SHKPNK- Lyricsandpalabras

Total Page:16

File Type:pdf, Size:1020Kb

SHKPNK- Lyricsandpalabras 1THE EVOL’ - Lyrics & palabras- 2018 ——————————————— GO FUNK YOURSELF ——————————————— 2THE EVOL’ - Lyrics & palabras- 2018 GUNG-HO Soldier, It doesn’t matter, what they say, what they do Stronger, you betta be stronger, do what I say, not what I do Gung-ho, gung-ho (DJ drop the beat and don’t stop) Hey you, dirty skin, it’s time to get back on the ring I don’t wanna miss a thing, no I don’t wanna feel a thing Dig your father’s fuckin’ grave, slay that mother fucker slave (I’m not gonna look away) Gung-ho ! (DJ drop the beat and don’t stop) Freedom glides onto your blade You’ve lost a light and fooled your head I’ve got a lotta magma running into my veins / round 1 knock’em down down I’ve got a lotta cadaveraz painted over my skin / round 2 bam ! give it away ! I CAN’T GIVE IT AWAY !!! (HEY YOU BREAK THAT PRICK,EVERYBODY NEEDS SOME BLOODY SHIT) I CAN’T GIVE IT AWAY !!! (HEY YOU BREAK THAT PRICK,EVERYBODY NEEDS SOME BLOODY SHIT) I’M SLEUP’DOWN TODAY, BUT I REALLY CAN’T GIVE IT AWAY I’M SLEUP’DOWN TODAY, BUT I REALLY CAN’T GIVE IT AWAY hey ya litta cramé, when I look into your eyes, I see nada eyes at all (DJ drop the beat and don’t stop) hey ya litta cramé, when I listen to your voice, I hear nada thing at all (DJ drop the beat and don’t stop) It makes me think that I might have been wilder than I wanted with your teeny- body-bonzo (DJ drop the beat and don’t stop) It makes me wonder mucho did it I really wanna go loco violent and funky ? hey hey ? Did I really need to go … gung ho ? (I can’t give it away / gung ho … ) Know’m dead (dead) Know’m dead (dead) Know’m dead (dead) Know’m dead (dead) I CAN’T GIVE IT AWAY !!! (HEY YOU BREAK THAT PRICK,EVERYBODY NEEDS SOME BLOODY SHIT) I CAN’T GIVE IT AWAY !!! (HEY YOU BREAK THAT PRICK,EVERYBODY NEEDS SOME BLOODY SHIT) I’M SLEUP’DOWN TODAY, BUT I REALY CAN’T GIVE IT AWAY I’M KNOCK DOWN TODAY, BUT I REALY CAN’T GIVE IT AWAY ——————————————— GO FUNK YOURSELF ——————————————— 3THE EVOL’ - Lyrics & palabras- 2018 FEAR YA « Gone, done, barking dog, empty, wasted, lost, alone » « So long … » I’ve read a note, about a robot, stealing my girl She’s gone, with a heart of steel, but my heart is still real … and I dont wanna feel I FEAR YA / I FEAR YA / I FEAR YA / I FEAR YA You ex-love are you ok ? con tu nueva vida ? Smiling Happy You are ? It’s such relief, cause I’m just the only one, feeling like this… I FEAR YA / I FEAR YA / I FEAR YA / I FEAR YA « So long … » I wrote a song about the old time, when you were my girl « Gone, done, barking dog, empty, wasted, lost, alone » ——————————————— GO FUNK YOURSELF ——————————————— 4THE EVOL’ - Lyrics & palabras- 2018 FAKING LOVE 1/ Sundown’s coming It’s always the same I need love Some miracle love Bodies start sweating I’m right on the game You’re mak’ mak’ mak’ mak’ You’re making to me baby You’re making love to me I’m faking love to you baby You’ll make it up to me 2/ Digging your fingers into my skin U need luv chemical love yeah You talk talk like a stereo I’m done talking on my own U don’t know ——————————————— GO FUNK YOURSELF ——————————————— 5THE EVOL’ - Lyrics & palabras- 2018 You’re making love making love making love making love to me baby You’re making love to me I’m faking love to you baby You’ll make it up to me yeah Knock Knock it’s time to go You taste better when I’m on my own 3/ Morning’s coming, I’m out of da sun You need love physical luv A dream mistaken for the voice of a gun You’re making making making making You making love to me baby You making love to me I’m faking love to you baby You’ll make it up to me All right ! Stumble Rise and fall Fuck it up You’re fucking it all Knock knock choco loco loco Oh make love make love make love yeah Chop chop, it’s time to go says the monkey on the buffalo No one knows I’m giving you love babe Come on now Shut it up it’s time to show Show them shit can make a flower grow - I don’t know Now You’re faking love faking love faking love making love to me baby You making love to me I’m faking love to you baby You’ll make it up to me yeah Me my monkey and my buffalo We’re heading up to Mexico I don’t know U’re giving me none baby Come on now You’re better off with an Albin’hoe I’m better solo in my bungalow We don’t know ——————————————— GO FUNK YOURSELF ——————————————— 6THE EVOL’ - Lyrics & palabras- 2018 You’re making love making love making love making love to me baby You’re making love to me I’m faking love to you baby You’ll make it up to me yeah Chop chop mister romeo You taste better when I’m on my own - Now I know You’re giving me none boy Come on now Pack it up it’s time to go Says da monkey on da buffalo We all know now You making love making love making love to me ——————————————— GO FUNK YOURSELF ——————————————— 7THE EVOL’ - Lyrics & palabras- 2018 BUNKER Let’s get it started!! You and me we are the people « ordinary « True and free in our soliD-Emo-cracy He and she, they are the people of the dirt They say that overseas There are fishes in the desert Don’t you get the voice behind the wall Don’t you see the Climat-Criminal No more scare me Mista Know-it-all I’m better , stronger, rich and beautiful LET’S GET IT ON SHOW ME WHERE THE PARTY’S AT IN THE BUNKER SUB-SUPERIOR DING DONG TELL ME THE CICADA SONG IN THE BUNKER SO MUCH EASIER WHAT GOES AROUND ALWAYS COMES AROUND EVERYBODY’S UP WHEN EVERYTHING IS DOWN TIME IS UP SHOW ME WHERE THE PARTY’S AT Let’s get it started!! I’m ok - There’s a dead bee on my pillow Feeling great with my honey nut Cheerios In my bunker It’s like the summer last forever It’s much too late to stop it Won’t u Cut that shit Don’t you hear the cracking in the wall Don’t you fear the Climat-Criminal Don’t believe in what they talk about Cos Mama nature always works it out ON CHORUS I’m blind You’re dead Just wanna be mister rich retarded You die I’m scared Just wanna be in da Bunker’s party ——————————————— GO FUNK YOURSELF ——————————————— 8THE EVOL’ - Lyrics & palabras- 2018 ON FIRE I took a cab and a straw to the Victoire-show, cause they asked me to go Oh look around, lucky band, make an ego speech to the fanaz and the proz And ya know u nada betta be wrong Well ya know you nada better be wrong Then ya know it’s nada gonna be long Yeah ya know it’s nada gonna be long I can sing, I can dance and I thank my lovely audience I can write, I can draw And I thank all the crews of the show And if you wanna help me, climbing up the wall, hold the ladder steady And I’ll be ready And if you wanna hang me, grab me by the balls, kick me out of the ring, Where I’ll be waiting I’m on fire Look at the winna new, he’s like kangooroo He’s got a hell of a trophee, he’s got da head of a goofy And ya know u supa betta be strong Well ya know u supa betta be strong Coz ya know it’s nada gonna be long Yeah ya know it’s nada gonna be long And if you wanna help me, climbing up the wall, hold the ladder steady And I’ll be ready And if you wanna hang me, grab me by the balls, kick me out of the ring Where I’ll be waiting I’m on fire I m on fire I’m on fire Victory desire My Dick story desire ——————————————— GO FUNK YOURSELF ——————————————— 9THE EVOL’ - Lyrics & palabras- 2018 SUMMER CAMP Sound of footsteps on the floor Someone’s knocking on the door It’s my turn to get a ride to SUMMER CAMP There the days are never cold There is no more growing old You’ll see it’s a little like… SUMMERTIME Write me a letter when I’m gone - yeah Write me a letter when I’m gone Clouds as sweet as sugarcane Warmer than the summer rain This is where we’ll meet again..…SOMETIME *** Here I’m choking on the pills My lungs , my heart can’t be filled Watch the clock it’s ticking slow You know it’s time for me to go Write me a letter when I’m gone (yeah) I’ll read it at the break of dawn Write me a letter when I’m gone (yeah) I’ll read it at the break of dawn Celebration has begun Someone wanna have some fun a Funny coloured little lamb….
Recommended publications
  • Certificate for Approving the Dissertation
    MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Meredith Glick Brinegar Candidate for the Degree: Doctor of Philosophy _______________________________ Chair William B. Stiles, Ph.D. ________________________________ Reader Roger M. Knudson, Ph.D. _________________________________ Reader Larry M. Leitner, Ph.D. ________________________________ Graduate School Representative Paul V. Anderson, Ph.D. ABSTRACT WHAT CLIENTS CAN TELL US ABOUT THE ASSIMILATION OF THEIR PROBLEMATIC EXPERIENCES: A MULTIPLE CASE STUDY by Meredith Glick Brinegar The assimilation model describes the process of change in psychotherapy. The model suggests that in successful therapy, clients’ problematic experiences progress through a series of developmental stages, referred to as the Assimilation of Problematic Experiences Sequence (APES). The model has been empirically supported and modified by a series of case studies, largely completed by observer-researchers. Relatively less attention has been paid to the client’s perspective on the process of assimilation. This study sought to incorporate clients’ phenomenological accounts about the assimilation of their problematic experiences and therapy, in general, into the model. The goals were to both honor clients’ experiences and inform a specific theory of change. Six client accounts were obtained using an interview strategy called Interpersonal Process Recall. Moments from recent therapy sessions that were related to assimilation constructs or which seemed salient to the client were identified and reflected on. Transcripts of these interviews were qualitatively analyzed by three co-investigators with the goal of creating a dialogue between clients and the assimilation model. They linked specific observations from the interviews with theoretical statements to elaborate the assimilation model, making it a richer account of psychotherapy.
    [Show full text]
  • March 2014 2012 a New Destination for Gay Literatureala Rainbow Book
    march 2014 2012 a new destination for gay literatureALA Rainbow Book Now Back in Print WHERE THE RAINBOW ENDS Lambda Literary Finalist a novel by Jameson Currier “Jameson Currier’s debut novel, Where the Rainbow Ends, moved me to tears more than once and, simply put, is one of the best pieces of gay literature I have ever read. Rather than focusing on and wallowing in the heavy melodrama that the AIDS epidemic seems to produce in most writers, Currier shows both the highs and lows. The lives of these incredibly well-drawn, three-dimensional people encompass all of the emotion that is found in gay/ lesbian life. The book is about creating a sense of family, and most of all, it is about hope. In Robbie, Currier has created a gay Everyman we can all identify with, love, and root for. This is one novel that I was sorry to see end. With this work, Currier has established himself as one of the preeminent gay novelists, not just of the 1990s, 978-0-9832851-6-8 but of all time. This book should be required reading for $20 every gay man, period.” Also available in digital editions —Greg Herren, Impact Also by Jameson Currier Dancing on the Moon Still Dancing “De ant and elegaic.” “Courageous.” e Village Voice Edge www.chelseastationeditions.com March 2014 Chelsea Station Edited by Jameson Currier Chelsea Station Contents March 2014 copyright © 2014 March 17: “The City Where I Miss You,” poetry by Gregg Shapiro Chelsea Station Editions “I Need to Dream About You,” poetry by Craig Cotter “Fredericksburg Battlefield,” poetry by Jeff Mann Founder, Publisher, and Editor: “Physique,” poetry by Walter Holland Jameson Currier March 18: “Collage,” memoir by Bradley Burgess This publication may not be reproduced “Questioning Brushstrokes,” essay by Stephen Mead in any form without written permission March 19: “Chef’s Salad to Bakalava,” fiction by Vinton Rafe McCabe, from the publisher, except by a reviewer, an excerpt from Death in Venice, California who may quote brief passages in a review “I’m From Everywhere,” memoir by Kenneth M.
    [Show full text]
  • Ed 064 244 Author Title Institution Spons A3ency
    DOCUMENT RESUME ED 064 244 SP 005 736 AUTHOR Twelker, Paul A.; And Others TITLE The Development of Protocol Materials. Final Report. INSTITUTION Oregon State System of Higher Education, Monmouth. Teaching Research Div. SPONS A3ENCY Office of Education (DHrW), Washington, D.C. Bureau of Research. REPORT NO P-003422 PUB DATE Jul 71 GRANT OEG-0-70-4048 NOTE 293p. EDRS PRICE MF-$0.6D HC-$9.87 DESCRIPTORS *Educational Innovation; *Educational Programs; *Instructional Programs; *Protocol Materials; *Teacher Education ABSTRACT The Oregon ?roject focuses on the development of protocol materials as a means to bridge the gap between instructional goals and instructional strategies. Educational concepts were distilled from the goals and objectives of the teacher training aivision of two participating institutions. These concepts were letermined as part of a needs assessment carried out at each institution. The cognitive concepts of analysis and evaluation and the affective concepts of commitment to learning and constructive sense of self were considered of thehighest priority. Learner outcomes which represented these concepts were filmed. An instructional system was subsequently built around the film with a series of three films developed for each concept. An additionaltask involved efforts in developing a taxonomy of learner outcomes enabling the trainee to place learned concepts into anevolving conceptual system. An extensive field trial of the system wasplanned at several teacher training institutions; however,implementation of the evaluative plan was uncompleted during the project year.Results of existing data indicated that in their design theprotocol materials did not enable students to reach the desiredproficiency in concept discrimination. Recommendations suggest aclose integration into existing educational programs and closer relation toprevious knowledge and training programs of the students.
    [Show full text]
  • TUNECODE WORK TITLE Value Range 289693DR
    TUNECODE WORK_TITLE Value Range 289693DR It S Everyday Bro ££££ 329418BM Boys Are So Ugh ££££ 060461CU Sex On Fire ££££ 258202LN Liar Liar ££££ 2680048Z Willy Can You Hear Me? ££££ 128318GR The Way ££££ 217278AV Better When I'm Dancing ££££ 223575FM I Ll Show You ££££ 188659KN Do It Again ££££ 136476HS Courtesy Call ££££ 224684HN Purpose ££££ 017788KU Police Escape ££££ 065640KQ Android Porn (Si Begg Remix) ££££ 189362ET Nyanyanyanyanyanyanya! ££££ 191745LU Be Right There ££££ 236174HW All Night ££££ 271523CQ Harlem Spartans - (Blanco Zico Bis Tg Millian Mizormac) ££££ 237567AM Baby Ko Bass Pasand Hai ££££ 099044DP Friday ££££ 5416917H The Big Chop ££££ 263572FQ Nasty ££££ 065810AV Dispatches ££££ 258985BW Angels ££££ 031243LQ Cha-Cha Slide ££££ 250248GN Friend Zone ££££ 235513CW Money Longer ££££ 231933KN Gold Slugs ££££ 221237KT Feel Invincible ££££ 237537FQ Friends With Benefits (Fwb) ££££ 228372EW Election 2016 ££££ 177322AR Dancing In The Sky ££££ 006520KS I Wish I Knew How It Would Feel To Be Free ££££ 153086KV Centuries ££££ 241982EN I Love The 90s ££££ 187217FT Pony (Jump On It) ££££ 134531BS My Nigga ££££ 015785EM Regulate ££££ 186800KT Nasty Freestyle ££££ 251426BW M.I.L.F. $ ££££ 238296BU Blessings Pt. 1 ££££ 238847KQ Lovers Medley ££££ 003981ER Anthem ££££ 037965FQ She Hates Me ££££ 216680GW Without You ££££ 079929CR Let's Do It Again ££££ 052042GM Before He Cheats ££££ 132883KT Baraka Allahu Lakuma ££££ 231618AW Believe In Your Barber ££££ 261745CM Ooouuu ££££ 220830ET Funny ££££ 268463EQ 16 ££££ 043343KV Couldn't Be The Girl
    [Show full text]
  • 3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
    3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money
    [Show full text]
  • Reality by Design: Advertising Image, Music and Sound Design in the Production of Culture
    Reality by Design: Advertising Image, Music and Sound Design in the Production of Culture by Joyce Kurpiers Department of Music Duke University Date:_____________________ Approved: ___________________________ Louise Meintjes, Supervisor __________________________ Scott Lindroth __________________________ Negar Mottahedeh __________________________ Orin Starn Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2009 ABSTRACT Reality by Design: Advertising Image, Music and Sound Design in the Production of Culture by Joyce Kurpiers Department of Music Duke University Date:_____________________ Approved: ___________________________ Louise Meintjes, Supervisor __________________________ Scott Lindroth __________________________ Negar Mottahedeh __________________________ Orin Starn An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2009 Copyright by Joyce Kurpiers 2009 Abstract This dissertation explores creative music, sound design and image production in the context of consumer culture (as defined by how its participants socialize in late- capitalist culture using commodities). Through the stylization of image, music and sound effects, advertisers communicate an abstract concept of a brand, and instantiate the brand through an audience member’s heightened experience of the brand via the ad. Facilitated by socialized and mediatized frameworks for brand communications, branding is an embodied practice that relies on the audience member’s participation with the brand through her/his real experience with an (audiovisual) advertisement. The effect of making the abstract brand tangible relies on successfully executing advertising objectives to create “impact” through stylized and often hyperreal representations of reality.
    [Show full text]
  • Case Study: Communicative Identity Construction at South East Youth Association
    CASE STUDY: COMMUNICATIVE IDENTITY CONSTRUCTION AT SOUTH EAST YOUTH ASSOCIATION Peter Simionides A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2016 Committee: Tom Mascaro, Advisor John Dowd Clayton Rosati © 2016 Peter Simionides All Rights Reserved iii ABSTRACT Tom Mascaro, Advisor This study examines the communicative identity of the South East Youth Association (SEYA) during a time of mission and funding transition. The study examines identity construction as defined by the linguistic turn comparing the fluid identity discussed in organizational communication literature to nonprofits’ typically stable identities, emerging from their mission statements and core values. The Communicative Constitution of Organizations (CCO) allows communication to be understood not as a peripheral aspect of organizing, but as the central phenomena to organizing. The adoption of a CCO lens leads this study to build on the principle that communication and organizational identity are one in the same. This study asks how SEYA’s communication patterns impacted how successfully they were able to fulfill their mission during this time of change. Interviews conducted with key organizational stake holders reveal not only a capacity and willingness to evaluate their communication patterns and messages, which provides background information on the transition, but also how the organization’s identity is both constituted and challenged by these communication practices. The SEYA transition unfolds by virtue of the multilayered and complex phenomena revealed in the interviews, a construct that merits further study. Qualitative analysis of SEYA’s communication determined that the distress attending their recent transition resulted from several gaps in communication and mission application, exacerbated by extra-communication that developed outside the immediate control of the organization.
    [Show full text]
  • The Southern Rock Music Revival: Identity Work and Rebel Masculinity Jason Todd Eastman
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 The Southern Rock Music Revival: Identity Work and Rebel Masculinity Jason Todd Eastman Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES THE SOUTHERN ROCK MUSIC REVIVAL: IDENTITY WORK AND REBEL MASCULINITY By JASON EASTMAN A Dissertation submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2007 The members of the Committee approve the Dissertation of Jason Eastman defended on June 13th, 2007. Douglas Schrock Professor Directing Dissertation Andrew Opel Outside Committee Member Patricia Yancey Martin Committee Member Irene Padavic Committee Member Approved: Patricia Yancey Martin, Chair, Sociology David Rasmussen, Dean, College of Social Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS LIST OF FIGURES ............................................................................................................ v LIST OF TABLES............................................................................................................. vi ABSTRACT...................................................................................................................... vii INTRODUCTION .............................................................................................................
    [Show full text]
  • AUDIO + VIDEO 2/15/11 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
    NEW RELEASES WEA.COM ISSUE 04 FEBRUARY 15 + FEBRUARY 22, 2011 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 2/15/11 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- INTERNACIONAL LAT 526888 CARRO SHOW 20 Grandes Exitos (Vol. 2) $9.98 2/15/11 1/26/11 CD- PRESUNTOS LAT 527118 IMPLICADOS 20 Grandes Exitos (2CD) $9.98 2/15/11 1/26/11 CD- LAT 527117 UBAGO, ALEX 20 Grandes Exitos (2CD) $9.98 2/15/11 1/26/11 The Best of Soul Train (Box TL DV-25446 VARIOUS ARTISTS Set)(9DV) $119.99 2/15/11 1/19/11 2/15/11 Late Additions Street Date Order Due Date MS- The Show Goes On (12" Vinyl ATL 527137 FIASCO, LUPE Single) $5.98 2/15/11 1/26/11 ARTIST: Lupe Fiasco TITLE: The Show Goes On/Words I Never Said (12" Vinyl Single) Label: ATL/Atlantic Config & Selection #: MS 527137 Street Date: 02/22/11 Order Due Date: 02/02/11 UPC: 075678827242 Box Count: 30 Unit Per Set: 1 TOURS MORE SRP: $5.98 Alphabetize Under: F 01/21/11 Ericsson Stadium For the latest up to date info on Auckland Australia this release visit WEA.com.
    [Show full text]
  • Trinity College Digital Repository Insomniacs
    Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2018 Insomniacs Kira Mason Trinity College, Hartford Connecticut, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Fiction Commons, and the Playwriting Commons Recommended Citation Mason, Kira, "Insomniacs". Senior Theses, Trinity College, Hartford, CT 2018. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/727 TRINITY COLLEGE Senior Thesis INSOMNIACS submitted by KIRA MASON 2018 In Partial Fulfillment of Requirements for The Degree of Bachelor of Arts 2018 Director: Michael Preston Reader: Ciaran Berry Reader: Barbara Karger 1 TABLE OF CONTENTS ______________________________________________________________________________ CHARACTER LIST, SETTING, TIME ACT I Prologue: Lying to a Professor Scene 1: Caffeine Scene 2: Blood Moment: Lying in Counseling Scene 3: Cocaine and Xanax Scene 4: Thoughts Moment: Lying to Your Parents Scene 5: Paint Scene 6: Sweat Moment: Lying to the Health Center Scene 7: Feelings Scene 8: Music Moment: Lying to a Higher Power Scene 9: Wine and Pizza Scene 10: Vomit Scene 11: Moonlight ACT II: Prologue: Seeing the Truth Scene 1: Books and Brains Scene 2: Claws and Fangs Moment: Tasting the Truth Scene 3: Hunger Scene 4: Control Moment: Hearing the Truth Scene 5: Shadows Scene 6: Holes Moment: Speaking the Truth Scene 7: Reflections Scene 8: Warts and Fangs Moment: Melting Scene 9: Freezing Scene 10: Hands Epilogue: Sleep AFTERWORD “I Guess I’m a Romantic After All: Style as Substance, Humanity in the Inhuman, Visibility in Darkness, Truth in Absurdity, and Reality in Fantasy” 2 INSOMNIACS CHARACTERS: MICAH: The Intellectual, early 20’s male or female WREN: The Achiever, early 20’s, male or female EMERY: The Artist, early 20’s, female BLAIR: The Giver, early 20’s, male or female REESE: The Performer, early 20’s, male or female SETTING: Your typical liberal arts college.
    [Show full text]
  • O.E 927 C,Unt-T M I/O,5
    O.e 927 C,unt-t M i/O,5 Expansion of a New England Museum: The Martha's Vineyard Historical Society at a Crossroads An Interactive Qualifying Project Report Submitted to the faculty of the WORCESTER POLYTECHNIC INSTITUTE In partial fulfillment of the requirements for the Degree of Bachelor of Science By Michael Whiteman Date: October 15th, 2003 Approved: Project Number: WTM-MV03 Professor Weslef T. Mott, Advisor Abstract New collections constantly being acquired by the Martha's Vineyard Historical Society have created the pressing need for a new facility. The project team conducted a benchmarking exercise to compare them with other area facilities. Both to help the museum and to become familiar with their operation, a prospective maritime collection was inventoried and assessed, and an existing collection for mentally challenged children was bolstered. Data from all three activities were the basis of recommendations to the MVHS regarding their operations and relocation. 1 Acknowledgements Adam, James and Mike would like to extend thanks to the following people: Matthew Stackpole, MVHS Executive Director Arthur E. Flathers, MVHS Board member and former GE executive Jill Bouck, MVHS Curator Linsey Lee, MVHS Curator of Oral History Maria Van Vreede, MVHS Curatorial Intern The Rest of the MVHS Staff Professor Wesley T. Mott Mrs. Linda Sibley and Vineyard Electronics A special thanks goes out to our parents. Without them, this wouldn't have been possible. James, Mike, Adam ii Authorship Page Abstract James Glavin, Adam Chandler, Mike Whiteman
    [Show full text]
  • Untitled Detroit Project
    062035 IMAGINE STORY DEPT. UNTITLED DETROIT PROJECT bv., Scott Siker First Rewrite April 27, 2001 •1f you have the guts to be yourself ... other people 1 ll pay your price."' - RABBIT AHGSTROX John Updike, •Rabitt, Run• 1.. Run it under a harsh green fluorescent light. CLOSE ON AN .ANGRY BLONDE PUNK, bis head flying in and out of frame. Hard against SOME GIRLrs face. Banging against a dirty mirror. Sweating. Moaning. GIRL Jim Jim Jinny Jii:mny Jim:ny oh god Puck me Rabbit Rabbit yes oh yes Jia:my Rabbit Fuck PU.ck l?uck Be's fucking her on top of a nasty sink. Fast. And furious. Her short skirt hiked up high around her waist. A wool cap pulled down tight over his face. This is Jim, James, B, Bunny, Rabbit, B-Rahbit & Jin:my Smith Jr. To us he 1 s just plain JIMMY. GIRL Oh Rabbit fuck yes oh yes They're in a desolate bathroom. Wet. Full of noise. Seats thumping through the walls. Fists banging on the door. The girl moan-moaning. It's all so fucking loud. CLOSE ON JIMMY, catching sight of him.self bouncing up & down in the mirror. Ignoring the girl, hc 1 s some~hcre else. Gone. Always moving. We hear her coming. Jimmy stops. Stares. The harsh light crowns his head. a burning halo. He doesn 1 t look so good, cold sweat. JIMMY - I gotta run. She jumps off the sink, yanks down her skirt. GIRL (pissed) Why? You still nervous? You're lucky I ran into you •cause I'm tryin 1 to help calm you down.
    [Show full text]