Here's Looking at You, Esther
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Explanation of Jewish Holidays
Explanation of Jewish Holidays The purpose of this calendar... Rosh Hashanah - New Year Shabbat - The Sabbath Rosh Hashanah marks the beginning of the Jewish This weekly celebration begins on sundown This calendar and holiday guide has been year and the Ten Days of Penitence. The holiday Friday and concludes one hour after sundown on prepared by the Community Relations Council concludes with Yom Kippur. It is observed with Saturday. Shabbat celebrates God’s completion of of the Jewish Alliance of Greater Rhode Island day-long synagogue services, the blowing of the Creation and the desire to see peace and harmony shofar (ram’s horn), and the eating of apples and to assist public officials, school administrators, in the world. As God rested on the Seventh Day honey, symbolic of our hopes for a sweet year. of Creation, Jews are commanded to rest and teachers, and private employers in planning refrain from work on Shabbat as a way to recreate classes and events that will not conflict with Yom Kippur - Day of Atonement an atmosphere of peace and tranquility. This the observance of major Jewish holidays. The most holy of all Jewish holidays is devoted to weekly holy day is the most revered on the Jewish Government agencies, hospitals, and the media synagogue services, fasting, prayer, and repentance. Calendar. may find this calendar helpful. Sukkot - Feast of the Tabernacles, Other major Jewish Holidays where it is It is designed to encourage public awareness of Shemini Atzeret, and permissible to work or attend school: Jewish religious observances. It is hoped that this Simhat Torah guide will help you in scheduling activities like Sukkot is an eight-day harvest festival of Hanukkah examinations, sporting activities, meetings, and thanksgiving and remembrance of the Israelites’ This eight-day festival marks the victory of wandering in the desert after the Exodus from Jewish forces over the ancient Assyrians and the graduation ceremonies during times that conflict Egypt. -
Esther Through the Centuries (Blackwell Bible Commentaries)
Esther Through the Centuries Jo Carruthers Esther Through the Centuries Blackwell Bible Commentaries Series Editors: John Sawyer, Christopher Rowland, Judith Kovacs, David M. Gunn John Th rough the Centuries Ecclesiastes Th rough the Centuries Mark Edwards Eric S. Christianson Revelation Th rough the Centuries Esther Th rough the Centuries Judith Kovacs & Christopher Rowland Jo Carruthers Judges Th rough the Centuries Psalms Th rough the Centuries: David M. Gunn Volume One Exodus Th rough the Centuries Susan Gillingham Scott M. Langston Galatians Th rough the Centuries John Riches Forthcoming: Leviticus Th rough the Centuries Th e Minor Prophets Th rough the Mark Elliott Centuries 1 & 2 Samuel Th rough the Centuries Jin Han & Richard Coggins David M. Gunn Mark Th rough the Centuries 1 & 2 Kings Th rough the Centuries Christine Joynes Martin O’Kane Luke Th rough the Centuries Psalms Th rough the Centuries: Larry Kreitzer Volume Two Th e Acts of the Apostles Th rough the Susan Gillingham Centuries Song of Songs Th rough the Centuries Heidi J. Hornik & Mikael C. Parsons Francis Landy & Fiona Black Romans Th rough the Centuries Isaiah Th rough the Centuries Paul Fiddes John F. A. Sawyer 1 Corinthians Th rough the Centuries Jeremiah Th rough the Centuries Jorunn Okland Mary Chilton Callaway 2 Corinthians Th rough the Centuries Lamentations Th rough the Centuries Paula Gooder Paul M. Joyce & Diane Lipton Hebrews Th rough the Centuries Ezekiel Th rough the Centuries John Lyons Andrew Mein James Th rough the Centuries Jonah Th rough the Centuries David Gowler Yvonne Sherwood Pastoral Epistles Th rough the Centuries Jay Twomey Esther Through the Centuries Jo Carruthers © by Jo Carruthers blackwell publishing Main Street, Malden, MA - , USA Garsington Road, Oxford OX DQ, UK Swanston Street, Carlton, Victoria , Australia Th e right of Jo Carruthers to be identifi ed as the author of this work has been asserted in accordance with the UK Copyright, Designs, and Patents Act . -
Prints and Johan Wittert Van Der Aa in the Rijksmuseum in Amsterdam.[7] Drawings, Inv
Esther before Ahasuerus ca. 1640–45 oil on panel Jan Adriaensz van Staveren 86.7 x 75.2 cm (Leiden 1613/14 – 1669 Leiden) signed in light paint along angel’s shield on armrest of king’s throne: “JOHANNES STAVEREN 1(6?)(??)” JvS-100 © 2021 The Leiden Collection Esther before Ahasuerus Page 2 of 9 How to cite Van Tuinen, Ilona. “Esther before Ahasuerus” (2017). In The Leiden Collection Catalogue, 3rd ed. Edited by Arthur K. Wheelock Jr. and Lara Yeager-Crasselt. New York, 2020–. https://theleidencollection.com/artwork/esther-before-ahasuerus/ (accessed October 02, 2021). A PDF of every version of this entry is available in this Online Catalogue's Archive, and the Archive is managed by a permanent URL. New versions are added only when a substantive change to the narrative occurs. © 2021 The Leiden Collection Powered by TCPDF (www.tcpdf.org) Esther before Ahasuerus Page 3 of 9 During the Babylonian captivity of the Jews, the beautiful Jewish orphan Comparative Figures Esther, heroine of the Old Testament Book of Esther, won the heart of the austere Persian king Ahasuerus and became his wife (Esther 2:17). Esther had been raised by her cousin Mordecai, who made Esther swear that she would keep her Jewish identity a secret from her husband. However, when Ahasuerus appointed as his minister the anti-Semite Haman, who issued a decree to kill all Jews, Mordecai begged Esther to reveal her Jewish heritage to Ahasuerus and plead for the lives of her people. Esther agreed, saying to Mordecai: “I will go to the king, even though it is against the law. -
Esther Nelson, Stanford Calderwood General
ESTHER NELSON, STANFORD CALDERWOOD GENERAL & ARTISTIC DIRECTOR | DAVID ANGUS, MUSIC DIRECTOR | JOHN CONKLIN, ARTISTIC ADVISOR THE MISSION OF BOSTON LYRIC OPERA IS TO BUILD CURIOSITY, ENTHUSIASM AND SUPPORT FOR OPERA BY CREATING MUSICALLY AND THEATRICALLY COMPELLING PRODUCTIONS, EVENTS, AND EDUCATIONAL RESOURCES FOR THE BOSTON COMMUNITY AND BEYOND. B | BOSTON LYRIC OPERA OVERVIEW: ANNUAL REPORT 2017 WELCOME Dear Patrons, Art is often inspired by the idea of a journey. Boston Lyric Opera’s 40TH Anniversary Season was a journey from Season opener to Season closer, with surprising and enlightening stories along the way, lessons learned, and strengths found. Together with you, we embraced the unexpected, and our organization was left stronger as a result. Our first year of producing works in multiple theaters was thrilling and eye-opening. REPORT Operas were staged in several of Boston’s best houses and uniformly received blockbuster reviews. We made an asset of being nimble, seizing upon the opportunity CONTENTS of our Anniversary Season to create and celebrate opera across our community. Best of all, our journey brought us closer than ever to our audiences. Welcome 1 It’s no coincidence that the 2016/17 Season opened with Calixto Bieito’s renowned 2016/17 Season: By the Numbers 2 staging of Carmen, in co-production with San Francisco Opera. The strong-willed gypsy Leadership & Staff 3 woman and the itinerant community she adopted was a perfect metaphor for our first production on the road. Bringing opera back to the Boston Opera House was an iconic 40TH Anniversary Kickoff 4 moment. Not only did Carmen become the Company’s biggest-selling show ever, it also Carmen 6 ignited a buzz around the community that drew a younger, more diverse audience. -
Megillat Esther
The Steinsaltz Megillot Megillot Translation and Commentary Megillat Esther Commentary by Rabbi Adin Even-Israel Steinsaltz Koren Publishers Jerusalem Editor in Chief Rabbi Jason Rappoport Copy Editors Caryn Meltz, Manager The Steinsaltz Megillot Aliza Israel, Consultant Esther Debbie Ismailoff, Senior Copy Editor Ita Olesker, Senior Copy Editor Commentary by Chava Boylan Rabbi Adin Even-Israel Steinsaltz Suri Brand Ilana Brown Koren Publishers Jerusalem Ltd. Carolyn Budow Ben-David POB 4044, Jerusalem 91040, ISRAEL Rachelle Emanuel POB 8531, New Milford, CT 06776, USA Charmaine Gruber Deborah Meghnagi Bailey www.korenpub.com Deena Nataf Dvora Rhein All rights reserved to Adin Steinsaltz © 2015, 2019 Elisheva Ruffer First edition 2019 Ilana Sobel Koren Tanakh Font © 1962, 2019 Koren Publishers Jerusalem Ltd. Maps Editors Koren Siddur Font and text design © 1981, 2019 Koren Publishers Jerusalem Ltd. Ilana Sobel, Map Curator Steinsaltz Center is the parent organization Rabbi Dr. Joshua Amaru, Senior Map Editor of institutions established by Rabbi Adin Even-Israel Steinsaltz Rabbi Alan Haber POB 45187, Jerusalem 91450 ISRAEL Rabbi Aryeh Sklar Telephone: +972 2 646 0900, Fax +972 2 624 9454 www.steinsaltz-center.org Language Experts Dr. Stéphanie E. Binder, Greek & Latin Considerable research and expense have gone into the creation of this publication. Rabbi Yaakov Hoffman, Arabic Unauthorized copying may be considered geneivat da’at and breach of copyright law. Dr. Shai Secunda, Persian No part of this publication (content or design, including use of the Koren fonts) may Shira Shmidman, Aramaic be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying or otherwise, without the prior written permission of the publisher, except in the case of brief quotations embedded in critical articles or reviews. -
Bible Grade 3 Esther Curriculum Review Sheets Teacher
Name Date Esther Look at the underlined word to determine if the statement is true or True–False false. If the statement is true, write true in the blank. If the statement is false, write false in the blank. true 1. Haman wanted to kill Mordecai because Mordecai refused to bow down to him. false 2. Haman was rewarded for saving the king’s life. (Mordecai) true 3. Mordecai sent a message to Esther that she should ask the king to save the lives of the Jews. false 4. Mordecai, Esther, and their friends fasted ten days and nights. (three) true 5. Esther risked her life by going before the king when he had not sent for her. false 6. Esther invited the king and Haman to three banquets. (two) true 7. Haman had to lead Mordecai through the city and proclaim that he was being honored by the king. true 8. Although the name of God is not mentioned in the book of Esther, the book tells of God’s protection for His people. Discuss: Explain why the false answers are incorrect statements. Short Answer Read each question carefully, and write your answer in the blank. 1. How did Haman trick King Ahasuerus into sending out a decree to kill all the Jews? He pretended to be concerned about the entire kingdom and told the king that the kingdom would be better off without the Jews. over Copyright © mmxviii Pensacola Christian College • Not to be reproduced. Esther • Lesson 125 231 Esther • page 2 2. What should King Ahasuerus have done before allowing the decree to be sent out? Answers vary. -
The Treasure Principle
The Treasure Principle Ch 2: Ahasuerus approves a plan to find a new queen by searching the The Treasure of Influence empire (25 mill women) for the most graceful & stunning woman. Narrow the Esther 1:1-10:3 search down to 400 (Josephus), & give those women 1 year at the spa, becoming as gorgeous as possible before the king makes his final pick. Intro: Today’s message will be quite different than any I’ve preached before. Normally, we grab a few verses of the bible & work through them in an Among the Jews still living near the palace, we find a man named Mordecai. outline format. However, today, I am going to cover an entire book of the Bible (don’t leave), making observations & applications. If you’d like to join “He was bringing up Hadassah, that is Esther, the daughter of his uncle, for me in this journey, you can take your Bible (seatback or online) & find the she had neither father nor mother. The young woman had a beautiful figure Old Testament book of Esther. and was lovely to look at, and when her father and her mother died, Mordecai took her as his own daughter.” Esther 2:7 Setting: 2,500 years ago (486 BC) in the Persian Empire, the son of King Darius, the grandson of Cyrus the Great was preparing to invade Greece to Esther was chosen as one of the 400 young women who would receive a year settle an old score for his deceased father. Most of history remembers this of spa treatments in preparation to meet the king as a potential queen. -
Last Summer, the World's Top Software-Security Experts Were
A DeclarationLast summer, the world’s top software-security experts were of Cyber-War panicked by the discovery of a drone-like computer virus, radically different from and far more sophisticated than any they’d seen. The race was on to figure out its payload, its purpose, and who was behind it. As the world now knows, the Stuxnet worm appears to have attacked Iran’s nuclear program. And, as MICHAEL JOSEPH GROSS reports, while its source remains something of a mystery, Stuxnet is the new face of 21st-century war: invisible, anonymous, and devastating 152 VANITY FAIR PHOTOGRAPHS BY JONAS FREDWALL KARLSSON APRIL 2011 A DeclarationLast summer, the world’s top software-security experts were of Cyber-War panicked by the discovery of a drone-like computer virus, radically different from and far more sophisticated than any they’d seen. The race was on to figure out its payload, its purpose, and who was behind it. As the world now knows, the Stuxnet worm appears to have attacked Iran’s nuclear program. And, as MICHAEL JOSEPH GROSS reports, while its source remains something of a mystery, Stuxnet is the new face of 21st-century war: invisible, anonymous, and devastating GAME OF SHADOWS Eugene Kaspersky, co-founder and C.E.O. of Kaspersky Lab— a Moscow-based computer-security company and an early investigator of Stuxnet—photographed on the Bolshoy Moskvoretsky Bridge, FOR DETAILS, GO TO VF.COM/CREDITS near the Kremlin. APRIL 2011 153 “PERSON OF INTEREST” Computer-security researcher Frank Rieger, one of the !rst to study the Stuxnet worm closely, at Berlin’s Chaos computer Club. -
There Was a Time When Jews Lived in a Country Called Persia Which Was Ruled by King Xerxes
There was a time when Jews lived in a country called Persia which was ruled by King Xerxes. The king had a beautiful queen named Vashti who he wished to show off to all the men in his court. Vashti refused to be shown off by the king and, full of fury at being disobeyed, he decided to find a new queen to replace her. Esther was a young and very beautiful Jewish orphan who had been brought up as a daughter by her cousin Mordecai. The king decided that Esther, out of all the women in his kingdom should be his new queen. Mordecai instructed her to not reveal that she was a Jew. Sitting at the king’s gate one day, Mordecai overheard two palace officers plotting to kill King Xerxes. He sent a warning to King Xerxes and saved his life. Because of this, Mordecai’s name was written in the Royal Record Book. Mordecai had an enemy close to the king named Haman. Haman disliked Mordecai because he refused to bow to him whenever Haman passed by. Mordecai would only bow to God. Haman was so angry with Mordecai that he tricked the king into passing a law that on a certain date Mordecai and all the other Jews in Persia would be put to death! It was very dangerous for Esther to approach the king without his permission, but Mordecai told her she had been put close to the king by God, especially to save the Jews. Esther came up with a plan and invited the king and Haman to a banquet the next day. -
PURIM the Festival of Purim Is Based on the Story in the Book of Esther Celebrating the Jewish Queen of Persia Who Saves Her People from Annihilation
PURIM The festival of Purim is based on the story in the book of Esther celebrating the Jewish queen of Persia who saves her people from annihilation. While the historical accuracy of this story is question- able, its metaphorical meaning – Jewish deliverance from destruction – remains current and relevant. The directive to observe Purim on the 14th of Adar is found in Esther 9:20-22, where the Jews of Shushan are told to observe “days of feasting and merrymak- ing,” to send “gifts (mishloach manot) to one another” and to give “gifts to the poor (matanot la’evyonim).” The primary observance of Purim is the reading of the Megillah, which generically means scroll but usually refers to the scroll of Esther. It is during the reading of the megillah that merrymaking takes place as the congregation noisily reacts to the names of the story’s characters. It had been customary to drown out only the name of the arch villain Haman with noisemakers (groggers) and jeers, but over the past few JEWISH HOME BASICS years, new customs have evolved to celebrate the female heroes of the story, Esther Megillat Esther and Queen Vashti. Groggers In Israel Purim has enjoyed a nationalist revival, with streets filled with costumed children, carnivals and parades. In North America, many synagogues sponsor Purim Masks carnivals, communal meals (seudot Purim) and Purimschpiels (plays). Flags But feasts and merrymaking are only one part of the command to observe Purim. another command, to give gifts to the poor, is an important opportunity for acts of tzedakah. In his code of Jewish law, the Mishneh Torah, Maimonides discusses the Purim mitzvot, and elaborates on gifts to the poor: On the 14th [or 15th] of Adar it is a duty. -
Vashti's Banquet
Vashti’s Banquet The “Other” Megillah Introduction In truth, Megillat Esther has precious little to say about the ill-fated Vashti. What to do with this obstreperous wife? In adding flesh to the bare bones of the Vashti saga (and to pave the way for the virtuous new Jewish queen), the rabbis wove fanciful accounts of the ill-fated first queen’s materialism, arrogance and vanity. What follows is adapted from rabbinic texts on Megillat Esther. The Invitation: Girls Night Out Vashti sought to emulate her husband’s example, even in the point of exhibiting treasures. She displayed six storage chambers daily to the women she had invited as guests; and she did not shrink from dressing herself in the most lavish garments of the high priests. Because the “weak sex” is subject to sudden attacks of indisposition, the banquet was given in the halls of the palace so that the women could withdraw quickly to adjoining chambers. The gorgeously ornamented apartments of the palace were more appealing to feminine tastes than the natural beauty of the royal gardens because “women would rather sit in a beautifully appointed room and wear grand apparel than eat sumptuous food.” Nothing interested women more than to become acquainted with the interior decoration of the palace “for women are curious to know such things.” Vashti gratified their desire, showing them all of the rooms, describing everything as they viewed it: “This is the dining hall, this is the wine-room, this is the bed-chamber…” The Command: Boys Behaving Badly Esther 1:10: “On the seventh day, when the king was merry with wine, he ordered Mehuman, Bizzeta, Harbona, Bigta, Abagta, Zetar, and Carcas, the seven eunuchs in attendance on King Ahasuerus to bring Queen Vashti before the king wearing a royal diadem, to display her beauty to the people and the officials; for she was a beautiful women. -
The Bible in Opera Trivia Quiz
The Bible in Opera Trivia Quiz With endless stories full of love, violence and drama, the Bible has often been a source of inspiration and subject matter for composers and librettists. Take our quiz to see how much you know about these Bible-inspired operas. Scroll down for the answer key. 1. Although Salome was a minor character in the Bible, Oscar Wilde found her character irresistible and greatly expanded on the original tale to craft his dramatic play, the basis for Strauss’ opera. In Salome , Jokanaan the prophet is based on which major biblical figure? a) St. Joseph b) St. John the Baptist c) St. John the Dwarf d) St. Julian 2. Samson and Delilah ( Samson et Dalila ) is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire. In this Biblical tale, what is the source of Samson’s strength? a) His hair b) His love c) His sword d) His purity 3. Like Salome , Herodiade , by Jules Massenet, is an opera about the tale of John the Baptist, Salome, Herod, and Herodias. Although it opened years before Salome , it is considered to be much less of a success and, in fact, the Paris Opera House refused to stage the work. In Massenet’s opera, how does Salome die? a) She kills herself b) Herodias, her mother, kills her c) She dies accidentally d) Like in Strauss’ opera, Herod orders her death 4. Moses in Egypt is a three-act opera by Gioachino Rossini that premiered in 1818.