songs Free Download
tamil flac songs free download Tamil flac songs free download. Get notified on all the latest Music, Movies and TV Shows. With a unique loyalty program, the Hungama rewards you for predefined action on our platform. Accumulated coins can be redeemed to, Hungama subscriptions. You can also login to Hungama Apps(Music & Movies) with your Hungama web credentials & redeem coins to download MP3/MP4 tracks. You need to be a registered user to enjoy the benefits of Rewards Program. You are not authorised arena user. Please subscribe to Arena to play this content. [Hi-Res Audio] 30+ Free HD Music Download Sites (2021) ► Read the definitive guide to hi-res audio (HD music, HRA): Where can you download free high-resolution files (24-bit FLAC, 384 kHz/ 32 bit, DSD, DXD, MQA, Multichannel)? Where to buy it? Where are hi-res audio streamings? See our top 10 and long hi-res download site list. ► What is high definition audio capability or it’s a gimmick? What is after hi-res? What's the highest sound quality? Discover greater details of high- definition musical formats, that, maybe, never heard before. The explanation is written by Yuri Korzunov, audio software developer with 20+ years of experience in signal processing. Keep reading. Table of content (click to show). Our Top 10 Hi-Res Audio Music Websites for Free Downloads Where can I download Hi Res music for free and paid music sites? High- resolution music free and paid download sites Big detailed list of free and paid download sites Download music free online resources (additional) Download music free online resources (additional) Download music and audio resources High resolution and audiophile streaming Why does Hi Res audio need? Digital recording issues Digital Signal Processing What is after hi-res sound? How many GB is 1000 songs? Myth #1. -
State of Linux Audio in 2009 Linux Plumbers Conference 2009
State of Linux Audio in 2009 Linux Plumbers Conference 2009 Lennart Poettering [email protected] September 2009 Lennart Poettering State of Linux Audio in 2009 Who Am I? Software Engineer at Red Hat, Inc. Developer of PulseAudio, Avahi and a few other Free Software projects http://0pointer.de/lennart/ [email protected] IRC: mezcalero Lennart Poettering State of Linux Audio in 2009 Perspective Lennart Poettering State of Linux Audio in 2009 So, what happened since last LPC? Lennart Poettering State of Linux Audio in 2009 RIP: EsounD is officially gone. Lennart Poettering State of Linux Audio in 2009 (at least on Fedora) RIP: OSS is officially gone. Lennart Poettering State of Linux Audio in 2009 RIP: OSS is officially gone. (at least on Fedora) Lennart Poettering State of Linux Audio in 2009 Audio API Guide http://0pointer.de/blog/projects/guide-to-sound-apis Lennart Poettering State of Linux Audio in 2009 We also make use of high-resolution timers on the desktop by default. We now use realtime scheduling on the desktop by default. Lennart Poettering State of Linux Audio in 2009 We now use realtime scheduling on the desktop by default. We also make use of high-resolution timers on the desktop by default. Lennart Poettering State of Linux Audio in 2009 2s Buffers Lennart Poettering State of Linux Audio in 2009 Mixer abstraction? Due to user-friendliness, i18n, meta data (icons, ...) We moved a couple of things into the audio server: Timer-based audio scheduling; mixing; flat volume/volume range and granularity extension; integration of volume sliders; mixer abstraction; monitoring Lennart Poettering State of Linux Audio in 2009 We moved a couple of things into the audio server: Timer-based audio scheduling; mixing; flat volume/volume range and granularity extension; integration of volume sliders; mixer abstraction; monitoring Mixer abstraction? Due to user-friendliness, i18n, meta data (icons, ...) Lennart Poettering State of Linux Audio in 2009 udev integration: meta data, by-path/by-id/.. -
Opus, a Free, High-Quality Speech and Audio Codec
Opus, a free, high-quality speech and audio codec Jean-Marc Valin, Koen Vos, Timothy B. Terriberry, Gregory Maxwell 29 January 2014 Xiph.Org & Mozilla What is Opus? ● New highly-flexible speech and audio codec – Works for most audio applications ● Completely free – Royalty-free licensing – Open-source implementation ● IETF RFC 6716 (Sep. 2012) Xiph.Org & Mozilla Why a New Audio Codec? http://xkcd.com/927/ http://imgs.xkcd.com/comics/standards.png Xiph.Org & Mozilla Why Should You Care? ● Best-in-class performance within a wide range of bitrates and applications ● Adaptability to varying network conditions ● Will be deployed as part of WebRTC ● No licensing costs ● No incompatible flavours Xiph.Org & Mozilla History ● Jan. 2007: SILK project started at Skype ● Nov. 2007: CELT project started ● Mar. 2009: Skype asks IETF to create a WG ● Feb. 2010: WG created ● Jul. 2010: First prototype of SILK+CELT codec ● Dec 2011: Opus surpasses Vorbis and AAC ● Sep. 2012: Opus becomes RFC 6716 ● Dec. 2013: Version 1.1 of libopus released Xiph.Org & Mozilla Applications and Standards (2010) Application Codec VoIP with PSTN AMR-NB Wideband VoIP/videoconference AMR-WB High-quality videoconference G.719 Low-bitrate music streaming HE-AAC High-quality music streaming AAC-LC Low-delay broadcast AAC-ELD Network music performance Xiph.Org & Mozilla Applications and Standards (2013) Application Codec VoIP with PSTN Opus Wideband VoIP/videoconference Opus High-quality videoconference Opus Low-bitrate music streaming Opus High-quality music streaming Opus Low-delay -
VNC User Guide 7 About This Guide
VNC® User Guide Version 5.3 December 2015 Trademarks RealVNC, VNC and RFB are trademarks of RealVNC Limited and are protected by trademark registrations and/or pending trademark applications in the European Union, United States of America and other jursidictions. Other trademarks are the property of their respective owners. Protected by UK patent 2481870; US patent 8760366 Copyright Copyright © RealVNC Limited, 2002-2015. All rights reserved. No part of this documentation may be reproduced in any form or by any means or be used to make any derivative work (including translation, transformation or adaptation) without explicit written consent of RealVNC. Confidentiality All information contained in this document is provided in commercial confidence for the sole purpose of use by an authorized user in conjunction with RealVNC products. The pages of this document shall not be copied, published, or disclosed wholly or in part to any party without RealVNC’s prior permission in writing, and shall be held in safe custody. These obligations shall not apply to information which is published or becomes known legitimately from some source other than RealVNC. Contact RealVNC Limited Betjeman House 104 Hills Road Cambridge CB2 1LQ United Kingdom www.realvnc.com Contents About This Guide 7 Chapter 1: Introduction 9 Principles of VNC remote control 10 Getting two computers ready to use 11 Connectivity and feature matrix 13 What to read next 17 Chapter 2: Getting Connected 19 Step 1: Ensure VNC Server is running on the host computer 20 Step 2: Start VNC -
Beyond Napster, Beyond the United States: the Technological and International Legal Barriers to On-Line Copyright Enforcement
NYLS Law Review Vols. 22-63 (1976-2019) Volume 46 Issue 1 Judge Jon. O. Newman: A Symposium Celebrating his Thirty Years on the Federal Article 10 Bench January 2003 BEYOND NAPSTER, BEYOND THE UNITED STATES: THE TECHNOLOGICAL AND INTERNATIONAL LEGAL BARRIERS TO ON-LINE COPYRIGHT ENFORCEMENT Jeffrey L. Dodes Follow this and additional works at: https://digitalcommons.nyls.edu/nyls_law_review Part of the Communications Law Commons, Intellectual Property Law Commons, Internet Law Commons, Law and Society Commons, Legal History Commons, Litigation Commons, and the Rule of Law Commons Recommended Citation Jeffrey L. Dodes, BEYOND NAPSTER, BEYOND THE UNITED STATES: THE TECHNOLOGICAL AND INTERNATIONAL LEGAL BARRIERS TO ON-LINE COPYRIGHT ENFORCEMENT, 46 N.Y.L. SCH. L. REV. (2002-2003). This Note is brought to you for free and open access by DigitalCommons@NYLS. It has been accepted for inclusion in NYLS Law Review by an authorized editor of DigitalCommons@NYLS. \\server05\productn\N\NLR\46-1-2\NLR102.txt unknown Seq: 1 11-FEB-03 13:48 BEYOND NAPSTER, BEYOND THE UNITED STATES: THE TECHNOLOGICAL AND INTERNATIONAL LEGAL BARRIERS TO ON-LINE COPYRIGHT ENFORCEMENT I. INTRODUCTION Courts in the United States and throughout the world are faced with great challenges in adjudicating legal conflicts created by the rapid development of digital technologies. The proliferation of new technologies that allow for fast, reliable and widespread transmission of digital files has recently created a swell of litigation and media cover- age throughout the world. Copyright -
The Use of Music Technologies in Field Education Courses and Daily Lives of Music Education Department Students (Sample of Atatürk University)∗
Universal Journal of Educational Research 6(5): 1005-1014, 2018 http://www.hrpub.org DOI: 10.13189/ujer.2018.060521 The Use of Music Technologies in Field Education Courses and Daily Lives of Music Education ∗ Department Students (Sample of Atatürk University) Gökalp Parasiz Department of Fine Arts Education, Necatibey Education Faculty, Balıkesir University, Balıkesir, Turkey Copyright©2018 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract Technology-oriented tools/devices have long situations. been an indispensable part of music as well as music Technology and education are branches of science in education for many years. It is of great importance in music their own right and they have different theories and education for students and teachers and the future of music techniques but they are used together to improve quality in to follow closely and use the technological developments learning and teaching environments. This use reveals a new in the present age in which technology directs the future. discipline, namely education technology [10]. Today, both The aim of this research is to determine the use of information content and technological developments are technology and music technologies in music training rapidly changing and spreading. These formations students' field education courses in general and to naturally affect learning-teaching styles [16]. The determine the contribution of technology in both learning development of technology affects both the structure of the and application fields both individually and in general education system and the learning-teaching activities. -
Tiny Disco: a Cost-Effective, High-Fidelity Wireless Audio System Quarter / Year Submitted: Winter 2020 Student: (Print Name) ______(Sign) ______
Tiny Disco: A Cost-Effective, High-Fidelity Wireless Audio System A Senior Project Report presented to the Faculty of California Polytechnic State University San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Bachelor of Science in Computer Engineering By Luke Liberatore February 2020 Date of Submission: February 25, 2020 Senior Project Advisor: Hugh Smith Abstract The Tiny Disco is a WiFi based concert system, featuring improvements on popular “Silent Disco” concerts. Rather than being tied to compression and bandwidth restrictions present in traditional silent disco systems, the Tiny Disco system can deliver 320kbps+ audio quality, and allows listeners to bring their own headphones, further lending to the high quality audio experience. Tiny Disco uses a Raspberry Pi as the audio server, and Espressif ESP32 microcontrollers as audio receivers/clients. The Tiny Disco is primarily geared toward smaller concerts and niche events where audio quality is valued, though due to its WiFi-based architecture, it can be expanded to events of a few hundred people fairly easily. The Tiny Disco system was developed and tested, and performed successfully using a test setup. Only one client was tested due to cost constraints, but load testing was performed against the Raspberry Pi server, as well as bandwidth/audio quality analysis. 2 Table of Contents Abstract 2 Table of Contents 3 Introduction 5 Stakeholders 7 Project Goals and Objectives 7 Project Deliverables 8 Project Outcomes 8 Background 9 Experimentation to help develop -
RZ/G Verified Linux Package for 64Bit Kernel Version 1.0.5-RT R01TU0278EJ0105 Rev
RZ/G Verified Linux Package for 64bit kernel Version 1.0.5-RT R01TU0278EJ0105 Rev. 1.05 Component list Aug. 31, 2020 Components listed below are installed to the rootfs which is used for booting target boards by building the Verified Linux Package according to the Release Note. Each image name corresponds to the target name used when running bitbake commands such as “bitbake core-image- weston”. Column “weston (Gecko)” corresponds to the building procedure for HTML5 described in the Release Note for HTML5. Versions of some packages installed for HTML5 are different from the other images. In the cases where a version of a specific package installed for HTML5 is different, it is written like as “(Gecko: x.x.x)” in column “version”. weston minimal bsp weston qt version (Gecko) acl ✓ 2.2.52 adwaita-icon-theme-symbolic ✓ ✓ ✓ 3.24.0 alsa-conf ✓ ✓ ✓ ✓ 1.1.4.1 alsa-plugins-pulseaudio-conf ✓ 1.1.4 alsa-states ✓ ✓ ✓ ✓ 0.2.0 alsa-tools ✓ ✓ ✓ 1.1.3 alsa-utils ✓ ✓ ✓ ✓ 1.1.4 alsa-utils-aconnect ✓ ✓ ✓ ✓ 1.1.4 alsa-utils-alsactl ✓ ✓ ✓ ✓ 1.1.4 alsa-utils-alsaloop ✓ ✓ ✓ ✓ 1.1.4 alsa-utils-alsamixer ✓ ✓ ✓ ✓ 1.1.4 alsa-utils-alsatplg ✓ ✓ ✓ ✓ 1.1.4 alsa-utils-alsaucm ✓ ✓ ✓ ✓ 1.1.4 alsa-utils-amixer ✓ ✓ ✓ ✓ 1.1.4 alsa-utils-aplay ✓ ✓ ✓ ✓ 1.1.4 alsa-utils-aseqdump ✓ ✓ ✓ ✓ 1.1.4 alsa-utils-aseqnet ✓ ✓ ✓ ✓ 1.1.4 alsa-utils-iecset ✓ ✓ ✓ ✓ 1.1.4 alsa-utils-midi ✓ ✓ ✓ ✓ 1.1.4 alsa-utils-speakertest ✓ ✓ ✓ ✓ 1.1.4 at ✓ 3.1.20 attr ✓ 2.4.47 audio-init ✓ ✓ ✓ ✓ 1.0 avahi-daemon ✓ ✓ ✓ 0.6.32 avahi-locale-en-gb ✓ ✓ ✓ 0.6.32 base-files ✓ ✓ ✓ ✓ ✓ 3.0.14 base-files-dev ✓ ✓ ✓ 3.0.14 base-passwd ✓ ✓ ✓ ✓ ✓ 3.5.29 bash ✓ ✓ ✓ ✓ ✓ 3.2.57 bash-dev ✓ ✓ ✓ 3.2.57 bayer2raw ✓ ✓ ✓ 1.0 bc ✓ 1.06 bc-dev ✓ 1.06 bluez5 ✓ ✓ ✓ ✓ 5.46 bluez-alsa ✓ ✓ ✓ ✓ 1.0 bt-fw ✓ ✓ ✓ ✓ 8.7.1+git0+0ee619b598 busybox ✓ ✓ ✓ ✓ ✓ 1.30.1 (Gecko: 1.22.0) busybox-hwclock ✓ ✓ ✓ ✓ ✓ 1.30.1 (Gecko: 1.22.0) busybox-udhcpc ✓ ✓ ✓ ✓ ✓ 1.30.1 (Gecko: 1.22.0) bzip2 ✓ ✓ ✓ 1.0.6 R01TU0278EJ0105 Rev. -
Online Streaming and the Chart Survival of Music Tracks
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Kaimann, Daniel; Tanneberg, Ilka; Cox, Joe Article — Published Version “I will survive”: Online streaming and the chart survival of music tracks Managerial and Decision Economics Provided in Cooperation with: John Wiley & Sons Suggested Citation: Kaimann, Daniel; Tanneberg, Ilka; Cox, Joe (2020) : “I will survive”: Online streaming and the chart survival of music tracks, Managerial and Decision Economics, ISSN 1099-1468, Wiley, Hoboken, NJ, Vol. 42, Iss. 1, pp. 3-20, http://dx.doi.org/10.1002/mde.3226 This Version is available at: http://hdl.handle.net/10419/230292 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von